Pratica di Shadowing: SIOBHÀN GARDEUR - L’égalité est la plus horrible des injustices (GRANDE FINALE D'ÉLOQUENCE 2025) - Impara a parlare inglese con YouTube

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Thank you.
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I would have loved that we would talk about me like David Delamour, but for now I will be happy to share another story entitled « The pigeon and the big rat ».
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And it starts like that.
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This night, I had dinner with him for the first time.
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He was beautiful, he felt good, And as the boy from the restaurant, he was in his room, approached us to pay the discount, and I was forced to get my wallet to not have an interest in a half-file, suddenly I heard the future father of my children beugler in the whole restaurant, « Eh, eh, eh, separately, separately !
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» In these words, the pigeon remained without voice, she felt that she needed a bag of 18 carats even she d Kenya for even a拿 So, attention, what I'm causing in this story is not to pay my part, but I took the time to prepare myself between mascara, red-to-lèvres, masochist drama of the entire entire brushing of stars, and then pay the taxi to not take the metro, at risk of crossing the modern version of Quasimodo, which is forced to have my number!
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and he wants to prepare for story.
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He put an advice with this Yemen dog.
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She called up an use Hasan, he got out of bedost Nevada at Western notre straight winterOT Jugé nécessaire d'allumer l'eau de la douche, sorti son superbe liquide vaisselle Peck 14 en 1 qui fait corps, visage, carrelage et vitre inclus, et il était prêt à me rejoindre comme un héros.
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15,50 euros plus 2 heures de très coûteuse préparation multipliée par arriver en vie à destination, This is the pain of the legalities that Olympe de Gouges and the suffragettes before me claimed, against three euros for him if the savon was hors promo.
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I still saw, perhaps a little naïvement, the legalities as the pillar, the most loyal ally between women and men, the poor and rich, the illés and the lucides, the beaux and the poor, the victims and the poor, those who live in great palaces, or like me, in a cruise of 10 m².
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So it's true that we often learn that the men are free and free in the right.
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But we always forget the second part of the quote, the social distinctions cannot be based on the common utility.
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If we remove the political political filter, I'm going to fuck you, it's like...
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If you're a good one, we can say that in the idea that you're a little ego, but it doesn't mean that in the fact that you're treated the same way.
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Maybe all men are ego, but some are simply more than others.
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Because we've always told you that there are the torchons and the serviettes, those who have a thun, who are financially at ease, and those who complain that their business doesn't work at this moment, This evening, this citation puts everyone in the same way.
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Those who have a particular name and those who cry, I have a hole in my pool, who in the same reality cohabit the one who lives in a particular hotel, moulured on the floor and a rose rose, the one who lives in his own room, a common throne, and for all the space, and the one who lives alone on the mowed pavé.
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Maybe we should be honest, to recognize that we cannot be born and that wanting to be innate is a shame in the world's injustice that it masks the essential people who die and take the heaven for a little bit of sweetness and milk.
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So here, force is to notice that since the beginning the days are piped, that the name of the father, but also of the fisc, equality often rhymes with impunity, that the liever would pass the tortoise if it wouldn't take his post-clope to the PMU, that I would be well-culted to talk about equality of chance at the grand finale of the national national elegance, because I think those who have no voice to hurl at the world that they have no choice.
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Yes, the most terrible injustice is to believe it when we say that we are equal, that we need to give the same thing to everyone without distinction.
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So, back, go back to the different people, combative differences, here we are all the same.
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This evening, I have a very special thought for Bernard Arnault's children who must be encouraged to have a meal for a meal.
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And it's maybe this, the heart of the problem.
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In this dogmatic equalitarianism, We say equality as we say hello, like a magic formula that exhort us from all responsibility.
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But the truth is that I am the first terrified by my own own nature, that it makes me sure to say that we cannot save all the misery of the world, that it is of its too big, immutable and especially too heavy to carry.
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However, this equality never will make this small voice just there, who calls and assigns us.
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I could do more, I could do better, I could do just, but I failed.
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In all these beautiful speeches, where the just is hidden, where the beautiful is hidden, what can I say to you to be the same as the same as the same as the same as you listen?
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Because at the bottom, I just believe that we have fear, because we are Vorace and Carnassier, that our biggest anguish is to see others surpass us, so we are cashing, we are cloning, we are dividing between the Capulets and Montagu, the Intello and the Moldu, the Dreyfusards and the Corrompus, for that it will be broken, that it will be hierarchical, because we must be in the Israélo-Palestise, choosing between Ayanna Kamoura or the Elisabeth.
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But I, if I don't want to, if I don't want the second word of the quote becomes this excuse that polarizes me, who am I?
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What do I do to tell you about my verse and my prose?
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What's the memory of the smile of this old lady on the quai?
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What's the color of our fous rires is our altitudes, that the beauty of these people with whom I learn to listen, to understand that at 19 years I only have the sagesse to ignore that in each ride my grandmother hides a moral that I don't know, that at school in math I was 5 over 20, and that's why others are better than me, otherwise I would be worried about the Ministry of Economy.
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Well, I'd be worried about the Ministry of Economy.
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So, no, I don't want this equality.
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Let me poor so that I can contemplate you.
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And help you make millions of the popular class and leave these brave people at the head of the ministries with a smith for a single salary.
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That all the Athènes make their prayers.
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That the voices the most calm put in anger.
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To be able to get your echelons.
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To be too good, embrace the echelons who break the eagles.
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So you, someone, my love, my unknown, who inspires me and loves me, I want to see you shine when you illuminate, without fear that I can't eliminate you.
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You know, I love you so much when you dance, when you learn to take me out of the air and look, when you throw yourself like you were wearing between the rope and the hook of a horse.
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when you make it up the winter and turn it by your time.
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I like when you pensa and re-taught the world and your actions make the effect of a Fürth on my hypocrisy!
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Your hand creates an effort to save your determined and stride your wird strance by creating and denying To lose our sense What would I get as aук study, if I could see your equivalence cannot be that of瑞 nightmares of you And if Alphonse Delamartine said of the color of those we persecut, that Robert Bannenter was one of those of the men we execute, I am perhaps more simply of the color of all the altruists, of all the eyes, of all the faces, because it is in their meeting that is the peace.
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Syobhan!
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Thank you.

Informazioni su questa lezione

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.

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