Shadowing Practice: Friends Komik Sahneler Türkçe Altyazılı - Learn English Speaking with Video

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283 sentences
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1
Hello?
2
Joey, it's Ross.
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I need some help.
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Uh, Chandler's not here.
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Well, you can help me.
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Okay.
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Listen, I'm in Elizabeth's bathroom.
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Nice.
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No, I-I got really hot in my leather pants, so I took them off, but they must have shrunk from the.. the sweat or something,
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or-or my legs expanded from the heat.
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I can't get them back on, Joey.
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I can't.
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Oh.
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That is quite a situation.
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Uh, do you see any, like, powder?
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Powder, yeah.
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Yeah, I have powder.
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Good, good, okay.
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Sprinkle some of that on your legs.
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It'll absorb some of the moisture, and then you can get your pants back on.
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Yeah, hold on.
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They're not coming on, man.
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Um, you see any, uh, oh, Vaseline.
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Oh, I...
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I see lotion.
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I have lotion.
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Will that work?
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Yeah, sure.
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Throw some of that on there.
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Hold on.
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Ross, you okay?
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They're still not coming on, man, and the lotion and the powder have made a paste.
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Really?
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Uh, what color is it?
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What difference does that make?
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Well, I'm just, if the paste matches the pants, you can make yourself a pair of paste pants and she won't have the difference!
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Stop!
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I'm sorry, I'm sorry.
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You just barge in here.
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You don't knock.
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You have no respect for anybody's privacy.
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Wait, wait, wait.
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No, you wait.
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This is ridiculous.
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Can I just say one thing?
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What?
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What?
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That's a relatively open weave, and I can still see your...
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nipular area.
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Oh!
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Hi. Can I help you?
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Uh, yeah, uh, Joey said I could use your shower since, uh, Chandler's in Oz.
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Okay.
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Who are you?
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Oh, uh, I'm Ronnie.
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Ronnie Rappalano?
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Uh-huh.
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The mistress?
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Um, come on in.
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Oh, thanks.
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Hi, I'm Rachel.
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Hi.
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Bathroom's up there.
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Great.
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Hey, listen, Ronnie, how long would you say Chandler's been a shower?
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Oh, like, uh, five minutes?
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Perfect.
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Okay.
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Fashion your seatbelts?
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It's pee-pee time.
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Hey, Mr. Tribb.
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Hey.
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Good morning, dear.
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Chandler Bing, it's time to see your thing.
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Ah!
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What the matter with you you were supposed to be in there
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so i could see your thing sorry my my thing was in there with me Hey, Joey.
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What's going on?
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Clear the tracks for the Booby Payback Express.
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Next stop, Rachel Green.
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There.
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Ah!
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Joey, what the hell were you doing?
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Sorry, wrong booby.
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Yeah.
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Hello, Joey.
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Huh.
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Hello, dear.
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Okay, buddy boy, here it is.
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You hide my clothes, I'm wearing everything you want.
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Oh, my God!
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That is so not the opposite of taking somebody's underwear.
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Look at me.
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I'm Chandler.
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Could I be wearing any more clothes?
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Maybe if I wasn't going commando.
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Yeah.
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I'll tell you, it's hot with all this stuff on.
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I better not do any, I don't know, lunges.
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Okay, okay, enough, enough for the luncheon.
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No, I'm sick of this, okay?
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I've had enough to hear with you two.
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Neither of you can come to the party.
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Jeez, what a baby.
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All right, sweetheart.
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This is only because I love you so much, and I know that you're not gonna tell anybody.
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I like big butts and I cannot lie.
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You other brothers can't deny.
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When a girl walks in with an itty bitty waist and a round thing in your face.
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Yes, yes, yes, yes.
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I like big butts and I cannot lie.
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You, Brother Brother, can't see it now.
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Oh, Emma, you're laughing.
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Oh, you are.
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You really do like big butts, don't you?
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Oh, you beautiful little weirdo.
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Oh, you missed it.
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She was laughing.
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Oh, it was amazing.
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It was amazing.
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It was the most beautiful, beautiful sound.
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Oh, I know, isn't it?
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Oh, what'd you do to get her to laugh?
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Oh, you know, I just...
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A couple of things I tried, different.
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Just sang a little Itsy Bitsy Spider.
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Eh.
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You sang Baby Got Back, didn't you?
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Nothing else works.
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That girl is all about the ass.
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Look, you have to help me, okay?
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I mean, I know what to do with a woman.
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You know, I know where everything goes.
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It's always nice.
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But I need to know what makes it go from nice to...
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My God, somebody's killing her in there.
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All right, I'm gonna show you something a lot of guys don't know.
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Ready to hand me that pad, please?
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All right.
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Now...
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Well, you don't have to draw an actual...
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Whoa, she's hot.
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Now, everybody knows the basic erogenous zones you got one two three
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four five six and seven there are seven let me see that oh yeah
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that's one kind of an important one oh you know you know what i was looking at it upside down Ah,
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well, you know, sometimes that helps.
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Okay, now, most guys will hit, uh, one, two, three, and then go to seven and set up camp.
148
That's bad?
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Well, if you go to Disneyland, you don't spend the whole day on the Matterhorn.
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Well, you might for anything like seven.
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All right, uh, the important thing is to take your time.
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You want to hit them all and you want to mix them up.
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You got to keep them on their toes.
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Oh, toes!
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Yeah, for some people.
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All right.
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You could, uh, start out with a little one.
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A two.
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A one, two, three.
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A three.
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A five.
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A four.
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A three, two.
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Two.
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A two, four, six.
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Two, four, six.
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Four.
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Two.
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Two.
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Four, seven.
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Five, seven.
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Six, seven.
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Seven.
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Seven.
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Seven, seven, seven, seven, seven, seven, seven!
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Ah! About to die.
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Warden, in five minutes, my pain will be over.
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But you'll have to live with the knowledge that you sent an honest man to die.
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Hey, that was really good.
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Yeah?
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Thanks.
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Let's keep going.
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Okay.
184
So, what do you want from me, Damone?
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Huh?
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I just want to go back to my cell.
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Because in my cell, I can smoke.
188
Smoke away.
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I think this is probably why Damone smokes in his cell alone.
190
What?
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Relax your hand.
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Let your wrist go.
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Not so much.
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Oh, hey, hey.
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All right, now try taking a puff.
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Right.
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Dave?
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Okay, no, give it to me.
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No, no, no, I'm not giving you a cigarette.
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It's fine, it's fine.
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Look, do you want to get this part or not?
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Here.
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All right, now, don't think of it as a cigarette.
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Think of it as the thing that has been missing from your hand.
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When you're holding it, you feel right.
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You feel complete.
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You miss it?
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No, not so much.
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All right, now we smoke.
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Oh my god.
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I'm sorry.
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Keep the change.
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Thanks, Lizzie.
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You sure you don't want a pretzel?
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No, I'm fine.
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Thanks.
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See ya.
218
Huh.
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A thumb?
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Ew.
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I know.
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I know.
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I opened it up, and there it was, just floating in there like this tiny little hitchhiker.
224
Well, maybe it's a contest, you know, like collect all five.
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Does, um, anyone want to see?
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No, no, no. Hey, don't do that.
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It's worse than the thumb.
228
Hey, this is so unfair.
229
Oh, why is it?
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Because, is it?
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So I have a flaw.
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Big deal.
233
Like Joey's constant knuckle cracking isn't annoying
234
and Ross with his over-pronouncing every single word and Monica with that snort when she laughs?
235
I mean, what the hell is that thing?
236
I accept all those flaws.
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Why can't you accept me for this?
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Does the knuckle cracking bother everybody?
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Well, I could live without it.
240
Huh.
241
Was it, like, a little annoying, or is it like when Phoebe chews her hair?
242
Oh, now, don't listen to him, Phoebes, all right?
243
I think it's endearing.
244
Oh, you do, do you?
245
You know, there's nothing wrong with speaking correctly.
246
Indeed, there isn't.
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I should really get back to work.
248
Yeah, otherwise someone might get what they actually ordered.
249
Wow.
250
Oh, the hair comes up and the gloves come off.
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Well, it started with this guy right here.
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It started with me.
253
Now, wedding rings and playing at bachelor parties, don't you have to decide who your best man's gonna be?
254
Oh, it's awkward.
255
It's awkward, it's awkward.
256
I sort of already asked Chandler.
257
What?
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He got to do it at your first wedding.
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Joey, I figured you'd understand.
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I mean, I've known him a lot longer.
261
Come on, Ross.
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Look, I don't have any brothers.
263
I'm never gonna get to be a best man.
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You can be the best man when I get married.
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I'm never gonna get to be a best man!
266
Wait, wait.
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So you get to be my best man twice, and I don't get to be yours at all?
268
Oh, no, no. You...
269
Yeah, of course you can be my best man.
270
What about me?
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You said I could.
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I'm not even getting married!
273
Okay, this is a question for science fiction writers.
274
I can't believe you're not picking me.
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Hey, how could it not be me?
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I'm not even...
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I don't even...
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All right, you know what?
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That's it.
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From now on, Joey, I want you to be my best man.
281
Yes!
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Shame about you, though.
283
Thank you.

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Listen For These Connected Sounds

Native speakers often link words, and this video is full of examples. Notice how "I can't get them back on" becomes "I can’t get ‘em back on" (reducing "them" to "‘em"). Also, "hold on" sounds more like "hol’ on" (dropping the "d" sound). These small changes make speech flow—listen closely to mimic them. You’ll also hear "what difference does that make?" with a relaxed "wha’ difference" (shortening "what"). Catching these links will boost your listening and speaking fluency.

Say It Like a Native: Rhythm and Stress

To sound natural, focus on stress and rhythm. In "I need some help," stress "need" and "help" to show urgency. When Joey jokes, "you can make yourself a pair of paste pants," he stresses "paste" for comedic effect—this is how native speakers emphasize humor. Try the shadowing technique: play a line, pause, and repeat it immediately, matching the speed and tone. Use a shadowing site to practice, or just loop the video. Over time, you’ll nail the "shadowspeak"—that smooth, natural way of talking that makes you sound like a pro. Don’t worry if it feels tricky at first—even Ross struggled with his pants, and look how he (sort of) fixed it! Keep practicing, and you’ll see progress in no time.

What is the Shadowing Technique?

Shadowing is a science-backed language learning technique originally developed for professional interpreter training and popularized by polyglot Dr. Alexander Arguelles. The method is simple but powerful: you listen to native English audio and immediately repeat it out loud — like a shadow following the speaker with just a 1–2 second delay. Unlike passive listening or grammar drills, shadowing forces your brain and mouth muscles to simultaneously process and reproduce real speech patterns. Research shows it significantly improves pronunciation accuracy, intonation, rhythm, connected speech, listening comprehension, and speaking fluency — making it one of the most effective methods for IELTS Speaking preparation and real-world English communication.

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