Pratica di Shadowing: Friends Komik Sahneler Türkçe Altyazılı - Impara a parlare inglese con i video
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283 frasi
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1
Hello?
2
Joey, it's Ross.
3
I need some help.
4
Uh, Chandler's not here.
5
Well, you can help me.
6
Okay.
7
Listen, I'm in Elizabeth's bathroom.
8
Nice.
9
No, I-I got really hot in my leather pants, so I took them off, but they must have shrunk from the.. the sweat or something,
10
or-or my legs expanded from the heat.
11
I can't get them back on, Joey.
12
I can't.
13
Oh.
14
That is quite a situation.
15
Uh, do you see any, like, powder?
16
Powder, yeah.
17
Yeah, I have powder.
18
Good, good, okay.
19
Sprinkle some of that on your legs.
20
It'll absorb some of the moisture, and then you can get your pants back on.
21
Yeah, hold on.
22
They're not coming on, man.
23
Um, you see any, uh, oh, Vaseline.
24
Oh, I...
25
I see lotion.
26
I have lotion.
27
Will that work?
28
Yeah, sure.
29
Throw some of that on there.
30
Hold on.
31
Ross, you okay?
32
They're still not coming on, man, and the lotion and the powder have made a paste.
33
Really?
34
Uh, what color is it?
35
What difference does that make?
36
Well, I'm just, if the paste matches the pants, you can make yourself a pair of paste pants and she won't have the difference!
37
Stop!
38
I'm sorry, I'm sorry.
39
You just barge in here.
40
You don't knock.
41
You have no respect for anybody's privacy.
42
Wait, wait, wait.
43
No, you wait.
44
This is ridiculous.
45
Can I just say one thing?
46
What?
47
What?
48
That's a relatively open weave, and I can still see your...
49
nipular area.
50
Oh!
51
Hi. Can I help you?
52
Uh, yeah, uh, Joey said I could use your shower since, uh, Chandler's in Oz.
53
Okay.
54
Who are you?
55
Oh, uh, I'm Ronnie.
56
Ronnie Rappalano?
57
Uh-huh.
58
The mistress?
59
Um, come on in.
60
Oh, thanks.
61
Hi, I'm Rachel.
62
Hi.
63
Bathroom's up there.
64
Great.
65
Hey, listen, Ronnie, how long would you say Chandler's been a shower?
66
Oh, like, uh, five minutes?
67
Perfect.
68
Okay.
69
Fashion your seatbelts?
70
It's pee-pee time.
71
Hey, Mr. Tribb.
72
Hey.
73
Good morning, dear.
74
Chandler Bing, it's time to see your thing.
75
Ah!
76
What the matter with you you were supposed to be in there
77
so i could see your thing sorry my my thing was in there with me Hey, Joey.
78
What's going on?
79
Clear the tracks for the Booby Payback Express.
80
Next stop, Rachel Green.
81
There.
82
Ah!
83
Joey, what the hell were you doing?
84
Sorry, wrong booby.
85
Yeah.
86
Hello, Joey.
87
Huh.
88
Hello, dear.
89
Okay, buddy boy, here it is.
90
You hide my clothes, I'm wearing everything you want.
91
Oh, my God!
92
That is so not the opposite of taking somebody's underwear.
93
Look at me.
94
I'm Chandler.
95
Could I be wearing any more clothes?
96
Maybe if I wasn't going commando.
97
Yeah.
98
I'll tell you, it's hot with all this stuff on.
99
I better not do any, I don't know, lunges.
100
Okay, okay, enough, enough for the luncheon.
101
No, I'm sick of this, okay?
102
I've had enough to hear with you two.
103
Neither of you can come to the party.
104
Jeez, what a baby.
105
All right, sweetheart.
106
This is only because I love you so much, and I know that you're not gonna tell anybody.
107
I like big butts and I cannot lie.
108
You other brothers can't deny.
109
When a girl walks in with an itty bitty waist and a round thing in your face.
110
Yes, yes, yes, yes.
111
I like big butts and I cannot lie.
112
You, Brother Brother, can't see it now.
113
Oh, Emma, you're laughing.
114
Oh, you are.
115
You really do like big butts, don't you?
116
Oh, you beautiful little weirdo.
117
Oh, you missed it.
118
She was laughing.
119
Oh, it was amazing.
120
It was amazing.
121
It was the most beautiful, beautiful sound.
122
Oh, I know, isn't it?
123
Oh, what'd you do to get her to laugh?
124
Oh, you know, I just...
125
A couple of things I tried, different.
126
Just sang a little Itsy Bitsy Spider.
127
Eh.
128
You sang Baby Got Back, didn't you?
129
Nothing else works.
130
That girl is all about the ass.
131
Look, you have to help me, okay?
132
I mean, I know what to do with a woman.
133
You know, I know where everything goes.
134
It's always nice.
135
But I need to know what makes it go from nice to...
136
My God, somebody's killing her in there.
137
All right, I'm gonna show you something a lot of guys don't know.
138
Ready to hand me that pad, please?
139
All right.
140
Now...
141
Well, you don't have to draw an actual...
142
Whoa, she's hot.
143
Now, everybody knows the basic erogenous zones you got one two three
144
four five six and seven there are seven let me see that oh yeah
145
that's one kind of an important one oh you know you know what i was looking at it upside down Ah,
146
well, you know, sometimes that helps.
147
Okay, now, most guys will hit, uh, one, two, three, and then go to seven and set up camp.
148
That's bad?
149
Well, if you go to Disneyland, you don't spend the whole day on the Matterhorn.
150
Well, you might for anything like seven.
151
All right, uh, the important thing is to take your time.
152
You want to hit them all and you want to mix them up.
153
You got to keep them on their toes.
154
Oh, toes!
155
Yeah, for some people.
156
All right.
157
You could, uh, start out with a little one.
158
A two.
159
A one, two, three.
160
A three.
161
A five.
162
A four.
163
A three, two.
164
Two.
165
A two, four, six.
166
Two, four, six.
167
Four.
168
Two.
169
Two.
170
Four, seven.
171
Five, seven.
172
Six, seven.
173
Seven.
174
Seven.
175
Seven, seven, seven, seven, seven, seven, seven!
176
Ah! About to die.
177
Warden, in five minutes, my pain will be over.
178
But you'll have to live with the knowledge that you sent an honest man to die.
179
Hey, that was really good.
180
Yeah?
181
Thanks.
182
Let's keep going.
183
Okay.
184
So, what do you want from me, Damone?
185
Huh?
186
I just want to go back to my cell.
187
Because in my cell, I can smoke.
188
Smoke away.
189
I think this is probably why Damone smokes in his cell alone.
190
What?
191
Relax your hand.
192
Let your wrist go.
193
Not so much.
194
Oh, hey, hey.
195
All right, now try taking a puff.
196
Right.
197
Dave?
198
Okay, no, give it to me.
199
No, no, no, I'm not giving you a cigarette.
200
It's fine, it's fine.
201
Look, do you want to get this part or not?
202
Here.
203
All right, now, don't think of it as a cigarette.
204
Think of it as the thing that has been missing from your hand.
205
When you're holding it, you feel right.
206
You feel complete.
207
You miss it?
208
No, not so much.
209
All right, now we smoke.
210
Oh my god.
211
I'm sorry.
212
Keep the change.
213
Thanks, Lizzie.
214
You sure you don't want a pretzel?
215
No, I'm fine.
216
Thanks.
217
See ya.
218
Huh.
219
A thumb?
220
Ew.
221
I know.
222
I know.
223
I opened it up, and there it was, just floating in there like this tiny little hitchhiker.
224
Well, maybe it's a contest, you know, like collect all five.
225
Does, um, anyone want to see?
226
No, no, no. Hey, don't do that.
227
It's worse than the thumb.
228
Hey, this is so unfair.
229
Oh, why is it?
230
Because, is it?
231
So I have a flaw.
232
Big deal.
233
Like Joey's constant knuckle cracking isn't annoying
234
and Ross with his over-pronouncing every single word and Monica with that snort when she laughs?
235
I mean, what the hell is that thing?
236
I accept all those flaws.
237
Why can't you accept me for this?
238
Does the knuckle cracking bother everybody?
239
Well, I could live without it.
240
Huh.
241
Was it, like, a little annoying, or is it like when Phoebe chews her hair?
242
Oh, now, don't listen to him, Phoebes, all right?
243
I think it's endearing.
244
Oh, you do, do you?
245
You know, there's nothing wrong with speaking correctly.
246
Indeed, there isn't.
247
I should really get back to work.
248
Yeah, otherwise someone might get what they actually ordered.
249
Wow.
250
Oh, the hair comes up and the gloves come off.
251
Well, it started with this guy right here.
252
It started with me.
253
Now, wedding rings and playing at bachelor parties, don't you have to decide who your best man's gonna be?
254
Oh, it's awkward.
255
It's awkward, it's awkward.
256
I sort of already asked Chandler.
257
What?
258
He got to do it at your first wedding.
259
Joey, I figured you'd understand.
260
I mean, I've known him a lot longer.
261
Come on, Ross.
262
Look, I don't have any brothers.
263
I'm never gonna get to be a best man.
264
You can be the best man when I get married.
265
I'm never gonna get to be a best man!
266
Wait, wait.
267
So you get to be my best man twice, and I don't get to be yours at all?
268
Oh, no, no. You...
269
Yeah, of course you can be my best man.
270
What about me?
271
You said I could.
272
I'm not even getting married!
273
Okay, this is a question for science fiction writers.
274
I can't believe you're not picking me.
275
Hey, how could it not be me?
276
I'm not even...
277
I don't even...
278
All right, you know what?
279
That's it.
280
From now on, Joey, I want you to be my best man.
281
Yes!
282
Shame about you, though.
283
Thank you.
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Lo scenario: una situazione comica, ma reale
Il dialogo del video rappresenta una situazione quotidiana, sebbene buffa: un amico si trova in una difficoltà imprevista e chiede aiuto a un compagno. Questi contesti reali sono perfetti per la pratica di conversazione in inglese, perché insegnano a usare il linguaggio in contesti naturali, con espressioni colloquiali e reazioni spontanee. La chiave è capire non solo le parole, ma anche il tono e le intenzioni, elementi cruciali per comunicare efficacemente.
Frasi e collocazioni utili da memorizzare
- "I need some help": Una richiesta semplice ma essenziale, usata in ogni situazione di bisogno. Memorizzarla aiuta a rompere il ghiaccio in conversazioni reali.
- "That is quite a situation": Espressione per descrivere una situazione complicata o imbarazzante, molto più naturale di "questa è una situazione".
- "absorb some of the moisture": Collocazione tecnica ma utile, mostra come combinare verbi e sostantivi in contesti pratici (es. con prodotti per la pelle).
- "What difference does that make?": Domanda per sfidare un commento inutile, perfetta per le discussioni informali.
- "no respect for anybody's privacy": Frase per esprimere irritazione per l'intrusione, con una struttura grammaticale semplice ma efficace.
Queste frasi non sono solo utili, ma anche rappresentative del linguaggio colloquiale, fondamentale per migliorare la pronuncia inglese e la fluidità.
La tua sfida: shadowing per la pronuncia e la fluidità
Per mettere in pratica quanto appreso, prova il shadowing in inglese, una tecnica che consiste nel ripetere immediatamente le frasi del video, imitando il tono, la velocità e la pronuncia. Ecco come fare: 1. Riproduci una frase del dialogo. 2. Pausa e ripetila subito, cercando di seguire ogni dettaglio (es. l'accento su "situation" o la velocità di "they're not coming on"). 3. Ripeti per 5-10 volte finché non senti che la frase scorre naturalmente. Questo esercizio, chiamato anche shadow speech o shadowspeak, aiuta a rafforzare la memoria muscolare per la lingua inglese e a migliorare la pronuncia in modo concreto. Non sottovalutare l'importanza del tono: in questo dialogo, il sarcasmo di Joey e l'imbarazzo di Ross sono trasmesse anche attraverso la voce, e imitarli ti renderà più capace di comunicare emozioni in inglese.
Con questa pratica regolare, la pratica di conversazione in inglese diventerà più semplice, e tu potrai affrontare situazioni reali con più sicurezza.
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.