Prática de Shadowing: Dangerously Yours Ep01 Masquerade - Aprenda a falar inglês com vídeo

Dangerously yours.

A half hour of romance

and adventure brought to you at this time each Sunday by the Vic Chemical Company

and today bringing you a special short version of Masquerade, an exciting tale of espionage in the Budapest of 1915.

I am adventure.

In my name men have traversed the highways, the byways, the skyways of the world.

I have tramped the jungles with explorers.

I have ridden the wilderness road on horseback and in covered wagons.

I have gone 20 ,000 leagues under the seas and as many leagues above them.

I have been the fire of Captain Kidd and Walter Raleigh and John Paul Jones and Francois Villon, that fire that burns in the heart of youth,

that makes men dream and dare and conquer.

I am the spirit of romantic adventure.

I am dangerously yours.

Today, follow me to a dark room in the Europe of 25 years ago,

where a woman sits looking across a desk into eyes that are focused on history.

Masquerade!

And so, my Countess Rashola, you have our reasons for choosing you for this mission.

You are very young, you are clever, and you are very beautiful.

Because of your youth, you should be exceptionally valuable to us.

I am at your command, Excellency.

From now on, you will forget my title.

In all our communications, you will address me as Mr. Kolenkov.

Now, let us get on to facts.

I hope the count will not be too difficult for you, he is a shrewd man.

When you have obtained our information, you will conceal the message in this silver pencil.

Send it to me immediately.

Trust no one.

We rely on your discretion.

I understand.

Well.

Now, in these papers, you will find all the necessary information about Count Estefan.

It has already been arranged just how you will meet him.

Tonight, you will take the train to Budapest.

Good evening, madame.

Have my bag sent to suite 913.

Yes, ma 'am.

Good evening, Countess Rishola.

Good evening.

Welcome back, Countess Rishola.

Thank you, Baudre.

Our table for one, madame.

Is Count Estefan dining?

Oh, he's at the table by the window, madame.

I can't imagine whatever possessed he'd wear that head.

I told Benson my price was $5 ,000.

This morning when I was riding in the park, I saw Duffy on the bridal pad and he was...

I beg your pardon, madame.

Here is the necklace and the rings and the bracelet you gave me, Luigi.

Take them back.

I'm through.

Just a moment, madame.

You've made a...

Madame, wait!

Can I be of service, Count Estefan?

Did you see the young lady who stopped at my table?

Yes.

She left these jewels.

I don't understand.

Do you know who she is?

She is the Countess Rishola.

She's in Suite 913.

Just a moment.

Madame, you have made a mistake.

My name is not Luigi.

I have never seen you or these jewels before.

I know.

Won't you come in, Count Estefan?

You know who I am?

But of course.

You were the most handsome man in the dining room.

And I was very lonely.

So I thought tonight I will have an adventure.

I will make the acquaintance of the distinguished Count Estefan.

How do you know my name?

It was not difficult to find out.

How did you know I wouldn't run off with your jewels?

I took that chance.

Besides, they're insured. Are you angry?

No, I am not angry.

If some kind fate wishes to send a beautiful lady to dine with me, I can only be grateful.

You will do me the honor, won't you, madame?

I shall be delighted.

¶¶ What would you like for dinner?

What does a count eat?

Pheasant's wings and peacock's breasts?

And what do you usually eat?

What does a countess usually eat?

Almost anything.

Well, then, how about roast beef?

All right.

Step right up, monsieur d 'un.

And watch mademoiselle in the red hat shoot the little clay pigeon.

Step right up.

I'll never be able to hit a thing.

Don't let me down before all these people.

I'll try.

Good heavens!

Hand the little lady down a dancing dog.

100

Look, Catherine, a shooting star.

101

Did you wish?

102

I didn't have time.

103

Then there is something you wish for.

104

Yes.

105

What did you wish?

106

I was wishing that we were two other people.

107

Two people who need not say goodbye.

108

Perhaps it can be that way.

109

Forgive me, Your Lordship, but I'm not easy in my mind about this business.

110

I wish you wouldn't go to see that woman tonight, sir.

111

How could I stay away?

112

Albert, for the first time in my life, I'm completely head over heels in love.

113

But, Candice, if I'm not...

114

I know what you're thinking.

115

I have a mission to perform, and I have no right to fall in love.

116

But things don't always work out the way we'd like to have them work out, eh, Albert?

117

Oh, I don't know what's to come of all this, sir.

118

No, Albert, neither do I.

119

Neither do I.

120

But perhaps we shall find out tonight.

121

Catherine, I have received a message for you from Mr. Kolenkoff.

122

What is it?

123

He said that you must obtain our information immediately.

124

That you've taken too long.

125

You are to get it tonight.

126

Tonight?

127

Mr. Kolenkoff has been lenient with you because this is your first mission.

128

But he will not be lenient any longer.

129

It is not wise to anger Mr. Kolenkoff.

130

He is a dangerous enemy.

131

Forgive me, Catherine.

132

I was sent to serve you as a maid, not to give you advice.

133

You're right.

134

Don't worry.

135

The mission will be completed tonight.

136

You have the silver pencil?

137

Yes.

138

Then I will wait for you at the appointed place.

139

Do not fail us.

140

The mission will be completed tonight.

141

Catherine, I offer you the three things most dear to me My heart, my country, and my dream You are too generous Catherine,

142

you must listen to me Since that first hour we met, I've been completely yours There's never been anyone else for me There never will Please,

143

please, don't say anymore There are worlds between us, worlds that can't be bridged with words.

144

You said one night that you wished we were two different people.

145

I think you may have that wish, Catherine.

146

What do you mean?

147

Only that my country is close to its victory and may not need so much of my service any longer.

148

Close to victory?

149

I'm going to tell you something tonight, Catherine.

150

Something that will put my life in your hands.

151

Your life?

152

It would mean my life were the news to get to certain circles, yes.

153

Then don't tell me.

154

How do you know you can trust me?

155

I love you.

156

And I believe you love me.

157

You're quite wrong.

158

This has been only an adventure to me.

159

That isn't true, Catherine.

160

It is true.

161

You smiled at me.

162

I was flattered.

163

It was an adventure for a holiday mood.

164

You may as well take my heart, Catherine.

165

It's already full of you.

166

You walked into it the day we met.

167

You're a fool, Rudolph Bestiff.

168

Oh, but isn't any man who falls in love?

169

Do you know what you are to me?

170

You're something to believe in again.

171

You're a type of person that had ceased to exist for me.

172

A fine and honest woman.

173

Oh, my darling, you're such a child.

174

Take your foolish little dream in your heart and go.

175

Please go.

176

What is it?

177

What's wrong, my dear?

178

You know nothing about me.

179

You've known me only three weeks.

180

Three weeks?

181

Catherine, I've known you all my life.

182

All your life.

183

It's true.

184

I've seen you in a thousand plays.

185

Read you in as many books.

186

When I've heard beautiful music, I've thought she'd like that.

187

I've looked at flowers and known that one day I'd give them to you.

188

Oh, stop, stop.

189

You must listen to me.

190

I'm not that woman.

191

Perhaps I was once, but I'm not now.

192

You see, you were wrong.

193

You can't trust me.

194

Are you trying to tell me that someone whose name we both know and won't mention sent you?

195

Thank you.

196

What are you saying?

197

You see, I've known all along.

198

I had Albert look you up the day you arrived.

199

And it.. it didn't make any difference?

200

It didn't make any difference.

201

You see, I trust you.

202

You came here to betray me and to betray my country.

203

That is your mission, Countess Richelieu.

204

And yet I am so sure of your love

205

that I will trust you with my life and what is far more valuable, the life of my country.

206

I will betray you.

207

If you do, you will betray yourself at the same time.

208

Yes.

209

Yes, I know.

210

So you shall know my secret.

211

Even now, as we sit here, there is a great network growing tighter around the foremost nations of the world.

212

Treaties, pacts, alliances being formed against the man who sent you.

213

Tonight, I will sign a pact that will set the wheels in motion to destroy him.

214

Destroy him?

215

No. He's made a great many mistakes.

216

The greatest of all was sending you here, Catherine.

217

Why?

218

He knew I should love you.

219

But he did not guess that you would fall in love with me.

220

No. He didn't guess that.

221

Then you do see that you cannot betray him.

222

If I betray you, I betray myself.

223

If I betray him, I betray my country.

224

My country is very dear to me.

225

Dearer than I?

226

No. No, not dearer than you.

227

Then will you help me defeat him?

228

Help you?

229

Defeat him?

230

By telling me his plans.

231

That's the only way I can hope to defeat him.

232

We can't both win.

233

You'll see, Catherine.

234

I'm beginning to see.

235

Then you will help me.

236

By giving you any information I may possess concerning our plans?

237

Yes.

238

you're very clever aren't you oh i can read you like a book now you thought i was young

239

and easily swayed that you could make me love you

240

and i would throw over my country my duty for you

241

that's not the way to look at it catherine you weren't

242

so wise after all

243

because you've lost you hear me lost you guessed wrong in

244

our little duel of wits you forgot how close hate is to love You don't know what you're saying, Catherine.

245

You never loved me.

246

You knew that I loved you, and you used that.

247

Catherine, stop talking like a child.

248

We're playing for countries now.

249

Yes, we are, aren't we?

250

This is a gun in my hand, Rudolph.

251

I'd advise you to be careful what you say.

252

Well, rather melodramatic, aren't you?

253

Tell me, will I be the seventh notch on the gun or the eighth?

254

Do you mind if I smoke?

255

Smoke?

256

I always smoke at the theater.

257

Somehow it enhances the performance.

258

You can do anything you please, Rudolph.

259

But you have very little time to do it in.

260

You mean you're actually going to kill me?

261

I mean just that.

262

Well, go ahead.

263

I'll do this my own way.

264

Look.

265

You already know my purpose in being here.

266

Now you will either give me my information or I will kill you.

267

You have until nine o 'clock.

268

You won't do it.

269

You can't pull the trigger

270

You can't pull it because you love me It takes a very brave and a very cold woman to do that,

271

Catherine I don't think you can Isn't that true?

272

Isn't that why you're waiting?

273

That's not true Or is it that you want to watch your victim?

274

You want my heart to constrict with agony My hands to shake You want me to plead for my life

275

So you can make a generous gesture and spare me Sorry, Catherine, I don't seem to be in the mood for prayers tonight.

276

You don't think I'll do it.

277

That's why you're so brave.

278

You don't think I'll do it.

279

You wouldn't be so brave otherwise.

280

You're a coward at heart.

281

You lied to me.

282

You deceived me.

283

You tried to deceive me.

284

I'm tired of listening to you.

285

You gave me your heart, you know.

286

You'd like me to hand it back, whole again.

287

But I won't.

288

You live a long time yet, Catherine an eternity without me.

289

You will look into the faces of passers -by hoping for something that will, for an instant, bring me back to you.

290

You will find moonlit nights strangely empty because when you call my name through them, there will be no answer.

291

Always your heart will be aching for me

292

and your mind will give you the doubtful consolation that you did a brave thing.

293

You dare to talk of bravery.

294

What else do we have to talk about, Catherine?

295

For me, there will never be another woman but you.

296

But for my heart, there is another love that must come before you.

297

My country.

298

You are so still.

299

Your face is like ice.

300

What are you thinking, Catherine?

301

What does anything you can say matter?

302

You betrayed me with words.

303

What good are words?

304

Your heart is breaking.

305

If I fail now, I should deserve to die.

306

You tricked me into loving you.

307

Aren't you forgetting that you came here for the same purpose?

308

I couldn't have betrayed you.

309

I tried to tell you.

310

You said you already knew.

311

I was as honest as I knew how to be.

312

Do you think I wanted to love you?

313

Knowing where you came from and what your mission was?

314

Don't you suppose that every hour we were together I was thinking she's just pretending?

315

I wasn't.

316

I loved you.

317

And I loved you so much I let you pretend.

318

Because you brought something to my days I couldn't stand the thought of losing.

319

Listen to your heart, Catherine.

320

Feel it pounding.

321

Your time is up.

322

Then my last words.

323

I love you, Catherine.

324

You're determined to die with a lie on your lips.

325

I love you, Catherine.

326

Oh, God.

327

Help her.

328

Help her.

329

Where are you, sir?

330

I heard a shot.

331

Help me up.

332

I'll be all right.

333

Help me up.

334

Oh, I knew you should never have come here.

335

I'll get a doctor.

336

No, no, no, no. No, it's too late.

337

I waited right by the door like you told me to, sir.

338

The other woman went downstairs about ten minutes ago.

339

Please let me get a doctor, sir.

340

No, no. I want you to send a message, though, at once.

341

The usual destination.

342

Yes, sir.

343

Kalenkov.

344

The masquerade is over.

345

X -32 reports that Countess Richelot is trustworthy and loyal.

346

You may entrust in her care any documents.

347

She will not betray you.

348

Report case 255.

349

Closed.

350

X -32.

351

Conceal it as usual, Albert, in the silver pencil.

352

Please let me call her back.

353

You must tell her the truth before it's too late.

354

Tell her the truth?

355

Tell her the truth so

356

that she will watch the stars through tears instead of following the one cold star that is her destiny?

357

No, no, Albert.

358

Let her think I never loved her.

359

One day, she will follow a flag to the same fate as mine.

360

We must leave her the strength for that hour.

361

I am adventure.

362

Today you have shared the adventure of Masquerade with me.

363

Next week, I bring you Jungle Harvest, take you to the tropic paradise of Samburan to share the adventure of a gentle,

364

peace -loving man suddenly forced to pit his wits against the sinister

365

and the dangerous in order to save his own life and the life of the girl he loves.

366

Until then, I am dangerously yours.

367

Thank you.

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Por que esse vídeo é perfeito para prática de conversação em inglês?

O clipe de "Dangerously Yours Ep01 Masquerade" é um material excepcional para quem quer aprimorar a fala em inglês, especialmente por causa de sua mistura de linguagem formal e informal, além de uma narração envolvente que simula situações reais de comunicação. A variedade de tons — desde a autoridade de "Mr. Kolenkov" até a elegância da Condessa — ajuda a treinar a adaptação da pronúncia e da entonação a diferentes contextos, essenciais para uma conversação natural. Além disso, a estrutura do diálogo, com frases curtas e interações diretas, facilita o uso de técnicas como o shadowing em inglês, que consiste em repetir as falas imediatamente após ouvi-las, melhorando a fluência e a pronúncia.

Analisando frases-chave: o que torna elas naturais

"I am at your command, Excellency.": A expressão "at your command" é uma forma polida e formal de dizer "estou à sua disposição", comum em contextos de respeito ou hierarquia. A pronúncia suave de "Excellency" (com ênfase no segundo sílaba) mostra como a entonação pode transmitir reverência.
"Trust no one. We rely on your discretion.": Frases curtas e impactantes, típicas em situações de tensão. A repetição do "t" em "Trust" e "no one" cria um ritmo acelerado, enquanto "discretion" (discrição) é pronunciada com uma ênfase no "s" suave, mostrando a importância de articular consoantes claramente.
"Have my bag sent to suite 913.": Uma ordem indirecta, com o verbo "have" usado para pedir que algo seja feito por outra pessoa. A pronúncia de "suite" (com o som "swi-t") é um exemplo de como palavras francesas influenciam o inglês, e a clareza no número "913" é fundamental para a comunicação eficaz.

Rota de prática: como usar o vídeo para o shadowing

Para uma prática eficaz, siga esse roteiro de shadowspeak: Primeiro, assista ao vídeo sem legendas e preste atenção ao ritmo e à entonação. Em seguida, reproduza pequenos trechos (3-5 segundos) e repita imediatamente, tentando igualar a pronúncia e o tom. Grave sua voz e compare com o original — observe diferenças na articulação de consoantes (como "t" em "trust") e na duração de vogais (como "a" em "command"). Repita o processo com trechos mais longos (10-15 segundos) até que a fluência melhore. Essa rotina, quando feita diariamente, ajuda a internalizar a estrutura da língua e a falar com mais naturalidade, essencial para a prática de conversação em inglês.

Gramática neste vídeo

As estruturas que o falante mais usa, com as palavras exatas do vídeo:

Estrutura	No vídeo
Present perfect have/has + particípio passado — uma ação passada que ainda importa agora	have traversed · have tramped · have ridden
Voz passiva be + particípio passado — o foco está no que acontece, não em quem faz	are focused · been arranged · be delighted
Orações relativas who / which + oração — informação extra sobre uma pessoa ou coisa	people who need · man who falls · man who sent

O que é a Técnica de Shadowing?

Shadowing é uma técnica de aprendizado de idiomas com base científica, originalmente desenvolvida para o treinamento de intérpretes profissionais. O método é simples, mas poderoso: você ouve áudio em inglês nativo e repete imediatamente em voz alta — como uma sombra seguindo o falante com 1-2 segundos de atraso. Pesquisas mostram melhora significativa na precisão da pronúncia, entonação, ritmo, sons conectados, compreensão auditiva e fluência na fala.

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