Pratique du Shadowing: Understanding the Elements of Design | Graphic Design Basic - Apprendre l'anglais à l'oral avec la vidéo
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92 phrases
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Design is an intricate, fun and exciting business.
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There's a lot to learn, do and consider when you're a designer.
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Technology is constantly evolving and new trends are coming at you rapid fire.
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It's what makes design exciting.
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This lesson will take you through the core elements of design to give you a head start in this creative environment.
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We're going to explore how a dot, line, shape, form, tone, texture, color, and text are the basic building blocks of art and design.
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Understand these elements and you'll understand how art and design are fundamentally made.
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So we'll begin with the simplest of the simple, the dot.
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A dot is a dot.
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In design you might call it a point.
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A dot can't be anything else and you can't break it down further.
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This might seem basic but what if we added a second dot?
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Now we're looking at a whole scenario.
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Is it dramatic?
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Are they awkwardly touching?
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All of a sudden we have design decisions to make.
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What if we try to connect the dot?
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That's exactly where we hit our second element, the line.
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A line can be defined as a linear mark.
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It might be wavy to create a sense of movement, or maybe it's straight, which would look pretty neat.
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Lines are everywhere, even in the word line itself.
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We can place lines strategically to lead eyes toward a focal point.
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This means directing the focus towards a particular design element.
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We call these leading lines, and they control the way viewers look at our entire design.
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Here, the designer has positioned lines in a zig
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What do you first notice in this design?
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And where do your eyes want to move to next?
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You can't help but follow the line, can you?
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Bold or contrasting lines also help your design stand out.
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Take a look at how these outline illustrations use white lines on a contrasting background.
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Now we're going to show you how a series of lines can come together to create a shape.
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When a line comes full circle, you get, well, a circle that's a type of shape.
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Remember the outlined illustration?
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Those lines were curved and connected to create two -dimensional shapes.
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A 2D shape is a flat object with no depth.
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Those outlined shapes represented familiar objects such as a lighthouse, camera, and torch.
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But a shape can also be simpler than a lighthouse.
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Even a basic rectangle could be used to make a design stand out.
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It could act as an outline that borders around a heading or filled in to make a solid frame.
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When we start to change the lines and tones that surround our shapes we can turn them into objects that look 3D.
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This brings us to form.
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A shape as simple as a square can be turned into a cube.
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The word for this is form and we use elements like shadow, tone and texture to create dimension.
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The size and placement of a shadow is one way to bring form to a flat shape.
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Take a look at the way these squares, which started out 2D, have been stretched into 3D objects.
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With their new depth, width, and height, these squares now seem to tower off the page.
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We see form in other simple shapes.
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With shadows, a circle can become a sphere, and a triangle can become a pyramid.
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When we talk about shadows, we also talk about tone.
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At its simplest, tone is how bright or dark a color can be.
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For example, a shadow will usually be illustrated in a darker tone compared to the object it surrounds.
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In this design, we see many tones of the color blue.
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These tones help us to understand what's being shown and allow us to view the picture from a certain perspective.
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Here, the lighter tones of blue imply a moon reflecting over the sea.
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The darker tones imply backs of leaves that frame the picture.
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Don't you feel like you're standing in the shadows, peeping out from behind the branches?
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Texture helps an illustration feel realistic.
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We use the word feel because texture can remind us of the tactile nature of rough stone or woven canvas.
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Imagine how it would feel to touch these things.
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Texture brings feelings to your work.
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Imagine a vintage feeling, calm feeling, or modern feeling.
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Texture can be used in any part of your design.
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In this design, the texture appears faded and worn.
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It complements the retro style of the words to give an older, authentic feel.
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In this way, it might send the message that this brand is reliable and long -lasting.
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Color will be one of your biggest design choices.
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This is because color palettes send powerful messages and associations.
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For example, in some cultures, white has long been used to represent peace and purity.
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Red, on the other hand, could represent passion
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and power blue might feel calm as water while yellow brings a burst of positivity
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but colors will rarely stand alone that's why we have a color wheel to show us
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which colors look great
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when they're side by side a color wheel will help you find different combinations
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that make your design look right for its intention color is a big element
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and one that'll take time to understand it's worth the effort good color palettes can make a design pop
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and grab the audience's attention
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that's why we go into greater detail in another lesson remember any part of your design can have color
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which brings us to our final element text it's not just what you say
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but how you say it the design color
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and placement of your text can be just as important as the words
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and letters themselves we use typography to describe the shapes forms and lines that make up a letter.
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While there are endless possibilities in the world of typography, you'll typically find these styles fall under two categories, serif and sans serif.
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Serif adds a few little lines to the edges of letters.
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It's a great option for print projects because it's easy to read.
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Sans serif literally means without serif, so we take those little lines away to get a cleaner shape.
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These smoother edges look good when you're publishing on the web, but really it comes down to you and the style you're after.
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There's a lot to learn when it comes to typography.
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But for now, we just need to acknowledge it's an important element of design.
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Now we know the most basic elements.
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Try to isolate individual elements when you look at artwork or design.
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See if you can train your eyes to pull apart designs and dissect them into individual elements.
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If you can pull something apart, you can put it back together in infinite ways.
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Vocabulaire et conseils d’expression pour cette leçon
Cette leçon d’expression orale s’appuie sur la vidéo « Understanding the Elements of Design ». Les mots qui reviennent le plus souvent : design, shape, color, element, tone. Cette vidéo contient 92 phrases et 1144 mots à répéter en shadowing. La partie parlée dure 6:57. Le locuteur parle à un rythme naturel d’environ 165 mots par minute, proche d’une conversation courante. Seuls 80 % des mots font partie des 3 000 mots les plus courants en anglais, le vocabulaire est donc exigeant.
Vocabulaire clé de cette vidéo
15 mots de la vidéo à retenir, avec leur prononciation et leur sens :
| Mot | Prononciation | Sens |
|---|---|---|
| element nom | /ˈɛləmənt/ | élément |
| tone nom | /ˈtəʊn/ | ton |
| texture nom | /ˈtɛkst͡ʃə(ɹ)/ | texture |
| shadow nom | /ˈʃædəʊ̯/ | ombre |
| outline nom | /ˈaʊtlaɪn/ | contour |
| illustration nom | /ˌɪləsˈtɹeɪ̯ʃən/ | illustration, représentation |
| lesson nom | /ˈlɛs.ən/ | leçon |
| contrast nom | /kənˈt(ʃ)ɹæst/ | contraste |
| designer nom | /dɪˈzaɪnɚ/ | designer, styliste |
| connect verbe | /kəˈnɛkt/ | accoupler, connecter |
| placement nom | /ˈpleɪ̯smənt/ | placement |
| imply verbe | /ɪmˈplaɪ/ | impliquer |
| surround verbe | /səˈɹaʊnd/ | entourer, cerner |
| palette nom | /ˈpælɪt/ | palette |
| lighthouse nom | /ˈlaɪthaʊs/ | phare |
Les verbes à particule que vous entendrez
| Mot | Prononciation | Sens |
|---|---|---|
| make up verbe | /ˌmeɪk ˈʌp/ | constituer, composer |
Des phrases à répéter
Des phrases courtes et complètes de la vidéo, à réutiliser dans la conversation de tous les jours :
- This might seem basic, but what if we added a second dot?
- What if we try to connect the dot?
- What do you first notice in this design?
- You can't help but follow the line, can you?
La grammaire de cette vidéo
Les structures que le locuteur utilise le plus, avec les mots exacts de la vidéo :
| Structure | Dans la vidéo |
|---|---|
| Voix passive be + participe passé — l’accent est mis sur ce qui arrive, pas sur qui le fait | are fundamentally made · can be defined · were curved |
| Present perfect have/has + participe passé — une action passée qui compte encore maintenant | has positioned · have been stretched |
| Possibilité avec « might / may » might/may + verbe — quelque chose de possible mais pas certain | might call · might seem · might be |
| Superlatifs the -est / the most … — le plus haut ou le plus bas d’un groupe | the simplest · its simplest · your biggest |
Prononciation à surveiller
Le locuteur utilise 16 contractions et formes réduites, comme you're, can't, we're. Prononcez-les sous leur forme courte, telles que vous les entendez.
- Les sons « th »: smooth /smuːð/, authentic /ɔˈθɛn.tɪk/, width /ˈwɪtθ/
- Les sons « sh » et « zh »: shadow /ˈʃædəʊ̯/, illustration /ˌɪləsˈtɹeɪ̯ʃən/, contrast /kənˈt(ʃ)ɹæst/, passion /ˈpæʃən/, intention /ɪnˈtɛnʃn̩/
- Mots longs — placez bien l’accent: illustration /ˌɪləsˈtɹeɪ̯ʃən/, dimensional /daɪˈmɛn.ʃə.nəl/, combinations /kɑmbɪˈneɪʃənz/, typography /taɪˈpɑɡɹəfi/, positivity /ˌpɑ.zɪˈtɪv.ɪ.ti/
Les sons difficiles pour les francophones :
- /tʃ/ et /dʒ/ — à ne pas adoucir en « ch » et « j »: texture /ˈtɛkst͡ʃə(ɹ)/, stretch /stɹɛt͡ʃ/, arrangement /əˈɹeɪnd͡ʒmənt/, acknowledge /əkˈnɑ.lɪd͡ʒ/, vintage /ˈvɪn.tɪd͡ʒ/
- /r/ anglais — langue recourbée, sans frotter la gorge: texture /ˈtɛkst͡ʃə(ɹ)/, illustration /ˌɪləsˈtɹeɪ̯ʃən/, contrast /kənˈt(ʃ)ɹæst/, surround /səˈɹaʊnd/, rarely /ˈɹɛəɹli/
Comment s’entraîner avec cette vidéo
- Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
- Commencez à la vitesse 0,75×, répétez phrase par phrase, puis revenez à la vitesse normale quand cela devient facile.
- Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme element, tone, texture.
Qu'est-ce que la technique du Shadowing ?
Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.