Pratica di Shadowing: Architect Breaks Down 5 of the Most Common New York Apartments | Architectural Digest - Impara a parlare inglese con i video
Scegli una modalità di pratica
Ogni modalità apre una sala di pratica a schermo intero.
228 frasi
Se le frasi sono troppo corte o troppo lunghe, clicca su Edit per modificarle.
1
Hi, I'm Michael Weitzner, and I've been an architect in New York City for 35 years.
2
Today I'm going to break down the architectural details of some of New York City's most popular apartment layouts.
3
First up, the brownstone apartment.
4
So a brownstone is just one house in a series of row houses along the street that's actually made out of brownstone, which is a type of sandstone.
5
So where do you find brownstones?
6
You find them all over New York.
7
You find them all over Brooklyn, the Upper East Side, the Upper West Side, Harlem.
8
They were the residents of choice of developers in the mid-19th century.
9
Let's take a look at one at 29 West 88th Street.
10
Quite often, these brownstones were built as developments.
11
That means they built multiple ones at once.
12
You could see every other one has these arch windows at the top floor that they were all built together.
13
Each entrance has the same sort of treatment around it, and every other bay has a bay window.
14
All that indicates that they were all built together as one design.
15
So this row of brownstones has four floors above grade, one on grade, and then there's usually a cellar below that.
16
And typically the main entrance was on what we call the parlor floor, or one floor above the ground level.
17
And there's a big stoop that leads up to it.
18
Stoop is just a Dutch word for staircase.
19
Servants usually entered down on the ground floor, and the family entered on what was called the parlor floor.
20
And the parlor floor is elevated just to avoid all of the horse manure
21
that filled the streets of mid 19th century New York.
22
So between each individual unit is what's called a party wall, and it's much easier to see from an overhead view.
23
So one of the main characteristics of a Brownstone apartment though, is that you can only get light from the front or the back.
24
Because of these party walls, you can't get it from the sides, unless of course you're the end house on the block.
25
And as you could see, each house is set back from the rear and it creates this whole rear yard that's over here.
26
And here's the street.
27
So New York City's laid out on a grid.
28
So essentially what you have is between the avenues, you have a 200 foot block and then a 60 foot street and then another 200 foot block and another 60 street.
29
And so they took that 200 foot block right here, that's 200 feet, and then they took a 60 foot street
30
and they took that 200 foot block and they divided it in half
31
and they made 100 foot deep lots and they basically divided those lots into 25 foot slivers.
32
So that's the basic building block of a New York City block and each one of these is 25 feet.
33
And 200 plus 60 is 260 and if you multiply that by 20, you pretty much get a mile, and that's why 20 New York City blocks is considered one mile.
34
So you'll notice in these overhead shots that there's no alleyways behind these rows of houses, and that's the reason why you see all the trash piled up on the front side of the street,
35
because there was no alleyway to put the trash in the back.
36
So in 1811, when they laid this out, people didn't really have that much garbage.
37
I mean, there was a privy in the backyard, and you used nearly everything any food
38
that you didn't use went to the livestock and people didn't have nearly as much as what we all have today.
39
So it's a common sight in New York to see these
40
mountains of garbage along the curbs every other day of the week.
41
And it's because we don't have alleyways.
42
Now let's look at railroad apartments and tenement buildings.
43
So a railroad apartment is essentially just an apartment where one room leads into the next room, like in a railroad car.
44
You go from one car to the next.
45
As an overhead view, you have one room leading into another room.
46
So if this was the flat like that, there'd be one room here, and another room here, and another room here.
47
So if I'm in this room, in order to get to any other room, I've got to pass through each room if I wanted to get to the back room.
48
Where in a typical apartment, there would be a corridor on the side, and you would circulate into each room from that corridor like that.
49
Okay, let's take a look at one at 39 Henry Street.
50
Okay, this is a building that was built in the late 1800s on Henry Street on the Lower East Side.
51
My grandmother was born in this building in 1899, and the building is still there.
52
At that time, the street would have been filled with push carts and horses and throngs of people.
53
Now it's just cars parked.
54
So tenement houses were built for the lower classes, mainly for immigrant groups.
55
So imagine in these earliest apartments, having a family living in each one of these rooms.
56
It would be very crowded and there'd be absolutely no privacy.
57
At a grander level, that's called Enfalad.
58
And you know, you could see
59
that in famous museums where you go from one gallery to the next gallery without going out into a corridor.
60
But here at a much smaller scale, it's how the apartments were set up.
61
And usually there were just like three rooms.
62
There was a bedroom, a kitchen, and maybe there was another room between them.
63
Quite often it was just two rooms.
64
So originally when these were built, a lot of these rooms didn't have any light and air.
65
So light and air means natural light and operable windows to let fresh air into the rooms.
66
A lot of these apartments had rooms with no windows at all and were inhabited by multiple families.
67
And so obviously they were breeding grounds for disease.
68
But at the time there were no laws about that.
69
It wasn't until about 1901 that New York City passed a law that said you must include air in these rooms.
70
And so they created what's called these air shafts.
71
And if we look at an overhead shot, you could see right here that these air shafts were then included and they're very narrow.
72
So the air shafts added light and air to a lot of these apartments, but at the same time, they also created other problems because trash would pile up in them
73
and stagnant water would be there and it would create a whole other source for disease.
74
But by inserting these air shafts, you created what's called a dumbbell plan because the shape that was left was sort of shaped like a dumbbell.
75
So early on, an entire family of six or eight people would live just in one room.
76
And there was a famous book by Jacob Rees called How the Other Half Lives.
77
So people's eyes were open to the sort of squalor that people were living in, and that was what prompted change.
78
And when these apartments were built, there was no plumbing.
79
So there were still outhouses in the backyard.
80
And when that law was passed for the air shaft, they also insisted that you had to have a toilet in each building.
81
No more than 20 people could share that toilet, which is quite astounding today.
82
A lot of these apartments, people wonder why were there bathtubs in the kitchen?
83
And there were bathtubs in the kitchen because there was no other place to put them.
84
The apartments were so small, they didn't have room for a proper bathroom.
85
And so the kitchen, if it had any plumbing, already had a sink.
86
And so it made sense that that's where the bathtub would go, next to the existing plumbing.
87
Even today, a lot of those apartments still have that weird arrangement of plumbing.
88
And you could see bathtubs still in some kitchens.
89
People did all sorts of elaborate things with these bathtubs.
90
They had these coverings so that it became more counter space, and then they would take that covering off and use it as a bathtub.
91
So as time wore on, starting in the 1930s, conditions were so deplorable in these tenements that a new paradigm was invented,
92
and the idea was to create these new housing projects that were built around courtyards that were filled with light and air.
93
And the intention was to provide much healthier living for the working class people of New York City.
94
So a lot of these tenements were just knocked down and they built these housing projects.
95
Today, housing projects have this terrible reputation, but that's because all the funding for them has been systematically cut off.
96
And so they've been starved and they have no money for basic repairs.
97
And because of that, they deteriorate and fall apart.
98
And people are left living in conditions that were almost as bad as the tenement apartments that they were made to replace.
99
So railroad apartments still exist, but quite often today, bathrooms have been added to them.
100
But because you have to walk from one room to another, privacy is really compromised.
101
Next, the Classic Six layout.
102
So where do you find the Classic Six?
103
Typically, they're found on the Upper West Side or the Upper East Side of Manhattan.
104
They're called Classic Sixes because typically there were six rooms.
105
Let's look at one building called the Dartmouth at 509 Cathedral Parkway in Manhattan.
106
We're just gonna talk about this apartment here on the left.
107
This one's actually a Classic Seven, which is another typical kind of apartment.
108
And as you can see, there's a main living room or a parlor, a separate and distinct dining room, a kitchen.
109
Here it's three bedrooms and then a maid's room.
110
And that's what makes the seven, or you subtract one of those bedrooms and it becomes a classic six.
111
You should note though that the kitchens are actually much smaller in these apartments originally.
112
And that's because really only the maid used the kitchen.
113
Most families in this station had servants and the maid had their own room
114
and they were live-in and they cooked the meals for them.
115
The other thing you should note is the maid had her own bathroom
116
and then there was one bathroom shared by the rest of the family.
117
And the other thing you should note is
118
that they typically had very little closet space and that's because when most of these were built, which I would say is in the 1920s, some were built a little before, some were built a little after,
119
but the 1920s were the heyday of this type of of apartment.
120
People just had a lot less.
121
They didn't have huge wardrobes, and they didn't have a lot of possessions.
122
And so subsequently, they didn't need nearly as much storage space.
123
So what was really nice about these apartments is quite often they had a really gracious foyer, and then there was a corridor that led to all the rooms.
124
Unlike a railroad apartment where you'd go from room to room to room,
125
here you'd step out into a beautifully detailed corridor and go from room to room in your own apartment.
126
A lot of these buildings were built before current zoning
127
laws where today windows facing one another like this would have to be 30 feet apart.
128
Here it appears it's less than 20, which makes the rooms down at the end of these courtyards somewhat dark, especially if you're on a lower floor.
129
But again, today it would be much wider and they'd be much brighter.
130
So what prompted these buildings actually, or what helped prompt these buildings was the invention of the elevator.
131
So all of a sudden it became worthwhile to build multi-unit apartment buildings on 10 or 12 stories high.
132
And without the elevator, they couldn't have done that.
133
Before that, the highest you could go was six stories with a walk up.
134
And now, once the elevator was invented, you could go up as high as you need to be.
135
But typically, they built 10 to 15 stories.
136
I mean, this was a new style of living that sort of the Dakota helped bring about.
137
And elevators were part of that new style.
138
And that technology was instrumental in creating this new style of living.
139
So here's a view of the exterior of the Dartmouth
140
and you could see that narrow courtyard that we were talking about before
141
and how those windows would be kind of dark because of the shadow.
142
The other thing you might want to notice is that the air conditioning units, which is also a ubiquitous thing in New York City apartment living, because these apartments were so old,
143
there was no air conditioning yet.
144
And so in a modern apartment now, there's usually a unit under your window, like in a hotel where you could heat and cool from the same unit.
145
Back then, these apartments were only built with heat.
146
It was steam heat and it was very ample and still is.
147
New York City is known for the super warm apartments.
148
But air conditioning wasn't something that they had and
149
so window units became the way that people cool their apartments in the summer.
150
Next up, loft apartments.
151
So loft apartments really started in SoHo, which means south of Houston Street in Manhattan.
152
So essentially loft apartments are just wide open spaces with really big windows.
153
Originally all these loft apartments were actually manufacturing spaces As manufacturing moved out of Manhattan,
154
these spaces were empty and landlords didn't know what to do with them.
155
And artists started moving in because they were like, hey, these spaces are great for making art.
156
They're big, they're filled with light.
157
What could be better?
158
They're rough.
159
I don't have to worry about keeping it clean.
160
And so landlords were happy to have the artists come in
161
and move in because they were at least collecting some rent on what was before just vacant and empty spaces.
162
A lot of them were done in these beautiful, old cast iron buildings, which were built in the late 1800s.
163
Cast iron was a new technology at the time, and it allowed you to make these really big windows.
164
You could see the technology had changed, and now we have big sheets of glass, and it created these beautiful light-filled spaces.
165
So here's a great example of one of these lofts.
166
This is a building that was owned by the famous artist and critic Donald Judd, and you could see it's a cast iron building with these really nice big windows letting light into all these floors.
167
So these artists moved into these spaces
168
because these spaces became available at the same time that art and paintings were getting bigger and bigger.
169
No longer were people just doing easel paintings.
170
Now they were doing these big wall paintings.
171
And these spaces were perfect for that.
172
And so these artists started fixing all these spaces up and putting in plumbing and putting in heating.
173
Eventually they lobbied Albany to change the laws to allow people to live in these areas that were originally zoned for manufacturing.
174
And you actually had to register with the state as an artist in residence to be able to live there.
175
And then they would actually have a sign out front that said AIR, which meant artist in residence.
176
And so the firemen would know that people were actually living there in case there was a fire in the building.
177
All these artists made all these great living spaces
178
and then all these galleries moved in to show the art
179
that these artists were creating and it became this great vibrant arts community
180
but then as soon as that happened people with much greater wealth started to move in
181
and buy these lofts because they were such great spaces to live in
182
and eventually that pushed all the artists out
183
and they could no longer afford um to live in these spaces
184
and the whole neighborhood changed almost overnight all those galleries just got up
185
and moved in the early 90s and went to Chelsea.
186
And so what's left in Soho now is just a lot of really wealthy people
187
and very fancy shops instead of the galleries and bookstores that used to be on all the streets there.
188
So the exteriors are still intact
189
and they still are beautiful filled with all these cast iron
190
and industrial looking buildings but what happens inside them is now completely different.
191
Currently the city is talking about rezoning yet again Soho to allow more inclusive affordable housing
192
and new buildings and the people who live there are against it for a variety of reasons.
193
One being they don't want to destroy the beautiful historic character of the neighborhood, but the other, and a more cynical reason, is I think people are afraid that their real estate values will go down.
194
Studio apartments.
195
So what do people think of when you say studio apartment today?
196
Well, usually it just means a one-room apartment.
197
They used to be called efficiency apartments, but it's just one room, and the kitchen is sort of attached to that room.
198
It's rarely even separate.
199
Obviously, there's a bathroom, but it's just your bedroom, your living room, and your dining room all in one.
200
And if you need to live alone, it's probably the least expensive way to live.
201
So what I love about the term studios is
202
that it originally came from super rich artists who came from
203
really wealthy families in the late 1800s who built these studio apartments for them, but in fact they were multi-room,
204
double-height, really posh, beautiful spaces.
205
But they call them studios because it was like an art studio and you were intended to make art in them.
206
Let's take a look at one of the most famous studios, Hotel Des Artistes.
207
This is located just off Central Park West on Manhattan's west side.
208
So even before lofts, these were the original residences that were built for artists in New York City.
209
What's interesting about Hotel Des Artistes, it was built by a group of artists who had gotten together
210
and built this 20-story building with this sort of gothic feel to it, as you can see here in this image, with the pointed arches.
211
And what they did was they dedicated 10 floors to studios for making art, and another 10 for just typical apartments.
212
And yet, even as beautiful as these are, they still have the ubiquitous window air conditioning units.
213
And so you could see in this photograph, the double height windows that the double height studios are in.
214
And these are fantastic spaces.
215
And there's a number of examples of these.
216
There's one on West 77th, there's others on West 67th.
217
And these were beautiful apartments intended for people from really wealthy families who had an interest in art.
218
And then over time, the real estate industry took that term, because it had this certain romantic flavor to it,
219
and applied it to one-room apartments because it had this very Bohemian feel
220
that the one-room studio that artists inhabited could be similar.
221
But the one-room studios
222
that the real estate industry were describing were actually in much more modern buildings that had much lower ceilings.
223
They were just a single room of just a few hundred square feet.
224
They weren't anything compared to the original studio apartments that were built in New York City.
225
So today studio apartments aren't nearly as grand as what they started out as, but they're still a very efficient way to live.
226
So there you go.
227
Those are some of the most popular apartment types in New York City
228
and how they came to be and how they shaped the way we live today.
Scarica l'app
Tutto ciò che serve per parlare fluentemente
Pronuncia con IAVoto per ogni frase
Pratica IPAPadroneggia ogni suono
VocabolarioCostruisci il tuo lessico
Gioco di vocabolarioImpara giocando
Stesso Canale
B21
Inside Troian Bellisario & Patrick J. Adams’s Eclectic L.A. Home | Open Door | Architectural Digest
Daily ConversationWorking Adults
C1Inside An Experimental Off-Grid Modern Cabin | Unique Spaces | Architectural Digest
Daily ConversationUniversity Students
C12
How This Famous Architect Changed America | Architectural Digest
Daily ConversationUniversity StudentsWorking Adults
B23
Inside Amanda Seyfried’s Peaceful New York Home | Open Door | Architectural Digest
Daily ConversationWorking Adults
B23
Inside a Small 465-Sq-Ft Malibu Beach House With a Loft Bedroom | Architectural Digest
Business EnglishUniversity StudentsWorking Adults
B22
Inside Lenny Kravitz’s Regal Paris Home | Open Door | Architectural Digest
Daily ConversationUniversity StudentsWorking Adults
B210
Inside Kendall Jenner’s Home at Christmas | Open Door | Architectural Digest
Daily ConversationUniversity StudentsWorking Adults
B27
Inside Dakota Johnson's Serene Hollywood Home | Open Door | Architectural Digest
Daily ConversationUniversity StudentsWorking Adults
B26
Inside The Home Frank Lloyd Wright Designed For His Son | Unique Spaces | Architectural Digest
Business EnglishUniversity StudentsWorking Adults
C11
How This Famous Architect Revolutionized The Way Architects Design | Architectural Digest
Daily ConversationUniversity StudentsWorking Adults
C14
Every Way Emma Chamberlain Has Updated Her Home | Architectural Digest
Daily ConversationUniversity StudentsWorking Adults
B11
Inside Jensen and Danneel Ackles' Home | Open Door | Architectural Digest
Daily ConversationUniversity StudentsWorking Adults
B22
Inside Jeff Goldblum & Emilie Goldblum's Playful Guest House | Open Door | Architectural Digest
Daily ConversationUniversity StudentsWorking Adults
B24
Inside Lana Condor’s Dream California Home | Open Door | Architectural Digest
University StudentsWorking Adults
C14
Inside a Woodland Home Built Over Water to Become One With Nature | Architectural Digest
Business EnglishUniversity StudentsWorking Adults
B22
Inside Nina Dobrev's 1920's Spanish-Style Home | Open Door | Architectural Digest
Business EnglishDaily ConversationUniversity Students
B227
Inside Kendall Jenner’s Cozy Mountain Home | Open Door | Architectural Digest
Daily ConversationUniversity StudentsWorking Adults
B216
Inside Kendall Jenner’s Cozy L.A. Hideaway | Open Door | Architectural Digest
Daily ConversationUniversity StudentsWorking Adults
B1Inside Lucy Hale’s Whimsical L.A. Home | Open Door | Architectural Digest
Daily ConversationWorking Adults
C1How 'Dune' Replicated Real-Life Ancient Architecture | Architectural Digest
Daily ConversationUniversity StudentsWorking Adults
FOR YOU
Video consigliato
B21
344 frasi
De-influencing you on life in New York City - a truly *realistic* take
Daily ConversationWorking Adults
C11
126 frasi
45 White Oak | Why This Luxury Secondary Wing Was Inspired by Hospitality
Daily ConversationWorking Adults
B2114 frasi
How to Arrange Your Living Room Furniture (An Architect’s Guide!)
Daily ConversationWorking Adults
C11
51 frasi
What's Under Your Feet in New York City?
Daily ConversationUniversity StudentsWorking Adults
C11
206 frasi
A Tree Grows In Brooklyn! Ch1 Prt 1
Daily ConversationUniversity StudentsWorking Adults
B21
232 frasi
The Chaotic History of NYC’s Most Famous Shopping Neighborhood
Daily ConversationWorking Adults
B2162 frasi
室內設計師開箱紐約18坪迷你雙人套房！小空間也能住出高格局、一房多用善用收納、分區｜迷你空間｜Vogue Taiwan
Daily ConversationWorking Adults
B2229 frasi
This Property Measurement Changes Everything | Architect Visit York Project Pt 4
Daily ConversationWorking Adults
B22
174 frasi
Introduction to Housing - City Beautiful Basics
Daily ConversationWorking Adults
B23
169 frasi
New York's Buckling Tower: What Happens Now?
British AccentDaily ConversationWorking Adults
Vocabolario e note di pronuncia per questa lezione
Questo video contiene 228 frasi e 3349 parole da ripetere con lo shadowing. Il parlato dura 16:27. Chi parla va veloce, circa 204 parole al minuto: aspettati suoni legati e ridotti. Il 86% delle parole rientra nelle 3.000 più comuni dell’inglese; conviene studiare le altre prima di iniziare.
Vocaboli chiave di questo video
15 parole meno comuni del video, con pronuncia e significato:
- loft /lɔft/ (sostantivo) — attico, soffitta. An attic or similar space (often used for storage) in the roof of a house or other building.
- shaft /ˈʃɑːft/ (sostantivo) — lancia. The long, narrow, central body of a spear, arrow, or javelin.
- corridor /ˈkɒɹɪdɔː/ (sostantivo) — corridoio. A narrow hall or passage with rooms leading off it, as in a building or in a railway carriage.
- plumbing /ˈplʌmɪŋ/ (sostantivo) — impianto idraulico, rubinetteria. The pipes, together with the joints, tanks, stopcocks, taps, and other fixtures of a water, gas, or sewage system in a house or other building.
- bedroom /ˈbɛdˌɹum/ (sostantivo) — camera da letto, camera. A room in a house, apartment, hotel, or other dwelling where a bed is kept for sleeping.
- overhead /ˈəʊvəˌhɛd/ (sostantivo) — costi di gestione. The expense of a business not directly assigned to goods or services provided.
- essentially /ɪˈsɛnʃəli/ (avverbio) — in essenza. In essence: by nature.
- trash /tɹæʃ/ (sostantivo) — spazzatura, immondizia. Useless physical things to be discarded; rubbish; refuse.
- residence /ˈɹɛz.ɪ.dəns/ (sostantivo) — residenza. The place where one lives (resides); one's home.
- wealthy /ˈwɛl.θi/ (aggettivo) — benestante, abbiente. Possessing financial wealth; rich.
- maid /meɪd/ (sostantivo) — cameriera. An adult or adolescent female servant or cleaner (short for maidservant). (In feudal times this could be anyone from a high-ranking assistant to a low-ranking…
- prompt /pɹɑmpt/ (verbo) — incitare, guidare. To lead (someone) toward what they should say or do.
- courtyard /ˈkɔɹt.jɑɹd/ (sostantivo) — cortile, corte. An area, open to the sky, partially or wholly surrounded by walls or buildings.
- entrance /ˈɛn.tɹəns/ (sostantivo) — entrata. The action of entering, or going in.
- narrow /ˈnæɹəʊ/ (aggettivo) — stretto, angusto. Having a small width; not wide; having opposite edges or sides that are close, especially by comparison to length or depth.
I phrasal verb che sentirai
- look at (verbo) — guardare. To observe or watch.
- do in (verbo) — uccidere, finire. To kill or end; to defeat.
- fall apart (verbo) — cadere a pezzi. To disintegrate, to break into pieces.
- get up (verbo) — alzarsi. To move in an upward direction; to ascend or climb.
- go up (verbo) — salire. To move upwards.
- knock down (verbo) — abbattere. To hit or knock (something or someone), intentionally or accidentally, so that it falls.
Pronuncia a cui fare attenzione
Chi parla usa 41 contrazioni e forme ridotte, come didn't, they're, don't. Pronunciale nella forma breve, così come le senti.
- I suoni “th”: wealthy /ˈwɛl.θi/, grandmother /ˈɡɹæn(d)ˌmʌðɚ/, worthwhile /ˌwɜː(ɹ)θˈwaɪl/, bathtub /ˈbæθtʌb/, throng /θɹɔŋ/
- I suoni “sh” e “zh”: shaft /ˈʃɑːft/, essentially /ɪˈsɛnʃəli/, trash /tɹæʃ/, reputation /ˌɹɛpjʊˈteɪʃən/, shadow /ˈʃædəʊ̯/
- Parole lunghe — attenzione all’accento: elevator /ˈɛləˌveɪtɚ/, essentially /ɪˈsɛnʃəli/, inhabited /ɪnˈhæbɪtɪd/, reputation /ˌɹɛpjʊˈteɪʃən/, efficiency /ɪˈfɪʃ.ən.si/
Come esercitarsi con questo video
- Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
- Inizia a velocità 0,75×, fai shadowing frase per frase e torna alla velocità normale quando diventa facile.
- Registrati e confronta con l’originale, facendo attenzione a parole come loft, shaft, corridor.
La grammatica di questo video
Le strutture che chi parla usa di più, con le parole esatte del video:
| Struttura | Nel video |
|---|---|
| “Used to” used to + verbo — un’abitudine o uno stato passato che non è più vero | used to be |
| Forma passiva be + participio passato — conta ciò che accade, non chi lo fa | were built · was called · is elevated |
| Frasi relative who / which + frase — un’informazione in più su una persona o una cosa | brownstone, which is · toilet, which is · Seven, which is |
| Present perfect have/has + participio passato — un’azione passata che conta ancora adesso | I've been · has been · they've been starved |
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.