Pratica di Shadowing: Architects Living in a Rare Jo Paul Rognstad Mid-Century Home in Claremont, California | House Tour - Impara a parlare inglese con YouTube
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The house is very private and is very off-putting from the street and very small from the street.
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The house is very private and is very off-putting from the street and very small from the street.
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When you're walking up there's only one set of windows you see.
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The porch is really low.
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It's compressive.
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And when you step in it gives you the impression of stepping into another world world.
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To walk into the house is to walk into the whole home.
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It's to step in and see the living room and the kitchen and past the foyer into the backyard,
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both levels of the backyard, in the back house.
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It's almost like that door becomes not an entrance to a building but a gateway to another place or Eden,
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shall we say.
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It's our Eden, definitely.
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I'm Mark Schumann.
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We're here in Claremont, California at our home,
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my wife and mine's home, originally the Grant residence.
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The house was built in 1952 for Mr. and Mrs. Grant.
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The architect was Joe Paul Rangenstead.
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He came out of USC and we believe he was a student of Jim Grant's.
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Sometime in the late 50s,
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early 60s, he relocated to practice in Hawaii,
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where he actually is a relatively prominent architect,
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especially in the modernist movement.
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I had the good fortune to actually talk to Joe sometime in the late 90s,
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maybe early aughts, not too long after we had moved into the house because I was looking for the plans.
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I wanted to see if he still had the original plans.
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And what he had mentioned,
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it was kind of fun because I told him the house,
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I told him who it was for,
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and he had to search his memory and he even said something like,
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oh my gosh, that's like one of my first homes and they were the best clients.
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They basically let me do whatever I want.
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And trust me, as an architect,
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they are the best clients.
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We moved into the house summer of 98.
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It was never on the market.
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Our realtor had heard that the city attorney,
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Win Firth, was moving to Palo Alto.
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And so she just called,
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hey, will you be selling your house?
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They had not even thought about it.
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My pushy or our pushy realtor kind of said,
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well, I've got this person who would be perfect for it and got me in the door that day.
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And I'll be honest, I walked in the door and I couldn't believe it.
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And you kind of asked,
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well, what would make it,
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why did we think this was special or what would make it seem like it was the house?
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I mean, you step in the door and it just is beautiful.
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I mean, it's a piece of architecture.
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It's more than just a house.
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Laurel and I had just designed a house for us to build here in Claremont,
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in Earth Claremont.
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And it wasn't working out because of some costs and a few other issues from where we were living and we decided,
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well, let's just, let's just find it,
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let's see what is available.
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To walk into this house was like,
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I'll be honest, I said the worst thing you can say to my realtor,
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I don't care what it costs or how long it takes,
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I've got to own this house.
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And it turns out the only caveat we had,
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you know, restriction to the purchase is that my wife had to see the house and agree to it.
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So I actually offered money on a house without my wife seeing it,
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which is a funny story because her mother did the same thing.
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I'm happy to say that my wife was very happy with the choices that,
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no, she loves this place.
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One of the things that Wyn told me,
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and I think maybe told us,
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was one of the reasons she was selling it to us was because she knew we would take care of it.
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And I mean, that just showed that they had that same appreciation and love for the architecture,
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for the space.
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I had gone before the city council a number of times to fight developers,
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and that's how she knew me.
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I walked in the door and she goes,
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you're that impassioned architect and you know keep up the good fight.
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You know she she was interested in the things that were interested in you know living spaces,
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homes, not houses.
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You know it's not an investment it's where you raise your children.
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They don't have to be mutually exclusive but I think when you approach a structure as being an investment,
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as just a house, then it doesn't matter what it looks like.
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It doesn't matter its history.
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One of the things we learned about was the importance of history of place.
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One of the things that I've always enjoyed or liked about what I do as an architect is creating memories,
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creating history, and this place has it.
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Now is it ancient?
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Is it Baroque?
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Is it craftsmen?
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No, but it is very specific to mid-century California living.
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And I don't even mean in a time capsule.
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I mean, everything that that brought forth still exists in this structure.
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And I don't see why we would want to change it.
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Or what would be better, frankly?
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I'm Laurel Tucker and I have lived in this house with my husband Mark Schumann and family
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for 27 and a half years.
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I know that the Grants worked closely with Mr. Roggenstead in the design.
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The studio in back was built for Mr. Grant's
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and there used to be hooks in the beams out there and we imagined that he hung large canvases from them.
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It was fun to find that.
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Mr. Grant did a lot of the stonework in the yard around the house, the retaining walls.
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I know that they came from Pasadena and they didn't live in this house very long and then they moved up north.
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This was not a family home for them,
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it was just the two of them but they had children later
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and Mark was actually in contact with the son at some point since we've been living here.
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We had looked at a lot of houses and Mark came and saw the house before I did.
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I was at work.
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He called me while I was sitting at my desk and he said,
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this is a great house.
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It has a shoe closet and I said buy it
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but then the first time I came in when Firth
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and Don Brennis the owners at that time had a fire going in the fireplace
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and I walked in the front door
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and just went this feels like home it's just so comfortable and welcoming so you open that door and it just
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welcomes you with open arms We had an amazing realtor who really got to know who we were,
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and she found out that this house was going to be coming up for sale,
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and she got us in the door before it ever hit the market.
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And I have thanked her ever since for doing that for us.
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I like to call it a case study house that's not really a case study house,
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but it's so beautifully designed already.
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And when our friends said,
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what's your first project going to be?
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We said, unpack our boxes because it's a perfect house.
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And so when we added the primary suite,
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we were very careful to try to keep it exactly in character with what we already had.
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We had two big, beautiful pine trees.
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The one close to the house was an Italian stone pine.
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and the one closer to the studio was an Aleppo pine.
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But I used to go out and look up at it and I would literally hug the tree and say,
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don't ever fall because if you do,
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it'll break my heart and it'll destroy a lot of things.
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And then on January 21st,
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2022, Friday night, the winds were picking up and it was pretty bad.
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It got more and more windy.
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There was no power and it was getting late.
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So we went to bed and I was watching the branches on the big tree flailing around.
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And then a branch dipped down and I thought that doesn't look right and then saw the trunk just go down.
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And, you know, I said,
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Mark, oh my God, it's going down.
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So we jumped out of bed and ran outside and there was our tree lying across the garage.
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The winds kept blowing and then I heard this huge crack.
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I realized it was the other pine tree had gone down on the other side of the studio.
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And then I kind of lost my mind.
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It was like, okay, one tree, we'll deal with it.
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But the other one was just really awful.
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But we begin rebuilding, you know,
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one foot in front of the other.
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And, you know, the community was great.
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People were around us and supporting us.
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Further into it, we were thinking,
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neither one of our kids lives at home anymore.
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So do we really even need this for work anymore? right?
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So we said, let's just,
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you know, maybe set it up as a rental or something.
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Then the city in the last year approved short-term rentals,
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Airbnb, Vacquesa, that kind of thing.
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We decided to try it.
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It's been a real gift.
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So we rebuilt it almost exactly as it was,
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but modernized it, put in a kitchen.
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It's turned out to be a wonderful thing.
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When we bought the house,
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we just liked the house.
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We wanted the house.
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We didn't realize that it would become kind of,
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I feel like in some ways it's our civic duty,
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but I feel like it's giving back.
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And when you are fortunate enough to have something as wonderful as a house like this,
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I don't know, I felt incumbent on us to share it,
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try to help educate, you know,
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some of the beauties of having a place like this and the connection to the outdoors.
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I think it's civic duty, but there's also pride.
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You know, not everybody gets to have something like this,
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and I feel like we're sharing it.
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And having the Airbnb, that's a big thing.
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Now we have people coming in every week.
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They tell us, oh my gosh,
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this is such a great place.
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And the yard is so beautiful.
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Thank you, Mark Schumann, for the amazing landscaping in back.
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But it's wonderful to share it because I think it brings joy to other people too.
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When we added our primary suite, it felt really open.
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The bedroom had initially just had one wall of glass looking in the backyard,
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but when we pushed it out into the backyard,
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it almost felt like we were sleeping outdoors.
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And it was a little bit uncomfortable at first.
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I've gotten used to it now.
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And there's glass and you're part of nature and everything that's happening outside you experience when you're inside.
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It's like living.
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It's almost like camping.
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sometimes and we're both pretty avid campers so it suits us.
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So one of the aspects about this house is how well ventilated it is
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and so during the summer months if you open these large doors that are to my right And in the afternoons,
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when the sea reuses are coming from the west,
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we get great follow through with these vents.
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Likewise, there's vents behind the fireplace,
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which also let a lot of air in.
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That, in combination with some clear stories that open,
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just allows the air to flow through.
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In fact, what's nice about it is we can leave the house locked with these open,
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so when we get home in the summer months,
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it's not real stuffy in here.
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It's spatially fabulous, right?
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I mean, it feels good to the human scale.
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The back wall of the living room is only like six foot six high,
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which is really low.
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But it doesn't feel compressive because it goes up to about 10 feet.
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And it's glass.
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There's glass all over the place.
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So again, you don't really feel like you're in a house as much as you are very sheltered by these planes.
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If you were talking about a style,
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Laurel's dad talked about how when he first walked in,
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he felt like he was in Japan again.
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It reminded him of Japanese homes.
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And when we would go to the Japanese pavilion at the Huntington,
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we were taken aback by how similar our home was,
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but even this style of home,
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you know, movable walls, maybe whether they're glass or not.
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We even have shoji screens from that standpoint,
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but certain horizontalities and the house is built on a four foot by four and a half foot grid,
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not quite the tatami size,
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but, you know, still it's regular.
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And by the way, that might be some another reason why my wife loves this place.
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She loves a grid.
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I'm not a grid architect, she's a grid architect.
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The colors are all muted.
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And in some ways it's front and center,
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but it really does take a backdrop to the artwork,
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the possessions that we have filled,
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our story, and to the gardens.
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The house exists here and it's beautiful,
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don't get me wrong, I love it.
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I love it.
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When it was empty, it was amazing.
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But it's not, there's no grandeur to it, but you're impressed.
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It's a human-centric space, which is what we do.
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That's our careers, is building space for humans.
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And we get to live in a space like that every day.
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I will also say that when we bought the house,
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Laurel and I felt, oh,
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we finally got a grown-up's house.
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Interesting enough.
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And I think the style has a lot to do with that.
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It's a house that you want.
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It just dies for a martini in one hand and a cigarette in the other.
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Great music playing with crowds of people
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and maybe that's one of the reasons why we have parties
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and invite people in and the tours is it just feels like a place
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that was meant for that and 27 years 27 years later um
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it still feels that way we're still so happy to be here and
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and that's as much Claremont as well I mean it's a
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quiet place it's a neat neighborhood you know we travel well
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and never really lived there in a long time but you know
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if I've got to spend time I'm really fortunate to be
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able to spend time in a town like this in Southern California but specifically in islands like this.
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Not a bad not a bad life.
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you
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Contesto e Background
Questo video presenta una visita guidata a una rara casa mid-century progettata dall'architetto Joe Paul Rognstad, situata a Claremont, California. Gli ospiti, Mark e sua moglie, condividono la loro esperienza di vita in questa casa storica e le peculiarità che la rendono unica. Durante il racconto, emergono dettagli sull'architettura, sulla storia della casa e sull'incontro con l'architetto che l'ha progettata, rendendo il contenuto ricco di informazioni per chi è interessato all'architettura e alla cultura americana. Questo video rappresenta anche un'opportunità perfetta per migliorare la propria pronuncia in inglese grazie alle tecniche di shadowing.
Le 5 frasi fondamentali per la comunicazione quotidiana
- "It's to step in and see the living room and the kitchen." - Perfetta per descrivere gli spazi interni.
- "It gives you the impression of stepping into another world." - Utile per esprimere emozioni e sensazioni.
- "They basically let me do whatever I want." - Indica libertà creativa, applicabile a molti contesti.
- "It's beautiful. I mean, it's a piece of architecture." - Espressione per descrivere bellezze architettoniche.
- "I couldn't believe it." - Frase esprimente sorpresa, comunemente usata nelle conversazioni.
Guida passo-passo per il Shadowing
Per affrontare e migliorare la tua pronuncia in inglese con questo video, segui questi passaggi:
- Ascolta attentamente: Prima di iniziare il shadowing, ascolta l'intero video una volta per familiarizzare con il contenuto e il tono.
- Seleziona frasi chiave: Prendi nota delle frasi fondamentali che hai trovato sopra e riguardale durante il video per capire il loro utilizzo.
- Ripeti in tempo reale: Mentre il video progredisce, prova a ripetere immediatamente dopo il relatore. Usa tecniche di shadow speech per imitare l'intonazione e il ritmo.
- Rivedi e registra: Dopo aver praticato, registrati mentre parli. Confronta la tua pronuncia con quella del relatore per identificare le aree di miglioramento.
- Pratica regolarmente: Dedica del tempo ogni settimana a praticare il shadowing in inglese con questo video e simili per migliorare la pronuncia inglese nel lungo termine.
Questo approccio non solo ti aiuterà a imparare l'inglese con youtube, ma rafforzerà anche la tua capacità di comunicare efficacemente in inglese attraverso la pratica costante del shadowspeak.
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.
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