Shadowing Practice: The Fastest Way to Make Someone Fall in Love With You! | Robert Greene - Learn English Speaking with Video

Kies een oefenmodus

Elke modus opent een volledig scherm oefenruimte.

210 zinnen

Als zinnen te kort of te lang zijn, klik op Bewerken om ze aan te passen.

A lot of people mistake seduction.

They have really bad ideas about it.

It's so much more powerful when the other person feels that you love them.

Seduction is a kind of theater.

It's a kind of drama, or if you prefer, it's kind of a movie.

Seduction and love is kind of a spell that you're casting.

You have to be genuinely interested in other people.

So seduction is psychology, right?

It's not force, you're not bullying somebody into a relationship.

You have to make them kind of interested in you.

You have to get their defenses down.

You have to get them to open up to you in some way.

The tools for that are different.

It's like the difference between technology from 200 years ago for things now.

But the game is the same.

It's the psychology of lowering people's defenses, making them open to you, making them less resistant.

So, seduction is reaching the child of everybody.

And when you were a child, you were one years old, what was the greatest pleasure you had?

It was being picked up by your father, your mother, and kind of whirled around and taken everywhere and lifted and twirled, et cetera.

The sense that someone was taking you somewhere and you were under their control made you laugh.

It gives you this incredible pleasure.

And that's what happens when you see a movie

and it takes you on this journey where you don't know where it's going, what's happening next.

People don't have enough of that in their lives.

And a classic thing in the seduction realm will be a man or a woman saying, I love you.

Like when will they say I love you is a big deal.

That's not the language of love.

That's not the language of seduction.

It's something non -verbal.

You have to learn this new language of seduction.

It has nothing to do with words.

It's in your body language.

It's in your actions.

It's so much more powerful when the other person feels that you love them.

Benjamin Dislairely is one of the greatest seducers ever.

I mean, absolutely brilliant.

He was a charmer, a seducer.

He could seduce the birds out of the trees.

He seduced Queen Victoria.

She was madly in love with this dark -skinned Jewish man.

And the whole art of it was, for Disraeli, was to make the other person feel like they were special, they were brilliant.

There's a quote I have in the book.

There's this woman who said, After sitting next to Gladstone at dinner, Gladstone was the great rival of Disraeli.

After sitting next to Gladstone at dinner, I thought he was the most brilliant man in England.

After sitting next to Disraeli at dinner, I thought I was the most brilliant woman in England.

Disraeli charmed everyone because he made you feel like you were special.

You were brilliant.

And he gave you the sense that you were the star of the show.

Here he took

Queen Victoria, the most prudish, uptight woman you can imagine, and he had her completely under his thumb.

She wrote a book, which nobody read.

because she wasn't a writer.

And so now Disraeli would refer to her, you know, we authors, when we write, and he was a great writer,

but he made her think that she was a writer like he was.

I mean, the guy is one of the great seducers of all time.

So getting back to the nonverbal aspect of seduction, you know, there's words that you can use to reason with people,

and there's a place for that and it's important and they're words

that you use to cast a spell if i were to try

and seduce ponny right i would figure out what makes you different what makes you unique

what you love in life

that nobody else is giving you you know things from your childhood things

that make you excited that you love certain colors certain flowers certain gifts certain places

and i would give

that to you right i would get into your world instead of being obsessed with myself

i would get outside of myself into pani's world

and i would say this is what she is missing in her life

and i'm going to give it to her the power of

that is absolutely immense because nobody is giving

that to you in general right and

so a simple example would be we have a conversation at a restaurant at night we're having dinner

and you say some things that we you know you're not really paying attention to

and they're just sort of off the cuff but they kind of reveal

something that bothers you or something that you really are excited about.

And then the next day, I bring up what you said in a different form, perhaps.

I kind of quote you or something, or I give it a different spin.

And I don't call a lot of attention to it, but to you that goes, wow, Robert was actually really listening to me.

He heard what I said.

He understood kind of what was behind my words.

That's really interesting.

Nobody ever does that, you know? okay and as

that happens you start becoming a little less resistant

you start seeing Robert in a different way say maybe

this person can give me things I don't get from other people it doesn't matter

if that other person isn't the handsomest person in the world

or isn't all buff out you know buffed out or etc

but they understand the psychology right they understand for a man what a woman is missing

or for a man what a man is missing for a woman.

They understand this.

That's what gives you the degree of seductive power in life.

Seduction is a kind of theater.

It's a kind of drama or if you prefer it's kind of a movie.

So normally our lives are kind of drab and boring.

We're working in our office at our home.

We're kind of dressed sort of sloppily, we kind of eat the same food, we have the same habits.

When you're in a seduction or a courtship of some kind, it's like you're lifted out of your boring life into kind of a theater,

to something that's heightened, that's intensified, that's extra.

So when you are going on your first date with someone that you like, you don't just dress the way you normally dress, right?

You put on something nice or you don't simply take them to the local pizza hut for the date.

You take them to a restaurant with atmosphere.

100

It's like a theater.

101

It's like a stage.

102

You're creating some fantasy.

103

We all want drama in our life.

104

We all want fantasy.

105

We all want something more.

106

And so the fact that someone is making an effort to please you, that they're actually trying to look nicer than they may normally look,

107

they're taking you to places.

108

that they're behaving in a way that's kind of responsive to you is actually a good thing.

109

It's not, it's not, it is manipulative in one way,

110

but it's a good form of manipulation where you're showing the other person that you're willing to put some effort into this.

111

That it's not just like, oh, you know, I could just show up in my pajamas and it'll be okay.

112

Or we can just come over to my house and watch television.

113

We want something more.

114

And a lot of women will complain that the man, after the first couple of dates, he isn't trying anymore.

115

He takes me for granted.

116

He's not doing anything that seems, you know, like he used to do, right?

117

So that sense of courtship, it's like a mating dance between two kind of birds or in nature, right?

118

It's a game.

119

It's a ritual.

120

Don't look at it as manipulation, look at it as something that goes back thousands of years.

121

It is kind of the animal part of our nature.

122

It's a courtship and that it involves these kind of rituals of doing things that you normally don't do.

123

The key to making what we're talking about work is what I say, you have to be genuinely interested in other people.

124

so if i'm in a restaurant with ponny

125

and i'm in a conversation i have to go she's more interesting than i am right now i'm

126

so used to hearing my own thoughts

127

and my own things it's kind of poor i'm tired of it

128

but ponny comes from a different world if you can start getting in

129

that mind frame then you want you want to get into her world

130

you want to understand what makes her tick trying to tell you that seduction is like this other area, this other realm that you enter.

131

It's like a courtship, romance area, if it is a sexual seduction.

132

You're taking somebody out of their day -to -day life.

133

They work nine to five at a job or wherever it is,

134

and now you're bringing them into this other world where you take them to certain places that are special.

135

You act in a different way.

136

Maybe you dress in a different way.

137

Everything's sort of heightened and dramatic and maybe even slightly theatrical.

138

And you're stirring something that they don't normally get at their job.

139

So seduction is something that can

140

that still goes on even in a relationship even after

141

you've been together for several years where you you don't have to do it every day

142

because it gets tiring you know but But every week or month or so, you do something, you re -seduce the other person.

143

You show that there's still something they don't know about you.

144

You reveal that there are depths to you in things that they never figured out before.

145

There's still an element of mystery.

146

There's still an element of drama.

147

You're still put in the effort to take them to a place that they've never been to before.

148

You never really get the feeling

149

that the person you're talking to is actually really listening to you

150

and really paying attention and really trying to understand your point of view.

151

If somebody did that to you suddenly in the office or in the realm of a male -female seduction, you would feel it.

152

You would go, wow, that's rare.

153

And you would almost be halfway seduced by just the attention

154

that you could give to someone and show that you're not just sitting there listening to yourself and what you want.

155

The falling in love process generally takes time, right?

156

There's a famous French writer named Stendhal who wrote a great book called On Love, one of the greatest books written about love.

157

It was in the early 19th century.

158

And he compared to falling in love to what he called crystallization.

159

And it's based on this thing where you would throw a

160

piece of wood into this mine in Germany somewhere at Salzburg

161

and then you would pull it out like a week later

162

and it would be filled with all of these brilliant crystals and he compared that to the process of falling in love.

163

The person is just who they are.

164

They're like a trunk of a tree.

165

But your mind kind of puts all these qualities on them, crystallizes them into some kind of ideal figure, right?

166

And so that mental process takes time, right?

167

It requires also some distance and some fantasizing, right?

168

Whereas opposed to letting time go by

169

and letting the other person begin to think about you

170

and fantasize about you and in their mind sort of imagine some interesting qualities about you

171

and fascinate them which is what he calls this crystallization process I mean literally think of it

172

that way that in their mind they're kind of forming this sort of ideal crystal image of you right

173

and it takes time and it takes some absence

174

It takes the ability to say, you know, you're not in their face all the time.

175

You disappear for a couple of days, a couple of weeks or whatever, not weeks, but a few days.

176

You let them think about you and you let that kind of spell, because seduction and love is kind of a spell that you're casting, right?

177

And there's an art to it.

178

And so the mistake people have is they're in too much of a hurry.

179

I maintain that the process of seducing is making the other person fall in love.

180

So if you go to a bar

181

and you pick up a woman in the bar and that night you go back to your place and you have sex, that's not seduction.

182

Right?

183

Because we are psychological creatures, right?

184

We're not animals and the process of actually having our emotions engaged by the other person takes a lot deeper process.

185

It can't happen quickly, it can't happen overnight.

186

There are plenty of books written out there about how to pick women or guys in a bar.

187

But seduction isn't about that.

188

It's something else, it's something more elemental.

189

And I talk in The Art of Seduction about how it goes back to our childhood,

190

how we are incredibly vulnerable to the emotions of other people.

191

It begins with our parents.

192

Right?

193

And the sense of, you know, we internalize their presence, we're thinking about them, we have this kind of very deep emotional attachment to them.

194

We're seduced by our parents in some ways.

195

It kind of sets a tone from early childhood, this need to feel vulnerable to other people.

196

Right?

197

That's the thing as well is, you know, a lot of people mistake seduction and that's the reason I wrote the book,

198

they have really bad ideas about it.

199

Well, they have an idea that it's this kind of cold process.

200

Typically, it'll be a male seducer, but it can be a woman.

201

And they're really conniving, and they're coming up with all kinds of tricks.

202

Schemes.

203

Schemes to get the woman or man to fall for them.

204

And either they're after money or sex or something else, right?

205

And actually, seduction is a matter of vulnerability.

206

It's making yourself vulnerable to the other person.

207

And to let another person in

208

and to let them have some control over your emotions can be kind of a scary process.

209

But if you can't feel that vulnerability, if you can't open yourself up to the power of that other person, there won't be a seduction.

210

It'll be this kind of cold, mechanical process.

App downloaden

Alles wat je nodig hebt om vloeiend te spreken

AI UitspraakScoor elke zin

IPA OefeningBeheers elk geluid

WoordenschatBouw je woordenschat op

WoordenspelLeren terwijl je speelt

Scan QR

Download on theApp Store Get it onGoogle Play

Zelfde Kanaal

Why Powerful People Suddenly Disappear! | Robert Greene

Daily ConversationWorking Adults

FOR YOU

Aanbevolen Video

110 zinnen

Woordenschat en spreektips bij deze les

Deze spreekles is gebaseerd op de video “The Fastest Way to Make Someone Fall in Love With You!”. Deze video bevat 210 zinnen en 2458 woorden om na te spreken. Het gesproken deel duurt 14:41. De spreker praat in een natuurlijk tempo van ongeveer 167 woorden per minuut, dicht bij een alledaags gesprek. 87% van de woorden hoort bij de 3.000 meest gebruikte Engelse woorden, dus de woordenschat is goed te volgen.

Belangrijke woorden in deze video

15 woorden uit de video die het leren waard zijn, met uitspraak en betekenis:

Woord	Uitspraak	Betekenis
spell zelfstandig naamwoord	/spɛl/	toverspreuk, betovering
theater zelfstandig naamwoord	/ˈθi(ə)tɚ/	theater
psychology zelfstandig naamwoord	/saɪˈkɑ.lə.d͡ʒi/	psychologie, zielkunde
vulnerable bijvoeglijk naamwoord	/ˈvʌln(ə)ɹəbl̩/	kwetsbaar
emotion zelfstandig naamwoord	/ɪˈməʊ.ʃən/	emotie
element zelfstandig naamwoord	/ˈɛləmənt/	element
compare werkwoord	/kəmˈpɛɚ/	vergelijken
ideal bijvoeglijk naamwoord	/aɪˈdi(ə)l/	ideaal, optimaal
reveal werkwoord	/ɹɪˈviːl/	onthullen, zich ontpoppen
crystal zelfstandig naamwoord	/ˈkɹɪstəl/	kristal
ritual zelfstandig naamwoord	/ˈɹɪt͡ʃ.u.əl/	ritueel
bore werkwoord	/boɹ/	vervelen
manipulation zelfstandig naamwoord	/məˌnɪp.juˈleɪ.ʃən/	manipulatie, gebruik
vulnerability zelfstandig naamwoord	/ˌvʌln(ə)ɹəˈbɪlɪti/	kwetsbaarheid, zwakke plek
tone zelfstandig naamwoord	/ˈtəʊn/	toon, noot

Phrasal verbs die je zult horen

Woord	Betekenis
figure out werkwoord	uitvogelen, er achter komen
pick up werkwoord	oppakken, optillen
bring up werkwoord	opvoeden
come up with werkwoord	bedenken, verzinnen
go back werkwoord	teruggaan

Zinnen om te herhalen

Korte, volledige zinnen uit de video die je in alledaagse gesprekken kunt gebruiken:

It's in your body language.
There's a quote I have in the book.
We're working in our office at our home.
You would go, wow, that's rare.
We're seduced by our parents in some ways.

Grammatica in deze video

De structuren die de spreker het meest gebruikt, met de exacte woorden uit de video:

Structuur	In de video
Lijdende vorm be + voltooid deelwoord — het gaat om wat er gebeurt, niet om wie het doet	being picked · being obsessed · would be filled
Present perfect have/has + voltooid deelwoord — iets uit het verleden dat nu nog telt	you've been · they've never been
Betrekkelijke bijzinnen who / which + zin — extra informatie over een persoon of ding	woman who said · them which is

Uitspraak om op te letten

De spreker gebruikt 66 samentrekkingen en verkorte vormen, zoals you're, don't, they're. Spreek ze kort uit, zoals je ze hoort.

De “th”-klanken: theater /ˈθi(ə)tɚ/, bother /ˈbɑðɚ/, thumb /ˈθʌm/, theatrical /θiˈætɹɪkəl/
De klanken “sh” en “zh”: emotion /ɪˈməʊ.ʃən/, manipulation /məˌnɪp.juˈleɪ.ʃən/, seduction /sɪˈdʌk.ʃn̩/, courtship /ˈkɔɹt.ʃɪp/, crystallization /ˌkɹɪstəlaɪˈzeɪʃən/
Lange woorden — let op de klemtoon: psychology /saɪˈkɑ.lə.d͡ʒi/, genuinely /ˈd͡ʒɛn.ju.ɪn.li/, manipulation /məˌnɪp.juˈleɪ.ʃən/, vulnerability /ˌvʌln(ə)ɹəˈbɪlɪti/, incredibly /ɪŋˈkɹɛdɪbli/

Klanken die Nederlandstaligen lastig vinden:

Stemhebbende eindmedeklinker — /b/, /d/, /g/, /z/, /v/ niet verscherpen: whereas /(h)wɛɹˈæz/, engage /ɪnˈɡeɪd͡ʒ/, involve /ɪnˈvɑlv/, behave /bɪˈheɪv/, oppose /əˈpoʊz/
/æ/ — opener dan de Nederlandse “e”: atmosphere /ˈætməsˌfɪɹ/, aspect /ˈæspɛkt/, dramatic /dɹəˈmætɪk/, whereas /(h)wɛɹˈæz/, absence /ˈæb.s(ə)n̩s/
/w/ — met ronde lippen: whereas /(h)wɛɹˈæz/, wherever /(h)wɛɹˈɛvɚ/, halfway /ˌhæfˈweɪ/, twirl /twɝl/

Zo oefen je met deze video

Luister de hele video één keer zonder te spreken en noteer de woorden die je niet kent.
Begin op 0,75× snelheid, spreek zin voor zin na en ga terug naar normale snelheid zodra het makkelijk gaat.
Neem jezelf op en vergelijk met het origineel; let daarbij op woorden als spell, theater, psychology.

Wat is de Shadowing-techniek?

Shadowing is een wetenschappelijk onderbouwde taalleermethode die oorspronkelijk is ontwikkeld voor professionele tolkentraining en gepopulariseerd door polyglot Dr. Alexander Arguelles. De methode is eenvoudig maar krachtig: je luistert naar native Engelse audio en herhaalt het onmiddellijk hardop — als een schaduw die de spreker volgt met slechts 1–2 seconden vertraging. In tegenstelling tot passief luisteren of grammaticadrills, dwingt shadowing je hersenen en mondspieren om echte spraakpatronen tegelijkertijd te verwerken en te reproduceren. Onderzoek toont aan dat het de uitspraaknauwkeurigheid, intonatie, ritme, verbonden spraak, luisterbegrip en spreekvaardigheid aanzienlijk verbetert — waardoor het een van de meest effectieve methoden is voor IELTS Speaking-voorbereiding en echte Engelse communicatie.

Shadowing-techniek: lees de volledige stap-voor-stap-gids →

Shadowing Practice: The Fastest Way to Make Someone Fall in Love With You! | Robert Greene - Learn English Speaking with Video

Kies een oefenmodus

App downloaden

Why Powerful People Suddenly Disappear! | Robert Greene

How to Become Someone People Never Forget | Robert Greene | Raj Shamani Clips

The love You Attract Reveals Who You Are | Carl Jung

How I Learn Languages Fast (I speak 7+)

How to Read Anyone Instantly – Nietzsche’s 18 Psychological Truths

Master the Art of Persuasion | Jim Rohn on Communication & Influence

How to Secretly Make a Woman Fall in Love | Robert Greene

Seduction is Psychology, Not Looksmaxing I Robert Greene

How To Actually Make Him Obsessed With You

SPANISH LOVE DECEPTION AUDIOBOOK [Chapter-1] 💕

How to RUN So FAST It Feels ILLEGAL

Why Is Confidence So Attractive?

Why Jane Hit On a Grieving WIDOW — The Mentalist Moment Fans STILL Argue About

Woordenschat en spreektips bij deze les

Belangrijke woorden in deze video

Phrasal verbs die je zult horen

Zinnen om te herhalen

Grammatica in deze video

Uitspraak om op te letten

Zo oefen je met deze video

Wat is de Shadowing-techniek?