跟读练习: Cillian Murphy & Brendan Gleeson - Irish interview for Perrier's Bounty - 通过YouTube学习英语口语
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by asking what was it that attracted you to this movie per ofie um well uh it was it was the script
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46 句
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by asking what was it that attracted you to this movie per ofie um well uh it was it was the script
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really it was the the the the words on the page you know uh I'd made a film that Mark Maro wrote called intermission a few years ago and uh you know I love
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his writing and so he talked to me about this back then and then the script arrived and I was very taken with it you know it was sort of dark and funny and
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weird and and um but I knew that you know he that Ian would be able to get a brilliant cast together so and it came together really really quickly in the
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end and yourself yeah same as that the words of the page you know they just jump out and I liked his work anyway I mean I hadn't worked with you know on on
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any of the macro stuff but it uh you know you just you just know when stuff is well constructed and well put together so yeah it was fun the
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character was kind of a blast so I said I wanted to get in touch with my psycho self again and uh so that yeah I didn't know how the time scale was going to worry
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out that work out that was the only problem and they worked out really well and just because you mentioned intermission there obviously there's been a lot of films recently in in Ireland that have concentrated in duin
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and the urban space that is is duin um kisses for example and intermission and films like that what is it that you think that makes duin work as a kind of urban space on
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film well uh I think you know you know it's the the movement has been um for cities to get bigger and bigger and bigger so like Millions upon
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Millions upon millions of people are living in cities and so therefore you're talking it is the universal language before I think even you know the rural the rural was what might have been
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called the ordinary I think now Suburbia is the norm and it's something that's been happening in film and in plays I remember doing with the passion machine like Paul Mercer and Rod doy and people
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like that he was concentrating on the Suburban reality that was neither the you know cosm City Center or out in the
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mushy luscious green kind of you know Hills of wherever uh so I think I think it's not just um Dublin in fact a lot of
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this movie was shot in London um but I think that sort of area that's that's just in where most people actually lives and then you go down the back
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Lanes where not everybody chooses to go at night H and you have a very interesting kind of a uh gloomy slightly dangerous place and this is your fourth
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or fifth film working together I think at this stage you obviously had 28 Days Later and breakfast and Pluto um does it get easier working together or how does
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it different Jee I mean it just seems to get worse every time it does yeah just it's got to be the last time you know I know at least the time before like brex
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and Pluto I was kind of in a very large suit I actually didn't have to look at him very much I know it's been great and hopefully we'll do it again you know
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very soon um so no it was great and actually just working with the whole clatter of them in this film you know conningham and all the rest of them um
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you just kind of felt it's the kind of stuff I want to do that's basically with Jim how was that great uh he's well I'd worked him before very briefly but we didn't have much to
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get on screen and gang's New York and he's he's just superb he's got um you know fantastic comic timing we're just talking about it earlier but it's also
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he's got a kind of a Humanity he just appears and immediately your heart is broken for him for some reason uh he just has he just communicates um such
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Humanity I think people appetize him immedately you have tips from him for the the Irish accent that he was coming up Killian told him that nobody talks like
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that nobody uses those words really do it's quite heightened um but I know it's a beautiful performance he gives in it you
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know and as brenon says you can't help but just adore him even though my character is intensely irritated by him but yet you can see that there's a there's a love there between the two of
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them and that's another great thing about the film like IT addresses that father son that complex relationship to Father and Sons have uh particularly this one where it's being aranged and
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kind of fractured and then they you know he it reconciles and resolves towards the end of the film in in a in a nice
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sad way and just to talk about someone else that was on screen with you a lot the dogs how was that like you have to be an animal lover obviously to deal with them I think you should really ask
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the dogs it's the dogs I felt sorry for they were great they were great they were very good they got knackered at about 3:00 in the morning that was the only problem with them just on to liay
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down and had enough of show Showbiz but um no they were brilliant they were great great Savages yeah and um you yourself you've had right year you've
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had the ammy win obviously and then the nomination for um secret life Cals was that a surprise to you at all or were you very happy with that uh I was very
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surprised about um I was very surprised when I heard the secret of KS um because not because I was surprised because the nature of the work the quality of the
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work is such that uh of course I didn't but I it was one of those I completely lost sight of it I wasn't even thinking about it the next thing I got this text and I was absolutely over the moon about
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that I have to say um and I think it just shows you like it gets such bad press you know and all the rest of it um the Oscars and there so much you know schmalz and rubbish and politics and
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everything that people talk about but actually you know over there there is a real kind of conscientious search for for good stuff and the fact that they found it and that they brought it in
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mean to get in Academy Award a nomination in animation which is so labor intensive so expensive and needs such kind of ambition to make happen uh
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I just thought it was absolutely brilliant achievement I can't really proud of them and really and really proud of the whole the fact that the academy went and saw it and took it and
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brought it over there and showcased it you know so yeah it's been a great year that way and next up is your directorial debut I believe hope so yeah hope so that coming along now it's I'm trying if
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I can lose Killian out of the film I think we might we might have a chance of making it yeah you've got a big cast for that and who else is yeah it is well I mean col and TL and Gabriel burn and a
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whole crowd of people like Damon Mor's and all that we did a table reading about three years ago um it's that long ago now when we're just trying to you know developing the script and there
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were four generations of Irish actors at the table and it was one of the best days I ever spent quite nerve-wracking up to a point but then fantastically enjoyable so uh if we can get that
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actually working on a SAT I'd be I'd be over the moon and Kaden what's next for you uh I have film called Inception it
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comes out in July um so and uh just kind of reading stuff now and seeing what what lies around the corner really can you give us any spoilers about inception
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no I I couldn't possibly no it's worth it'll be worth the wait I think and it'll be worth not really knowing I think uh because it should be should be
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quite special I hope anyway perfect okay that's everything I have for you guys thanks cheers
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关于本课
本次课程将以"Cillian Murphy & Brendan Gleeson - Irish interview for Perrier's Bounty"视频为基础，帮助学习者提升英语口语能力。在视频中，两位演员讨论了他们对电影剧本的看法以及在角色中所面临的挑战。通过这一学习材料，学生们将练习与电影相关的词汇、表达和幽默的语气，同时还可以探讨人际关系的复杂性。课程重点将包括谈论角色、剧本的吸引力以及日常的生活场景，从而提升英语流利度和口语表达能力。
重要词汇和短语
- Attracted to - 吸引，指的是对某事物感兴趣或被其吸引。
- Jump out - 脱离，通常指某事物在视觉或感情上给人强烈的印象。
- Dark and funny - 既阴暗又搞笑，描述一种不寻常的幽默风格，常见于电影剧本。
- Humanity - 人性，指的是人与人之间的情感和联系。
- Reconcile - 调解，指解决争端或达成和解的过程。
- Directorial debut - 导演首演，指某人首次执导电影或剧作。
本视频练习技巧
在观看视频时，建议学习者注意以下几点提升跟读技巧：首先，保持适中的语速，尽量模仿发音和语调。在练习时，可以选择慢速播放，帮助自己的理解和发音。其次，Cillian Murphy和Brendan Gleeson的口音呈现出独特的爱尔兰特色，推荐反复聆听他们的对话，练习相关的爱尔兰口音和表达方式。最后，讨论视频内容时，鼓励用自己的话复述视频中的关键信息和角色关系，培养思维和口语能力，提升雅思口语水平。
什么是跟读法？
跟读法 (Shadowing) 是一种有科学依据的语言学习技巧，最初开发用于专业口译员的培训，并由多语言者Alexander Arguelles博士普及。这个方法简单而强大：您在听英语母语原声的同时立即大声重复——就像是一个延迟1-2秒紧跟说话者的影子。与被动听力或语法练习不同，跟读法强迫您的大脑和口腔肌肉同时处理并模仿真实的讲话模式。研究表明它能显着提高发音准确性，语调，节奏，连读，听力理解和口语流利度——使其成为雅思口语备考和真实英语交流最有效的方法之一。
如何在ShadowingEnglish上有效练习
- 选择您的视频： 挑选一段语音清晰、自然的YouTube视频。TED演讲，BBC新闻，电影片段，播客或雅思口语范例都很好。将URL粘贴到搜索栏中。从较短的视频（短于5分钟）以及您真正感兴趣的内容开始——兴趣是最重要的导师。
- 先听，理解上下文： 第一次听的时候，将速度保持在1倍速并仅仅倾听。还不要尝试重复。专注于理解其含义，收集新词汇，并注意讲话人如何强调单词，连读声音及使用停顿。
- 设置跟读模式：
- 等待模式：选择
+3s或+5s——在每句话播放完毕后，视频会自动暂停以便您有时间大声重复它。如果您想完全控制并在每次重复后由您自己点击下一步，请选择手动。 - 字幕同步：YouTube字幕有时会在音频前或后略微出现。使用
±100ms使它们完美对齐以助您准确跟读。
- 等待模式：选择
- 大声跟读（核心练习）： 这是真正发生改变的一步。当一个句子播放出来立刻——或在暂停期间——大声、清晰且自信地重复出来。千万不要只是张张嘴：要模仿说话者的准确节奏、重音、音高和连读。力求听上去就像说话者的影子，而不仅是逐字背诵。使用重复功能多次练习同一个句子，直到感觉自然为止。
- 提高难度： 当练习段落变得相对舒适后，就去挑战自我。将速度增加至 <code>1.25x</code> 或甚至 <code>1.5x</code> 以训练高速语言反射。或者将等待模式调整为 <code>关闭</code> 以进行连续跟读——这是最进阶同样收益最大的模式。持续的每日15–30分钟的练习将可以在几周内产生可见的效果。