シャドーイング練習: Mia Goth’s 'Frankenstein' Character Was Written for Her | Ask Me Anything | ELLE - 動画で英語スピーキングを学ぶ
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And then I didn't get the job.
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But then he called back and he said, do you want to be P?
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I said, I'll be anything.
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Hi, I'm Mia Goth, and today I'm letting Elle ask you anything. Am I nervous?
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A little.
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Which Frankenstein co-star surprised you the most?
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Probably the creature.
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I was taken by how much humanity there was in his performance.
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Even with all of the prosthetics, It was very easy to connect with him in our scenes
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and I guess that that was probably what I found most surprising.
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I had a little anxiety I guess as to how that was going to work and how that would feel, but it kind of turned out better than I could have hoped
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and ended up being some of my favourite scenes in the movie.
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Maybe Blue Valentine with a little bit more funny sprinkled in here or there?
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We should do that.
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Yeah, I think that's what my rom-com would be.
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What's one role you wish you had auditioned for?
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I don't think I've ever turned down an audition.
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If anything, the question should be, what job are you glad you didn't get?
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Because more often than not, you end up watching the movie and you kind of think, oh, well, glad I dodged a bullet there.
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Who's giving you the best career advice?
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Probably Lars von Trier when I was filming Nymphomaniac, my first movie.
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We sat down and he told me to go through the script
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and just cross out any of the lines or the directions
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that weren't working for me and to put in place something that was.
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The longer I do this, the more I see how right he was about that about
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that and how it's so important to own your character and for it to feel right coming from you.
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And it always stuck with me and just generally as an actor.
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What was your most memorable audition?
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Maybe my Nymphomaniac audition because it was quite a lengthy process.
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And I remember I was so nervous and I was in London and I was there early and I was very hungry.
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So I went and got a cheeseburger at Burger King.
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And I went in for the audition and after
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that I had to fly to Copenhagen Then me and Lars had sushi and I remember thinking to myself, I don't know how to use chopsticks.
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I'm like, my mum always told me to learn how to use chopsticks.
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I didn't know how and I thought I fucked it up and I'm not gonna get the job.
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And then I didn't get the job.
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I was like, oh.
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But then he called back and he said, do you want to be Pete?
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I said, I'll be anything.
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What's your favorite red carpet look of yours?
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My dress that I just wore to the Venice Film Festival.
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That was designed by Jonathan Anderson for Dior.
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It was this beautiful chocolate brown satin gown and it just felt
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so beautiful in it and I really don't think I've ever felt better on a night than I did that night.
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How many takes did you do for Pearl's final monologue?
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What happened was we were in this little studio.
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We had these tents and I remember I was in one tent
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and then Ty was in the other but I could hear everything that was being said.
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And then he was like, well, if Mia can't do it, it's okay.
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We can always cut between the takes.
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Like, we've got a backup.
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And I heard that and it crushed me because I was preparing for this for so long and I was like, I was ready.
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And I thought my director didn't believe in me.
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And I think hearing that really kind of motivated me even more and kind of was exactly what I needed to hear, was exactly what Pearl needed to hear.
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And so maybe we ended up doing it maybe three or four times.
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Which roles of yours challenged you the most creatively?
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I think Elizabeth in Frankenstein was quite challenging.
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I've been such a huge fan of Guillermo's my whole life.
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I remember being in geography class.
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I was about 12 years old watching Pan's Labyrinth and it really, like, sticking with me.
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And yeah, I mean, working with him is like being in a constant hug all the time, felt very supported.
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And he knew how nervous I was.
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And the fact that it was Guillermo del Toro having a chance to make the movie
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that he was always meant to make.
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That pressure never really left me.
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But he was incredibly supportive and I learnt so much from him.
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Probably that whatever it is I choose to do with the character, I can't go wrong with it.
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that after we had met the character of Elizabeth kind of came to life
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and he was able to finally put her down into the script
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but up until that point she was just like this rough sketch
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and so whatever it is
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that I decide to do with the character it will be the right choice and to follow it.
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What's one line from one of your films that fans quote to you the most?
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I'm a star!
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I'm a star!
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Which horror film has actually kept you up at night?
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I don't think a horror movie has ever kept me up at night.
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It takes a lot to scare me.
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Thanks so much for watching and make sure to check out my Elle cover.
このレッスンについて
このレッスンでは、ミア・ゴスとのインタビューを通じて、感情表現の豊かな英語スピーキング練習を行います。彼女が映画「フランケンシュタイン」について語る中で、出演者との関わりや演技のプロセスを学ぶことができます。この内容は、特にIELTS スピーキング対策を行っている学習者や、YouTubeで英語学習を希望する方に最適です。スクリプトに基づいて実際の会話を真似することで、リスニング力とスピーキング力を向上させることができます。
重要な語彙とフレーズ
- 監督 (Director) - 映画や演劇を指揮する人。
- オーディション (Audition) - 演技者が役を得るために行う試験。
- プロセス (Process) - 物事の進行過程。
- パフォーマンス (Performance) - 演技や表現の出来。
- キャラクター (Character) - 物語や劇に登場する人物。
- 感情 (Emotion) - 心の動きや感じ方。
- 台本 (Script) - 演技や映画の内容が書かれたもの。
- シーン (Scene) - 映画や劇の一部の場面。
練習のヒント
このビデオのスピードとトーンを利用して、shadowspeaksのテクニックを取り入れましょう。特に、ミア・ゴスの話し方は感情に富んでおり、リズムもゆったりしているため、初心者でも取り組みやすいです。最初はビデオを再生しながら彼女の言葉を聴き、次に彼女の言葉を真似してみてください。途中で止めて、タイミングを学ぶと効果的です。自分の声を録音し、彼女の発音やイントネーションと比べることで、更に改善できます。これにより、英語スピーキング練習をより楽しみながら行うことができ、スピーキングスキルを向上させる手助けとなるでしょう。改善したい部分に焦点を当てながら、例えば「パフォーマンス」や「感情」という語彙を使って、自分の意見を表現する練習もしてみてください。
シャドーイングとは？英語上達に効果的な理由
シャドーイング（Shadowing）は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的：ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影（shadow）」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。