Pratique du Shadowing: Why Olivia Rodrigo isn’t afraid of heartbreak anymore | Interview - Apprendre l'anglais à l'oral avec la vidéo
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124 phrases
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You know, I think being heartbroken is truly one of the most wonderful feelings anyone could ever experience.
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I think I'm not afraid of it at all anymore.
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It's like so great.
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I'm feeling happy as a clam.
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I have had a really, really wonderful week.
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I've been living with this album and working on it for so long.
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And so to put it out into the world feels really cathartic.
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And to see people respond the way
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that they've been responding is just like a total dream come true
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and i uh yeah i'm over the moon oh that's i'm
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so happy to hear you're happy as a clam and
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so happy you're getting to see people live
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and enjoy this album me being one of them it's your third album and it's
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so good it's giving best one yet the amount of like
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album of the year comments i'm seeing everywhere it's gone number one in australia the us the uk
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when we were thinking of like even just looking at the title you seem pretty sad for a girl
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so in love you could tell this album was going to be different it sounds different
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when you were working on it did you set out for it to be different
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or did it just happen naturally through the process yeah i
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mean i think i definitely wanted to make an album
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that was dissimilar from sour and guts
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and i just think as i grow older my tastes change
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and what i want to write about changes and obviously my life changes
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and so i'm writing about different different subjects
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but um yeah i i uh i really pushed myself on this record
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and i wanted to make something that uh challenged me
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and excited me and
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so uh yeah i i'm really proud of the way it
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turned out as per usual with an Olivia Rodrigo record there's some blood sweat
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and tears on there your vulnerability is such a strength
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and such a trademark there are some very raw moments on
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this album I've loved hearing you talk recently about your love of Weezer
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and in particular Pinkerton and I really see the sort of fingerprints of
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that on this record do you think it's like the responsibility
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of an artist to show all of themselves including the sort of low
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and shameful parts as well well I think it's the most
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fun part of yourself to show you know I mean like
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you can talk about how great you are all the time
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and it's totally socially acceptable
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but to to really dig into like the kind of uglier
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jealous petty sad heartbroken parts of who you are is I just think a lot more interesting to write about
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and it's it's um it's super cathartic
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and therapeutic for me to kind of get to explore those parts of myself
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and inside like the safety of a song
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so um it's one of my favorite parts of songwriting
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if I can share with you when I first heard drop dead
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and the lyric where you're like i'm stalking like i'm in my bed stalking i was like
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that was me oh my god i'm not alone
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and she said oh my god it was so so good
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and there's so many moments for that olivia the the good
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and the bad where people can connect with you've talked about
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there's a nodding hill reference in honeybee iconic one of the most beautiful um you know romantic comedies
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that we've got but i want to say that song
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when i heard it honeybee gave me real la la land vibes i wanted
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or was that intentional or is
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that like just in my head making a parallel my gosh i mean i love la la land actually with
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that song we really wanted it to sound kind of like an old disney movie
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that was the like sort of the vibe reference inspiration behind it
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but um yeah i really love the way it sounds i
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love like the choral elements i love the the strings whenever i listen to it
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and i close my eyes i can kind of picture like
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people slow dancing to it oh yeah it definitely it helps the romantic sentiment.
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Your album features a song with Robert Smith, of course, of The Cure, What's Wrong With Me.
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Is your first time ever working with a collaborator on an original song?
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Why did it have to be Robert Smith for the first one?
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I mean, I think there's nobody better, nobody cooler in the whole world.
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I just adore him and getting to work with him and get to hang out with him has been a real joy.
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And yeah, I can't believe that he's on the record.
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It's one of my favorite songs i've ever made
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and his voice is just makes the song absolutely you know incredible
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and he's i just can't say enough nice things about him
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obviously the album's out the world tour is announced this new festival is announced i can't help
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but notice there's no australian dates happening what's the go there
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oh my gosh i i mean i can't think like literally
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five minutes in front of me do you want us to beg you cued the song begs um
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but I I love Australia so much I last time
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when I was on the guts world tour I had literally
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the best time it was like one of the best weeks of my life
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so um I would love to come say hi again you have to come back I remember you saying
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that like brunch places won't open late enough for you
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because you know you would be waking up late doing the tour
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and we were like we have to fix that
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so maybe we'll have that sorted by the time you come back Olivia yeah
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so if you guys could find a brunch place
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that stays open until 3 30 p .m yeah we will absolutely do
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that now I'll be just on a personal note um this
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is one of my last interviews ever at Triple J before
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I wrap up um sorry it's probably going to be tears
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but you're one of my favorite people to ever talk to
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and I wanted to thank you for this album because it's really really something special and you've talked about out.
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how you've like put yourself into this album
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and you want people to like put their own stories into it
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and relate to it
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and in the past year i've like had my long -term relationship break down
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and then fall into love again and having this album has been a true gift it's like
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soundtracked all the moments like crying to begging and cigarette smoke
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and then just like singing my heart out to drop dead
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and you plus me equals a heart
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so i just want to say it's i'm just speaking for one million other people who listen to this
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that just congratulations and thank you on such an amazing piece of art oh wow
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that means so much thank you so much for saying that
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and i am sending you so much love and so many hugs
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and just you're gonna kill whatever thank you
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so much it'll be setting up the brunch joint for you
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um olivia i've got to say this also you've said
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that you could boil down the thesis of this album to one word a beautiful word hope
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and i want to say what would you say to anyone
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who listens to this album they've gone through the whole roller coaster the ups
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and downs who's maybe I don't know scared to put themselves out there
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or to fall in love
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or just of being heartbroken oh my gosh you know I
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think being heartbroken is truly one of the most wonderful feelings
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anyone could ever experience I think I'm not afraid of it at all anymore it's like so great
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and looking back on all of my like greatest heartbreaks I just think how wonderful it is to have cared
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so much about something and someone to be affected like this
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and I just think it's a really great gift
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and I think you should never shy away from it within reason i love
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that message yeah that's really beautiful that is so beautiful and
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that is so hopeful
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and what a wonderful way to wrap up yeah one of
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our last ever interviews as a duo olivia thank you
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so much thanks guys it's an honor to be on on
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one of your final ones that's very sweet i'm very touched
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so thank you oh man such a pleasure and such a joy and yeah fingers crossed see you in australia soon
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Vocabulaire et conseils d’expression pour cette leçon
Cette leçon d’expression orale de niveau B2 s’appuie sur la vidéo « Why Olivia Rodrigo isn’t afraid of heartbreak anymore ». Cette vidéo contient 124 phrases et 1483 mots à répéter en shadowing. La partie parlée dure 6:48. Le locuteur parle vite, environ 218 mots par minute : attendez-vous à des liaisons et à des sons réduits. 85 % des mots font partie des 3 000 mots les plus courants en anglais ; le reste mérite d’être vu avant de commencer.
Vocabulaire clé de cette vidéo
Les 15 mots les plus avancés de la vidéo, avec leur prononciation et leur sens :
| Mot | Prononciation | Sens |
|---|---|---|
| brunch nom | /bɹʌnt͡ʃ/ | brunch, déjeuner-diner |
| gosh | /ɡɑːʃ/ | bon sang |
| cathartic adjectif | /kəˈθɑɹtɪk/ | cathartique |
| clam nom | /klæm/ | palourde, praire |
| stalk nom | /stɔk/ | tige |
| guts nom | /ɡʌts/ | entrailles, tripes |
| vibe nom | /vaɪb/ | vibe, aura |
| wrap verbe | /ɹæp/ | envelopper, emballer |
| chorale nom | /kəˈræl/ | choral |
| collaborator nom | /kəˈlæbəɹeɪtɚ/ | collaborateur, collaboratrice |
| dissimilar adjectif | /dɪˈsɪmɪlə(ɹ)/ | dissemblable, différent |
| fingerprint nom | /ˈfɪŋɡɚˌpɹɪnt/ | empreinte digitale |
| heartbreak nom | /ˈhɑɹt.bɹeɪk/ | crève-cœur |
| shameful adjectif | /ˈʃeɪmfəl/ | honteux, scandaleux |
| vulnerability nom | /ˌvʌln(ə)ɹəˈbɪlɪti/ | vulnérabilité |
Les verbes à particule que vous entendrez
| Mot | Prononciation | Sens |
|---|---|---|
| come back verbe | revenir | |
| wrap up verbe | emballer | |
| boil down verbe | se résumer | |
| break down verbe | tomber en panne | |
| go through verbe | traverser | |
| set up verbe | /ˌsɛt ˈʌp/ | mettre en place, installer |
| turn out verbe | se finir, se terminer | |
| wake up verbe | /ˌweɪk ˈʌp/ | se réveiller |
La grammaire de cette vidéo
Les structures que le locuteur utilise le plus, avec les mots exacts de la vidéo :
| Structure | Dans la vidéo |
|---|---|
| Present perfect continu have/has been + -ing — une action commencée avant et toujours en cours | I've been living · they've been responding |
| Present perfect have/has + participe passé — une action passée qui compte encore maintenant | have had · I've loved · you've talked |
| Voix passive be + participe passé — l’accent est mis sur ce qui arrive, pas sur qui le fait | is announced · be affected |
Prononciation à surveiller
Le locuteur utilise 40 contractions et formes réduites, comme I'm, I've, you're. Prononcez-les sous leur forme courte, telles que vous les entendez.
- Les sons « th »: cathartic /kəˈθɑɹtɪk/, therapeutic /ˌθɛɹ.əˈpjuː.tɪk/, thesis /ˈθisɪs/
- Les sons « sh » et « zh »: gosh /ɡɑːʃ/, shameful /ˈʃeɪmfəl/, intentional /ɪnˈtɛnʃənəl/, socially /ˈsoʊʃəli/
- Mots longs — placez bien l’accent: collaborator /kəˈlæbəɹeɪtɚ/, dissimilar /dɪˈsɪmɪlə(ɹ)/, vulnerability /ˌvʌln(ə)ɹəˈbɪlɪti/, intentional /ɪnˈtɛnʃənəl/, therapeutic /ˌθɛɹ.əˈpjuː.tɪk/
Les sons difficiles pour les francophones :
- /h/ — il se souffle, il n’est pas muet: heartbreak /ˈhɑɹt.bɹeɪk/, hopeful /ˈhoʊpfl̩/, hug /hʌɡ/
- /r/ anglais — langue recourbée, sans frotter la gorge: brunch /bɹʌnt͡ʃ/, cathartic /kəˈθɑɹtɪk/, wrap /ɹæp/, chorale /kəˈræl/, collaborator /kəˈlæbəɹeɪtɚ/
Comment s’entraîner avec cette vidéo
- Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
- Commencez à la vitesse 0,75×, répétez phrase par phrase, puis revenez à la vitesse normale quand cela devient facile.
- Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme brunch, gosh, cathartic.
Qu'est-ce que la technique du Shadowing ?
Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.