シャドーイング練習: What I did when art wasn't fun - YouTubeで英語スピーキングを学ぶ
B2
I think everyone hears this all the time.
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I think everyone hears this all the time.
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If you want to get good at art,
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you're gonna have to practice.
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A lot.
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So you do.
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But for some reason, drawing is kind of frustrating.
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Maybe you feel like, how are you supposed to have fun if everything you draw doesn't even look good?
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Or maybe you feel stuck because you feel like you've been working so hard,
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but you're not getting any better.
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I know how it feels.
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Trust me, because oh boy, I've been there.
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It took me a while,
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but eventually I managed to learn to enjoy art again.
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And in this video, I'll try to explain how I got there.
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So getting frustrated with your art is understandable,
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especially if you're just getting started.
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But this applies even if you've been at it for a while.
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You've spent so long on this one drawing.
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You've been working so hard.
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But somehow it just doesn't come out like you want it to.
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That's frustrating.
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I think one of the problems when it comes to how people see art is
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that some people really don't understand the scale of it.
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They don't understand how much time you really need to get good at art.
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They think it looks something like this,
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when in fact it looks more like this.
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And I think this misunderstanding makes sense because all people see from artists is the final results.
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The final painting, or maybe just the time lapse for one single painting.
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They're not really seeing all the practice
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and training the artists did to be able to get to that point in the first place.
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That's why watching an artist's time lapse and just copying their process rarely works.
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You can't copy the process without one illustration and expect it to turn out the same way.
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You also have to keep in mind all the practice the artist did before even starting this one illustration.
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I think it kind of makes sense if we compare art to long distance running.
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I don't think anyone in the world expects a couch potato to be able to start running ultra-marathons anytime soon,
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even if he did practice really hard.
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And somehow you get artists getting immediately discouraged that their art isn't looking good right away.
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Like running, art takes consistent practice and dedication in order to build up your skills.
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But running has one big advantage over art in that your progress is clear and measurable.
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You get faster, you can run farther,
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you can easily see that you're getting better.
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You don't really get that in art.
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In fact, I think people are notoriously bad at noticing their own improvements.
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So this is just a hypothesis.
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But I think that's also why so many artists tend to cling to social media.
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I feel like we all know that social media success does not equate good art,
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but at least there are numbers.
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At least we can measure it,
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and at least we can see the number go up.
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Okay, maybe you're like, whatever YouTube video,
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I already know all this stuff.
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I know it takes a long time, but I'm not improving.
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I keep doing all the stuff everyone is telling me to,
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but I'm not getting any better.
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So this is what we call a plateau.
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Often when people first start learning a new skill,
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they quickly start seeing improvements.
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They get encouraged and keep going.
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But then they hit a wall.
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And I'm just gonna say,
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that's just how it works.
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Plateaus are inevitable and the sooner you can accept that, the better.
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People tend to want to believe that improvement is linear and the graph looks like this.
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The more effort and time you put in, the better you get.
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Except, the reality is, it looks more like this.
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Or maybe even get worse.
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You can be doing everything right, it's not your fault.
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And this feeling sucks.
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But if you zoom out of the graph,
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you'll see that it still goes up over a long time period.
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It's just a bit of a bumpy road,
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and you just have to know that.
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So at this point I've told you that focusing on results can be frustrating.
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I've also said that focusing on improvement can be frustrating.
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So what are you supposed to focus on?
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This might be hard to understand,
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but if you can, try to focus on the actual creation process.
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I don't know about you guys,
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but I used to feel anxiety when faced with a blank canvas.
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I used to get so caught up with results and improvement that I felt fear whenever I started a new drawing.
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What if the drawing wasn't good?
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What if I wasn't improving?
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What if I wasn't talented?
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What if all of this was just a waste of time?
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I spent more time worrying about drawing than actually drawing.
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I think it really helped when I started thinking of each drawing more like an adventure,
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an exploration, except since we're starting with a blank canvas,
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the possibilities are basically limitless.
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I may have some rough idea of what I want before I get started,
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but I don't really know how it's going to end up until I try,
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and the process of finding out is what I find fun.
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And of course, while I would prefer for it to be good,
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it's not really the end of the world if it isn't
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because the final drawing is more of a byproduct rather than the goal.
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Other things you can do to help find the fun in
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art is to have a good understanding of what you really enjoy trying.
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Yes, it's important to practice and eat your art vegetables,
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but you have to make sure to make time to draw what you love as well.
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And it's even better if you manage to develop taste for vegetables.
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So is there a particular media you really enjoy?
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Do you like illustration?
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Do you like designing characters that's something you'll have to find out
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because if you genuinely have fun drawing you'll find
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that it becomes much easier to keep up the habit i
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think people tend to overestimate their own ability to do things
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that they don't enjoy just think about how crowded the gym is in january
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and compare it to how it looks in february just one month later another thing
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How do you feel when you see art that's better than yours?
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Do you feel inspired?
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Or do you feel frustrated and disappointed in yourself that you can't draw like that?
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I definitely used to feel unhappy whenever I saw better artists out there.
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It even got to the point where I stopped looking at other artists altogether.
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I just felt so bad about myself.
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And instead of being able to celebrate my fellow artists successes,
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I was only bitter that they could do what I could not.
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It was definitely not a good point in my life and I'm grateful that I was able to move past that.
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It definitely took a while to get myself out of that mindset.
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And the first thing was to remind myself exactly how long other people had been practicing for.
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And I don't mean how old they are or how many years they've been drawing.
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In my opinion, that's just not really a very useful metric.
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Drawing for a year can mean that they drew for an hour every weekend
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or that they were literally grinding for 10 hours a day.
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There's a really huge range in what one year means.
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So I didn't realize that initially.
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I picked up drawing relatively late,
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so initially it was really frustrating to me that people 10 years younger than me were so much better than I was,
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and they still are.
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But despite being so much younger than me,
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those people have probably practiced far more than I have.
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I spent most of my life not drawing.
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It makes sense that they're better than me.
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So expecting myself to be as good as them with
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so much less work put in means that I kind of expected myself to be some kind of super genius,
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which, well, no, I'm obviously not.
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So it doesn't make sense for me to expect myself to be good as them
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because I just haven't practiced as much as they have.
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So instead of worrying about whether I had that talent,
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I just decided to draw instead of worrying about what I can't change anyway.
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I started to be a little bit more patient
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and kinder to myself and that made drawing so much less stressful for me.
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Okay so this was a little rambly but if you managed to make it all the way to the end, thanks.
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And if you are understandably frustrated about art,
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I hope it helped you a a little bit.
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If you enjoyed the video,
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I'd appreciate it if you did the YouTube stuff,
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and if there's anything else you'd like to see from me,
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please let me know.
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So good luck out there artists,
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and remember to have fun!
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このレッスンについて
このレッスンでは、「アートが楽しくない時に私が何をしたか」という動画の内容を通じて、英語のリスニングと発音のスキルを向上させます。特に、アートが上手くいかないと感じた経験や、それを乗り越えるための努力についての話を聞きながら、感情を表現する語彙を学びます。このレッスンを通じて、あなたの英語の発音を良くするための実践的なフレーズや単語を身につけ、shadow speakの技術を磨くことができます。
重要な語彙とフレーズ
- frustrating - フラストレーションを感じる
- practice - 練習する
- understand - 理解する
- devote - 捧げる、専念する
- improvement - 改善、進歩
- measurable - 測定可能な
- dedication - 献身
- progress - 進展
練習のコツ
動画を観ながら、登場人物の発音やトーンに注意を払いましょう。特に、shadowspeak技術を使って、自分の声を録音してみることをおすすめします。動画のスピードに合わせて、自分の声を重ねることで、英語の発音を良くすることができます。最初は難しいかもしれませんが、繰り返し練習することで、発音やリズムが自然になっていきます。特に、感情を込めて話すことで、自分の表現力を高めることができ、shadow speechの技法が身につきます。自分自身の進歩を感じながら、焦らずじっくりと取り組んでみてください。
シャドーイングとは？英語上達に効果的な理由
シャドーイング（Shadowing）は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的：ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影（shadow）」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。