Практика Shadowing: Guthrie Govan Showcases his Signature MJ San Dimas® SD24 CM - Изучайте разговорный английский с YouTube

B2
Salutations!
⏸ Пауза
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Salutations!
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This is Guthrie Govan here, and I'm here to introduce you to this rather fetching thing, my new signature guitar.
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I was three years old when I started playing, but it wasn't really a conscious choice.
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It was a case of growing up surrounded by music being played in the house, and seeing a nylon string guitar just propped up in the living room.
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So it was the most natural thing in the world for me to start learning how to operate the thing.
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All I've ever done over the years I've been playing guitar is just listen to everything around me
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and absorb the aspects of it that I liked So I've never felt an urge to specialize.
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I'm happy just to keep combining whatever flavorings I like and rolling it all together
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You end up on this quest to find an instrument
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that feels as natural as possible I think it's a good goal
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when you're playing not to have to be aware of the instrument
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and for it to feel more just an extension of yourself
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and then you can concentrate purely on what kind of noises you're trying to make and share with the world.
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This guitar is the result of that process in me personally.
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The purpose of an instrument like this is to have the
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kind of dream instrument where you get called to go somewhere to do a session
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or to do a gig and you have no idea what will be expected of you.
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Can you hop on the airplane with one guitar confident
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that it will actually be able to deliver whatever the people at that the other end would need.
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This is a different flavour.
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Charvel's hold up really well to abuse.
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That was a big part of what I wanted to test during the development of this model.
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So the necks in particular on Charvel's are extra stable, extra reliable.
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I can attest to this because I explored every form of punishment that you can subject one of these to.
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And I think it's a mixture of caramelising the maple and sticking graphite in there as well.
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I've been to Japan many times, and the thing that strikes me consistently is how much everyone cares about doing things properly.
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It's an assurance of quality, and this thing is immaculate.
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I shall attempt to talk you through some of its many features.
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Caramelized maple neck, locking tuners.
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The nut, it's been cut well, and I think that's the biggest thing that you have to care about when you're nut shopping.
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How accurately have the slots for the strings been cut?
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You should have an enjoyable, friction-free life as you bend and whammy yourself into oblivion.
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The frets, as on the US model, they're massive steel frets because I like to bend a lot.
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These are lumen lay and they really do glow in the dark and it's a very satisfying thing.
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These knobs have glow in the dark numbers.
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This is really useful for me in studio situations.
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If you're recording a number of guitar parts and then you listen back and discover, hang on, track three, actually the G-string was slightly flat, we have to do that again.
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What was the sound again?
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And if you can recall exactly where the knobs were, then you can just punch in seamlessly and no one will be any the wiser.
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Pickups, these are, in terms of design, the same as the US pickups.
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When I was sent this prototype, I didn't notice any sonic difference at all.
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If I had, I would have whined about it.
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This is exactly the same bridge as the American one.
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I don't think you can find it on any other guitar, which is a shame, because for me this is a great compromise between the world of the locking trim
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and the world of a more traditional trim.
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And then the arm attachment is possibly my favorite thing about this bridge.
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It's completely solid.
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You can go from slightly bent down to slightly bent up.
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Now if we look at the back we have this sculpted arrangement here.
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You can play all your stuff up there, so no problem getting up to the higher registers.
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The bulk of this body is basswood, and tonally that's a great thing, because basswood is very neutral.
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And perhaps it's time to address the obvious cosmetic detail here.
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I finally have a guitar that's sunburst instead of just wood-coloured.
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We were actually able to come up with a couple of new tweaks to make this even more of an all-rounder.
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And you can't even see them, so I'll tell you what you're getting for Christmas.
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When you hit the chord really hard and then mute it suddenly
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and you have the world's most overdriven amp setting sometimes you can hear the springs ringing out sympathetically.
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I talked to the Charvel guys about this
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and they said what you need is some foam we have
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the perfect foam for you we will insert it between the spring cavity
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and the springs and and your sympathetic ringing problems will be over.
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There's more secret foam lurking in this guitar and it's under this pickup.
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If you do want to lower that bridge pickup slightly, either to stop overloading your recording interface
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or just to keep the output a little bit more in line with what the other pickups are doing, this is now achievable and it's all thanks to the magical properties of foam.
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Teenage me would be really happy to know that one day I would end up with a signature guitar.
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But it also comes with a kind of responsibility.
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I think if you're going to have your name on the back of a headstock of an instrument, that's you almost personally vouching for the quality and usability of that instrument.
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It's not something to be taken lightly.
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I have a guitar now that I'm completely confident to take anywhere in the world and do any kind of gig with.
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For anyone out there who's heard the kind of thing I do and the way I blend different styles, or the way I need to access different tones,
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if that's something that resonates with you, then I can only cordially invite you to try one out.
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Should you find one of these in the wild, who knows, you might just like it.

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Об этой уроке

В этом уроке вы познакомитесь с увлекательным опытом игры на гитаре от Гасри Гована. Мы обсудим, как музыка и инструменты могут стать естественным продолжением вас самих. В процессе обучения вы будете практиковать разговорный английский, улучшая свои навыки понимания и произношения. Урок фокусируется на том, как мастерство музыканта связано с выбором инструмента и процессом самовыражения, что поможет вам глубже понять различные аспекты общения на английском языке.

Ключевая лексика и фразы

  • signature guitar - подписная гитара
  • to operate - управлять
  • dream instrument - инструмент мечты
  • locking tuners - блокирующие колки
  • friction-free life - жизнь без трения
  • lumen lay - фосфоресцирующие лэй
  • glow in the dark - светиться в темноте

Советы по практике

Для эффективной практики и улучшения навыков учить английский с YouTube, используйте метод shadowing английский. Начните с того, чтобы слушать и повторять за Гасри Гованом, обращая внимание на его интонацию и темп речи. Процесс восстановления его произношения поможет вам освоить shadow speech и позволит вам быстрее овладеть разговорным языком. Помните, что важно не только повторять слова, но и пытаться понять смысл фраз. Обратите особое внимание на практика разговорного английского, возможно, сделав паузу в некоторых местах, чтобы прокомментировать то, что вы слышите. Это поможет активировать ваш словарный запас и дополнительно закрепить изученные фразы.

Помимо этого, старайтесь записывать себя на аудио или видео, чтобы слышать, как вы произносите слова. Вы сможете заметить, где нуждаетесь в улучшении и сосредоточиться именно на этих аспектах. Подходите к этому процессу с открытым сознанием и не бойтесь принимать новые вызовы в вашем пути к совершенствованию английского языка.

Что такое техника Shadowing?

Shadowing — это научно обоснованная техника изучения языка, изначально разработанная для подготовки профессиональных переводчиков и популяризированная полиглотом доктором Александром Аргуэльесом. Метод прост, но эффективен: вы слушаете аудио на английском от носителей языка и немедленно повторяете вслух — как тень, следующая за говорящим с задержкой в 1–2 секунды. В отличие от пассивного прослушивания или грамматических упражнений, Shadowing заставляет мозг и мышцы рта одновременно обрабатывать и воспроизводить реальные речевые паттерны. Исследования показывают, что это значительно улучшает точность произношения, интонацию, ритм, связную речь, понимание на слух и беглость речи — что делает его одним из самых эффективных методов для подготовки к IELTS Speaking и реального общения на английском.

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