Pratica di Shadowing: Shane Walsh TWD S01 All Scenes Remux 1080p - Impara a parlare inglese con i video
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1
Well, Reverend Shane's a preaching to you now, boy.
2
And then, the same chick, mind you, she'll bitch about, uh, global warming.
3
See, this is when Reverend Shane wants to quote from the God Gospel and say,
4
um, darling, maybe you and every other pair of boobs on this planet just figure out that the light switch,
5
see, goes both ways, maybe we wouldn't have so much global warming.
6
You see that?
7
Anyway, uh, polite version.
8
But still, man, that earns me this look of loathing.
9
You would not believe.
10
And that's when the exorcist voice pops out.
11
You sound just like my damn father.
12
Always yelling about the power bill, telling me to turn off the damn lights.
13
What do you say to that?
14
I know what I want to say.
15
I want to say, bitch, you mean to tell me you've been hearing this your entire life.
16
You are still too damn stupid to learn how to turn off a switch.
17
You know, I don't actually say that, though.
18
Good at turning off lights.
19
Really good.
20
But I did try.
21
The least you could do is speak.
22
Do you share your feelings, that kind of stuff?
23
Thanks.
24
Difference between men and women?
25
County units request local assistance.
26
IY18 East Bounds, GTA AGW 217 -243.
27
Advise extreme caution.
28
Sussex are two male Caucasians.
29
Be advised they have fires upon police officers.
30
One Linden County officer is wounded.
31
You need to stay focused.
32
Make sure...
33
It would be kind of cool to get on one of them shows.
34
Holy shit.
35
No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
36
no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
37
no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
38
no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
39
no, no, no, no, no,
40
no, no, no, no, no, no, no Hey, bud.
41
We're still here.
42
We're still hanging in.
43
I'm sorry, man.
44
This ain't crap every time I come in here.
45
Everybody pitched in on these.
46
They, uh, want me to bring them down.
47
They send their love, and they just...
48
They hope you come back real soon.
49
That Linda and Diane from dispatch, they picked these out.
50
You probably could tell, huh?
51
I'm just gonna set these on your side table, okay?
52
Hello, hello.
53
There's a person who called.
54
Still on the air.
55
This is Officer Shane Walsh broadcasting to Person Unknown.
56
Please respond.
57
That's why we left the seat beyond.
58
That, uh, that's a luxury we can't afford.
59
We are surviving here.
60
We are day -to -day.
61
Go ahead, take your seat, bud.
62
You're all right.
63
Come on.
64
You're all right.
65
You're pissing me all you want.
66
It's not going to change anything.
67
I'm not putting you in danger, okay?
68
I'm not doing it for anything.
69
I make you feel like sometimes you want to slap me upside the head.
70
Tell you what, girl, you feel that need, you go right ahead.
71
I'm right here.
72
Come on.
73
You tell me, okay.
74
It's not hard.
75
Hey.
76
Mom?
77
Shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh,
78
shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh,
79
shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh,
80
shh, shh, shh, shh, shh
81
How much time are you here?
82
Enough.
83
Uh -huh.
84
No more.
85
Make your pee.
86
Other way.
87
Around your finger.
88
Oops.
89
Go, just tie it like around your finger. That boy.
90
Hello?
91
Base camp?
92
Is there anybody out there here?
93
Base cap, this is T.
94
Longman.
95
Anybody here for them?
96
You say they're trapped?
97
She knew the risks, right?
98
See, she's trapped.
99
She's gone.
100
There's something we can do.
101
Day comes, you'll be wishing for one of your mama's haircuts.
102
I believe that one is you.
103
Tell you what, you just get through this with some manly dignity, and tomorrow I'll teach you something special.
104
Frogs, plural.
105
And it is an art, my friend.
106
It is not to be taken lightly.
107
Few people know about it.
108
I'm willing to share my secrets.
109
It's a one -time offer, bud.
110
Not to be repeated.
111
Why do we need frogs, plural?
112
You ever eat a frog legs?
113
Ew.
114
No, yum.
115
No, he's right.
116
Ew.
117
When we get down to that last can of beans, you're gonna be loving those frog legs, lady.
118
Let me see.
119
Now, uh, Shane, um, do you think I could have a second helping, please?
120
Please, just one?
121
Listen to her, man.
122
You and me will be heroes.
123
We'll feed these folks Cajun -style Kermit legs.
124
Yes.
125
Heroes, son, spoken of in song and legend.
126
You and me, Shane and Carl. Is it them?
127
I'm not arguing.
128
I want you to think things through.
129
You are a welcome sight.
130
How'd y 'all get out of there anyway?
131
New guy.
132
Crazy Vato just got into town.
133
Disoriented.
134
When things started to get really bad. And it never happened.
135
Cold don't change the rules, does it?
136
So we can't be seen from a distance, right?
137
I said it's cold.
138
She monged your own business for once.
139
Ed?
140
You sure you won't have this conversation, man?
141
Hey girl, y 'all have a good night, okay?
142
Appreciate the cooperation. For use.
143
Cook us up some venison.
144
What do you think? About what?
145
Well, look, I don't, okay, Rick?
146
So could you just throw me a bone here?
147
Man, could you just tell me why?
148
Why would you risk your life for a douchebag like Merle Dixon?
149
Hey, choose your words more carefully.
150
No, I didn't.
151
Douchebag's what I meant.
152
Merle Dixon, the guy wouldn't give you a glass of water if you were dying to thirst.
153
What he would or wouldn't do doesn't interest me.
154
I can't let a man die of thirst.
155
You're putting every single one of us at risk.
156
Just know that, Rick.
157
Rounds?
158
Assorted?
159
Even with guns thrown in.
160
Hey, Rick, got any rounds of the python?
161
No. Last time we were on the gun range, You sure I wind up with a few loose rounds of yours?
162
Let's just hope they'll force your lucky number, okay?
163
I'm not getting anything.
164
Yeah.
165
You know, Wiley, staying submerged.
166
Little suckers, they know something's up.
167
That's what's going on.
168
I'm just gonna do this the old -fashioned way.
169
All right, little man, look.
170
You are the key in all this, okay?
171
All I'm gonna do is I'm gonna go after one of them, all right?
172
All right, scare the rest of them off, they're all gonna scatter.
173
I'm gonna drive them your way, okay?
174
All right.
175
What you need to do is you need to round up every bad boy you see, all right?
176
You with me?
177
Yeah.
178
Hells yeah.
179
Give me your mean face.
180
Yes, sir, you ready?
181
Yeah.
182
You ready?
183
Here we go, boy.
184
I don't know, man.
185
Come on, get him, get him.
186
Come on, get him, get him.
187
Come on, get him.
188
Come on, get him.
189
Come on, get him.
190
Come on, get him.
191
Get that man in there and get him.
192
What do you got, bad boy?
193
What do you got?
194
What do you got?
195
What do you got?
196
Dirt.
197
Oh, boy.
198
Oh, we get to start over.
199
Come on.
200
Find this buggy.
201
Frogs.
202
Damn it, Lori.
203
Look, I don't know how it appears to you.
204
Lori, I don't think that's fair.
205
Now you think that I'm not happy about that.
206
Stay out of here.
207
Now come on.
208
Get out!
209
Get out!
210
Get out!
211
It's okay.
212
It's okay.
213
You put your hands on your wife, your little girl, anybody else in this camp one more time, I will not stop next time.
214
Do you hear me?
215
Do you hear me?
216
Yes.
217
I'll beat you to death, Adam.
218
I'll beat you to death.
219
Guys!
220
I'm sorry.
221
I'm sorry.
222
I don't want to alarm anyone, but...
223
Jim, so why are you digging?
224
What, you heading to China?
225
Jim, just tell me what it's about.
226
Why don't you just go ahead and give me that shovel? Or what?
227
There is no or what.
228
I'm asking you.
229
I'm coming to you, and I'm asking you, please.
230
I don't want to have to take it from you.
231
If I don't, then what?
232
Then you're going to beat my face in like Ed Pelletier, aren't you?
233
Y 'all seen his face, huh?
234
What's left of it?
235
See, now, that's what happens when someone crosses you.
236
That was different, Jim.
237
He is not judging jury.
238
Who voted you
239
King Boss, huh?
240
Jim, I'm not here to argue with you, all right?
241
Just give me the shovel, okay?
242
No, no, no. Please just give me the...
243
Jim!
244
Okay.
245
You got no right!
246
Stop it!
247
You got no right!
248
Jim, just stop it.
249
Hey, hey, hey, hey, hey!
250
Jim!
251
Jim, Jim, nobody's gonna hurt you.
252
You hear me?
253
Jim, yeah, I don't think you're in danger of yourself.
254
...about, and I just want to make sure there's no, uh, you know, there's no hard feelings.
255
...the day...
256
...you can't hit down!
257
Come on!
258
Come on, stay close!
259
No!
260
Stay close!
261
All right.
262
Dad, we need to deal with it.
263
Same as the others.
264
What if then?
265
Why?
266
Okay.
267
I'm thinking if you'd have stayed here, if you'd have looked after your own, I'm thinking maybe our losses wouldn't have been so bad, okay?
268
We haven't gone off.
269
Charge here.
270
What the rules?
271
I need you to help talk some sense in the rig.
272
We can't.
273
I gotta do what's best for my family.
274
That's for your family?
275
What's that, exposing all kinds of risk?
276
As opposed to what?
277
If it was your family, you'd feel differently.
278
What'd you say to me?
279
I kept them safe, man.
280
I looked after them.
281
They were my own.
282
That's what I did, man.
283
I didn't mean it that way.
284
How'd you mean it?
285
Go on, man.
286
How'd you mean it?
287
Look, you know I can never repay that debt, okay?
288
Let's go.
289
Jesus.
290
I know.
291
I'm going to have to start wearing reflective vests out here.
292
Come on, man, let's go.
293
Nothing out here.
294
I've known this man a long time.
295
I trust his instincts.
296
I say the most important thing here is we need to stay together.
297
Do you that agree?
298
We leave first thing in the morning.
299
Gas station for Lucky.
300
We take off?
301
Man, I'm not sure I could live with that.
302
Hey, Jim.
303
I mean, you know it doesn't need to be this.
304
It was the wrong gas!
305
Shut up!
306
You hear me?
307
Shut up!
308
Shut up!
309
Rick, this is a dead -end.
310
I'll do it, I'll do it, I'll do it, I'll do it, I'll do it, I'll do it, I'll do it, I'll do it,
311
I'll do it, I'll do it, I'll do it, I'll do it, I'll do it, I'll do it, I'll do it, I'll do it,
312
I'll do it, I'll do it, I'll do it, I'll do it, I'll do it, I'll do it, I'll do it, I'll do it,
313
I'll do it, I'll do it, I'll do it, I'll do it, I'll do it, I'll do it, I'll do it, I'll do it,
314
I'll do it, I'll do it, I'll do it, I'll do it, I'll do it, I'll do it, I'll do it, I'll do it,
315
I'll do it, I'll do it, I'll do it, I'll do it,
316
I'll do What do I do?
317
Listen to me.
318
If you're going to wake up, I need you to do it now.
319
Okay, now!
320
Please, man, you just show me a sign.
321
Anything.
322
Please, Ray.
323
Get back!
324
Get back!
325
Get back!
326
Get back!
327
Get back!
328
Get back!
329
Get back!
330
Get back!
331
Get back!
332
Get back!
333
Get back!
334
Get back!
335
Get back!
336
Get back!
337
Get back!
338
I'm okay.
339
Tell them find all the answers instead we found him
340
i'm gonna tell you a few things and you're gonna listen to me
341
how can you treat me like this here things were falling apart
342
they were slaughtering people in always it was a massacre there were walkers everywhere so you left him everybody else ran
343
And there were no doctors there.
344
It was just me.
345
He was hooked up to machines, and I did not know what to do.
346
Ivan took my ear, and I put it on his chest, and I listened to a heartbeat, and I did not hear one.
347
And I don't know why.
348
Maybe it was gunfire.
349
I don't know what it was, but there's no way he could have survived that.
350
No way.
351
He did.
352
Yeah.
353
But then I had y 'all to think about, didn't I?
354
I had you and Carl, and I needed to think about it.
355
I had to get you guys safe to Atlanta.
356
That's what I had to do.
357
Just stop it.
358
If you thought for one second that he was still alive, would you have come?
359
So I saved your life.
360
You and your little boys.
361
That's what I did.
362
Okay.
363
And if I could have traded places with him, I would have.
364
I would trade places with him right now because...
365
No, no, no, you...
366
No, I love you.
367
No, no, you're drunk.
368
No, you're drunk.
369
I know that the thing is, I know that you love me too because there's no way
370
that you could have been with me the way that you were.
371
Just...
372
You can't stop.
373
Listen.
374
You love me too.
375
Get your hands off.
376
Get your hands off.
377
I love you.
378
Please.
379
Nobody here.
380
Stop.
381
Lloyd, it's all right.
382
Just a little.
383
Thanks.
384
Ah!
385
Me neither.
386
Not like me at all.
387
Let me tell you the hell with it, Shane.
388
I don't even care.
389
But you really said that.
390
Shane!
391
Stay out of my way, Rick!
392
Stay out of my way!
393
Open that door, or I'm gonna blow your head off.
394
Do you hear me?
395
Brother, brother, this is not the way you do this.
396
We'll never get out of here.
397
Shane, you listen to him.
398
He dies.
399
We are!
400
We are!
401
Shane!
402
You done there you've done.
403
Yeah, I guess we all are Don't get down
404
Oh, my God.
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Vocabolario e note di pronuncia per questa lezione
Questa lezione di conversazione si basa sul video “Shane Walsh TWD S01 All Scenes Remux 1080p”. Questo video contiene 404 frasi e 2466 parole da ripetere con lo shadowing. Il parlato dura 21:09. Chi parla mantiene un ritmo costante di circa 117 parole al minuto, comodo per lo shadowing. Il 83% delle parole rientra nelle 3.000 più comuni dell’inglese; conviene studiare le altre prima di iniziare. 80 delle sue 404 frasi sono domande: un buon esercizio per l’intonazione interrogativa e le risposte brevi.
Vocaboli chiave di questo video
15 parole del video che vale la pena imparare, con pronuncia e significato:
| Parola | Pronuncia | Significato |
|---|---|---|
| finger sostantivo | /ˈfɪŋɡɚ/ | dito, dita |
| argue verbo | /ˈɑɹ.ɡju/ | discutere, dibattere |
| trap sostantivo | /tɹæp/ | trappola, tranello |
| thirst sostantivo | /θɝst/ | sete |
| plural sostantivo | /ˈplʊəɹəl/ | plurale |
| earn verbo | /ɝn/ | guadagnare |
| bone sostantivo | /boʊn/ | osso |
| carefully avverbio | /ˈkɛɹf(ə)li/ | minuziosamente, accuratamente |
| legend sostantivo | /ˈlɛd͡ʒ.ənd/ | leggenda, favola |
| pitch sostantivo | /pɪt͡ʃ/ | tiro, lancio |
| walker sostantivo | /ˈwɔkɚ/ | camminatore |
| broadcast sostantivo | /ˈbɹɔːd(ˌ)kɑːst/ | trasmissione, emissione |
| hook sostantivo | /hʊk/ | gancio, gancetto |
| luxury sostantivo | /ˈlʌk.ʃə.ɹi/ | lusso |
| cooperation sostantivo | /koʊˌɑ.pəˈɹeɪ.ʃən/ | cooperazione |
I phrasal verb che sentirai
| Parola | Pronuncia | Significato |
|---|---|---|
| shut up | /ʃʌt ʌp/ | chiudi la bocca, stai zitto |
| turn off verbo | spegnere | |
| go ahead verbo | /ˌɡoʊ əˈhɛd/ | procedere, andare avanti |
| hands off | giù le mani!, giù le zampe! | |
| come back verbo | tornare | |
| fall apart verbo | cadere a pezzi | |
| figure out verbo | scoprire, rendersi conto | |
| get through verbo | /ɡɛt ˈθɹu/ | superare, farcela |
Frasi da ripetere
Frasi brevi e complete del video che puoi riutilizzare nella conversazione di tutti i giorni:
- What do you say to that?
- Do you share your feelings, that kind of stuff?
- You sure you won't have this conversation, man?
- If I don't, then what?
- What'd you say to me?
La grammatica di questo video
Le strutture che chi parla usa di più, con le parole esatte del video:
| Struttura | Nel video |
|---|---|
| Forma passiva be + participio passato — conta ciò che accade, non chi lo fa | Be advised · is wounded · be taken |
| Present perfect have/has + participio passato — un’azione passata che conta ancora adesso | haven't gone · I've known · have come |
Pronuncia a cui fare attenzione
Chi parla usa 150 contrazioni e forme ridotte, come I'll, I'm, don't. Pronunciale nella forma breve, così come le senti.
- I suoni “th”: thirst /θɝst/, loathe /ˈloʊð/
- I suoni “sh” e “zh”: luxury /ˈlʌk.ʃə.ɹi/, cooperation /koʊˌɑ.pəˈɹeɪ.ʃən/, caution /ˈkɔːʃ(ə)n/, shovel /ˈʃʌv.əl/
- Parole lunghe — attenzione all’accento: cooperation /koʊˌɑ.pəˈɹeɪ.ʃən/, differently /ˈdɪf.ə.ɹənt.li/, disorient /dɪsˈɔːɹi.ənt/
I suoni difficili per chi parla italiano:
- /h/ — va soffiata, non è muta: hook /hʊk/, haircut /ˈhɛə(ɹ)kʌt/, heartbeat /ˈhɑɹtˌbit/
- Consonante finale — senza aggiungere una vocale dopo: trap /tɹæp/, thirst /θɝst/, legend /ˈlɛd͡ʒ.ənd/, pitch /pɪt͡ʃ/, broadcast /ˈbɹɔːd(ˌ)kɑːst/
- /æ/ — più aperta della “e”: trap /tɹæp/, slap /slæp/, massacre /ˈmæs.ə.kə(ɹ)/, dispatch /dɪˈspæt͡ʃ/, manly /ˈmænli/
Come esercitarsi con questo video
- Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
- Fai shadowing frase per frase a velocità normale, ripetendo ognuna finché il tuo ritmo coincide con quello di chi parla.
- Registrati e confronta con l’originale, facendo attenzione a parole come finger, argue, trap.
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.