Shadowing Practice: Mike Shinoda Wrote Linkin Park’s “In the End” in Just One Night - Learn English Speaking with Video

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One thing that like it's hard to wrap your head around is
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that I when I wrote this so I wrote
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that piano line the chords the chorus all my I wrote
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some raps I did all of the programming for all the beats sitting in a rehearsal space on Hollywood
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and Vine overnight they had these like I love
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that you weren't supposed to stay overnight you weren't supposed to stay overnight
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but they let me stay there
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because I wanted to kind of spend more time with the music and outside it was like, you know, junkies and prostitutes.
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Right now, now it's like a fancy sushi spot.
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Like back then, it was bad.
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Like I literally, we locked the doors and everything to the whole unit because we didn't want anybody getting in.
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That song did not exist.
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You know, it never existed.
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You're sitting there.
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This is the first part.
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That's the part.
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That came to you.
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And do you run over to the piano and start hitting it again and again and again?
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Yeah, I was sit- I was already doodling on the piano and it- that came to me and let that run, yeah.
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And then do the lyrics start coming to you?
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I knew I wanted to do the back and forth, like he would sing a line and then I would rap.
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Right.
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My lyrics in the verse- first version were different.
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But the chorus, I think by the end of that session that night, I think I had written the words to the chorus, if I'm not mistaken.
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If not, no, it had to be
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because the next day I played it for our drummer and our drummer Rob was like, dude, this is the song that we've been waiting for.
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Like, this is the best song we've got.
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And right here, this part I had by the end of the night, the end of the night i had this i think did you get the chills
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when you wrote this part
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because it's like i don't even know really what you're saying in terms of a meaning
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but the vibe is fucking mind-blowing right here in the end
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it doesn't matter it didn't feel big it didn't feel big
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to me it didn't feel like a hit song i wouldn't
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know what a hit song felt like wow i was too young
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all I was was like all it was was I was feeling despondent I was feeling like
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well you know we're doing all this stuff we're trying to like realize some kind of identity
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or some kind of like meaning
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and it doesn't it's not working it doesn't in the end
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all this shit we're doing doesn't matter we're going nowhere it
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was this it was there was a despondence in it and you You know what blows my mind too?
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You bring it to Chester and Chester goes, we're not putting this on the album.
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This is not a good song.
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He didn't even know it worked.
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He didn't hate it.
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No, no, no, no. That's actually a misconception.
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Some people think that he, he hated the song.
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He liked the song.
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He just loved really heavy stuff.
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And so when we were like, when people were like, this should be a single, he was like, ah, whatever.
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Like, that's fine.
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Like it's not, it wasn't the one he would have chosen.
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Listening to this now, what do you feel when you hear it?
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He was born for this.
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I feel like this, him singing vocals on albums and on stage was as happy as it got.
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Like that was as good as it fucking got.
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So I think, I feel good.
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I always feel good about that.

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Who Should Watch This Video to Learn English?

This video is perfect for intermediate learners ready to level up their conversational skills! If you love music and want to practice shadow speak (repeating native speakers to mimic rhythm and tone), this is your jam. It’s great for anyone aiming to sound more natural in casual, storytelling settings—you’ll pick up real-world phrases while diving into a cool music story.

Words & Idioms Worth Stealing

Boost your vocabulary with these standout phrases from the video:

  • Wrap your head around: To understand something difficult ("It’s hard to wrap your head around how fast he wrote the song").
  • Despondent: Feeling very sad and hopeless ("He wrote the song while feeling despondent about the band’s progress").
  • Misconception: A wrong idea ("There’s a misconception that Chester hated the song").
  • Doodling on the piano: Playing casually, not following a set piece ("He was doodling on the piano when the melody hit").

These phrases are gold for shadowspeak practice—they’re common in everyday speech and add depth to your conversations.

How to Get the Accent Right

Mike Shinoda’s speech is relaxed and conversational, with a neutral American accent. Focus on two key areas for shadow speech success:

  • Reduction of "t" sounds: Notice how he says "didn’t" as "din’t" and "it’s" as "its"—this casual reduction is typical in American English. Practice copying this to sound more natural.
  • Rhythm of storytelling: He pauses slightly before big details (e.g., "And right here… this part I had by the end of the night"). Mimic these pauses to build tension and flow, just like a native storyteller.

Learning English with YouTube videos like this is a fun way to improve—use shadowspeaks techniques to repeat lines, and you’ll see progress fast. Remember: the goal is to practice often, not perfection. You’ve got this!

What is the Shadowing Technique?

Shadowing is a science-backed language learning technique originally developed for professional interpreter training and popularized by polyglot Dr. Alexander Arguelles. The method is simple but powerful: you listen to native English audio and immediately repeat it out loud — like a shadow following the speaker with just a 1–2 second delay. Unlike passive listening or grammar drills, shadowing forces your brain and mouth muscles to simultaneously process and reproduce real speech patterns. Research shows it significantly improves pronunciation accuracy, intonation, rhythm, connected speech, listening comprehension, and speaking fluency — making it one of the most effective methods for IELTS Speaking preparation and real-world English communication.

Shadowing technique: read the full step-by-step guide →