Shadowing Practice: are you still watching? - Learn English Speaking with Video
Ders oluşturuluyor...
1
How much do you spend on streaming every month?
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How much do I spend?
3
Yeah, this is like...
4
Or how much do other people spend on my behalf?
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Thank you to Hostinger for sponsoring this video, and to our patrons for supporting the channel.
6
Okay, let me Google how much it costs, because I don't know what these cost.
7
Okay, I did some Googling.
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Thank goodness I don't pay for all this myself.
9
I don't like hearing that.
10
You want to know why?
11
I have all of them, and I'm paying for all of them.
12
Who loses out if I have a VPN and a dream?
13
Yeah, like why are they also so pressed about sharing passwords?
14
Are they really that broke?
15
Woman who doesn't pay for streaming services, are you really that broke?
16
Do you use all of these services every month?
17
Ah, I open it every day.
18
That's crazy.
19
It might be.
20
I ended up doing the math and it turns out I spent 97 Canadian dollars
21
and 86 Canadian cents every month to watch videos on the internet.
22
The thing you're doing right now for free.
23
But the funny thing is, is that I don't really care about the money.
24
My problem with streaming isn't the cost, it's that it just...
25
It doesn't feel like home anymore.
26
I might be the only person who feels this way, if you search up the state of streaming on the internet right now, you're gonna find a half dozen video essays with millions of you saying, we gotta go back to piracy,
27
but at risk of sounding like a boot licker, I don't really want to do that anymore.
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Don't ask me what's on this hard drive.
29
Now I do think there's a valid case for archiving work
30
so it doesn't vanish in case some loser with a spreadsheet doesn't want to pay residuals, But beyond that, I don't mind using my disposable income on things that are important to me.
31
And streaming services are weirdly important to me.
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Maybe it's because I've been using them since the beginning.
33
Do you remember this?
34
My family cut the cable in the late 2000s in favor of this.
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A Netflix disc for the Nintendo Wii console that connected to their video streaming service.
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It's so old that they had to remind people not to return the disc.
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For the first time, we didn't need to worry about recording programs or managing our DVR.
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We didn't need to get a box set if we wanted to watch every episode of a TV show.
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Now this meant a lot to me specifically because I'm a youngest child, which meant that I had no control over the remote during the best TV hours.
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But Netflix meant that I could watch what I wanted when I wanted.
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And it turns out that was all of the time.
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I am finally, finally, 100% caught up with Castle and...
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I have no more purpose in life.
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They shaped my interests and personality in comically obvious ways.
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Whoever?
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I'm the castle.
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Castle, castle.
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I really am.
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I'm the handsome one.
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I spent my days exploring different worlds with different characters.
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Top three, by the way, are 30 Rock, Psych, and now Scrubs.
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No particular order.
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They're all just so good.
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This sort of constancy was only possible thanks to streaming giving me a new way to watch TV.
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Shows weren't just something I caught when it was on.
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They were a place to live for a few seasons.
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And before you say that this is just what happens when you're an adult with responsibilities, I want to say
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that my life is is comically similar to what it was
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ten years ago Let me just find this one clip
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So I'm eventually going to get up and go edit yesterday's daily vlog
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and probably just watch the Mindy project on my second monitor
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But that's about all for today
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If you want to see me keep making daily vlogs make sure you like share
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and subscribe and I will see you tomorrow
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That was ten years ago The only thing that's different is
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my glasses my entire life has been making YouTube videos and watching TV except I'm not watching TV anymore.
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I think my problem is that there's just too much friction.
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I'm reaching for my phone to use Instagram instead of watching TV because TV just feels like so much work nowadays.
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I know I sound cooked, but like, I just picture it as browsing, clicking through different apps and titles
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and watching the sorry excuse for what counts as a trailer nowadays as it auto-plays
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while I'm trying to read the show description.
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I can't escape into another world because it feels like I'm stuck in traffic trying to get there,
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But I want to go to there because I love TV.
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So I want to figure out how to bring back the parts of the streaming experience
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that I loved as a kid to find my way back home.
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To start, I looked for what was making streaming feel so insufferable nowadays.
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There were a bunch of articles explaining the rising cost and economics of it all.
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But when it came down to the actual experience of watching stuff, this one idea kept popping up in different words.
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Abundance of options, content overload, Choice fatigue.
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Basically...
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My lungs are too buttery!
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My steak too juicy!
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My content too abundant!
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That's what I sound like, and you know what?
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I'm right.
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Because it is a problem.
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For two reasons.
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First, we have the paradox of choice, or overchoice, or choice overload.
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Bit of an ironic name, but it's when too many choices gets in the way of making a decision.
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Alongside that, we have decision fatigue, where making too many decisions impairs your ability to make more decisions.
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Both of these things can collide after a long day of living in a society.
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Maybe we're fighting off a crash out over a customer, or a co-worker, or an exclamation point in an email.
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But we also need to decide what to eat, when to do our laundry, whether or not we should cancel that gym membership that we never used, but maybe we should just start going to the gym?
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All the while our phone just sends us more things that we need to decide.
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Should I text them back?
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What do I do about the news?
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It just won't shut up!
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Not all of these choices can build up into this big lump of exhausting reality.
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So, you might want to escape for a second to a different world. But to do that...
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YOU HAVE TO MAKE MORE CHOICES!
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BAH!
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BAH!
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BAH!
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CHAP!
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Now I'll admit, struggling with what to watch isn't new.
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Before all of this, we were loitering in a blockbuster or flipping through TV channels.
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But the difference now is that there is so much more.
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We're all choice overloaded and decision fatigued, so it can be tempting just to choose not to choose.
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Just settle back into a comfort show or scroll on social media which makes all the decisions for you. But...
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I don't know.
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I just don't want to be so passive with this thing that I care about.
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I don't want to be the kind of person who's convinced
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that all of the good TV shows were made when I was a kid during my formative years, just because I haven't had the time to really engage with anything new.
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So how do we fix this?
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Well, the same way we always do.
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With a website made with Hostinger!
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They've been sponsoring videos on this channel for almost five years now.
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So, I wanna get rid of all the decisions that don't matter and focus on the only one that does.
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What do I want to watch?
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So I made a simple tool that lets you browse titles and add it to your watch list.
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Wow! So under-stimulating.
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Then it just tells you which streaming service has the most stuff that you actually want to watch.
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This should simplify the math of which streaming service you should get and help you stay focused when you actually use it.
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You've already made the one choice that matters, so you're free to ignore all the chaos.
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Or embrace it.
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I don't know where you sit on the alignment chart.
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I think they should make streaming easier.
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And I know that it was easy to make, thanks to Hostinger.
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I got my premium hosting plan, which is available for just $2.99 a month.
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I got my free domain that comes with a hosting plan.
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And I got my free business mailbox so all your bug reports don't clog up my main email address.
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But there won't be any bugs.
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Cause I didn't code the backend.
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Instead I made no code workflows with N8N.
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They have hundreds of nodes and integrations that you just drag and drop.
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No need to code, no need to worry about semicolons.
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Now, N8N does have a cloud platform, but I prefer to self-host
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because I don't want to have to worry about rate limiting
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in case you guys make this website go viral like you did for spellcheck.
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More than a thousand people still go to this website every day!
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I made this game as a joke!
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Self-hosting also keeps my data and your data if you use the site more private.
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So I use Hostinger's self-hosted N8N plan.
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It's really convenient being able to manage all things related to my website in one dashboard.
145
These two plans make it possible for me to make basically any website, web app, tool I can imagine while writing basically no code.
146
It's awesome.
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I'd call it a miracle, but it's actually just Hostinger.
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One of the most comprehensive and affordable web hosting platforms out there.
149
You can make your portfolio, online store, vibe-coded app all in one place.
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Literally, you can host multiple websites with one plan.
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If you're ready to get started, you could go to hostinger.com forward slash answer in progress or click the first link in the description.
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And you can use our code answer in progress for 10% off your first purchase.
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Either way, we've got a website.
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Now let's use it and see if we saved streaming.
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No big deal.
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I made a website.
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Of course she did.
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Do you guys remember how I have all the streaming services?
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That you pay for every single one of them.
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To be honest, my problem isn't the money.
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My problem is that I just want to be using the streaming services.
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Spoken like a true secret billionaire.
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My problem isn't the money.
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It's the principle of it all.
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Okay, explain, explain.
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The problem is...
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When I was younger, I built my identity around what I watched.
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I loved it so, so much.
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And that just doesn't happen anymore.
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And it made me sad.
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Well, you have all of these streaming services.
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How are you not getting lost in pop culture?
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You have them all at your fingertips.
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That's exactly it.
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I should be able to do this thing that I was able to do back when like there was one streaming service.
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Why does it seem harder than ever?
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And I think it's because there's just too much streaming services.
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I'm having...
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This is actually the funniest conversation we've ever had.
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I pay for 10 streaming services.
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My problem is that there are too many streaming services You pay for 10 streaming services!
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Hearing it out loud
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I don't even know what this video is about The premise of this conversation is so funny My lobster too juicy,
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my steak too buttery Like truly like what are we talking about?
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My tummy hurts Cause your steak too juicy So anyway,
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you have 10 streaming services and that's a problem for you because you were a child once.
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I kind of wish we had this conversation a little earlier
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because it feels like the answer should have been only use one streaming service.
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What have you done?
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I made a website.
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Wow.
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What do I do?
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You make a watch list on the website and then it tells you
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which streaming service has the most of the stuff on your
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watch list way actually kind of good like this might be no offense sabrina this might be the first
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genuinely useful website
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that you have made for a video you can kind of create your list of things
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that you want to watch without being overwhelmed by an actual streaming service that's trying to tell you
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that you want to watch this thing you're like do i actually want to watch this thing
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so you can like make your list without the distractions of streaming services so true it made choosing
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what I want to watch.
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Stopped feeling overwhelming and I just got to experience like the fun of Discovery again.
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I also liked there's like a section where you it'll show you one item
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and you can say yes or no. That's great.
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Okay so remind me again what is your problem?
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Are you trying to reduce the number of subscriptions that you are currently subscribed to?
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Okay so theoretically yes this should have helped me manage my streaming service subscriptions.
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I can't cancel any of my plans because they're all annual subscriptions.
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Oh no!
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Theoretically it could help though.
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Okay.
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My website, while I think it's useful, it didn't solve every problem people have with streaming.
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I shared the website with our audience and 33% of people just said, no, this was not useful to me.
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A lot of it boiled down to the fact that like there are people out there who want to boycott
215
big streamers entirely for a lot of reasons.
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There are the labor disputes that drove the writer and actor strikes.
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There are these unpredictable catalogs due to licensing or memory holding work for a tax break.
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There's the introduction of ads, which kind of defeats the entire purpose that streaming started with.
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And like some people just want to opt out of that.
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I only subscribe to a couple of streaming services, but when there's something that I want to watch that's just not on on a streaming service, I will just buy the digital copy.
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Really?
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I think this comes from me when I was a kid.
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I would just buy the DVD box sets.
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I have three minion movies in high res Blu-ray 3D.
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You really need to see that.
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Blu-ray.
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I think that a lot of people's problems with streaming is very valid
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and it makes me appreciate physical media a lot more.
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One thing I think I'm going to try
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and do with the website is also use like the eBay
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API to add another option on top of streaming for like everything that you search for.
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Check if there is a DVD available for it.
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But honestly, ever since I made this first version, I haven't spent that much more time working on it
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because I have been too busy watching things again guys since
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i made this site last week i have watched two entire
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tv series whoa i thought you're gonna say two movies me too crazy seasons
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or series two series five seasons total of media in two
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weeks in one week in one week i watched all of barry
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and season one of widow's bay it ah so good the tumblr girl is back well ready to make some gift sets.
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Yes and no. What do you mean?
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They're both like really good.
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Like I was watching them and I was like oh this is like art.
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Like I'm watching something that is like just truly beautiful craftsmanship.
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But it doesn't hit the same as like.
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That's because you're not a child.
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That's because you're not a child.
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No no no that's not true.
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At the same time that I was watching these two shows, I have also been making my way through the West Wing.
249
I hate this show.
250
Aaron Sorkin needs to pay for his crimes.
251
And yet here I am searching it up on Pinterest and Tumblr and AO3.
252
AO3 of the West Wing?
253
What even is it?
254
That is a fan fiction website.
255
Hands off the keyboard.
256
Okay.
257
And so it's not because I'm an adult now, Because I'm still capable of being cringe.
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Oh, sure, that's another way to put it.
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The West Wing was made 20 plus years ago.
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There's something about it that feels different compared to shows that are made more recently.
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Shows that I know that are objectively good, but it just doesn't trap me in the same way.
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And I don't know why.
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I think that streaming has probably changed the way TV is made, but I don't know if that means that it doesn't hit the same.
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Maybe you are just not watching the shows that hit the same way as that show.
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So I decided to watch what the fangirls were watching.
266
To be honest, it was a blast, especially watching with friends.
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However, it still wasn't hitting the same.
268
Something still felt off.
269
Now, don't get me wrong.
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I am having a great time watching the Summer I Turned Pretty Season 1 Episode 4 Summer Heat.
271
But if I think about it, I'm like 15% of the way through the show.
272
There's just not enough show.
273
And the interesting thing is, if I want more show, I get directed towards the books instead of fan fiction.
274
These fandoms are not popping off in the way that I would expect from like the cultural reach of these shows.
275
Not only is there less stuff, but there's also less space to play with it.
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And then I think about the equivalent shows that would have been made 20 years ago, Gossip Girl, The O.C.
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Those shows, they made some unexpected choices.
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some of which got turned into some of the greatest SNL skits of all time.
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This is a loose homage to the final moment of the season two finale of The O.C.
280
It was incredibly stupid, but also, I don't know, incredibly human.
281
There is a chance that I'm just being nostalgic about the past, but it really feels like moments like that don't happen in TV anymore.
282
Somebody in the comments is going to say like, no, this show does that.
283
This show does that.
284
I've been watching a lot of TV.
285
Still looking for it.
286
These weird human choices that don't necessarily serve the story. Where did they go?
287
It's been a process for creators of figuring out how to effectively tell stories in different ways.
288
My name is Amanda Lotz.
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I'm a professor of media studies, currently at the Queensland University of Technology in Brisbane, Australia.
290
But I am by birth American and spent much of my career studying media industries in the US.
291
And she studied them.
292
This is just a handful of her books exploring how technological infrastructure actually impacts the stories that get told.
293
So in order to really appreciate what is different about TV shows today, I think we need to understand the past.
294
We need to know how older technology shaped the foundations of TV in order to see how streaming changed it.
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Amanda was kind enough to walk me through the major evolutionary stages of TV, starting with broadcast.
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Broadcast, I think the word that I would use in conjunction with that is scarcity.
297
Building off radio technology.
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Broadcasts work by capturing audio and video, converting it into an electrical signal, and transmitting that signal through the air at a specific frequency or channel,
299
as in TV channel.
300
Now anyone with an antenna could catch that transmission and convert the signal back to a show, But not just anyone could send transmissions.
301
It was a technically difficult thing to do, but more importantly, if there were too many transmissions, it would clog the airways.
302
It would make them unusable.
303
The government would organize them.
304
We created licenses.
305
And in most places, there weren't very many licenses.
306
And that's where the scarcity comes from.
307
With only a handful of broadcasters needing to appeal to entire nations at once, the programming was pretty generic.
308
In the early 50s and 60s, there were a lot of family sitcoms.
309
Westerns were really big, police shows, medical shows.
310
The game was to try to attract the most attention, because that attention would be sold to advertisers.
311
Now we all know that our attention is being sold to advertisers, even the good ones.
312
You can use code ANSWERINPROGRESS for 10% off your first website by clicking the link in the description.
313
But it's important to note just how mass appeal this media was meant to be.
314
Early broadcast programming was designed to appeal to as many people as possible, no matter the age, race, politics, education.
315
Broadcast technology was for everyone, and so the shows were designed for numbers, not niches.
316
That started to change with cable.
317
Cable started actually fairly soon after television only as a technology to help people who,
318
due to geography like mountains or living with big skyscrapers, couldn't receive those signals over the air.
319
So cable just started as an alternative way to transmit and receive shows.
320
The advantage for cable companies was that they could charge people for access in a way that broadcasters couldn't.
321
But in order to get people to pay, they needed to offer something new.
322
In the 70s, you have the launch of some new kinds of content.
323
It's mostly around specialized channels, so sports, ESPN is one of the earliest ones.
324
CNN was probably particularly important.
325
That ability to be able to watch news at any point in the day, that was new then.
326
HBO, they start to sort of do things that people would say, you can't do that on television,
327
partly because they weren't governed by the same rule as broadcasters, but I'd say even more so because of their business model.
328
They were able to cater to people who wanted something different
329
and were so desirous of that that they were willing to pay.
330
Now, when I hear sports, news, HBO, I don't think niche.
331
But that might just be because I am in the niche.
332
This thing that happens in the early 2000s, like the New York Times would talk about HBO as though this was,
333
you know, the thing that everyone was consuming it was probably very important to people who read the New York Times.
334
Not only is this the sickest burn I have ever heard, it's also kind of true.
335
The finale of HBO's Succession, one of the greatest TV shows of this decade, had a series high of 2.9 million views.
336
Young Sheldon's series finale had 9 million, and that wasn't even the highest viewed episode.
337
I think that that is crazy, but now I understand why.
338
Young Sheldon is a broadcast show.
339
It is mass appeal by design.
340
Succession is specialized.
341
It appeals to a narrower audience who is more invested.
342
It's not fungible!
343
Now this isn't a strict dichotomy.
344
As broadcast and cable evolve side by side, I think there were shows that blended the best of both worlds.
345
30 Rock and Psych followed the broadcast formula.
346
They were workplace procedurals, but they were weird.
347
The West Wing was also broadcast, but was written like a cable show, except the seasons were way longer.
348
This led to a lot of filler episodes and storylines, some of which were great!
349
Squeeze this piece of rye bread.
350
Now what do I do?
351
Most of which were terrible.
352
But we gotta just spend time with the characters in their world.
353
I think that's what I miss.
354
Weirdos with the air time to play.
355
Barry and Widow's Bay and Hax and Shrinking and Severance
356
and all the great shows today have incredible characters and worlds that I don't get to spend time with
357
because the plot keeps getting in the way!
358
I know what I sound like.
359
I know that that is a stupid thing to complain about, but it's my stupid thing, okay?
360
Television used to have space for this full spectrum of tight stories and shows about nothing.
361
But in the streaming age, things feel off balance.
362
So what changed?
363
Netflix seems to have learned from cable.
364
It didn't come in trying to do cheap shows.
365
It was sort of like a shock and awe campaign.
366
That was, I think, important for what Netflix was trying to do, which was not necessarily to get people to watch House of Cards but subscribe to the service.
367
That's how they win.
368
Streamers needed to offer something that broadcast and cable couldn't.
369
Something that played to their specific strengths.
370
They had venture capital to pay for stars.
371
They had algorithmic recommendations to reach more specific audiences and connect them to a more diverse array of creators and stories.
372
But most importantly, they weren't confined to an airtime.
373
They didn't need to worry about people missing an episode, or filling a time slot, or building in an ad break.
374
And that's really the big difference.
375
One is about trying to get people to watch specific shows at certain times so that you can sell their attention.
376
And the other is about getting people to pay for your service month after month.
377
Watching a television show in the same way that they would read a book.
378
You know, I have some spare time on Monday, I will watch an hour.
379
I have more spare time on Wednesday, I will watch two episodes.
380
Part of why maybe the storytelling I think does feel substantially different to audiences is, you know, those are very different.
381
That's a different mode of production.
382
And this different mode of production, big stars, small seasons, driven by plot, is only becoming more dominant as traditional broadcasters and cable networks launch their own platforms.
383
And I pay for more streaming subscriptions.
384
Because honestly, I think this is a good thing.
385
At least for storytelling.
386
It turns out you get better stories if writers aren't building the plane as they fly up.
387
But this has also really clarified what I miss about the pre-streaming era.
388
I miss when shows weren't so polished.
389
Even today's fangirl-friendly shows are adaptations.
390
The story is already written.
391
But TV used to be filled with dropped storylines and forgotten characters, the types of stuff that like fandoms could explore without consequence.
392
For long-running shows, writers would break the procedural format for just one episode to do something weird and fun.
393
A musical, a fourth wall break, a live show, a love letter to television as this unique and distinct medium.
394
So I guess the reason why TV doesn't hit the same way it used to is just because it isn't the same.
395
The fancy academic way that we could put it is, well, if you change the mode of production, you change what can be made.
396
And if you change what is made, you change the culture.
397
It's kind of weird knowing that the thing I loved about old TV shows was definitely a bug, not a feature.
398
Broadcast television was just trying to compete with cable, but they had way more airtime to fill.
399
space for things to get a little weird, and incentive to make dramatic choices that don't really have any other purpose than getting people to watch the next season.
400
Streaming has made it possible to tell stories in a new way and therefore tell new sorts of stories, ones that are way more precise and for audiences that are
401
so specific that you could only reach enough of them if you have an algorithm.
402
That's not a bad thing, it's just a different thing.
403
And I'll always have my DVDs and my completely unrelated hard drive, But I think it's time for me to stop focusing on the past, because it's getting in the way of me appreciating the present,
404
and all the ways TV is evolving.
405
What stories can only be told in this world, in this culture, with this technology?
406
I don't fully know yet, because there is a lot of them.
407
But I can't wait to find out.
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Bu dersin kelimeleri ve konuşma notları
Bu videoda gölgeleme çalışması için 407 cümle ve 4742 kelime var. Konuşma bölümü 24:42 sürüyor. Konuşmacı hızlı konuşuyor, dakikada yaklaşık 192 kelime; bu yüzden birbirine bağlanan ve zayıflayan sesler duyacaksınız. Kelimelerin %83’i İngilizcede en sık kullanılan 3.000 kelime arasında; geri kalanına başlamadan önce bakmakta fayda var.
Bu videodaki önemli kelimeler
Videodan öğrenmeye değer 15 kelime, telaffuzu ve anlamıyla:
| Kelime | Telaffuz | Anlam |
|---|---|---|
| broadcast isim | /ˈbɹɔːd(ˌ)kɑːst/ | yayın |
| castle isim | /ˈkɑːsəl/ | kale, şato |
| explore fiil | /ɪkˈsploɹ/ | araştırmak |
| subscribe fiil | /səbˈskɹaɪb/ | abone olmak |
| steak isim | /steɪk/ | biftek |
| juicy sıfat | /ˈd͡ʒuːsi/ | sulu |
| fiction isim | /ˈfɪkʃən/ | kurgu |
| remind fiil | /ɹəˈmaɪnd/ | hatırlatmak, anımsatmak |
| cancel fiil | /ˈkæn.sl̩/ | iptal etmek |
| mathematics isim | /mæθ(.ə)ˈmæt.ɪks/ | matematik |
| handful isim | /ˈhæn(d)fʊl/ | karış |
| disk isim | /dɪsk/ | disk, ağırşak |
| fatigue isim | /fəˈtiːɡ/ | yorgunluk, bitkinlik |
| ignore fiil | /ɪɡˈnɔː/ | görmezden gelmek |
| audio sıfat | /ˈɔ.di.oʊ/ | ses |
Duyacağınız deyimsel fiiller
| Kelime | Telaffuz | Anlam |
|---|---|---|
| figure out fiil | açığa çıkarmak | |
| find out fiil | anlamak, ortaya çıkarmak | |
| get up fiil | kalkmak | |
| shut up | /ʃʌt ʌp/ | kapa çeneni, sus |
Bu videodaki dil bilgisi
Konuşmacının en çok kullandığı yapılar, videodaki sözcüklerin aynısıyla:
| Yapı | Videoda |
|---|---|
| Present perfect continuous have/has been + -ing — önceden başlayıp hâlâ süren bir eylem | I've been using · has been making · They've been sponsoring |
| “Used to” used to + fiil — artık geçerli olmayan eski bir alışkanlık ya da durum | used to have · used to be · used to is |
| Edilgen yapı be + fiilin üçüncü hâli — kimin yaptığı değil, ne olduğu önemli | were made · being overwhelmed · was made |
| Present perfect have/has + fiilin üçüncü hâli — geçmişte olan ama şimdi de önemli olan bir eylem | You've already made · have made · haven't spent |
Dikkat edilecek telaffuzlar
Konuşmacı don't, I'm, doesn't gibi kısaltılmış biçimleri 113 kez kullanıyor. Bunları duyduğunuz gibi kısa söyleyin.
- “th” sesleri: mathematics /mæθ(.ə)ˈmæt.ɪks/, algorithm /ˈælɡəɹɪðm̩/
- “sh” ve “zh” sesleri: fiction /ˈfɪkʃən/, shock /ʃɔk/, capture /ˈkæp.(t)ʃɚ/, transmission /tɹænsˈmɪʃən/, recommendation /ˌɹɛkəmɛnˈdeɪʃən/
- Uzun kelimeler — vurguyu doğru yere koyun: necessarily /ˌnɛs.əˈsɛɹ.ə.li/, incredibly /ɪŋˈkɹɛdɪbli/, mathematics /mæθ(.ə)ˈmæt.ɪks/, importantly /ɪmˈpɔɹ.tənt.li/, infrastructure /ˈɪnfɹəˌstɹʌkt͡ʃə/
Bu videoyla nasıl çalışılır
- Videonun tamamını konuşmadan bir kez dinleyin ve bilmediğiniz kelimeleri not edin.
- 0,75× hızla başlayın, cümle cümle tekrar edin ve kolaylaşınca normal hıza dönün.
- Kendinizi kaydedin ve orijinaliyle karşılaştırın; broadcast, castle, explore gibi kelimelere özellikle dikkat edin.
Gölgeleme Tekniği Nedir?
Gölgeleme, başlangıçta profesyonel tercüman eğitimi için geliştirilen ve çok dilli Dr. Alexander Arguelles tarafından popüler hale getirilen, bilim destekli bir dil öğrenme tekniğidir. Yöntem basit ama güçlüdür: ana dili İngilizce olan bir sesi dinler ve hemen yüksek sesle tekrar edersiniz — konuşmacıyı 1-2 saniye gecikmeyle takip eden bir gölge gibi. Pasif dinleme veya dilbilgisi alıştırmalarının aksine, gölgeleme beyninizi ve ağız kaslarınızı gerçek konuşma kalıplarını eşzamanlı olarak işlemeye ve yeniden üretmeye zorlar. Araştırmalar, telaffuz doğruluğu, tonlama, ritim, bağlı konuşma, dinleme anlama ve konuşma akıcılığını önemli ölçüde geliştirdiğini göstermektedir — bu da onu IELTS Konuşma hazırlığı ve gerçek dünya İngilizce iletişimi için en etkili yöntemlerden biri yapar.