शैडोइंग अभ्यास: Write every day, even if it’s terrible | Think Like A Musician - YouTube के साथ अंग्रेजी बोलना सीखें

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शैडोइंग नियंत्रण
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One of my classmates, he was able to get me a meeting with the big boss— Lyor Cohen.
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सभी वाक्य
50 वाक्य
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One of my classmates, he was able to get me a meeting with the big boss— Lyor Cohen.
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I took a Megabus from D.C. to New York.
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We sit down and I played him a verse chorus of one song.
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And then I started to play the beginning of a second song, and he cut me off, and he was like, “why am I here?” And I was like, “to hear my music?” He was like, “no, I mean, this is a waste of my time. You’re not ready yet.” And he got up and he left the meeting.
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I got literally two minutes with him and it was over.
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Hey, you! Yes, you. Is there music inside of you?
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We’ve recruited working musicians from throughout the industry to help you hear it, hold it, and share it with this wild and wonderful world.
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Hi, my name is Daniel Breland.
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I professionally go by Breland.
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I am a singer, songwriter, and producer originally from New Jersey.
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I live in Nashville and the genres that I usually play in are country music, R&B, hip hop, gospel.
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That day with Lyor Cohen, I got back on the Megabus and went back to D.C., and I was devastated for a good week because I was like, I’m 19, I’ve been making music for five years, I got a meeting with the guy that’s supposed to be The Guy, and he said it wasn’t it, you know?
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And so I’m just trying to figure out what my next steps should be.
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I decided to double down and I ended up buying some equipment.
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And I was like, look, I’m going to write and record a song every day until I get better.
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And so from from that day, in October of 2014, for the next year, I wrote and recorded a good 365 songs.
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And the following year, the songs had definitely gotten marginally better.
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And so I said, okay, well, this next year, now my junior year, I said I’m going to write and record two songs a day.
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Now, at this point, I’m pretty much barely going to class.
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Now I've got two songs a day.
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So now halfway into that second year, I've got 700 plus songs and nobody to really listen to any of them.
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And so I started reaching out, kind of cold-calling people in the industry— songwriters, producers, managers, A&Rs, artists, friends.
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I mean, they received an email, a DM, a tweet.
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I might have written a couple handwritten letters if there was an address to a record label.
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And literally just trying to reach out to as many people I could to see if I could get any feedback.
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Really, that was the year that I made the biggest jump, because I started getting feedback where I was like, okay, cool— there are people in the industry that have given me some insight on how songs are actually written and where I’m falling short.
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Writer’s block is real.
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You know, inspiration can strike at any moment, but you can also lose inspiration on something in any moment.
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And I think that’s okay.
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Because I’ve written so many songs, and because I was so dedicated for all of those years that I was writing songs every day, and no one was hearing any of them, I understand that there are songs that people are never going to hear.
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And so I’m not afraid to step away from a song entirely and say, hey, if it’s not happening for this song on this day, that’s okay.
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I think the right way to produce a song is to listen to the song and give the song what it needs, you know?
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And that requires a level of— a level of humility.
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You may think, okay, well, this is what it needs to do because I’ve done this before and I know that that works.
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But sometimes it's being able to say, hey, maybe it’s something that I’ve never thought of before, and maybe it’s something that’s going to come to me in its own time.
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And you can't rush the creative process.
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A lot of times you literally have to step back from it and say, how can I be in service to the song?
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For me, stepping back to gain perspective on a song, it can come in a few different ways.
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Sometimes it’s me listening to a song a bunch, and sometimes it’s me not listening to the song at all; literally letting it sit for a few days or a week, working on some other music and then coming back to it.
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You know, sometimes it's playing the song around other people.
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It's not an exact science.
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Part of it is just being receptive to the fact that it might look totally different on one song than it does on another song.
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You might get to that finished product the day that you write it, and then there's other songs that might take you months or even years.
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And I don’t think either of those is wrong.
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It just literally depends on how it comes to you and where your inspiration arrives from.
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For me, it’s just recognizing that it’s not always going to go exactly the way I want.
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And that even those “dud songs,” are the ones that don’t get finished, you know, they still help inform the way that I write songs in the future.
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And I think it’s those great songs that you end up getting, oftentimes you would not get those songs if it weren't for the songs that you feel like you missed or that you didn’t get it.
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And so just trying to continue to encourage yourself and not get too down on yourself because something isn’t going at the speed that you want or coming together in quite the way that you want.
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You will eventually get to the songs that you really want if you just continue to work on it.

इस वीडियो के साथ बोलने का अभ्यास क्यों करें?

इस वीडियो में, डेनियल ब्रीलैंड ने अपने संगीत बनाने की यात्रा के बारे में बताया है। उन्होंने उल्लेख किया है कि कैसे उन्होंने रोज़ एक गाना लिखने और रिकॉर्ड करने का निर्णय लिया। इस प्रकार की कहानियों से सीखना बोलने के कौशल को बढ़ाने में मदद कर सकता है। जब आप उनकी बातों को सुनते हैं और उनका अनुकरण करते हैं, तो आप न केवल अपने वाक्य विन्यास में सुधार करते हैं बल्कि आत्मविश्वास भी प्राप्त करते हैं। यूट्यूब से अंग्रेजी सीखें और रोज़ की जीवन के सन्दर्भ में संवाद करने के तरीके जानें। रोज़ बोलने और सुनने से आपका उच्चारण और संचार कौशल तेज़ी से सुधारता है।

संदर्भ में व्याकरण और अभिव्यक्तियाँ

  • “I decided to double down” - यह वाक्यांश इंगित करता है कि किसी चीज़ को लेकर गहराई से प्रतिबद्ध होने का क्या अर्थ है।
  • “It’s okay” - यह अभिव्यक्ति आत्मसंतोष और स्वीकार्यता को दर्शाती है, जो निराशा को दूर करने में सहायक है।
  • “You will eventually get” - यह वाक्यांश आश्वासन देने के लिए उपयोग किया गया है कि सब्र और मेहनत से अंततः सफलता प्राप्त होगी।
  • “Look, I’m going to write” - यह निश्चितता और आत्मविश्वास को व्यक्त करता है, एक ऐसा दृष्टिकोण जो बोलने में सहायक हो सकता है।
  • “I’ve written so many songs” - यहाँ, कार्यों की निरंतरता एवं अनुभव का प्रमाण प्रस्तुत किया गया है।

सामान्य उच्चारण के जाल

इस वीडियो में कुछ शब्दों का उच्चारण चुनौतीपूर्ण हो सकता है, जैसे "Breland" और "Lyor Cohen।" इन नामों के साथ-साथ "music" और "inspiration" जैसे सामान्य शब्दों का उच्चारण भी ध्यान देने योग्य है। सही उच्चारण के लिए अंग्रेजी उच्चारण में सुधार करने का अभ्यास करें। आप अंग्रेजी शैडोइंग के माध्यम से इनका सही उच्चारण सीख सकते हैं, जहाँ आप श्रोता के उच्चारण का अनुकरण करते हैं। कोशिश करें कि आप रोज़ाना इन शब्दों का उच्चारण करें ताकि यह आपके मस्तिष्क में दृढ़ हो जाए।

शैडोइंग तकनीक क्या है?

शैडोइंग (Shadowing) एक विज्ञान-समर्थित भाषा सीखने की तकनीक है जो मूल रूप से पेशेवर दुभाषिया प्रशिक्षण के लिए विकसित की गई थी। विधि सरल लेकिन शक्तिशाली है: आप मूल अंग्रेज़ी ऑडियो सुनते हैं और तुरंत इसे ज़ोर से दोहराते हैं — जैसे वक्ता की छाया 1-2 सेकंड की देरी से। शोध से पता चलता है कि यह उच्चारण सटीकता, स्वर, लय, जुड़ी हुई ध्वनियाँ, सुनने की समझ और बोलने की प्रवाहशीलता में काफ़ी सुधार करता है।

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