Pratica di Shadowing: Why Olivia Rodrigo isn’t afraid of heartbreak anymore | Interview - Impara a parlare inglese con i video
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You know, I think being heartbroken is truly one of the most wonderful feelings anyone could ever experience.
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I think I'm not afraid of it at all anymore.
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It's like so great.
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I'm feeling happy as a clam.
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I have had a really, really wonderful week.
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I've been living with this album and working on it for so long.
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And so to put it out into the world feels really cathartic.
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And to see people respond the way
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that they've been responding is just like a total dream come true
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and i uh yeah i'm over the moon oh that's i'm
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so happy to hear you're happy as a clam and
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so happy you're getting to see people live
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and enjoy this album me being one of them it's your third album and it's
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so good it's giving best one yet the amount of like
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album of the year comments i'm seeing everywhere it's gone number one in australia the us the uk
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when we were thinking of like even just looking at the title you seem pretty sad for a girl
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so in love you could tell this album was going to be different it sounds different
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when you were working on it did you set out for it to be different
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or did it just happen naturally through the process yeah i
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mean i think i definitely wanted to make an album
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that was dissimilar from sour and guts
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and i just think as i grow older my tastes change
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and what i want to write about changes and obviously my life changes
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and so i'm writing about different different subjects
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but um yeah i i uh i really pushed myself on this record
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and i wanted to make something that uh challenged me
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and excited me and
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so uh yeah i i'm really proud of the way it
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turned out as per usual with an Olivia Rodrigo record there's some blood sweat
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and tears on there your vulnerability is such a strength
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and such a trademark there are some very raw moments on
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this album I've loved hearing you talk recently about your love of Weezer
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and in particular Pinkerton and I really see the sort of fingerprints of
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that on this record do you think it's like the responsibility
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of an artist to show all of themselves including the sort of low
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and shameful parts as well well I think it's the most
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fun part of yourself to show you know I mean like
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you can talk about how great you are all the time
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and it's totally socially acceptable
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but to to really dig into like the kind of uglier
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jealous petty sad heartbroken parts of who you are is I just think a lot more interesting to write about
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and it's it's um it's super cathartic
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and therapeutic for me to kind of get to explore those parts of myself
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and inside like the safety of a song
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so um it's one of my favorite parts of songwriting
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if I can share with you when I first heard drop dead
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and the lyric where you're like i'm stalking like i'm in my bed stalking i was like
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that was me oh my god i'm not alone
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and she said oh my god it was so so good
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and there's so many moments for that olivia the the good
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and the bad where people can connect with you've talked about
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there's a nodding hill reference in honeybee iconic one of the most beautiful um you know romantic comedies
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that we've got but i want to say that song
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when i heard it honeybee gave me real la la land vibes i wanted
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or was that intentional or is
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that like just in my head making a parallel my gosh i mean i love la la land actually with
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that song we really wanted it to sound kind of like an old disney movie
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that was the like sort of the vibe reference inspiration behind it
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but um yeah i really love the way it sounds i
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love like the choral elements i love the the strings whenever i listen to it
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and i close my eyes i can kind of picture like
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people slow dancing to it oh yeah it definitely it helps the romantic sentiment.
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Your album features a song with Robert Smith, of course, of The Cure, What's Wrong With Me.
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Is your first time ever working with a collaborator on an original song?
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Why did it have to be Robert Smith for the first one?
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I mean, I think there's nobody better, nobody cooler in the whole world.
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I just adore him and getting to work with him and get to hang out with him has been a real joy.
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And yeah, I can't believe that he's on the record.
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It's one of my favorite songs i've ever made
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and his voice is just makes the song absolutely you know incredible
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and he's i just can't say enough nice things about him
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obviously the album's out the world tour is announced this new festival is announced i can't help
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but notice there's no australian dates happening what's the go there
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oh my gosh i i mean i can't think like literally
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five minutes in front of me do you want us to beg you cued the song begs um
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but I I love Australia so much I last time
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when I was on the guts world tour I had literally
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the best time it was like one of the best weeks of my life
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so um I would love to come say hi again you have to come back I remember you saying
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that like brunch places won't open late enough for you
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because you know you would be waking up late doing the tour
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and we were like we have to fix that
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so maybe we'll have that sorted by the time you come back Olivia yeah
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so if you guys could find a brunch place
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that stays open until 3 30 p .m yeah we will absolutely do
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that now I'll be just on a personal note um this
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is one of my last interviews ever at Triple J before
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I wrap up um sorry it's probably going to be tears
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but you're one of my favorite people to ever talk to
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and I wanted to thank you for this album because it's really really something special and you've talked about out.
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how you've like put yourself into this album
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and you want people to like put their own stories into it
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and relate to it
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and in the past year i've like had my long -term relationship break down
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and then fall into love again and having this album has been a true gift it's like
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soundtracked all the moments like crying to begging and cigarette smoke
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and then just like singing my heart out to drop dead
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and you plus me equals a heart
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so i just want to say it's i'm just speaking for one million other people who listen to this
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that just congratulations and thank you on such an amazing piece of art oh wow
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that means so much thank you so much for saying that
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and i am sending you so much love and so many hugs
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and just you're gonna kill whatever thank you
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so much it'll be setting up the brunch joint for you
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um olivia i've got to say this also you've said
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that you could boil down the thesis of this album to one word a beautiful word hope
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and i want to say what would you say to anyone
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who listens to this album they've gone through the whole roller coaster the ups
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and downs who's maybe I don't know scared to put themselves out there
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or to fall in love
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or just of being heartbroken oh my gosh you know I
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think being heartbroken is truly one of the most wonderful feelings
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anyone could ever experience I think I'm not afraid of it at all anymore it's like so great
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and looking back on all of my like greatest heartbreaks I just think how wonderful it is to have cared
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so much about something and someone to be affected like this
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and I just think it's a really great gift
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and I think you should never shy away from it within reason i love
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that message yeah that's really beautiful that is so beautiful and
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that is so hopeful
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and what a wonderful way to wrap up yeah one of
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our last ever interviews as a duo olivia thank you
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so much thanks guys it's an honor to be on on
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one of your final ones that's very sweet i'm very touched
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so thank you oh man such a pleasure and such a joy and yeah fingers crossed see you in australia soon
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Che cosa imparerai in questa lezione
In questa esercitazione, analizzerai un'intervista con Olivia Rodrigo, focalizzandoti sulla pronuncia inglese e sulla tecnica del shadowing (o shadowspeak). Imparerai a seguire il tono colloquiale, le pause e le espressioni idiomatiche, mentre esplori temi come la vulnerabilità artistica e l'elaborazione emotiva attraverso la musica. Ideale per migliorare la fluidità e la comprensione auditiva!
Parole e frasi chiave da notare
- Cathartic: Che libera emozioni represse (es. "Mettere fuori l'album è stato cathartic").
- Vulnerability: La capacità di mostrare debolezza (es. "La sua vulnerability è una forza").
- Happy as a clam: Estremamente felice (es. "Oggi sono happy as a clam").
- Over the moon: Estasiato (es. "Quando ho visto le recensioni, ero over the moon").
- Dig into: Approfondire (es. "Nel brano, dig into le emozioni più profonde").
Consigli per il shadowing in inglese
Il shadowing (o shadowspeak) è un metodo efficace per migliorare la pronuncia inglese e la fluidità. Ecco come usarlo con questo video:
1. Segui il tono colloquiale
Olivia parla con un ritmo veloce ma naturale, con pause per enfatizzare le emozioni. Ripeti le frasi subito dopo di lei, cercando di imitare la sua intonazione (es. la sorpresa in "Oh my god, it was so good!").
2. Focalizza sulle espressioni idiomatiche
Frasi come "happy as a clam" o "over the moon" hanno un significato non letterale. Ripeti loro più volte per memorizzarle e usarle con confidenza.
3. Pausa e ripeti le parti difficili
Passaggi come "the kind of uglier jealous petty sad heartbroken parts" hanno una sequenza di aggettivi lunghi. Pausa il video, analizza la pronuncia di ogni parola e ripeti finché non la senti naturale.
Ricorda: il shadowing non è solo imitare, ma capire il contesto emotivo. Olivia mostra la sua vulnerabilità, quindi cerca di trasmettere la stessa passione nella tua ripetizione. Con la pratica, noterai un miglioramento nella tua pronuncia e nella capacità di esprimere emozioni in inglese!
La grammatica di questo video
Le strutture che chi parla usa di più, con le parole esatte del video:
| Struttura | Nel video |
|---|---|
| Present perfect continuous have/has been + -ing — un’azione iniziata prima e ancora in corso | I've been living · they've been responding |
| Present perfect have/has + participio passato — un’azione passata che conta ancora adesso | have had · I've loved · you've talked |
| Forma passiva be + participio passato — conta ciò che accade, non chi lo fa | is announced · be affected |
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.