Pratica di Shadowing: No more magic numbers for your breakpoints - Impara a parlare inglese con YouTube

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Hello my friend and friend.
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Hello my friend and friend.
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I'm back from Amsterdam.
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I was there for Smashing Conf where I had an absolute wonderful time.
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I want to say a really big thank you to Smashing for having me and yeah it was really fun.
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Met a lot of amazing people, had a really good time and I'm going to be back in Amsterdam in June.
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So if you're going to be there around June, CSS day, super excited for that and I'll put a link to
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that in the description in case you want to check it out.
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There is CSS day which is happening and the prices are going up in like a month.
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So if you're going to convince your boss to send you, now would be a good time to do it.
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And there's also the Web We Want conference.
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It's a free conference happening either the day before or after CSS day.
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I always forget which one it is, but I'll put a link to that just in case because I know conferences can be expensive.
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They're putting on an amazing event.
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So if you are in the Amsterdam area, I'd recommend you check that out as well.
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But you're not here for that.
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You're here to learn about breakpoints.
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And I talked all about some of this stuff at the conference.
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My talk is about container queries being amazing.
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We're going to see why, or this is at least one example of them.
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And don't, if you're like, oh, container queries, I'm here for media query stuff.
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Container queries have fantastic support now.
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So please don't just run away.
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They are baseline widely available and support numbers in general are quite good for it.
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So stick around and see why they are amazing, or one of the reasons why they're amazing, where you can see I have my flex column set up right here.
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And when I change, you know, This looks fine, and I'm doing this at 50 rem, which is kind of a random number, but I'm doing this with a media query to start with.
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And the reason I'm doing that is because I want to show that if you change the HTML font size, it will not change the breakpoint.
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Because even though this is set to rem, when you're using a media query, media queries are an at rule that are like the global scope.
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So they can't actually see what's happening inside of selectors.
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And that means you can see here, I've actually like broken my layout, right?
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I have horizontal scrolling because the three columns are so narrow with such a big font size.
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It's exaggerated for demo purposes, but that's fine.
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If we come down here, and I actually, or not down to here, if I come and take a look in my HTML, all of this is inside of my article, or even main.
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Let's use our main this time.
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I used the article when I did this on stage, but we're going to switch this over to a main, and we're going to say that this is a container type of inline size,
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because if you are using container queries, you do have to define a container somewhere.
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This is one of the limitations of using container queries.
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And what that means now is the browser can see not only the size of my main, but the font size of the main as well.
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So if I come down and I switch this media for an at container, the breakpoint is going to update.
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And now we see it's all the way out here instead
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because it's gotten as the rem has gotten bigger on my project.
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And I'm doing this on my HTML.
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I could be doing this on the main or other elements as well, and it's going to see the font size.
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It's just inheriting down into the main, so it's working fine.
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But yeah, it's updated and it's moved the breakpoint all the way out to here.
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And you came here going, well, Kevin, you said no more magic numbers.
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And this is a magic number.
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It's just not in pixels.
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It's in rem instead.
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And you would definitely be right.
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It is a magic number.
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But we can change this to use a smarter unit or one that is a content first unit, which I would say is the CH.
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And I'm going to say 90 CH.
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You may go, why would you do 90 CH, Kevin?
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That seems just as magic of a number, but it's not.
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The ch character, if you don't know it, is the width of a character of your font and all of that.
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So right now it's at this 1.5 rem size based on the font that I'm using.
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It's going 90 characters wide.
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And the reason this is a content first breakpoint now, let's just see where it's at, is it's going to happen when we have about 90 characters long.
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This is an approximation.
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So if you actually take the time to count this, it probably won't be exactly 90 but it's an approximation and
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that reason this is a cool break point to have is
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that means this is happening
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when I'm about 30 for each one of these 30 characters wide for each column
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and that's a really smart break point to have because
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that means we're hitting this like smallish area where things are getting too squished
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because minimum line lengths 25 to 30 characters is getting pretty narrow
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and that's about as small as you can get unless you're just on a mobile device
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and you don't have a choice and you have to go narrower.
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But if you do have a choice, you probably don't want to get smaller than that.
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So instead of guessing at a random number, you can use something like the 90 CH.
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And then if I come up to here
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and I change this back down to a one rem or whatever size you need for your project, it's going to adapt.
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And now that breakpoints over here instead.
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And it's always going to be when we're hitting about 30 characters size for each one.
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Plus we have like the padding on stuff.
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So it's a general approximation, but we're doing this, not just based on some random magic number that a media query breakpoint uses,
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where you're maybe getting it from the tailwind breakpoints or the bootstrap breakpoints, or you're just coming up with something, making it bigger, smaller, figuring out where it works,
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you can actually make informed decisions based on the content, which I love.
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This is such a fun way to work, in my opinion.
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And I really like this pattern.
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It's one of my favorite ways of using container barriers right now, though there's other really cool things we can do with it, such as wrap detection, which is really exciting,
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knowing when something is wrapping based on an intrinsic breakpoint that you might have.
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And I looked at that last week.
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That video is right here for your viewing pleasure or link down in the description if you need it over there.
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And if you like this pattern
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and you want to dive deeper into the world of container queries and see more of the things they can do, my course CSS Demystified has a bunch of lessons where it's covering container queries from the basics of how they work,
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some of the limitations they have, the gotchas, and other issues that you can run into with them, and awesome patterns and good ways of using them as well.
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So if you'd like more information on that, the link is down in the description for you to check out.
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And with that, I'd like to thank my enabler of awesome, Johnny, as well as all my other patrons and channel members for their continued support.
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And with that, thank you very much for listening.
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And of course, until next time, don't forget to make your corner of the internet just a little bit more awesome.

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Contesto & Sfondo

Nel video "No more magic numbers for your breakpoints", l'autore condivide la sua esperienza al Smashing Conf ad Amsterdam, ringraziando l'organizzazione per l'ospitalità e annunciando il prossimo CSS Day. Nonostante si parli di conferenze e networking, l'obiettivo principale è offrire una comprensione approfondita dei breakpoints nel design responsivo e della programmazione web, in particolare riguardo ai "container queries". Questo argomento è di grande interesse per chi desidera imparare l'inglese con YouTube, poiché riesce a coniugare contenuti tecnici con la comunicazione in lingua straniera.

Top 5 Frasi per la Comunicazione Quotidiana

  • "Hello my friend and friend." – Un modo amichevole per salutare.
  • "I had an absolute wonderful time." – Esprimere entusiasmo per un'esperienza positiva.
  • "If you're going to convince your boss to send you." – Un'espressione utile per discutere opportunità professionali.
  • "CSS day, super excited for that." – Condividere emozioni riguardo a eventi futuri.
  • "You're not here for that." – Una frase efficace per riportare l’attenzione su un argomento principale.

Guida Passo dopo Passo al Shadowing

Per affrontare le difficoltà di questo video e migliorare la tua capacità di parlare in inglese, puoi seguire questo metodo di shadowing. Ecco come procedere:

  1. Ascolta attentamente: Guarda il video per il primo giro senza sottotitoli, concentrandoti sull’accento e sulla prosodia del relatore.
  2. Prenditi il tuo tempo: Rivedi il video e prova a ripetere le frasi chiave, come quelle presentate nella sezione precedente. Questo è ottimo per migliorare la pronuncia inglese.
  3. Usa tecniche di shadowing in inglese: Silenziosamente e simultaneamente, parla assieme all'autore, tentando di imitare il suo ritmo e la sua intonazione. Questo approccio è una forma efficace di shadow speak.
  4. Fai pratica regolare: Considera di fare questa pratica ogni giorno usando risorse simili. Imparare l'inglese con YouTube non è solo informativo, ma anche un modo divertente per apprendere nuove competenze.
  5. Coinvolgi amici o partner di studio: Condividere il tuo viaggio di apprendimento può rendere l'esperienza più piacevole e produttiva. Potrete correggervi a vicenda e migliorare insieme!

Ricorda, la chiave per un buon apprendimento è la costanza e la pratica. Buona fortuna nel tuo percorso di miglioramento delle tue competenze linguistiche!

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.

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