シャドーイング練習: How I render ☁ sketch to render process in Procreate - 動画で英語スピーキングを学ぶ
レッスンを作成中...
1
hi I'm Mimi a Japanese digital artist in this video I show you how I color and render using Procreate i'll be covering the brushes I use layer structure tips and tricks and my entire
2
sketch to render process first let me talk about the steps i'm going to break down my rendering process into five steps which are sketch base color lighting adding colors and
3
refining and rendering and details first let me explain what I do in each steps with this ball like I just said there are five steps in my rendering process first I make the sketch
4
which is very simple then I fill it with the base color i like using a nice midtone color as the base color so I can add the lighting later then I pick a lighter color and add the lighting
5
in this step I like to try some different lightings and see which one I like the most for this ball I decided to go with this lighting then I add more colors
6
to paint the ambient light and the reflected light
7
i also pick a saturated color and add it between the light and the shadow lastly I add details and finishing touches i also use different blending modes to enhance the lighting
8
and it's done it looks complex if you look at the finished artwork but it's really not that complex if you break it into different steps before we start the sketch to render process I want to
9
explain my layer structure and the brushes you use i usually use around 20 layers and they can be separated into three big categories which are background character and adjustments for
10
this piece I used two layers for the background 12 layers for the character and six layers for the adjustments two layers for the background are very simple one is for the sky and the other
11
is for the flower petals for the character I have one for the hair in the back then one for the skin
12
one for the eyes and eyebrows one for the shirt one for the hair in the front one for the sketch/line art one for the bag and the horns two for the arms
13
and lastly three for all the details
14
then I like to add some layers in different blending modes on top of other layers for this piece I used three at layers one screen layer and one hard light layer i add these layers to enhance the lighting
15
all right that's it for the layers now let me explain about the brushes i use three brushes which are script medium brush and medium hard brush in Procreate they are default brushes so
16
you can find similar ones in other softwares i use script for everything from sketching to rendering medium brush is a basic airbrush and I mostly use it as the smud brush to smud the crisp
17
lines I draw with script medium hard brush is a bit more crisp than medium brush and the opacity changes depending on pen pressure i use it for sketching but mostly for coloring and rendering
18
now we know what I do in each steps how many layers I use and what brushes I use we are ready to start the sketch to render process
19
i use medium hard brush to make the rough sketch it's easier for me to use a thicker brush for sketching because I don't have to pay attention to the details too much that way when I start sketching I like to draw some different poses and brainstorm ideas
20
you can see this pose looks a lot different from the one in the finished artwork i changed my mind and started drawing a different pose now this is the pose that I decided to go with as you can tell
21
the warp tool can be really useful to adjust the pose with and I like to use it when I make the sketch
22
now I'm going to use script brush to refine the sketch it might look like I'm making the line art over the sketch but I'm still drawing on the same
23
layer i'm going to keep this layer throughout my entire drawing process and keep refining the lines as I render so it's the sketch layer right now but it's going to be like the line art
24
layer at the same time i'm drawing more crisp lines using a script brush and I'm also using the eraser to erase imperfections to clean up the lines during this step I don't really
25
need to focus on drawing perfect lines because I just need these lines as the guide to draw with
26
now the sketch is done now I'm going to apply base colors
27
for the base colors I use midtone colors that are not too bright or too dark i'm going to use lighter colors to draw lighting later so the base colors need to be dark enough
28
i also make sure they're not too saturated because I'll be adding saturated colors later on i usually pick colors from the middle part in the color panel
29
i'm creating new layers under the sketch layer and applying the colors on them so I already have these different layers in this step
30
i'm just going to continue filling all the parts except the details like the accessories
31
and it's done all right now I'm going to pick up lighter colors and add in lighting first I wanted
32
to place the light source behind the character and see how it would look
33
so imagine the light is hitting her from the behind i thought it would look nice but I wanted the lighting to have more of a bright and sunny feel so I erased what I drew and now I'm going to
34
add light from a different direction now imagine the light is hitting her from the top right
35
so I'm just going to add the lighter colors to anywhere that's facing the light source like the top of the head and the chest when you draw lighting like this it's easier to work on
36
it if you alpha lock the layers that way you don't have to worry about drawing outside of the base colors here you can see I forgot to alpha lock and I painted outside of the hair
37
i'm just continuing to place colors to the areas where the light hits and we're done with the lighting here's the before and after lighting makes a lot of difference but
38
what I did is actually very simple so I just used one color for each part and roughly added it to the areas where the light should hit so I'm still only using two colors for each part
39
i'm now going to add more colors to paint ambient light and reflected light this step adds more dimension to the illustration i'm also going to refine the lines I drew on the sketch
40
layer you can see I'm erasing the lines I drew before on the sketch layer then I'm adding more colors on the coloring layers to make everything look cleaner and nicer
41
i'm going to clean up the hair now i'm just erasing the lines on the sketch layer and refining the shapes on the coloring layer then redraw the outline on the sketch
42
layer i basically just repeat this process throughout my entire rendering process
43
i also like to add details like accessories in this step to have a better idea of what this piece is going to look like as a whole
44
now I'm using more darker colors to refine the hair a bit more here
45
I just created another layer to roughly paint the sky lastly I use the curve tool to adjust the value of the character i'm making the shadows
46
even darker to make the character stand out more against the sky and this step is done
47
what I'm going to do now is to add more details and enhance the lighting I drew in the previous steps when I render I always pay attention to the three sources of light which are primary light ambient light and reflected light the
48
primary light is the main light source in the scene the ambient light has effect on the shadows and it's basically reflecting the color of the surrounding environment
49
the reflected light is the light that's bouncing off the ground and is striking the object you're drawing i like to use bluish colors for the ambient light and orangey colors for the reflected
50
light but I choose different colors depending on the scene I'm drawing if you look at the hair for example there is the lightest color which is for the primary light then there is the darker color
51
for the shadow and in the shadow there is the bluish ambient light and the orangey reflected light as well i have the same combination of colors for the skin and for everything else
52
so now I'm going to start rendering but what I'm going to focus on is to enhance those three lights that I just talked about while refining and adding details i started off with drawing the folds
53
on the shirt i like to keep the number of the layers as low as possible so I draw on just one layer for each part most of the time for the shirt I'm drawing on one normal layer right now
54
I'm using script brush to draw and medium brush to smud if the edges feel too harsh and then I wanted to darken the shadow on the arm so I created a multiply layer on top of the normal
55
layer for the arm i created another multiply layer for the hair to add darker colors on it multiply layers can be useful if you want to darken the color of something without changing
56
what's already been drawn but like I said before I like to keep the layers simple so I like to merge the multiply layer into the normal layer once I'm done drawing on it
57
now I've merged the layers for the hair and I'm back to drawing on just one normal layer
58
moving on to the back now i'm still using script brush and the eraser to refine the shapes and lines there's no set way for me to render and it's hard for me to explain what
59
exactly I do but I just keep adding details and darker colors to enhance the lighting
60
let's move on to the bows now I'm adding darker colors to draw the folds then I've refined the lines and now I'm adding some light you can also see that I'm
61
adding an orangey color as the reflected light to the areas that are facing down now I'm adding something that I didn't draw in the previous steps
62
it's something that I do pretty often but it just because it's easier for me to make the sketch and do base colors and lighting without thinking about the small details
63
now I'm working on the accessories for small details like them I don't separate the layers for the lines and colors but instead I just draw the lines
64
and the colors all together on one normal layer
65
the character is looking pretty good so let's add some flower petals
66
i also wanted to enhance the lighting a bit more so I created an add layer on top of other layers it makes a lot of difference as you can see I'm also darkening the bottom
67
right corner with a hard light layer and adding a sunflare effect with an add layer
68
then I decided that I wanted to add the other arm so I started off with drawing the shape of it with just two colors and then I'm drawing the outline on the sketch/ line art
69
layer and it's done from now I'm just going to keep working on the remaining details
70
if I want to add something like this little bow on this shirt I draw the silhouette first and then add the outline it's the same thing as what I did with the arm
71
okay we're almost there we just need to render the charm on the back
72
and add some cute flowers on the hair
73
and lastly I just want to refine the flower petals a bit more and we're done
74
thank you so much for watching um I tried to fit as much information as I could and I really hope you learned something useful but if you have any questions please leave a comment and I'll do my best to answer them
75
all right well I will see you in the next one bye-bye
✨ おすすめ動画
B11
199 文
How to draw backgrounds
Business EnglishUniversity StudentsWorking Adults
B1224 文
Studio Vlog #2: Make Jewelry with Me | Wax Carving | ASMR Handmade Jewelry
Business EnglishUniversity StudentsWorking Adults
B11
174 文
WHAT'S ON MY iPAD 2025 | fav apps, cozy games, planning & digital art
Business EnglishDaily ConversationUniversity Students
B11
492 文
what 600 days of art progress looks like
Business EnglishDaily ConversationUniversity Students
B21
129 文
BEST Cartoon Effect in Photoshop
Business EnglishUniversity StudentsWorking Adults
B21
45 文
Creating Iron Man suit. Full workflow by @AlexLab. Real life Iron Man exosuit with a box of scraps)
Business EnglishUniversity StudentsWorking Adults
B23
231 文
simple tricks to hiding lights in a scene
Business EnglishUniversity StudentsWorking Adults
B21
50 文
Video
Business EnglishUniversity StudentsWorking Adults
B1181 文
Animation Basics in 14 Minutes (6 Big ideas for beginners)
Business EnglishUniversity StudentsWorking Adults
B11
213 文
making architecture art
Business EnglishDaily ConversationUniversity Students
B124
188 文
BEAUTY BASIC / Skin Care : Evening Routine
American AccentBusiness EnglishDaily ConversationUniversity Students
B11
93 文
how I journal to have my life together (simple & efficient)
Business EnglishDaily ConversationUniversity Students
このレッスンの語彙とスピーキングのポイント
このB1レベルのスピーキングレッスンは、動画「How I render ☁ sketch to render process in Procreate」を教材にしています。 繰り返し出てくる語は次のとおりです：layer, color, add, sketch, lighting。 この動画には、シャドーイング用の文が75文、単語が2132語あります。 音声の長さは16:16です。 話す速さは1分あたり約131語で安定しており、シャドーイングしやすいペースです。 英語の頻出3,000語に含まれる単語は77%だけなので、語彙は難しめです。
この動画の重要語彙
動画の中で特に難しい単語15語を、発音と意味つきで紹介します。
| 単語 | 発音 | 意味 |
|---|---|---|
| sketch 名詞 | /ˈskɛt͡ʃ/ | スケッチ, 素描 |
| brush 名詞 | /bɹʌʃ/ | 刷子, 刷毛 |
| multiply 動詞 | /ˈmʌltɪplaɪ/ | 掛ける |
| erase 動詞 | /ɪˈɹeɪs/ | 消す, 消去する |
| lastly 副詞 | /ˈlæstli/ | 最後に |
| petal 名詞 | /ˈpɛtl̩/ | 花弁, 花びら |
| accessory 名詞 | /əkˈsɛs.(ə.)ɹi/ | アクセサリー, 持ち物 |
| saturated 形容詞 | 飽和した | |
| outline 名詞 | /ˈaʊtlaɪn/ | 中抜き |
| eraser 名詞 | /ɪˈɹeɪsɚ/ | 消しゴム |
| merge 動詞 | /mɝd͡ʒ/ | 合わせる, 合併する |
| adjustment 名詞 | /əˈd͡ʒʌst.mənt/ | 調整, 調節 |
| blend 動詞 | /blɛnd/ | 混ぜる |
| adjust 動詞 | /əˈd͡ʒʌst/ | 調整する |
| fold 動詞 | /ˈfəʊld/ | 折る, 畳む |
動画に出てくる句動詞
| 単語 | 意味 |
|---|---|
| clean up 動詞 | 掃除する |
| pick up 動詞 | 拾う, 拾い上げる |
この動画の文法
話し手がよく使っている文型を、動画の実際の表現とともに紹介します。
| 文型 | 動画での表現 |
|---|---|
| 関係詞節 who / which + 節 — 人や物について情報を加える | steps which are · categories which are · brushes which are |
| 受動態 be + 過去分詞 — 誰がするかより、何が起きるかに焦点を当てる | can be separated · is done · been drawn |
| 現在完了形 have/has + 過去分詞 — 過去の出来事が今も関係している | I've merged · I've refined |
| 動詞 + -ing enjoy, keep, stop… + -ing — 後ろに-ing形が続く動詞 | start sketching · started drawing · keep refining |
注意したい発音
話し手はI'm, don't, I'llなど、短縮形や弱形を57回使っています。聞こえたとおりの短い形で発音しましょう。
- 「sh」と「zh」の音: brush /bɹʌʃ/, bluish /ˈbluːɪʃ/, imperfection /ɪmpɚˈfɛkʃən/, illustration /ˌɪləsˈtɹeɪ̯ʃən/, dimension /daɪˈmɛn.ʃən/
- 長い単語（アクセントの位置に注意）: accessory /əkˈsɛs.(ə.)ɹi/, imperfection /ɪmpɚˈfɛkʃən/, opacity /oʊˈpæsɪti/, illustration /ˌɪləsˈtɹeɪ̯ʃən/
日本語話者が苦手な音：
- /f/ — 「フ」ではなく、上の歯と下唇で出す: refine /ɹɪˈfaɪn/, fold /ˈfəʊld/, alpha /ˈæl.fə/, imperfection /ɪmpɚˈfɛkʃən/, default /dɪˈfɔlt/
- 子音の連続 — 間に母音を入れない: sketch /ˈskɛt͡ʃ/, brush /bɹʌʃ/, ambient /ˈæm.bi.ənt/, enhance /ɪnˈhæns/, lastly /ˈlæstli/
この動画での練習方法
- まず声を出さずに動画を最後まで聞き、知らない単語をメモします。
- 通常の速度で一文ずつシャドーイングし、話し手のリズムに合うまで繰り返します。
- 自分の声を録音して元の音声と比べます。sketch, brush, multiplyなどの単語に特に注意しましょう。
シャドーイングとは？英語上達に効果的な理由
シャドーイング（Shadowing）は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的：ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影（shadow）」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。