シャドーイング練習: Sydney Sweeney Speaks on That American Eagle Ad & Her Body Transformation - 動画で英語スピーキングを学ぶ

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But you're a 13 year old girl, like what does fighting give you at that time in your life?

The element of surprise.

Ooh!

You get to see the great boots, great shoes too, Kat.

I know, you really, we pulled through the shoe game.

Strong shoe game.

I usually show up with my PJs.

For whatever reason, I was like, you know what? but I'm gonna just actually get dressed.

And then everyone liked the outfit, I was like, wow, this is the first time.

I'm so flattered.

Okay, so we're good?

Okay, whoa, we're going.

We're going.

I feel really lucky to be talking to you right now in particular, because you're a producer with a film with festival buzz.

Congratulations.

Thank you.

How does it feel to have Christie out in the world?

Christy is one of those projects and stories that, like when you're making it, the crew, the cast, everyone involved,

we all knew it was going to be something special.

We had Christy with us on set many days.

We would sometimes just like cry because of how powerful the story is.

And so being able to share that experience with the world

and to be able to show Christy's story to the world is so impactful.

And I'm beyond honored and proud that we were able to bring this story to life in the beginning, it's also really fun.

For context, like you've got headgear on.

Yes.

You've got a mouth guard in.

And you are grinning as you punch people.

And you look completely unselfconscious and completely joyful.

First of all, was it as much fun as it looked?

It was so much fun.

I was over the moon.

I felt like I finally came to life myself through Christie we really shaped every single fight to match Christie's fights.

And so all the different combos that you see me doing are the actual combos from the fights.

And I had the best girls to box with because they were down to actually fight.

And we would do full contact.

We were punching each other in the face.

And so a lot of those reactions are me as Christy, but also me just like couldn't believe that I actually did it just then.

So you have a background in martial arts.

I do.

Okay, so tell me about that.

You're what, 13?

Yeah, I was like 12, 13, and I started kickboxing and grappling.

And I trained at GoCore Hyaston with Sensei Jean LaBelle and Benny LeJet in GoCore.

and I did that from 12, 13 years old until I was about 19 and then I booked

Handmaid's Tale and Euphoria and I can't fight

and film at the same time because I'd come home with bruises

so I put it to the side

but I always wanted to find a story that would be able to bring that side of myself out.

But you're a 13 year old girl like what does fighting give you at that time in your life?

The element of surprise.

I was the only girl there

so there it was a lot of talk of oh what

is she doing here the dads are kind of a little like upset

that their sons would be fighting a girl and then I would sometimes win.

Okay so I have this sense

that you're someone who keeps a strong division between your characters

and your personal self and I just wondered if that is harder

when you've done this physical transformation for a character like Christy like

you come home or come back to your hotel room like in her body in some ways.

I actually learned so much more about myself throughout the process

and I am someone who I build my book for my character

and I learn everything about her life so

that I can fully jump in and out and throughout

that process of building Christy and working with Christy and filming the movie I started realizing I was like,

oh wow, I actually have more in common with her than I realized.

She is fighting a fight in her home life and she's also fighting a fight in the public.

And I think that for me, I find myself in a lot of battles,

both in front and not in front of the world.

So I definitely can relate.

I mean, Christie is a story about domestic violence and specifically like homophobia and domestic violence.

And The Housemaid, which I also saw, takes on domestic violence from, a totally different genre.

And then I did read that your American Eagle collection benefited a domestic violence charity.

Is that, do I have all that right?

Yes.

Okay.

You spent a lot of time this year working around that issue, and I just wondered if it meant something to you.

It does.

I always speak out about something that is important to me.

And for me to speak out, I use art.

And I think that through my characters and my movies, it's a way for me to be able to do my part

that I can and spread awareness in different ways through my characters.

And that's how I've always learned to communicate.

And it's really important.

If I look at your IMDb page, I'm thinking about you're on Euphoria,

which is a show that covers a lot of topics without taking a moral stance on any of them.

And you did Reality, which I love, which brought a lot of attention and humanity to the story of Reality Winner, the whistleblower.

It does not look like a very political career, but you have become very swept up in politics.

And so I wondered if that has surprised you as you put your ideas and yourself into art, not commentary.

I've always believed that I'm not here to tell people what to think.

I'm just here to kind of open their eyes to different ideas.

And so I think that's why I gravitate towards characters

and stories that are complicated and are maybe morally questionable and characters that are on the page hard to like,

but then you find the humanity underneath them.

And that's what I've always leaned towards.

I think a lot of people feel like it's better for art

if artists can keep themselves a little bit separate from politics.

Yeah, I've never talked about my personal life.

I know.

100

So what I'm going to do is talk about your year as a phenomenon in the culture.

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Okay.

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And a big thing that happened to you this year is that you ended your engagement.

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And I got push notifications about it it was

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and we all sort of looked up

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and we're like oh sydney sweeney isn't just a talented actress

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and an up-and-coming producer she's someone that people are really obsessed with

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and really fascinated by oh man i know

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and i just i wondered did your sense of your own

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fame change this year no i surround myself with a really

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really strong group of people who have been in my life since I was little.

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And they take me out of Hollywood, take me out of this bubble and remind me what the real world is and that that's where I exist.

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The idea of fame, it doesn't apply to my personal life.

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I'm just sad.

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You can't feel the difference in the volume at times.

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If I turn on my phone, yes.

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If I have my phone off and I'm home, no. Right.

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Okay, so what is it like now being single?

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Are you single?

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I'm single.

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Okay, you're single.

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You are out there now as a person who has a lot of power, I would say.

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A person who people are obsessed with and someone who I gather is like really, really focused on their work.

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So I wonder how does that change what you're looking for?

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I don't think I'm looking for a man right now.

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What I've learned this year is that I have a really, really amazing group of girlfriends, and I am strong and independent,

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and that I'm going to be okay.

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If love finds me, love finds me.

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I'm hopeless romantic, so I hope love finds me, but I'm not the type of person that wants to go out all the time.

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and I do believe in true love and wanting to be with someone for the rest of my life.

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So I'm not going to, you won't see me jumping around a lot of places.

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Wait, jumping around a lot of places like?

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Like guys.

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Oh, okay.

134

Okay.

135

So you are making Anyone But You and there's sort of, what do we call it,

136

like a game almost with sort of letting rumors build about you and Glenn.

137

And we all now know that that was a projection, let's say on our parts, that wasn't real.

138

But it occurred to me that maybe that story doesn't go so viral

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if you're not a very private person I imagine there are personal benefits to being private about your personal life

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but are there also professional benefits to being private about your personal life the professional benefits for me

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and being private is for my own just health and sanity.

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If I let everybody in all the time, I have nothing for myself.

143

And I am just a 27 year old or 28 now.

144

I turned 27, 28 yesterday.

145

Happy birthday.

146

Thank you.

147

But I'm just a 28 year old woman who's trying to figure it out.

148

And I'm still learning and I'm going to make mistakes and I'm going to grow.

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And I think that it's important to be able to do that without having to say every single thing all the time.

150

Right okay but so you're never tempted to just like open your notes app

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and say this is what I really think

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and this is who I am and this is going on in my life and like stop guessing and projecting.

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I mean all offense to my girlfriends but other than

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that no. No. No. Okay that's honestly really impressive like I know who I am.

155

Right.

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I know what I I know that I'm a kind person.

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I know that I love a lot.

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And I know that I'm just excited to see what happens next.

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And so I don't really let other people define who I am.

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I'm happy to hear that.

161

I have a second-hand concern for you lately.

162

Thank you.

163

We're sort of talking around this American Eagle ad right now, and maybe we should just talk about it.

164

So were you surprised by the reaction?

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I did a jean ad.

166

I mean, the reaction definitely was a surprise, but it was, I love jeans.

167

All I wear are jeans.

168

I'm literally in jeans and a t-shirt like every day of my life.

169

Jeans are uncontroversial.

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Jeans are awesome.

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You look great in your jeans.

172

I think I know how you're gonna answer this, but I'm gonna ask anyway.

173

I mean, the president tweeted about the jeans ad or Truth Socialed about the jeans ad.

174

And that just seems to me like a very crazy moment for anyone.

175

And I wondered what that was like.

176

It was surreal.

177

It was surreal.

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And it would be totally human.

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I would probably feel like thankful that somebody had my back in public,

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you know, and conveniently some very powerful people had my back in public.

181

And I wondered if you felt that way.

182

I don't think that...

183

It's not that that feeling didn't...

184

I didn't have that feeling, but I wasn't thinking of it like that or like of any of it.

185

I kind of just put my phone away.

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I was filming every day.

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I'm filming Euphoria, so I'm working like 16 hour days and I don't really bring my phone on set.

188

So I work and then I go home and I go to sleep.

189

So I didn't really, I didn't really see a lot of it.

190

You've made a really good case for keeping your thoughts and your life separate from that work.

191

But the risk is that, you know, there's a chance that somebody will get some idea about what you think about certain issues

192

and feel like I don't wanna see Christie because of that.

193

Like, do you worry about that?

194

No. No. If somebody is closed off because of something they read online

195

to a powerful story like Christie,

196

then I hope that, I hope something else can open their eyes to being open to art and being open to

197

learning and I'm not gonna be affected by that.

198

Yeah, you've come here like really willing to talk about this whole discourse

199

that doesn't have that much to do with you and I'm grateful for that.

200

Is there something that you want to say about the ad itself?

201

The Sydney Sweeney has great genes.

202

Do you have?

203

The ad spoke for itself.

204

You think the ad spoke for itself?

205

Yeah.

206

Okay.

207

And the criticism of the content, which was basically that maybe specifically in this political climate,

208

like white people shouldn't joke about genetic superiority.

209

Like that was kind of like the criticism, broadly speaking.

210

And since you are talking about this, I just wanted to give you an opportunity to talk about that specifically.

211

I think that when I have an issue that I want to speak about, people will hear.

212

We should talk about Cassie.

213

You got back together with Cassie.

214

You spent some time in Cassieland.

215

I am.

216

I wondered if after the break and after the changes in your life, since last time you were Cassie,

217

if you came back to that role with a different perspective on her character, her arc.

218

Well, Cassie and the whole world of Euphoria is now five years ahead.

219

So all the characters are living in the real world.

220

They're dealing with very real world life problems.

221

And Cassie, Cassie's just so much fun.

222

She's so crazy.

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And I don't know if I can implement any of my own knowledge

224

or life experiences to Cassie because she's just so on her own plane and in her own world and thinks completely differently.

225

It's such a fun rollercoaster ride because I'm getting to go to all these insane places.

226

She's crazy.

227

I thank Sam like every day for giving me a character like her in my 20s

228

because Sam put together a show of like a powerhouse lineup of really interesting storylines and characters.

229

And being able to go back to Cassie and grow with her and go even crazier is such a treat.

230

I always feel like I'm going home.

231

One thing we haven't talked about that you've talked about a lot,

232

but I wonder how it's coming up now and your work is the way women,

233

women actors and you are represented on screen.

234

The early part of your career was defined by a lot of chatter about that, right?

235

About is it an empowering or not empowering?

236

Blah, blah, blah.

237

In regards to my body?

238

Yeah.

239

And like Cassie, I think, brought that out.

240

And that doesn't really seem to be part of the story anymore.

241

And I wonder if you feel like Hollywood is changing or if it has to do with being an actor, producer roles.

242

I think that the conversation around it is changing.

243

I've always looked at a woman's body as a very beautiful, powerful tool.

244

I transform my body for Christy.

245

It's a challenge but then also really amazing at the same time

246

that we're capable of doing stuff like that and being able to tell stories through our body.

247

And I've always looked at it that way.

248

I've always looked at it as my body is another tool to tell this story.

249

How does using that tool change when you are more in the driver's seat as a producer?

250

I mean, I'm thinking about the housemaid, like, there's a scene in that where you're in this home theater and you're wearing like a push-up bra.

251

And she's like, okay, this is not a push-up bra.

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It's just my boobs.

253

Wow.

254

Fact check me.

255

Fact check.

256

That's just like a sports bra or something.

257

Yeah.

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Good God.

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Okay.

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I mean, she's wearing what she'd wear.

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It's like, she's being comfortable.

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It's for herself.

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It's not for anybody else.

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Great.

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Yeah.

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That, I mean, that's sort of where I was going with it, though, is that watching that scene, I had this feeling of there's a self-awareness and knowingness to this that,

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you know, it is a casual sweatshirt, her boobs are out, and then you're like,

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the wife comes in and like comments on it in this way that to me felt very like funny.

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Letting Sydney use her body in this way,

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but also commenting on it in a knowing way that lets you know that we're all in on this joke.

271

And I guess I wondered if that is a hallmark of having you having more control of the project.

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I think so.

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I think that as time goes on, people will see that I'm way more aware of things than people think.

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Can you say a little bit more?

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I mean, if I say it, then I like to let the art speak for itself.

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I think that's where it's fun.

277

Okay.

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But you know that you are like, you are giving us permission to keep projecting.

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A little bit, like we're gonna keep taking what you do and like putting it up on our board.

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I'm like, what does Sydney think?

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I can't wait to see what the board says.

282

Okay.

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That felt like a punctuation.

284

Wow.

285

It's a beautiful punctuation.

286

Awesome.

287

Thank you.

288

Thank you guys.

289

Yeah, thank you guys.

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英語スピーキング練習をしたい中級レベルの学習者にぴったりです。日常会話のリズムや自然な会話の流れを覚えたい人、IELTS スピーキング対策としてリアルな会話をシャドーイングしたい人に最適です。セリフには喜怒哀楽があり、アクセントやイントネーションが豊かなので、shadow speechの練習にもふさわしいです。

覚えておきたいフレーズとイディオム

"pull through"：困難を克服する、なんとかやり遂げる。文中では「シューズの選び方がうまくいった」という意味で使われています。
"over the moon"：大喜びする、非常に幸せである。「とても楽しかった」という感情を強調して表現しています。
"put it to the side"：一時的に置いておく、優先順位を下げる。マーシャルアーツを撮影のために一時中断したことを表しています。

アクセントを自然にするコツ

話者の発音は明るくリズミカルで、単語のアクセントがはっきりしています。特に「impactful」「unselfconscious」のような長い単語は、途中で息を継ぐことなく滑らかに発音することがポイントです。また、疑問文のイントネーションが上がる部分や、驚きを表す「Ooh!」「Wow!」のような短い表現は、声のトーンを上げて自然に発声すると、よりリアルな会話になります。英語シャドーイングをする際は、これらのポイントに注意して繰り返し練習してみてください。

この動画を使ってshadowspeakの練習を続けると、日常会話の流れやネイティブの発音に慣れ、スピーキング力が大幅に向上しますよ。頑張ってください！

この動画の文法

話し手がよく使っている文型を、動画の実際の表現とともに紹介します。

文型	動画での表現
現在完了形 have/has + 過去分詞 — 過去の出来事が今も関係している	you've done · I've always learned · have become
関係詞節 who / which + 節 — 人や物について情報を加える	someone who keeps · someone who I · people who have
受動態 be + 過去分詞 — 誰がするかより、何が起きるかに焦点を当てる	is closed · be affected · are represented

シャドーイングとは？英語上達に効果的な理由

シャドーイング（Shadowing）は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的：ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影（shadow）」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。

シャドーイングのやり方: ステップ別の完全ガイドを読む →

シャドーイング練習: Sydney Sweeney Speaks on That American Eagle Ad & Her Body Transformation - 動画で英語スピーキングを学ぶ

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覚えておきたいフレーズとイディオム

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シャドーイングとは？英語上達に効果的な理由