跟读练习: Jacob Collier | Berklee Commencement Address 2026 - 通过YouTube学习英语口语
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Hi everybody.
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Hi everybody.
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Thank you.
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Thank you very much.
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This is Berkeley.
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I just simply couldn't resist.
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And I know it's early, but you did great.
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You did really good.
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Congratulations everybody, how are you feeling?
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Are you feeling relieved, are you feeling exhausted as well?
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I can imagine.
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Yeah, must have been a crazy week.
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It is my total honor and thrill to stand here alongside you.
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This is my first time graduating as well,
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so we're in the same boat.
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Thank you.
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You know, somebody told me something when I was young that really stayed with me,
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which is that when we learn music,
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we learn all there is to know.
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That's what someone said to me.
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And the older I've got,
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obviously now I'm a ripe old age,
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the older I've got, the more I've realized this is deeply the case.
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Because, wow, because music is powered by so many of the things that make life possible and make life worth living.
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These foundational pillars at the heart of it,
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trust, empathy, courage, tenacity, irreverence,
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reverence,
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mathematics and physics,
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syntax and spelling and language
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and at the heart of it all this this process of listening that drives all of us to
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Fall in love with sound and all the first things we can do with it
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And I think that if this reflects anything It's just
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that you're only as good a musician as you are a human being
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In the in the words of the great Victor Wooten he says you know the world doesn't need more good musicians
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The world needs more good people.
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But it just so happens
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that being a musician is a really good way of being a good person
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because of all the principles that are built in.
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And I have to be honest,
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when I was just a wee lad,
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I'm still kind of a wee lad,
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but when I was even weir,
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there really wasn't a path for Jacob.
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There wasn't an obvious kind of direction of travel because I loved everything, right?
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I loved all across the spectrum of genres,
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all across the spectrum of instruments.
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I didn't have one instrument that was really mine.
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I loved so many different kinds of sounds.
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And I wanted to mix and produce and sing.
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And I wanted my cake and to eat it.
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And I think when I look back to being your age,
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I could never have designed a pathway to this podium here.
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I had to trust.
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But it wasn't just about trusting myself.
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I think it was about trusting the people around me.
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And one thing I really believe to be true as an artist,
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as a performer, as a human,
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is that you are only as powerful as you make the people around you feel.
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It's so true from the stage.
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It's so true in the studio.
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It's true in any kind of creative process.
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And if you give your voice to others,
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as I often like to do,
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you get your voice reflected right back.
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And I think that at an artist's greatest and brightest,
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an artist is a mirror to you.
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And I say, as an artist, I'm here.
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And hopefully you see something in yourself and say, oh, that's me.
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I'd forgotten.
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Or now I remember that feeling.
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I look back to the artist who inspired me so much as a child know Stevie,
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Prince, Sting with with all those records you played on Vinnie it was pretty pretty ridiculous stuff.
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Joni, Bob Dylan, Bobby McFerrin,
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Johann Sebastian Bach, shout out to Bach,
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Bartok, Stravinsky, all these people you know I don't think
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that any of them could have designed their pathway they had to just trust
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and so if there's anything I would particularly like to impart upon you other than just hearing you sing
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that great chord just then I would just I I would say trust each other because nobody knows what's coming next.
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I don't know, these guys don't know,
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not even Jill Scott knows.
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It is an unprecedented time to be a human and to be a musician,
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and the only thing we can do is we can trust each other.
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And I think that in a world where agency is being taken away,
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it's this radical thing we can do to open ourselves up to the vulnerability
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and the beauty that music provides to us as people,
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as communities, and if there's any bunch of young musicians that makes me really hopeful and really excited,
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I'm looking right at it.
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This is such a special place.
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It really is a special place.
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I will never forget that feeling of coming to Berkeley in 2015 when I was so young and everything was unknown.
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It was the first time I'd ever encountered anybody who knew me in the real world,
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in the physical world.
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Because I made all these videos.
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And then I came to Berkeley,
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and there were real physical people who smelt like people,
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who seemed to endorse my super arch hyper mega meta Lydian ideas.
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And I was so thrilled and I felt so at home.
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And I'm just
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so proud to be here alongside all of you at this most extraordinary moment in musical history and human history.
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And I'm deeply, deeply proud to be graduating alongside you.
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So thank you so much for having me.
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Deep, deep congratulations.
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And best of luck for all that lies ahead.
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I know you're going to absolutely rock it.
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Thanks, everybody.
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Thank you.
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背景与上下文
在2026年伯克利大学的毕业典礼上，著名音乐家雅各布·科尔李（Jacob Collier）发表了令人振奋的演讲。他的话语传达了音乐与人类生活之间深刻的联系，强调了学习音乐不仅仅是掌握乐器技能，更是培养人性、美德和情感的过程。科尔李以个人经历为例，分享了他如何在音乐的海洋中找到自己的道路，并且认为成为一个优秀的音乐人首先要成为一个好人。这段演讲充满了对音乐的热爱与对生活的思考，也是对毕业生们的无限鼓励。
日常沟通的五个高频短语
- 感谢你们! - 表达感激之情。
- 你们感觉怎么样? - 关心他人的感受。
- 我感到很荣幸。 - 表达自己的感受和荣幸。
- 世界需要更多好人。 - 强调人性的重要性。
- 我爱所有不同类型的音乐。 - 体现对多样性和包容性音乐的热爱。
逐步影子练习指导
想要充分利用这段演讲进行英语口语练习，你可以按照以下步骤进行影子练习（shadow speak）:
- 第一步：观看视频 - 首先，完整观看雅各布·科尔李的演讲，了解其内容和氛围。
- 第二步：逐句听力 - 选择短句并反复听，比如“感谢你们!”和“我感到很荣幸。”
- 第三步：跟读练习 - 关闭视频，尝试在没有字幕的情况下，跟随录音重复短语。
- 第四步：注明节奏与语调 - 注意演讲者的语速、重音和情感表达，尝试模仿其节奏。
- 第五步：录音对比 - 录下自己的声音，与原演讲进行对比，找出需要改进的地方。
通过这样的影子口语训练，可以有效提高你的口语流利度和自信心，同时也能帮助你更好地理解音乐与语言的联系。
什么是跟读法？
跟读法 (Shadowing) 是一种有科学依据的语言学习技巧，最初开发用于专业口译员的培训，并由多语言者Alexander Arguelles博士普及。这个方法简单而强大：您在听英语母语原声的同时立即大声重复——就像是一个延迟1-2秒紧跟说话者的影子。与被动听力或语法练习不同，跟读法强迫您的大脑和口腔肌肉同时处理并模仿真实的讲话模式。研究表明它能显着提高发音准确性，语调，节奏，连读，听力理解和口语流利度——使其成为雅思口语备考和真实英语交流最有效的方法之一。