Pratica di Shadowing: Conan Consults His Lawyer About Singing Popular Songs On The Podcast | Conan O'Brien Needs A Friend - Impara a parlare inglese con i video

We have something very important to discuss right now.

Is it important?

It's very important.

Okay.

If you'd even question me is an aberration.

It's abhorrent to me.

Recently, we had a discussion about singing popular songs on the podcast.

Is that a copyright infringement?

Do we have to then pay off these artists?

Or are we allowed to sing a popular ditty? do we have the freedom to do that?

And we realized there's one person we need to talk to.

He is one of the loyal troops here in the Team Coco army.

He's a magnificent lawyer, despite never having practiced law or graduated from law school.

Is he still Jose Arroyo?

It's true.

But no one pretends to be a lawyer better than David Melmed.

And David, thank you very much for being here.

And I also want to say, people really like David Melman.

Yeah.

I mean, everyone's- We're just talking about that.

Thank you.

We're all big fans.

Thank you.

You know, I'm a controversial figure here in the building, but you are universally very well liked.

Yeah.

Thank you.

Appreciate that.

And I thank you.

You do terrific work for us in your capacity as a fake lawyer.

So David, let's get into it.

The question is, can I sing songs on the podcast?

Can Sona sing songs on the podcast?

And Matt Gourley, is he allowed to break out into a tune every now and then?

What's the answer?

I'm gonna give you a lawyer answer to that.

Okay.

The answer is maybe.

Maybe.

Can you maybe, I would expect that.

Yes.

You're rotating in your chair a lot, nervously.

Yes, I am.

I don't really want to know How God engrows That's actually We could actually use that as an example right there Okay,

great That's a perfect example This is timely too Which song was that?

Because the way you were singing it was just awful What song was it?

That's always the song Live Forever Oh, okay, got it Terrific So that's a perfect example right there Thank you,

Carly I think there's a way to approach these I think

music is probably one of the most controversial sort of topics in all of clearance, right?

I think music, particularly with you,

Conan, your love of music and sort of the idea of music now in podcasts has become a hot,

certainly topic within the legal community.

And so now that we have an example, I think the first thing- If you don't get more interesting faster, I'm gonna kill you.

Okay.

It's that interesting.

Okay.

I mean, it's that simple.

You have to- Look at all these notes.

I love it.

I mean, my notes.

You're not talking to the Supreme Court.

Yes, I am.

It's just us, David.

He is the most professional person in this room right now.

I know, but that was just dreadful.

I know.

What?

He let the man talk.

I think...

I did!

And it was awful!

Yes.

It was the worst thing that ever happened to me!

I'm sorry, David.

That's okay.

Continue.

In no way, in no way feel constrained by what I've said or intimidated.

I'm not.

As your employer continued doing that awful thing you were just doing.

Exactly.

Okay.

So there's a step approach to that.

I think the first thing we ask is, what is the intended use of what you are trying to do?

And I think why I ask that is a lot of times I hear samples and they're really terrible.

I think when I actually asked the person, what do you want to use it for?

They hear themselves say it and they say, you know what? we're good.

We're actually not going to use that.

Once we get to step two, say, you know what?

We want to do that.

Then we get to where do you want to use it?

Where do you want to distribute it?

And so in that case, just I'm putting you on the spot, Gorley.

Where would you want to use that within?

Well, I think we're talking about this podcast.

This is the I think what we're all talking about is the same thing,

which is, OK, we're having that podcast, having a good time someone brings up Robert Palmer and I go, what's that?

You said to me?

I didn't say anything.

100

You just accused me of murder.

101

I didn't say a word.

102

Okay, I did not murder that.

103

Okay, what am I doing?

104

I don't know.

105

Go back to Robert Palmer.

106

Robert Palmer.

107

Okay, let's bring up Robert Palmer.

108

Another great example.

109

Let's bring up Robert Palmer.

110

And we're talking and someone brings up Robert Palmer and Sona says, wait, which one is he?

111

Because she's younger.

112

And I go, he's so fine.

113

There's no telling where the money went.

114

And what do you do now?

115

It comes across your desk.

116

Yes, it does.

117

I don't think you have a desk.

118

I do not.

119

I sit in the corner.

120

He does sit in the corner.

121

I just sit in the corner.

122

You do sit in the corner.

123

I do sit in the corner, yes.

124

Well, when you get a real law degree, you get a real desk.

125

Thank you.

126

But David, that's the example.

127

That's a great example.

128

They come to you and they say, Conan O'Brien joined in by Matt Gorley, Robert Palma's song.

129

We just did it.

130

Do you cut it out or do you let us do it?

131

I say, again, maybe, I would say, let's try to get permission to do that.

132

I think that is the goal here is to say, do we need permission to do that?

133

So that, again, is a difficult thing because you could say, look, we need to release this episode next week.

134

How are we supposed to go to the record label?

135

Yeah, Robert Palmer's gone.

136

He has tragically passed.

137

Yes, he has.

138

And he has an estate that's very protective of his musical work.

139

And then does someone get them a sample of us singing it And they listen to it?

140

We actually would provide the sample to them.

141

So we, because you're recording this, right?

142

We're recording this and we bring it to that.

143

I hope not, this is awful.

144

Okay, well.

145

Again, I mean, this whole segment is a trend.

146

I think it's fantastic.

147

I think this is very helpful.

148

I agree.

149

I like it.

150

I think this is fantastic.

151

So we bring that sample to the record label, say, hey, look, Conan O'Brien, Matt Gourley, Sona, would love to use this sample on- I'm okay.

152

You could leave me at it.

153

Okay, yeah, please.

154

Conan O'Brien.

155

She is tone deaf.

156

Yeah.

157

Yeah, you don't have to lump me in on the Robert Palmer one.

158

Yes.

159

Now, here's my question.

160

Would you say this promotes Robert Palmer's discography?

161

Or disparages his entire thing.

162

No, it doesn't.

163

It makes you think, oh, I did love that song.

164

I don't love the way they're doing it, but I do love that song, and I'd like to go out and immediately on Spotify get the complete Robert Palmer collection.

165

You would certainly use that argument in a negotiation for a fee, right?

166

This is ridiculous.

167

I'm just, you know, the thing is, I'm not a musician who's playing the song.

168

I'm just saying she's so fine.

169

There's no telling where the money went.

170

And then suddenly a highly paid pseudo lawyer.

171

Yes.

172

Who's suspiciously tan all the time.

173

Yes.

174

I don't know how you are.

175

You asked me that one.

176

In the middle of winter and you've got the deepest bronze tan.

177

Do you use a tanning light?

178

I do not.

179

And you asked me that.

180

No, he's just natural.

181

He's a handsome guy.

182

You are incredibly handsome.

183

Thank you.

184

Well, you asked me that two years ago.

185

Yeah, I know.

186

You did.

187

No, guess what?

188

It's the last time we spoke.

189

That is true.

190

Until today.

191

Yeah.

192

You, Conan, you came to my corner.

193

Yep.

194

And you said, do you tan?

195

Yeah.

196

I would love that tan.

197

Yeah.

198

And I said, I don't.

199

I actually get, I get outside, I have a, you know, glowing.

200

You have an incredible glow.

201

Thank you.

202

What do you attribute that to?

203

Uh, is it your lineage?

204

Are you pregnant?

205

How is this pertinent to the film?

206

Can we do this?

207

Okay.

208

It's, we're getting to it in a second.

209

This is important.

210

What, are you a lawyer?

211

Go ahead.

212

Uh, what was your question?

213

Sorry. So, yes.

214

But, but, David, explain, explain this golden hue you have.

215

I think genetics.

216

I think my, I have parents in their 80s that look like they're in their 60s.

217

So that's the first.

218

But what is it, what is your genetic makeup?

219

I know that's probably an incorrect question to ask these days, but...

220

Where are your genetics?

221

I must know!

222

I would say there is probably a sort of Middle Eastern, you know, beautiful skin, olive.

223

Absolutely gorgeous.

224

But you're forgetting that he has these beautiful eyes too.

225

Also, can I say something else?

226

What has happened?

227

He has this great.

228

You have salt and pepper hair, which is to die for.

229

I mean, I'm walking around with this clown dessert on my head and I look at you and I'm like, he may not be a real lawyer.

230

He may be the only thing we could afford, but gotta do him in a Mississippi second.

231

What?

232

Koi is your lawyer.

233

Thank you.

234

He is your lawyer.

235

Yeah, okay.

236

All I'm saying is you can't ask about genetics and you can't say, I want to do you to the lawyer.

237

Well, we are actually out of time.

238

I'm glad we covered all the legal questions to the music.

239

I'm just going to say one thing.

240

He's so fine.

241

There's no telling where the money went.

242

Listen, so back to the other, the initial point of this whole thing, which is you're very good looking.

243

Thank you.

244

Wait, that wasn't it.

245

Back to the real point, David, which is you're saying that anytime we hum any ditty,

246

you have to get on the phone and try to buy the rights from some monsters.

247

Can I add last Conan, you argued that if you hummed the worse you hummed it, the more rights we would have, right?

248

Like if you were off with your, with the melody or the tone, then we would be able to use it.

249

I would say, for example, famously litigious Led Zeppelin.

250

No one gets to do Led Zeppelin stuff, But if I sing it and it's wrong, but everyone knows what I'm doing, do we still have to pay?

251

You could.

252

You could.

253

You'd have to get the lyrics and the melody wrong though, right?

254

Oh, I could do the whole thing.

255

Now, there's a lady who knows!

256

Sure.

257

That's it.

258

Those speakers are bows.

259

Oh boy.

260

And she's trying!

261

Staircase!

262

To Nerva nirvana now that now would i have to pay for

263

that no way well i wouldn't say no way why you said maybe i would say maybe

264

and i'll tell you why i'll tell you why

265

if you are in if you were led no i'll tell you why the questions

266

that you don't want to hear you i don't think you

267

want to hear what the answer i say in the most

268

conservative way yes now there are different exceptions you can for example I think the use,

269

the fair use word, de minimis use is used a ton, but you've already committed the copyright act, right?

270

So when I, I have talked to you, Sonia, about this plenty of times where, and I think I'm going to use Jeff Ross's name.

271

He loves the word de minimis.

272

It's just a little bit of use that a court would never say, you know, we're not going to litigate this.

273

Go ahead and use it.

274

Conan O'Brien, he could, he can do two, three seconds of that song.

275

We're not, we're not going even go there.

276

Now- De minimis.

277

Why does Jeff love de minimis?

278

I haven't heard de minimis since the Latin teacher saw me without my pants on.

279

That's what he said.

280

That's what he said.

281

That's exactly what Jeff said.

282

Pretty good, huh, Sona?

283

Look at her.

284

Look at her.

285

That is what he said.

286

It's not the Maximus.

287

A quick question.

288

Should we do a two-parter and continue talking?

289

Yes, we should do a two-parter.

290

Because we're out of time.

291

Okay, we are sitting here with our he says he's a

292

lawyer we've seen no paperwork uh david melmond impossibly good looking

293

and beloved here on staff very sweet thank you stay tuned for part two

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.

Pratica di Shadowing: Conan Consults His Lawyer About Singing Popular Songs On The Podcast | Conan O'Brien Needs A Friend - Impara a parlare inglese con i video

Il contesto: una conversazione reale su diritti d'autore

Frasi e collocazioni utili da memorizzare

La tua sfida: shadow speech per migliorare la pronuncia

Cos'è la tecnica dello Shadowing?