Shadowing Practice: What I did when art wasn't fun - Learn English Speaking with Video

I think everyone hears this all the time.

If you want to get good at art,

you're gonna have to practice.

A lot.

So you do.

But for some reason, drawing is kind of frustrating.

Maybe you feel like, how are you supposed to have fun if everything you draw doesn't even look good?

Or maybe you feel stuck because you feel like you've been working so hard,

but you're not getting any better.

I know how it feels.

Trust me, because oh boy, I've been there.

It took me a while,

but eventually I managed to learn to enjoy art again.

And in this video, I'll try to explain how I got there.

So getting frustrated with your art is understandable,

especially if you're just getting started.

But this applies even if you've been at it for a while.

You've spent so long on this one drawing.

You've been working so hard.

But somehow it just doesn't come out like you want it to.

That's frustrating.

I think one of the problems when it comes to how people see art is

that some people really don't understand the scale of it.

They don't understand how much time you really need to get good at art.

They think it looks something like this,

when in fact it looks more like this.

And I think this misunderstanding makes sense because all people see from artists is the final results.

The final painting, or maybe just the time lapse for one single painting.

They're not really seeing all the practice

and training the artists did to be able to get to that point in the first place.

That's why watching an artist's time lapse and just copying their process rarely works.

You can't copy the process without one illustration and expect it to turn out the same way.

You also have to keep in mind all the practice the artist did before even starting this one illustration.

I think it kind of makes sense if we compare art to long distance running.

I don't think anyone in the world expects a couch potato to be able to start running ultra-marathons anytime soon,

even if he did practice really hard.

And somehow you get artists getting immediately discouraged that their art isn't looking good right away.

Like running, art takes consistent practice and dedication in order to build up your skills.

But running has one big advantage over art in that your progress is clear and measurable.

You get faster, you can run farther,

you can easily see that you're getting better.

You don't really get that in art.

In fact, I think people are notoriously bad at noticing their own improvements.

So this is just a hypothesis.

But I think that's also why so many artists tend to cling to social media.

I feel like we all know that social media success does not equate good art,

but at least there are numbers.

At least we can measure it,

and at least we can see the number go up.

Okay, maybe you're like, whatever YouTube video,

I already know all this stuff.

I know it takes a long time, but I'm not improving.

I keep doing all the stuff everyone is telling me to,

but I'm not getting any better.

So this is what we call a plateau.

Often when people first start learning a new skill,

they quickly start seeing improvements.

They get encouraged and keep going.

But then they hit a wall.

And I'm just gonna say,

that's just how it works.

Plateaus are inevitable and the sooner you can accept that, the better.

People tend to want to believe that improvement is linear and the graph looks like this.

The more effort and time you put in, the better you get.

Except, the reality is, it looks more like this.

Or maybe even get worse.

You can be doing everything right, it's not your fault.

And this feeling sucks.

But if you zoom out of the graph,

you'll see that it still goes up over a long time period.

It's just a bit of a bumpy road,

and you just have to know that.

So at this point I've told you that focusing on results can be frustrating.

I've also said that focusing on improvement can be frustrating.

So what are you supposed to focus on?

This might be hard to understand,

but if you can, try to focus on the actual creation process.

I don't know about you guys,

but I used to feel anxiety when faced with a blank canvas.

I used to get so caught up with results and improvement that I felt fear whenever I started a new drawing.

What if the drawing wasn't good?

What if I wasn't improving?

What if I wasn't talented?

What if all of this was just a waste of time?

I spent more time worrying about drawing than actually drawing.

I think it really helped when I started thinking of each drawing more like an adventure,

an exploration, except since we're starting with a blank canvas,

the possibilities are basically limitless.

I may have some rough idea of what I want before I get started,

but I don't really know how it's going to end up until I try,

and the process of finding out is what I find fun.

And of course, while I would prefer for it to be good,

it's not really the end of the world if it isn't

because the final drawing is more of a byproduct rather than the goal.

Other things you can do to help find the fun in

art is to have a good understanding of what you really enjoy trying.

Yes, it's important to practice and eat your art vegetables,

but you have to make sure to make time to draw what you love as well.

And it's even better if you manage to develop taste for vegetables.

100

So is there a particular media you really enjoy?

101

Do you like illustration?

102

Do you like designing characters that's something you'll have to find out

103

because if you genuinely have fun drawing you'll find

104

that it becomes much easier to keep up the habit i

105

think people tend to overestimate their own ability to do things

106

that they don't enjoy just think about how crowded the gym is in january

107

and compare it to how it looks in february just one month later another thing

108

How do you feel when you see art that's better than yours?

109

Do you feel inspired?

110

Or do you feel frustrated and disappointed in yourself that you can't draw like that?

111

I definitely used to feel unhappy whenever I saw better artists out there.

112

It even got to the point where I stopped looking at other artists altogether.

113

I just felt so bad about myself.

114

And instead of being able to celebrate my fellow artists successes,

115

I was only bitter that they could do what I could not.

116

It was definitely not a good point in my life and I'm grateful that I was able to move past that.

117

It definitely took a while to get myself out of that mindset.

118

And the first thing was to remind myself exactly how long other people had been practicing for.

119

And I don't mean how old they are or how many years they've been drawing.

120

In my opinion, that's just not really a very useful metric.

121

Drawing for a year can mean that they drew for an hour every weekend

122

or that they were literally grinding for 10 hours a day.

123

There's a really huge range in what one year means.

124

So I didn't realize that initially.

125

I picked up drawing relatively late,

126

so initially it was really frustrating to me that people 10 years younger than me were so much better than I was,

127

and they still are.

128

But despite being so much younger than me,

129

those people have probably practiced far more than I have.

130

I spent most of my life not drawing.

131

It makes sense that they're better than me.

132

So expecting myself to be as good as them with

133

so much less work put in means that I kind of expected myself to be some kind of super genius,

134

which, well, no, I'm obviously not.

135

So it doesn't make sense for me to expect myself to be good as them

136

because I just haven't practiced as much as they have.

137

So instead of worrying about whether I had that talent,

138

I just decided to draw instead of worrying about what I can't change anyway.

139

I started to be a little bit more patient

140

and kinder to myself and that made drawing so much less stressful for me.

141

Okay so this was a little rambly but if you managed to make it all the way to the end, thanks.

142

And if you are understandably frustrated about art,

143

I hope it helped you a a little bit.

144

If you enjoyed the video,

145

I'd appreciate it if you did the YouTube stuff,

146

and if there's anything else you'd like to see from me,

147

please let me know.

148

So good luck out there artists,

149

and remember to have fun!

📺 Aynı Kanal

How to draw backgrounds

Business EnglishUniversity StudentsWorking Adults

How to love drawing (even if you're not good at it)

Business EnglishUniversity StudentsWorking Adults

✨ Video Öner

277 cümleler

Bu dersin kelimeleri ve konuşma notları

Bu B2 seviyesindeki konuşma dersi “What I did when art wasn't fun” videosuna dayanıyor. En çok tekrarlanan kelimeler: drawing, artist, practice. Bu videoda gölgeleme çalışması için 149 cümle ve 1530 kelime var. Konuşma bölümü 8:11 sürüyor. Konuşmacı hızlı konuşuyor, dakikada yaklaşık 187 kelime; bu yüzden birbirine bağlanan ve zayıflayan sesler duyacaksınız. Kelimelerin %87’i İngilizcede en sık kullanılan 3.000 kelime arasında, bu yüzden kelime dağarcığını takip etmek kolay.

Bu videodaki önemli kelimeler

Videodaki en ileri düzey 15 kelime, telaffuzu ve anlamıyla:

Kelime	Telaffuz	Anlam
illustration isim	/ˌɪləsˈtɹeɪ̯ʃən/	açıklama, örnekleme
plateau isim	/plæˈtoʊ/	yayla, plato
vegetable isim	/ˈvɛd͡ʒ.tə.bəl/	sebze, zerzevat
canvas isim	/ˈkæn.vəs/	kanvas, tuval
graph isim	/ɡɹæf/	grafik
limitless sıfat		sınırsız, limitsiz
misunderstand fiil	/mɪs.ʌn.də(ɹ)ˈstænd/	yanlış anlamak
overestimate fiil	/ˌəʊvəɹˈɛstɪmeɪt/	gözünde büyütmek
discourage fiil	/dɪsˈkɝɪd͡ʒ/	şevkini kırmak
understandable sıfat		anlaşılabilir, kavranabilir
mindset isim	/ˈmaɪn(d)ˌsɛt/	düşünce tarzı, zihniyet
hypothesis isim	/haɪˈpɒθɪsɪs/	hipotez, faraziye
grind fiil	/ˈɡɹaɪnd/	öğütmek
inspire fiil	/ɪnˈspaɪə(ɹ)/	esinlemek, ilham vermek
unhappy sıfat	/ʌnˈhæpi/	mutsuz, üzgün

Duyacağınız deyimsel fiiller

Kelime	Telaffuz	Anlam
find out fiil		anlamak, ortaya çıkarmak
come out fiil	/ˌkʌm ˈaʊt/	çıkmak
keep up fiil		ayak uydurmak, yetişmek

Tekrar etmeye değer cümleler

Videodan, günlük konuşmada yeniden kullanabileceğiniz kısa ve tam cümleler:

Trust me, because oh boy, I've been there.
You've spent so long on this one drawing.
What if I wasn't improving?
What if I wasn't talented?
How do you feel when you see art that's better than yours?

Bu videodaki dil bilgisi

Konuşmacının en çok kullandığı yapılar, videodaki sözcüklerin aynısıyla:

Yapı	Videoda
Present perfect continuous have/has been + -ing — önceden başlayıp hâlâ süren bir eylem	you've been working · they've been drawing
“Used to” used to + fiil — artık geçerli olmayan eski bir alışkanlık ya da durum	used to feel · used to get
Koşul cümleleri if + cümle, will/would + fiil — bir koşul ve sonucu	if you genuinely have fun drawing you'll find · if there's anything else you'd like
Present perfect have/has + fiilin üçüncü hâli — geçmişte olan ama şimdi de önemli olan bir eylem	I've been · you've been · You've spent

Dikkat edilecek telaffuzlar

Konuşmacı don't, I'm, you're gibi kısaltılmış biçimleri 50 kez kullanıyor. Bunları duyduğunuz gibi kısa söyleyin.

“th” sesleri: hypothesis /haɪˈpɒθɪsɪs/, altogether /ɔl.tuˈɡɛð.ɚ/, marathon /ˈmæɹəθən/
“sh” ve “zh” sesleri: illustration /ˌɪləsˈtɹeɪ̯ʃən/, measurable /ˈmɛʒəɹəbəl/, dedication /ˌdɛdɪˈkeɪʃən/, exploration /ˌɛkspləˈɹeɪʃən/
Uzun kelimeler — vurguyu doğru yere koyun: illustration /ˌɪləsˈtɹeɪ̯ʃən/, measurable /ˈmɛʒəɹəbəl/, misunderstand /mɪs.ʌn.də(ɹ)ˈstænd/, notoriously /nə(ʊ)ˈtɔː.ɹɪ.əs.li/, overestimate /ˌəʊvəɹˈɛstɪmeɪt/

Türkçe konuşanların zorlandığı sesler:

Kelime başındaki ünsüz kümesi — araya ünlü eklemeyin: frustrate /ˈfɹʌsˌtɹeɪt/, plateau /plæˈtoʊ/, graph /ɡɹæf/, blank /ˈblæŋk/, stressful /ˈstɹɛsfəl/
/æ/ — “e”den daha açık: lapse /læps/, plateau /plæˈtoʊ/, canvas /ˈkæn.vəs/, graph /ɡɹæf/, blank /ˈblæŋk/

Bu videoyla nasıl çalışılır

Videonun tamamını konuşmadan bir kez dinleyin ve bilmediğiniz kelimeleri not edin.
0,75× hızla başlayın, cümle cümle tekrar edin ve kolaylaşınca normal hıza dönün.
Kendinizi kaydedin ve orijinaliyle karşılaştırın; illustration, plateau, vegetable gibi kelimelere özellikle dikkat edin.

Gölgeleme Tekniği Nedir?

Gölgeleme, başlangıçta profesyonel tercüman eğitimi için geliştirilen ve çok dilli Dr. Alexander Arguelles tarafından popüler hale getirilen, bilim destekli bir dil öğrenme tekniğidir. Yöntem basit ama güçlüdür: ana dili İngilizce olan bir sesi dinler ve hemen yüksek sesle tekrar edersiniz — konuşmacıyı 1-2 saniye gecikmeyle takip eden bir gölge gibi. Pasif dinleme veya dilbilgisi alıştırmalarının aksine, gölgeleme beyninizi ve ağız kaslarınızı gerçek konuşma kalıplarını eşzamanlı olarak işlemeye ve yeniden üretmeye zorlar. Araştırmalar, telaffuz doğruluğu, tonlama, ritim, bağlı konuşma, dinleme anlama ve konuşma akıcılığını önemli ölçüde geliştirdiğini göstermektedir — bu da onu IELTS Konuşma hazırlığı ve gerçek dünya İngilizce iletişimi için en etkili yöntemlerden biri yapar.

Shadowing tekniği: adım adım eksiksiz rehberi okuyun →

Shadowing Practice: What I did when art wasn't fun - Learn English Speaking with Video

How to draw backgrounds

How to love drawing (even if you're not good at it)

Why You Can't Do Hard Things

How to be a creative motherf***er

Starting art "late" is actually a HUGE advantage | YTartschool

The grindification of hobbies

watch this if you're an artist with no talent.

The Art of Reinvention

The simple habit to become a better photographer.

Louise Despont Draws Deep | Art21 "New York Close Up"

How I Became a Full-time Artist 🧚 #clayartist #smallbusiness

9 Investments for Better Learning

Art of being useless