쉐도잉 연습: Cillian Murphy & Brendan Gleeson - Irish interview for Perrier's Bounty - YouTube로 영어 말하기 배우기

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by asking what was it that attracted you to this movie per ofie um well uh it was it was the script
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by asking what was it that attracted you to this movie per ofie um well uh it was it was the script
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really it was the the the the words on the page you know uh I'd made a film that Mark Maro wrote called intermission a few years ago and uh you know I love
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his writing and so he talked to me about this back then and then the script arrived and I was very taken with it you know it was sort of dark and funny and
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weird and and um but I knew that you know he that Ian would be able to get a brilliant cast together so and it came together really really quickly in the
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end and yourself yeah same as that the words of the page you know they just jump out and I liked his work anyway I mean I hadn't worked with you know on on
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any of the macro stuff but it uh you know you just you just know when stuff is well constructed and well put together so yeah it was fun the
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character was kind of a blast so I said I wanted to get in touch with my psycho self again and uh so that yeah I didn't know how the time scale was going to worry
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out that work out that was the only problem and they worked out really well and just because you mentioned intermission there obviously there's been a lot of films recently in in Ireland that have concentrated in duin
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and the urban space that is is duin um kisses for example and intermission and films like that what is it that you think that makes duin work as a kind of urban space on
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film well uh I think you know you know it's the the movement has been um for cities to get bigger and bigger and bigger so like Millions upon
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Millions upon millions of people are living in cities and so therefore you're talking it is the universal language before I think even you know the rural the rural was what might have been
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called the ordinary I think now Suburbia is the norm and it's something that's been happening in film and in plays I remember doing with the passion machine like Paul Mercer and Rod doy and people
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like that he was concentrating on the Suburban reality that was neither the you know cosm City Center or out in the
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mushy luscious green kind of you know Hills of wherever uh so I think I think it's not just um Dublin in fact a lot of
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this movie was shot in London um but I think that sort of area that's that's just in where most people actually lives and then you go down the back
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Lanes where not everybody chooses to go at night H and you have a very interesting kind of a uh gloomy slightly dangerous place and this is your fourth
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or fifth film working together I think at this stage you obviously had 28 Days Later and breakfast and Pluto um does it get easier working together or how does
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it different Jee I mean it just seems to get worse every time it does yeah just it's got to be the last time you know I know at least the time before like brex
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and Pluto I was kind of in a very large suit I actually didn't have to look at him very much I know it's been great and hopefully we'll do it again you know
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very soon um so no it was great and actually just working with the whole clatter of them in this film you know conningham and all the rest of them um
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you just kind of felt it's the kind of stuff I want to do that's basically with Jim how was that great uh he's well I'd worked him before very briefly but we didn't have much to
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get on screen and gang's New York and he's he's just superb he's got um you know fantastic comic timing we're just talking about it earlier but it's also
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he's got a kind of a Humanity he just appears and immediately your heart is broken for him for some reason uh he just has he just communicates um such
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Humanity I think people appetize him immedately you have tips from him for the the Irish accent that he was coming up Killian told him that nobody talks like
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that nobody uses those words really do it's quite heightened um but I know it's a beautiful performance he gives in it you
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know and as brenon says you can't help but just adore him even though my character is intensely irritated by him but yet you can see that there's a there's a love there between the two of
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them and that's another great thing about the film like IT addresses that father son that complex relationship to Father and Sons have uh particularly this one where it's being aranged and
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kind of fractured and then they you know he it reconciles and resolves towards the end of the film in in a in a nice
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sad way and just to talk about someone else that was on screen with you a lot the dogs how was that like you have to be an animal lover obviously to deal with them I think you should really ask
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the dogs it's the dogs I felt sorry for they were great they were great they were very good they got knackered at about 3:00 in the morning that was the only problem with them just on to liay
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down and had enough of show Showbiz but um no they were brilliant they were great great Savages yeah and um you yourself you've had right year you've
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had the ammy win obviously and then the nomination for um secret life Cals was that a surprise to you at all or were you very happy with that uh I was very
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surprised about um I was very surprised when I heard the secret of KS um because not because I was surprised because the nature of the work the quality of the
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work is such that uh of course I didn't but I it was one of those I completely lost sight of it I wasn't even thinking about it the next thing I got this text and I was absolutely over the moon about
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that I have to say um and I think it just shows you like it gets such bad press you know and all the rest of it um the Oscars and there so much you know schmalz and rubbish and politics and
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everything that people talk about but actually you know over there there is a real kind of conscientious search for for good stuff and the fact that they found it and that they brought it in
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mean to get in Academy Award a nomination in animation which is so labor intensive so expensive and needs such kind of ambition to make happen uh
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I just thought it was absolutely brilliant achievement I can't really proud of them and really and really proud of the whole the fact that the academy went and saw it and took it and
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brought it over there and showcased it you know so yeah it's been a great year that way and next up is your directorial debut I believe hope so yeah hope so that coming along now it's I'm trying if
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I can lose Killian out of the film I think we might we might have a chance of making it yeah you've got a big cast for that and who else is yeah it is well I mean col and TL and Gabriel burn and a
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whole crowd of people like Damon Mor's and all that we did a table reading about three years ago um it's that long ago now when we're just trying to you know developing the script and there
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were four generations of Irish actors at the table and it was one of the best days I ever spent quite nerve-wracking up to a point but then fantastically enjoyable so uh if we can get that
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actually working on a SAT I'd be I'd be over the moon and Kaden what's next for you uh I have film called Inception it
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comes out in July um so and uh just kind of reading stuff now and seeing what what lies around the corner really can you give us any spoilers about inception
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no I I couldn't possibly no it's worth it'll be worth the wait I think and it'll be worth not really knowing I think uh because it should be should be
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quite special I hope anyway perfect okay that's everything I have for you guys thanks cheers

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이 YouTube 동영상은 배우 킬리언 머피(Cillian Murphy)와 브렌단 글리슨(Brendan Gleeson)이 영화 "Perrier's Bounty"에 대해 인터뷰하는 모습을 담고 있습니다. 이들은 영화에 참여하게 된 계기, 함께 작업하는 과정, 더블린이라는 도시 공간이 영화에 미치는 영향, 그리고 개인적인 경험과 향후 계획에 대해 이야기합니다.

이 영상은 실제 배우들의 자연스러운 대화를 통해 영어 말하기 연습을 하기에 매우 유용합니다. 특히 다음과 같은 점들을 집중적으로 연습할 수 있습니다.

  • 어휘 주제: 영화 제작(스크립트, 캐스팅, 감독, 배우, 연기, 수상 등) 관련 전문 용어 및 일반적인 대화 어휘, 도시 공간 묘사, 감정 표현.
  • 문법 패턴: 과거 경험을 설명하는 다양한 시제, 의견 표현, 미래 계획 논의, 질문과 답변을 통한 자연스러운 대화 구조.
  • 말하기 맥락: 비공식적인 인터뷰 및 동료 간의 편안한 대화 방식, 유머와 진지함을 오가는 어조 변화. 이는 IELTS 스피킹과 같은 시험 환경뿐만 아니라 일상 대화에서의 영어 유창성 향상에도 큰 도움이 됩니다.
  • 주요 어휘 및 표현

    • taken with (something) -

      ~에 매료되다, ~에 마음이 끌리다. (예: "I was very taken with it." - 저는 그것에 완전히 매료되었어요.)

    • jump out (at you) -

      (생각이나 글 등이) 눈에 띄다, 확 와닿다. (예: "the words of the page, you know, they just jump out." - 페이지의 글들이 그냥 확 와닿았어요.)

    • a kind of a blast -

      아주 즐거운 경험, 신나는 일. (예: "the character was kind of a blast." - 그 캐릭터는 정말 재미있었어요.)

    • over the moon -

      몹시 기뻐하다, 세상을 다 얻은 듯 행복해하다. (예: "I was absolutely over the moon about that." - 저는 그것에 대해 정말 기뻤어요.)

    • labor intensive -

      노동 집약적인. (예: "animation which is so labor intensive." - 너무나 노동 집약적인 애니메이션인데도.)

    • directorial debut -

      감독 데뷔작. (예: "next up is your directorial debut." - 다음은 당신의 감독 데뷔작이군요.)

    • knackered -

      (구어체, 영국식) 몹시 지친, 녹초가 된. (예: "they got knackered at about 3 o'clock in the morning." - 새벽 3시쯤에는 완전히 지쳤어요.)

    이 동영상 연습 팁

    이 동영상을 활용한 쉐도잉 기법발음 연습영어 유창성을 높이는 데 매우 효과적입니다. 다음 조언들을 참고하여 학습 효과를 극대화해 보세요.

    1. 말하기 속도 및 리듬

    인터뷰어와 배우들은 자연스럽고 편안한 대화 속도로 이야기합니다. 이들의 속도와 리듬을 그대로 따라 해 보세요. 너무 서두르지 말고, 각 단어와 문장이 끝나는 지점의 자연스러운 호흡과 멈춤을 모방하는 데 집중하면, 실제 대화에서의 유창성을 키울 수 있습니다.

    2. 억양 및 발음

    킬리언 머피와 브렌단 글리슨은 아일랜드 억양을 가지고 있습니다. 이들의 독특한 억양은 새로운 발음 연습의 기회가 될 수 있습니다. 특정 단어나 문장의 강세, 어조 변화(예: 질문 시 상승하는 억양, 특정 내용 강조 시 하강하는 억양)에 주의를 기울여 보세요. 모든 발음을 완벽하게 모방하기보다는, 이들의 자연스러운 말하기 흐름과 감정을 담아내는 것에 초점을 맞추는 것이 중요합니다.

    3. 주제 난이도 및 활용

    영화 관련 주제는 다소 전문적일 수 있지만, 대화는 비교적 일상적이고 개인적인 경험을 기반으로 합니다. 이는 IELTS 스피킹 시험의 파트 2(경험 이야기)나 파트 3(추상적인 주제 논의)를 연습하는 데 활용될 수 있습니다. 특히 자신의 의견을 제시하고 그 이유를 설명하는 방식에 주목하여 연습하면 좋습니다. 특정 문장을 외우기보다는, 그 문맥에서 어떤 어휘와 표현이 사용되었는지 이해하고 자신의 말로 재구성하는 영어 말하기 연습을 해보세요.

    쉐도잉이란? 영어 실력을 빠르게 키우는 과학적 방법

    쉐도잉(Shadowing)은 원래 전문 통역사 훈련을 위해 개발된 언어 학습 기법으로, 다언어 학자인 Dr. Alexander Arguelles에 의해 대중화된 방법입니다. 핵심 원리는 간단하지만 매우 강력합니다: 원어민의 영어를 들으면서 1~2초의 짧은 지연으로 즉시 소리 내어 따라 말하는 것——마치 '그림자(shadow)'처럼 화자를 따라가는 것입니다. 문법 공부나 수동적인 청취와 달리, 쉐도잉은 뇌와 입 근육이 동시에 실시간으로 영어를 처리하고 재현하도록 훈련합니다. 연구에 따르면 이 방법은 발음 정확도, 억양, 리듬, 연음, 청취력, 말하기 유창성을 크게 향상시킵니다. IELTS 스피킹 준비와 자연스러운 영어 소통을 원하는 분들에게 특히 효과적입니다.

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