シャドーイング練習: The Fastest Way to Make Someone Fall in Love With You! | Robert Greene - 動画で英語スピーキングを学ぶ
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210 文
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A lot of people mistake seduction.
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They have really bad ideas about it.
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It's so much more powerful when the other person feels that you love them.
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Seduction is a kind of theater.
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It's a kind of drama, or if you prefer, it's kind of a movie.
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Seduction and love is kind of a spell that you're casting.
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You have to be genuinely interested in other people.
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So seduction is psychology, right?
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It's not force, you're not bullying somebody into a relationship.
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You have to make them kind of interested in you.
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You have to get their defenses down.
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You have to get them to open up to you in some way.
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The tools for that are different.
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It's like the difference between technology from 200 years ago for things now.
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But the game is the same.
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It's the psychology of lowering people's defenses, making them open to you, making them less resistant.
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So, seduction is reaching the child of everybody.
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And when you were a child, you were one years old, what was the greatest pleasure you had?
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It was being picked up by your father, your mother, and kind of whirled around and taken everywhere and lifted and twirled, et cetera.
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The sense that someone was taking you somewhere and you were under their control made you laugh.
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It gives you this incredible pleasure.
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And that's what happens when you see a movie
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and it takes you on this journey where you don't know where it's going, what's happening next.
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People don't have enough of that in their lives.
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And a classic thing in the seduction realm will be a man or a woman saying, I love you.
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Like when will they say I love you is a big deal.
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That's not the language of love.
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That's not the language of seduction.
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It's something non -verbal.
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You have to learn this new language of seduction.
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It has nothing to do with words.
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It's in your body language.
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It's in your actions.
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It's so much more powerful when the other person feels that you love them.
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Benjamin Dislairely is one of the greatest seducers ever.
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I mean, absolutely brilliant.
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He was a charmer, a seducer.
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He could seduce the birds out of the trees.
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He seduced Queen Victoria.
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She was madly in love with this dark -skinned Jewish man.
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And the whole art of it was, for Disraeli, was to make the other person feel like they were special, they were brilliant.
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There's a quote I have in the book.
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There's this woman who said, After sitting next to Gladstone at dinner, Gladstone was the great rival of Disraeli.
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After sitting next to Gladstone at dinner, I thought he was the most brilliant man in England.
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After sitting next to Disraeli at dinner, I thought I was the most brilliant woman in England.
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Disraeli charmed everyone because he made you feel like you were special.
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You were brilliant.
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And he gave you the sense that you were the star of the show.
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Here he took
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Queen Victoria, the most prudish, uptight woman you can imagine, and he had her completely under his thumb.
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She wrote a book, which nobody read.
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because she wasn't a writer.
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And so now Disraeli would refer to her, you know, we authors, when we write, and he was a great writer,
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but he made her think that she was a writer like he was.
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I mean, the guy is one of the great seducers of all time.
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So getting back to the nonverbal aspect of seduction, you know, there's words that you can use to reason with people,
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and there's a place for that and it's important and they're words
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that you use to cast a spell if i were to try
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and seduce ponny right i would figure out what makes you different what makes you unique
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what you love in life
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that nobody else is giving you you know things from your childhood things
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that make you excited that you love certain colors certain flowers certain gifts certain places
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and i would give
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that to you right i would get into your world instead of being obsessed with myself
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i would get outside of myself into pani's world
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and i would say this is what she is missing in her life
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and i'm going to give it to her the power of
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that is absolutely immense because nobody is giving
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that to you in general right and
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so a simple example would be we have a conversation at a restaurant at night we're having dinner
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and you say some things that we you know you're not really paying attention to
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and they're just sort of off the cuff but they kind of reveal
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something that bothers you or something that you really are excited about.
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And then the next day, I bring up what you said in a different form, perhaps.
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I kind of quote you or something, or I give it a different spin.
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And I don't call a lot of attention to it, but to you that goes, wow, Robert was actually really listening to me.
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He heard what I said.
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He understood kind of what was behind my words.
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That's really interesting.
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Nobody ever does that, you know? okay and as
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that happens you start becoming a little less resistant
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you start seeing Robert in a different way say maybe
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this person can give me things I don't get from other people it doesn't matter
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if that other person isn't the handsomest person in the world
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or isn't all buff out you know buffed out or etc
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but they understand the psychology right they understand for a man what a woman is missing
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or for a man what a man is missing for a woman.
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They understand this.
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That's what gives you the degree of seductive power in life.
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Seduction is a kind of theater.
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It's a kind of drama or if you prefer it's kind of a movie.
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So normally our lives are kind of drab and boring.
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We're working in our office at our home.
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We're kind of dressed sort of sloppily, we kind of eat the same food, we have the same habits.
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When you're in a seduction or a courtship of some kind, it's like you're lifted out of your boring life into kind of a theater,
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to something that's heightened, that's intensified, that's extra.
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So when you are going on your first date with someone that you like, you don't just dress the way you normally dress, right?
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You put on something nice or you don't simply take them to the local pizza hut for the date.
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You take them to a restaurant with atmosphere.
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It's like a theater.
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It's like a stage.
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You're creating some fantasy.
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We all want drama in our life.
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We all want fantasy.
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We all want something more.
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And so the fact that someone is making an effort to please you, that they're actually trying to look nicer than they may normally look,
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they're taking you to places.
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that they're behaving in a way that's kind of responsive to you is actually a good thing.
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It's not, it's not, it is manipulative in one way,
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but it's a good form of manipulation where you're showing the other person that you're willing to put some effort into this.
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That it's not just like, oh, you know, I could just show up in my pajamas and it'll be okay.
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Or we can just come over to my house and watch television.
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We want something more.
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And a lot of women will complain that the man, after the first couple of dates, he isn't trying anymore.
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He takes me for granted.
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He's not doing anything that seems, you know, like he used to do, right?
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So that sense of courtship, it's like a mating dance between two kind of birds or in nature, right?
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It's a game.
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It's a ritual.
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Don't look at it as manipulation, look at it as something that goes back thousands of years.
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It is kind of the animal part of our nature.
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It's a courtship and that it involves these kind of rituals of doing things that you normally don't do.
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The key to making what we're talking about work is what I say, you have to be genuinely interested in other people.
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so if i'm in a restaurant with ponny
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and i'm in a conversation i have to go she's more interesting than i am right now i'm
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so used to hearing my own thoughts
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and my own things it's kind of poor i'm tired of it
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but ponny comes from a different world if you can start getting in
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that mind frame then you want you want to get into her world
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you want to understand what makes her tick trying to tell you that seduction is like this other area, this other realm that you enter.
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It's like a courtship, romance area, if it is a sexual seduction.
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You're taking somebody out of their day -to -day life.
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They work nine to five at a job or wherever it is,
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and now you're bringing them into this other world where you take them to certain places that are special.
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You act in a different way.
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Maybe you dress in a different way.
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Everything's sort of heightened and dramatic and maybe even slightly theatrical.
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And you're stirring something that they don't normally get at their job.
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So seduction is something that can
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that still goes on even in a relationship even after
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you've been together for several years where you you don't have to do it every day
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because it gets tiring you know but But every week or month or so, you do something, you re -seduce the other person.
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You show that there's still something they don't know about you.
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You reveal that there are depths to you in things that they never figured out before.
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There's still an element of mystery.
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There's still an element of drama.
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You're still put in the effort to take them to a place that they've never been to before.
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You never really get the feeling
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that the person you're talking to is actually really listening to you
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and really paying attention and really trying to understand your point of view.
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If somebody did that to you suddenly in the office or in the realm of a male -female seduction, you would feel it.
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You would go, wow, that's rare.
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And you would almost be halfway seduced by just the attention
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that you could give to someone and show that you're not just sitting there listening to yourself and what you want.
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The falling in love process generally takes time, right?
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There's a famous French writer named Stendhal who wrote a great book called On Love, one of the greatest books written about love.
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It was in the early 19th century.
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And he compared to falling in love to what he called crystallization.
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And it's based on this thing where you would throw a
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piece of wood into this mine in Germany somewhere at Salzburg
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and then you would pull it out like a week later
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and it would be filled with all of these brilliant crystals and he compared that to the process of falling in love.
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The person is just who they are.
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They're like a trunk of a tree.
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But your mind kind of puts all these qualities on them, crystallizes them into some kind of ideal figure, right?
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And so that mental process takes time, right?
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It requires also some distance and some fantasizing, right?
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Whereas opposed to letting time go by
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and letting the other person begin to think about you
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and fantasize about you and in their mind sort of imagine some interesting qualities about you
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and fascinate them which is what he calls this crystallization process I mean literally think of it
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that way that in their mind they're kind of forming this sort of ideal crystal image of you right
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and it takes time and it takes some absence
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It takes the ability to say, you know, you're not in their face all the time.
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You disappear for a couple of days, a couple of weeks or whatever, not weeks, but a few days.
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You let them think about you and you let that kind of spell, because seduction and love is kind of a spell that you're casting, right?
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And there's an art to it.
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And so the mistake people have is they're in too much of a hurry.
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I maintain that the process of seducing is making the other person fall in love.
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So if you go to a bar
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and you pick up a woman in the bar and that night you go back to your place and you have sex, that's not seduction.
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Right?
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Because we are psychological creatures, right?
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We're not animals and the process of actually having our emotions engaged by the other person takes a lot deeper process.
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It can't happen quickly, it can't happen overnight.
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There are plenty of books written out there about how to pick women or guys in a bar.
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But seduction isn't about that.
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It's something else, it's something more elemental.
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And I talk in The Art of Seduction about how it goes back to our childhood,
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how we are incredibly vulnerable to the emotions of other people.
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It begins with our parents.
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Right?
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And the sense of, you know, we internalize their presence, we're thinking about them, we have this kind of very deep emotional attachment to them.
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We're seduced by our parents in some ways.
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It kind of sets a tone from early childhood, this need to feel vulnerable to other people.
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Right?
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That's the thing as well is, you know, a lot of people mistake seduction and that's the reason I wrote the book,
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they have really bad ideas about it.
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Well, they have an idea that it's this kind of cold process.
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Typically, it'll be a male seducer, but it can be a woman.
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And they're really conniving, and they're coming up with all kinds of tricks.
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Schemes.
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Schemes to get the woman or man to fall for them.
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And either they're after money or sex or something else, right?
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And actually, seduction is a matter of vulnerability.
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It's making yourself vulnerable to the other person.
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And to let another person in
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and to let them have some control over your emotions can be kind of a scary process.
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But if you can't feel that vulnerability, if you can't open yourself up to the power of that other person, there won't be a seduction.
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It'll be this kind of cold, mechanical process.
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このレッスンの語彙とスピーキングのポイント
このスピーキングレッスンは、動画「The Fastest Way to Make Someone Fall in Love With You!」を教材にしています。 この動画には、シャドーイング用の文が210文、単語が2458語あります。 音声の長さは14:41です。 話す速さは1分あたり約167語で、日常会話に近い自然なペースです。 単語の87%は英語の頻出3,000語に含まれるため、語彙は分かりやすいです。
この動画の重要語彙
動画に出てくる覚えておきたい単語15語を、発音と意味つきで紹介します。
| 単語 | 発音 | 意味 |
|---|---|---|
| spell 名詞 | /spɛl/ | 呪文 |
| theater 名詞 | /ˈθi(ə)tɚ/ | 劇場, シアター |
| psychology 名詞 | /saɪˈkɑ.lə.d͡ʒi/ | 心理学, サイコロジー |
| vulnerable 形容詞 | /ˈvʌln(ə)ɹəbl̩/ | 傷つきやすい, 脆い |
| emotion 名詞 | /ɪˈməʊ.ʃən/ | 感情, 心緒 |
| element 名詞 | /ˈɛləmənt/ | 要素, エレメント |
| compare 動詞 | /kəmˈpɛɚ/ | 比べる, 比較する |
| ideal 形容詞 | /aɪˈdi(ə)l/ | 理想的な, 理想な |
| reveal 動詞 | /ɹɪˈviːl/ | 現す, 表す |
| crystal 名詞 | /ˈkɹɪstəl/ | 結晶 |
| ritual 名詞 | /ˈɹɪt͡ʃ.u.əl/ | 儀式, 祭祀 |
| bore 動詞 | /boɹ/ | いらいらさせる |
| vulnerability 名詞 | /ˌvʌln(ə)ɹəˈbɪlɪti/ | 脆弱性 |
| tone 名詞 | /ˈtəʊn/ | トーン |
| trick 名詞 | /ˈtɹɪk/ | 欺き, 企み |
動画に出てくる句動詞
| 単語 | 意味 |
|---|---|
| pick up 動詞 | 拾う, 拾い上げる |
| bring up 動詞 | 育てる |
| go back 動詞 | 戻る, 帰る |
繰り返し練習したい文
動画に出てくる短く完結した文です。日常会話でそのまま使えます。
- It's in your body language.
- There's a quote I have in the book.
- We're working in our office at our home.
- You would go, wow, that's rare.
- We're seduced by our parents in some ways.
この動画の文法
話し手がよく使っている文型を、動画の実際の表現とともに紹介します。
| 文型 | 動画での表現 |
|---|---|
| 受動態 be + 過去分詞 — 誰がするかより、何が起きるかに焦点を当てる | being picked · being obsessed · would be filled |
| 現在完了形 have/has + 過去分詞 — 過去の出来事が今も関係している | you've been · they've never been |
| 関係詞節 who / which + 節 — 人や物について情報を加える | woman who said · them which is |
注意したい発音
話し手はyou're, don't, they'reなど、短縮形や弱形を66回使っています。聞こえたとおりの短い形で発音しましょう。
- 「th」の音: theater /ˈθi(ə)tɚ/, bother /ˈbɑðɚ/, thumb /ˈθʌm/, theatrical /θiˈætɹɪkəl/
- 「sh」と「zh」の音: emotion /ɪˈməʊ.ʃən/, manipulation /məˌnɪp.juˈleɪ.ʃən/, seduction /sɪˈdʌk.ʃn̩/, courtship /ˈkɔɹt.ʃɪp/, crystallization /ˌkɹɪstəlaɪˈzeɪʃən/
- 長い単語（アクセントの位置に注意）: psychology /saɪˈkɑ.lə.d͡ʒi/, genuinely /ˈd͡ʒɛn.ju.ɪn.li/, manipulation /məˌnɪp.juˈleɪ.ʃən/, vulnerability /ˌvʌln(ə)ɹəˈbɪlɪti/, incredibly /ɪŋˈkɹɛdɪbli/
日本語話者が苦手な音：
- /r/ と /l/ の区別 — /l/ は舌先を歯茎につけ、/r/ はどこにもつけない: vulnerable /ˈvʌln(ə)ɹəbl̩/, reveal /ɹɪˈviːl/, crystal /ˈkɹɪstəl/, ritual /ˈɹɪt͡ʃ.u.əl/, vulnerability /ˌvʌln(ə)ɹəˈbɪlɪti/
- /v/ — /b/ にならないように、上の歯を下唇に当てる: vulnerable /ˈvʌln(ə)ɹəbl̩/, reveal /ɹɪˈviːl/, vulnerability /ˌvʌln(ə)ɹəˈbɪlɪti/, involve /ɪnˈvɑlv/, wherever /(h)wɛɹˈɛvɚ/
- /f/ — 「フ」ではなく、上の歯と下唇で出す: buff /bʌf/, atmosphere /ˈætməsˌfɪɹ/, refer /ɹɪˈfɜː/, flower /ˈfloʊɚ/, halfway /ˌhæfˈweɪ/
この動画での練習方法
- まず声を出さずに動画を最後まで聞き、知らない単語をメモします。
- まず0.75倍速で一文ずつシャドーイングし、慣れてきたら通常の速度に戻します。
- 自分の声を録音して元の音声と比べます。spell, theater, psychologyなどの単語に特に注意しましょう。
シャドーイングとは？英語上達に効果的な理由
シャドーイング（Shadowing）は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的：ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影（shadow）」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。