शैडोइंग अभ्यास: The Stranger Chapter 1 (Part 1) - वीडियो के साथ अंग्रेजी बोलना सीखें
पाठ बनाया जा रहा है...
1
Part 1 Chapter 1 Memon died today, or yesterday maybe, I don't know.
2
I got a telegram from the home.
3
Mother deceased, funeral tomorrow, faithfully yours.
4
That doesn't mean anything, maybe it was yesterday.
5
The old people's home is at Marengo, about 80 kilometers from Algiers.
6
I'll take the 2 o'clock bus and get there in the afternoon.
7
That way I can be there for the vigil and come back tomorrow night.
8
I asked my boss for two days off
9
and there was no way he was going to refuse me with an excuse like that.
10
But he wasn't too happy about it.
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I even said, it's not my fault.
12
He didn't say anything.
13
Then I thought I shouldn't have said that.
14
After all, I didn't have anything to apologize for for.
15
He's the one who should have offered his condolences, but he probably will day after tomorrow when he sees I'm in mourning.
16
For now, it's almost as if Maman weren't dead.
17
After the funeral, though, the case will be closed, and everything will have a more official feel to it.
18
I caught the 2 o'clock bus.
19
It was very hot.
20
I ate at the restaurant, at Celeste's, as usual.
21
Everybody felt very sorry for me, and Celeste said, you only have one mother.
22
When I left, they walked me to the door.
23
I was a little distracted
24
because I still had to go up to Emmanuel's place to borrow a black tie and an armband.
25
He lost his uncle a few months back.
26
I ran so as not to miss the bus.
27
It was probably because all of the rushing around, and on top of that the bumpy ride, the smell of gasoline, and the glare of the sky and the road, that I dozed off.
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I slept almost the whole way, and when I woke up, I was slumped against a soldier who smiled at me and asked if I had been traveling long.
29
I said yes, just so I wouldn't have to say anything else.
30
The home is two kilometers from the village.
31
I walked them.
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I wanted to see my man right away, but the caretaker told me I had to see the director first.
33
He was busy, so I waited a while.
34
The caretaker talked the whole time, and then I saw the director.
35
I was shown into his office.
36
He was a little old man with the ribbon of the Legion of Honor in his lapel.
37
He looked at me with his clear eyes.
38
Then he shook my hand and held it so long I didn't know how to get it loose.
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He thumbed through a file and said, Madame Marceau came to us three years ago.
40
You were her sole support.
41
I thought he was criticizing me for something and I started to explain, but he cut me off.
42
You don't have to justify yourself, my dear boy.
43
I've read your mother's file.
44
You weren't able to provide for her properly.
45
She needed someone to look after her.
46
You earned only a modest salary.
47
And the truth of the matter is, she was happier here.
48
I said, yes sir.
49
He added, you see, she had friends here, people her own age.
50
She was able to share things from the old days with them.
51
You're young, and it must have been hard for her with you.
52
It was true.
53
When she was at home with me, my man used to spend her time following me with her eyes, not saying a thing.
54
For the first few days, she was at the home, she cried a lot, but that was because she wasn't used to it.
55
A few months later, and she would have cried if she'd been taken out.
56
She was used to it.
57
That's partly why I didn't go there much this past year, and also because it took up my Sunday.
58
Not to mention the trouble of getting to the bus, buying tickets, and spending two hours traveling.
59
The director spoke to me again, but I wasn't really listening anymore.
60
Then he said, I suppose you'd like to see your mother.
61
I got up without saying anything, and he led the way to the door.
62
On the way downstairs, he explained, we've moved here to our little mortuary, so as not to upset the others.
63
Whenever one of the residents dies, the others are a bit on edge for the next two or three days, and that makes it difficult to take care of them.
64
We crossed a courtyard where there were lots of old people chatting in little groups.
65
As we went by, the talking would stop, and then the conversation would start up again behind us.
66
The sound was like the muffled jabber of parakeets.
67
The director stopped at the door of the small building.
68
I'll leave you now, Monsieur Marcel.
69
If you need me for anything, I'll be in my office.
70
As is usually the case, the funeral is set for 10 o'clock in the morning.
71
This way you'll be able to keep vigil over the departed.
72
One last thing, it seems your mother often expressed to her friends her desire for a religious burial.
73
I've taken the liberty of making the necessary arrangements, but I wanted to let you know." I thanked him.
74
While not an atheist, my mom never in her life given a thought to religion.
75
I went in.
76
It was a very bright, whitewashed room with a skylight for a roof.
77
The furniture consisted of some chairs and some cross-shaped sawhorses.
78
Two of them, in the middle of the room, were supporting a closed casket.
79
All you could see were some shiny screws, not screwed down all the way, standing out against the walnut-stained planks.
80
Near the casket was an Arab nurse in a white smock, with a brightly colored scarf on her head.
81
Just then the caretaker came in behind me.
82
He must have been running.
83
He stuttered a little.
84
You put the cover on, but I'm supposed to unscrew the casket so you can see her.
85
He was moving toward the casket when I stopped him.
86
He said, You don't want to?
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I answered, No. He was quiet, and I was embarrassed because I felt I shouldn't have said that.
88
He looked at me and then asked, Why not?
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But without criticizing, as if he just wanted to know, I said, I don't know.
90
He started twirling his mustache, and then without looking at me, again he said, I understand.
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He had nice pale blue eyes and a reddish complexion.
92
He offered me a chair and then sat down right behind me.
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The nurse stood up and went toward the door.
94
At that point, the caretaker said to me, She's got an abscess.
95
I didn't understand, so I looked over at the nurse
96
and saw that she had a bandage wrapped around her head just below the eyes.
97
Where her nose should have been, the bandage was flat.
98
All you could see of her face was the whiteness of the bandage.
99
When she'd gone, the caretaker said, I'll leave you alone.
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I don't know what kind of gesture I made, but he stayed where he was behind me.
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Having this presence breathing down my neck was starting to annoy me.
102
The room was filled with beautiful late afternoon sunlight.
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Two hornets were buzzing against the glass roof.
104
I could feel myself getting sleepy.
105
Without turning around, I said to the caretaker, Have you been here long?
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Right away, he answered, Five years, as if he'd been waiting all along for me to ask.
107
After that, he did a lot of the talking.
108
He would have been very surprised if anyone had told him he would end up caretaker at the Marenga home.
109
He was 64 and came from Paris.
110
At that point, I interrupted him.
111
Oh, you're not from around here?
112
Then I remembered that before taking me to the director's office, he had talked to me about Maman.
113
He told me that they had to bury her quickly because it gets hot in the plains, especially in this part of the country.
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That was when he told me he had lived in Paris and that he found it hard to forget it.
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In Paris, they kept vigil over the body for three, sometimes four days.
116
but here you barely have time to get used to the idea before you have to start running after the hearse.
117
Then his wife had said to him, hush now, that's not the sort of thing to be telling the gentleman.
118
The old man had blushed and apologized.
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I stepped in and said, no, not at all.
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I thought what he'd been saying was interesting and made sense.
121
In the little mortuary, he told me that he'd come to the home because he was destitute.
122
He was in good health, so he offered to take on the job of caretaker.
123
I pointed out that even so he was still a resident.
124
He said no, he wasn't.
125
I'd already been struck by the way he had of saying they or the others, and less often, the old people,
126
talking about the patients, when some of them weren't any older than he was.
127
But of course it wasn't the same.
128
He was the caretaker, and to a certain extent he had authority over them.
129
Just then the nurse came in.
130
Night had fallen suddenly.
131
Darkness had gathered quickly, above the skylight.
132
The caretaker turned the switch and I was blinded by the sudden flash of light.
133
He suggested I go to the dining hall for dinner, but I wasn't hungry.
134
Then he offered to bring me a cup of coffee with milk.
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I like milk in my coffee, so I said yes, and he came back a few minutes later with a tray.
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I drank the coffee.
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Then I felt like having a smoke, but I hesitated, because I didn't know if I could do it with my mom right there.
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I thought about it.
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It didn't matter.
140
I offered the caretaker a cigarette and we smoked.
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At one point he said, you know, your mother's friends will be coming to keep vigil too.
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It's customary.
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I have to go get some chairs and some black coffee.
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I asked him if he could turn off one of the lights.
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The glare on the white walls was making me drowsy.
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He said he couldn't.
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That was how they'd been wired.
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It was all or nothing.
149
I didn't pay too much attention to him after that.
150
He left, came back, set up some chairs.
151
One of them he stacked some cups around a coffee pot
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Then he sat down across from me On the other side of my mind The nurse was on
153
that side of the room too
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But with her back to me I couldn't see what she was doing
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But the way her arms were moving made me think she
156
was knitting It was pleasant The coffee had warmed me up
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And the smell of flowers on the night air was coming
158
through the open door I think I dozed off for a
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while It was a rustling sound that woke me up Because I had had my eyes closed
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The whiteness of the room seemed even brighter than before.
161
There wasn't a shadow anywhere in front of me, and every object, every angle, and curve stood out so sharply it made my eyes hurt.
162
That's when Maman's friends came in.
163
They were about ten in all, and they floated into the blinding light without a sound.
164
They sat down without a single chair creaking.
165
I saw them more clearly than I'd ever seen anyone, and not one detail of their faces or their clothes escaped me.
166
But I couldn't hear them and it was hard for me to believe they really existed
167
Almost all the women were wearing aprons and the strings which were tied tight around their waists
168
Made their bulging stomachs stick out even more I never noticed
169
what huge stomachs all the women can have Almost all the men were skinny and carried canes
170
What struck me most about their faces was
171
that I couldn't see their eyes Just a faint glimmer in a nest of wrinkles When they'd sat down, most of them looked at me and nodded awkwardly, their lips sucked in by their toothless mouths,
172
so that I couldn't tell if they were greeting me or if it was just a nervous tick.
173
I think they were greeting me.
174
It was then that I realized they were all sitting across from me, nodding their heads, grouped around the caretaker.
175
For a second I had the ridiculous feeling that they were there to judge me.
176
So one of the women started crying.
177
She was in the second row, hidden behind one of her companions.
178
and I couldn't see her very well.
179
She was crying softly, steadily, in little sobs.
180
I thought she'd never stop.
181
The others seemed not to hear her.
182
They sat there hunched up, gloomy and silent.
183
They would look at the casket or their canes or whatever else, but that was all they would look at.
184
The woman kept on crying.
185
It surprised me because I didn't know who she was.
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I wish I didn't have to listen to her anymore, but I didn't dare say anything.
187
The caretaker leaned over and said something to her, but she shook her head, mumbled something, and went on crying as much as before.
188
Then the caretaker came around to my side.
189
He sat down next to me.
190
After a long pause, he explained, without looking at me, She was very close to your mother.
191
She says your mother was her only friend, and now she hasn't got a new one.
192
We just sat there like that for quite a while.
193
The woman's sighs and sobs were quieting down.
194
She sniffled a lot.
195
Then finally she shut up.
196
I didn't feel drowsy anymore, but I was tired and my back was hurting me.
197
Now it was all these people not making a sound that was getting on my nerves, except that every now and then I'd hear a strange noise, and I couldn't figure out what it was.
198
Finally, I realized that some of the old people were sucking at their insides of their cheeks
199
and making these weird smacking noises.
200
They were so lost in their thoughts that they weren't even aware of it.
201
I even had the impression that the dead woman lying in front of them didn't mean anything to them, but I think now that that was a false impression.
202
We all had some coffee, served by the caretaker.
203
After that, I don't know anymore.
204
The night passed.
205
I remember opening my eyes at one point and seeing
206
that all the old people were slumped over asleep Except for
207
one old man with his chin resting on the back of
208
his hands wrapped around his cane Who was staring at me as
209
if he were just waiting for me to wake up Then I dozed off again I woke up
210
because my back was hurting more and more Dawn was creeping up over the skylight Soon afterwards, one of the old men woke up
211
and coughed a lot He kept hacking into a large checkered handkerchief And every cough was like a convulsion
212
He woke the others up, and the caretaker told them that they ought to be going.
213
They got up.
214
The uncomfortable vigil had left their faces ashen looking.
215
After their way out, and much to my surprise, they all shook my hand, as if that night during which we hadn't exchanged as much as a single word had somehow brought us closer together.
216
I was tired.
217
The caretaker took me to his room, and I was able to clean up a little.
218
I had some more coffee and milk, which was very good.
219
When I went outside, the sun was up.
220
Above the hills that separate Marengo from the sea, the sky was streaked with red, and the wind coming over the hills brought the smell of salt with it.
221
It was going to be a beautiful day.
222
It had been a long time since I'd been out in the country, and I could feel how much I'd enjoy going for a walk if it hadn't been for Maman.
223
But I waited in the country yard
224
Under a plain tree
225
I breathed in the smell of fresh earth
226
and I wasn't sleeping anymore I thought of the other guys
227
at the office They'd be getting up to go to work about this time For me, that was always the most difficult time of the day I thought about those things a little more
228
But I was distracted by the sound of a bell ringing
229
inside the buildings There was some commotion behind the windows Then
230
everything quieted down again The sun was now a little higher in the sky It was starting to warm my feet.
231
The caretaker came across the courtyard and told me that the director was asking for me.
232
I went to his office.
233
He had me sign a number of documents.
234
I noticed that he was dressed in black with pinstripe trousers.
235
He picked up the telephone and turned to me.
236
The undertaker's men arrived a few minutes ago.
237
I'm going to ask them to seal the casket.
238
Before I do, would you like to see your mother one last time?
239
I said no. He gave the order into the telephone, lowering his voice.
240
Fisiak, tell the men they can go ahead.
241
After that he told me he wouldn't be attending the funeral and I thanked him.
242
He sat down behind his desk and crossed his short legs.
243
He informed me that he and I would be the only ones there apart from the nurse on duty.
244
The residents usually weren't allowed to attend funerals.
245
He only let them keep the vigil.
246
It's more humane that way, he remarked.
247
But in this case he'd given one of Mother's old friends, Thomas Perez, permission to join the funeral procession.
248
At that, the director smiled.
249
He said, I'm sure you understand.
250
It's a rather childish sentiment.
251
But he and your mother were almost inseparable.
252
The others used to tease them and say, Perez has a fiancé.
253
He'd laugh.
254
They enjoy it.
255
And the truth is he's asking Madame Marceau's death very hard.
256
He's taken Madame Marceau's death very hard, excuse me.
257
I didn't think I could rightfully refuse him permission.
258
but on the advice of our visiting physician, I did not allow him to keep the vigil last night.
259
We didn't say anything for quite a long time.
260
The director stood up and looked out the window of his office.
261
A moment later, he said, Here's the priest from Marengo already.
262
He's early.
263
He warned me that it would take at least three quarters of an hour to walk to the church, which is in the village itself.
264
We went downstairs.
265
Out in front of the building stood the priest and two altar boys.
266
One of them was holding a censer.
267
and the priest was leaning toward him, adjusting the length of its silver chain.
268
As we approached, the priest straightened up.
269
He called me, My son, and said a few words to me.
270
He went inside.
271
I followed.
272
I noticed right away that the screws on the casket had been tightened
273
and that there were four men wearing black in the room.
274
The director was telling me that the hearse was waiting out in the road
275
and at the same time I could hear the priest beginning his prayers.
276
From then on, everything happened very quickly.
277
The men moved toward the casket with the pall.
278
The priest, his acolytes, the director, and all went inside.
279
A woman I didn't know was standing by the door.
280
Monsieur Massol, the director said.
281
I didn't catch the woman's name.
282
I just understood that she was the nurse assigned by my home.
283
Without smiling, she lowered her long, gaunt face.
284
Then we stepped aside to make way for the body.
285
We followed the pallbearers and left the home.
286
Outside the gate stood the hearse, varnished, glossy, and oblong.
287
It reminded me of a pencil box.
288
Next to it was the funeral director, a little man in a ridiculous getup, and an awkward, embarrassed-looking old man.
289
I realized that it was Monsieur Perez.
290
He was wearing a soft felt hat with a round crown and a wide brim.
291
He took it off as the casket was coming through the gate.
292
A suit with trousers that were corkscrewed down around his ankles, and a black tie with a knot that was too small for the big white collar of his shirt.
293
His lips were trembling below and it was dotted with black heads.
294
Strange, floppy, thick-rimmed ears struck out through his fine white hair, and I was struck by the blood red color next to the parlor of his face.
295
The funeral director assigned us our places.
296
First came the priest, then the hearse, flanking it, the four men.
297
Behind it, the director, myself, and bringing up the rear, the nurse, and Monsieur Perez.
298
The sky was already filled with light.
299
The sun was beginning to bear down on the earth, and it was getting hotter by the minute.
300
I don't know why we waited so long before getting underway.
301
I was hot in my dark clothes.
302
The little old man, who had put his hat back on, took it off again.
303
I turned a little in his direction and was looking at him when the director started talking to me about him.
304
He told me that my mother and Monsieur Perez often used to walk down to the village together in the evenings, accompanied by a nurse.
305
I was looking at the countryside around me, seeing the rows of cypress trees leading up to the hills next to the sky, and the houses standing out here and there against the red and green earth.
306
I was able to understand Maman better.
307
Evenings in that part of the country must have been a kind of sad relief.
308
But today, with the sun bearing down, making the whole landscape shimmer with heat, it was inhuman and oppressive.
309
We got underway.
310
It was then that I noticed that Perez had a slight limp.
311
Little by little, the hearse was picking up speed and the old man was losing ground.
312
One of the men flaking the hearse had also dropped back and was now even with me.
313
I was surprised at how fast the sun was climbing in the sky.
314
I noticed that for quite some time the countryside had been buzzing with the sound of insects and the crackling of grass.
315
The sweat was pouring down my face.
316
I wasn't wearing a hat, so I found myself with my handkerchief.
317
The man from The Undertaker said something to me than which I missed.
318
He was lifting the edge of his cap with his right hand
319
and wiping his head with the handkerchief with his left hand at the same time.
320
I said, what?
321
He pointed up at the sky and repeated, pretty hot.
322
I said, yes.
323
A minute later, he asked, is that your mother in there?
324
Again, I said, yes.
325
How's she old?
326
Was she old?
327
I answered, fairly, because I didn't know the exact number.
328
After that, he was quiet.
329
I turned around and saw old Perez about 50 meters behind us.
330
He was going as fast as he could, swinging his felt hat at the end of his arm.
331
I looked at the director, too.
332
He was walking with great dignity, without a single wasted motion.
333
A few beads of sweat were forming on his forehead, but he didn't wipe them off.
334
The procession seemed to me to be moving a little faster.
335
All around me was still the same glowing countryside flooded with sunlight.
336
The glare from the sky was unbearable.
337
At one point, we went over a section of the road that had just been repaved.
338
The tar had burst open in the sun.
339
Our feet sank into it, leaving its shiny pulp exposed.
340
Sticking up above the top of the hearse, the coachman's hard leather hat looked as
341
if it had been molded out of the same black mud I felt a little loss between the blue
342
and white of the sky and the monotony of the colors around me The sticky black of the tar, the dull black of all the clothes,
343
and the shiny black of the hearse All of it, the sun, the smell of leather and horse dung from the hearse, the smell of varnish and incense
344
and my fatigue after a night without sleep was making it hard for me to see or think straight.
345
I turned around again.
346
Perez seemed to be way back there, fading into the shimmering heat.
347
Then I lost sight of him altogether.
348
I looked around and saw that he left the road and cut across the field.
349
I also noticed there was a bend in the road up ahead.
350
I realized that Perez, who knew the country, was taking a shortcut in order to catch up with us.
351
By the time we rounded the bend, he was back with us.
352
Then we lost him again.
353
He set off cross-country once more, and so it went on.
354
I could feel the blood pounding in my temples.
355
After that, everything seemed to happen so fast, so deliberately, so naturally that I don't remember any of it anymore.
356
Except for one thing.
357
As we entered the village, the nurse spoke to me.
358
She had a remarkable voice, which didn't go with her face at all.
359
A melodious, quavering voice.
360
She said, If you go slowly, you risk getting sunstroke.
361
But if you go too fast, you work up a sweat and then catch a chill inside the church.
362
She was right.
363
There was no way out.
364
Several other images from that day had stuck in my mind.
365
For instance, Perez's face when he caught up with us for the last time just outside the village.
366
Big tears of frustration and exhaustion were streaming down his cheeks.
367
But because of all the wrinkles, they weren't dripping off.
368
They spread out and ran together again, leaving a watery film over his ruined face.
369
Then there was the church and the villagers on the sidewalk, the red geraniums on the graves in the cemetery.
370
Perez fainting, he crumpled like a ragdoll, the blood-red earth spilling over Maman's casket, the white flesh of the roots mixed in with it,
371
more people, voices, the village, waiting in front of the cafe, the incessant drone of the motor,
372
and my joy when the bus entered the nest of lights that was Algiers
373
and I knew I was going to go to bed and sleep for 12 hours.
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इस पाठ की शब्दावली और बोलने के सुझाव
यह B2 स्तर का स्पीकिंग पाठ वीडियो “The Stranger Chapter 1” पर आधारित है। इस वीडियो में शैडोइंग के लिए 373 वाक्य और 4513 शब्द हैं। बोला गया हिस्सा 23:06 लंबा है। वक्ता तेज़ बोलता है, लगभग 195 शब्द प्रति मिनट, इसलिए जुड़ी हुई और कमज़ोर ध्वनियाँ ज़्यादा मिलेंगी। केवल 81% शब्द अंग्रेज़ी के 3,000 सबसे आम शब्दों में से हैं, इसलिए शब्दावली कठिन है।
इस वीडियो की मुख्य शब्दावली
वीडियो के 15 सबसे कठिन शब्द, उच्चारण और अर्थ के साथ:
| शब्द | उच्चारण | अर्थ |
|---|---|---|
| caretaker संज्ञा | /ˈkɛɹˌteɪ.kɚ/ | पालक |
| bandage संज्ञा | /ˈbæn.dɪd͡ʒ/ | पट्टी, पट्टा |
| handkerchief संज्ञा | /ˈhæŋkəːt͡ʃɪf/ | रूमाल |
| countryside संज्ञा | /ˈkʌn.tɹiˌsaɪd/ | देहात |
| sweat क्रिया | /swɛt/ | पसीजना |
| sob क्रिया | /sɑb/ | मुसमुसाना |
| whiteness संज्ञा | /ˈwaɪtnəs/ | सफ़ेदी |
| procession संज्ञा | /pɹəˈsɛʃən/ | शोभायात्रा |
| courtyard संज्ञा | /ˈkɔɹt.jɑɹd/ | आँगन, प्रांगण |
| assign क्रिया | /əˈsaɪn/ | निर्दिष्ट, आवंटित करना |
| greet क्रिया | /ɡɹiːt/ | अभिवादन करना, स्वागत करना |
| cane संज्ञा | /keɪn/ | बेत, बेँत |
| sunlight संज्ञा | /ˈsʌnˌlaɪt/ | धूप |
| cheek संज्ञा | /t͡ʃiːk/ | गाल |
| nest संज्ञा | /nɛst/ | घोसला, घोंसला |
वीडियो में आने वाली फ़्रेज़ल वर्ब
| शब्द | उच्चारण | अर्थ |
|---|---|---|
| sit down क्रिया | बैठना | |
| come back क्रिया | वापस आना | |
| wake up क्रिया | /ˌweɪk ˈʌp/ | जागना |
| get up क्रिया | उठना | |
| pick up क्रिया | उठाना | |
| stand up क्रिया | उठना | |
| go ahead क्रिया | /ˌɡoʊ əˈhɛd/ | आगे बढ़ना |
दोहराने लायक वाक्य
वीडियो के छोटे, पूरे वाक्य जिन्हें आप रोज़ की बातचीत में इस्तेमाल कर सकते हैं:
- I even said, it's not my fault.
- Then I thought I shouldn't have said that.
- You don't have to justify yourself, my dear boy.
- I've read your mother's file.
- You weren't able to provide for her properly.
इस वीडियो का व्याकरण
वक्ता जिन संरचनाओं का सबसे अधिक प्रयोग करता है, वीडियो के असली शब्दों के साथ:
| संरचना | वीडियो में |
|---|---|
| “used to” used to + क्रिया — बीती आदत या स्थिति जो अब नहीं है | used to spend · used to it · used to tease |
| शर्त वाले वाक्य if + उपवाक्य, will/would + क्रिया — शर्त और उसका नतीजा | If you need me for anything, I'll be · if anyone had told him he would end |
| Passive voice be + past participle — ज़ोर इस पर कि क्या होता है, न कि कौन करता है | will be closed · was slumped · was shown |
| Relative clauses who / which + उपवाक्य — व्यक्ति या वस्तु के बारे में अतिरिक्त जानकारी | one who should · strings which were · milk, which was |
ध्यान देने योग्य उच्चारण
वक्ता 89 बार संक्षिप्त रूपों का प्रयोग करता है, जैसे didn't, wasn't, don't। इन्हें वैसे ही छोटा बोलें जैसा आप सुनते हैं।
- “sh” और “zh” की ध्वनियाँ: procession /pɹəˈsɛʃən/, sharply /ˈʃɑɹpli/, frustration /fɹʌsˈtɹeɪ.ʃən/, physician /fəˈzɪʃən/, flesh /flɛʃ/
- लंबे शब्द — बलाघात सही रखें: mortuary /ˈmɔɹt͡ʃəˌwɛɹi/, accompany /əˈkʌm.pə.ni/, deliberately /dɪˈlɪb.(ə.)ɹət.li/, cemetery /ˈsɛm.ɪˌtɛɹ.i/, altogether /ɔl.tuˈɡɛð.ɚ/
हिंदी भाषियों के लिए मुश्किल ध्वनियाँ:
- /v/ और /w/ का फ़र्क़ — /v/ में ऊपर के दाँत निचले होंठ को छूते हैं, /w/ में होंठ गोल होते हैं: vigil /ˈvɪd͡ʒəl/, sweat /swɛt/, mortuary /ˈmɔɹt͡ʃəˌwɛɹi/, whiteness /ˈwaɪtnəs/, underway /ʌndəɹˈweɪ/
- /z/ — इसे “ज” (/dʒ/) न बनाएँ: doze /doʊz/, drowsy /ˈdɹaʊzi/, criticize /ˈkɹɪtɪsaɪz/, trousers /ˈtɹaʊzɚz/, downstairs /daʊnˈstɛɹz/
- शब्द की शुरुआत में s + व्यंजन — पहले “इ” न जोड़ें: skylight /ˈskaɪˌlaɪt/, sweat /swɛt/, slump /slʌmp/, steadily /ˈstɛdɪli/, stare /stɛɚ/
इस वीडियो से अभ्यास कैसे करें
- पहले बिना बोले पूरा वीडियो एक बार सुनें और जो शब्द नहीं आते उन्हें लिख लें।
- 0.75× गति से शुरू करें, एक-एक वाक्य की शैडोइंग करें, और सहज लगने पर सामान्य गति पर लौटें।
- अपनी आवाज़ रिकॉर्ड करें और मूल से तुलना करें, ख़ासकर caretaker, bandage, handkerchief जैसे शब्दों पर ध्यान दें।
शैडोइंग तकनीक क्या है?
शैडोइंग (Shadowing) एक विज्ञान-समर्थित भाषा सीखने की तकनीक है जो मूल रूप से पेशेवर दुभाषिया प्रशिक्षण के लिए विकसित की गई थी। विधि सरल लेकिन शक्तिशाली है: आप मूल अंग्रेज़ी ऑडियो सुनते हैं और तुरंत इसे ज़ोर से दोहराते हैं — जैसे वक्ता की छाया 1-2 सेकंड की देरी से। शोध से पता चलता है कि यह उच्चारण सटीकता, स्वर, लय, जुड़ी हुई ध्वनियाँ, सुनने की समझ और बोलने की प्रवाहशीलता में काफ़ी सुधार करता है।