Prática de Shadowing: 2 South for the Winter - Aprenda a falar inglês com vídeo

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225 frases
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1
South for the Winter I never stay in one country for a long time.
2
It gets boring.
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I like to move on, see new places, meet different people.
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It's a good life, most of the time.
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When I need money, I get a job.
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I can do most things.
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Hotel and restaurant work, building work, picking fruit.
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In Europe, you can pick fruit most of the year.
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You need to be in the right country at the right time, of course.
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It's not easy work, but the money's not bad.
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I like to go south in the winter.
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Life is easier in the sun, and northern Europe can get very cold in the winter.
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Last year, 1989 it was, I was in Venice for October.
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I did some work in a hotel for three weeks, then I began slowly to move south.
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I always go by train when I can.
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I like trains.
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You can walk about on a train, and you meet a lot of people.
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I left Venice and went on to Trieste.
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There, I got a cheap ticket for the slow train to Sofia, in Bulgaria.
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This train goes all down through Yugoslavia and takes a long time, a day and a half, but that didn't matter to me.
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The train left Trieste at nine o'clock on a Thursday morning.
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There weren't many people on it at first, but at Zagreb more people got on.
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Two girls went along the corridor, past my carriage.
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They looked through the door, but they didn't come in.
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Then an old woman came in, sat down and went to sleep.
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The two girls came back along the corridor and looked into the carriage again.
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The train left Zagreb, and I looked out of the window for about ten minutes, then I went to sleep too.
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When I opened my eyes again, the two girls were in the carriage.
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They looked friendly, so I said, Hello.
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Hi, they said.
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You're American, I said.
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Or Canadian, right?
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American, the taller girl said.
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She smiled. And you're twenty-three?
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Your name's Tom Walsh.
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You've got blue eyes.
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And your mum lives in Burnham-on-Sea, UK, right?
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How did you know all that?
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I asked.
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The second girl laughed.
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She looked at your passport.
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It's in your coat pocket.
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Oh, right.
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My coat was on the seat next to me.
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I took my passport out of my pocket and put it back in my bag. Who are you then?
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I asked.
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They told me.
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Melanie and Carol from Los Angeles, USA.
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They liked Europe, they said.
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They knew a lot of places.
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Britain, Holland, Denmark, Germany, France,
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Spain, Italy, Yugoslavia, Bulgaria, Greece.
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I'm going to Bulgaria now, I said, for about a month.
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Then I'm going south for the winter.
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Cyprus, or perhaps North Africa.
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Oh yes, they said.
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We love Bulgaria.
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Sofia is a great town, wonderful.
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What do you do about money?
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I asked.
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Well, you know, Carol smiled.
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Sometimes we get a little job.
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This and that. But what about you?
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Yeah, come on, Melanie said.
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Tell us about you.
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Tom Walsh with the blue eyes and the mum in Burner Monsi.
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What are you doing with your life, hey? So I told them.
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They were nice girls.
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They were older than me, perhaps twenty-seven or twenty-eight, but I liked them.
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We talked and laughed for hours.
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I told them a lot of stories about my life.
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Some of the stories were true, some weren't.
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But the girls laughed and said I was a great guy.
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I asked them about Bulgaria, because I didn't know the country.
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They knew Sophia well, they said.
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Hey, Carol, Melanie said, we're staying in Bela Palanka for a day or two.
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But let's go over to Sophia this weekend and meet Tom there.
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We can meet him on Saturday night at the Hotel Marmara.
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Yeah, it's a good hotel, Carol told me.
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Cheap, but good.
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What do you think, Tom?
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Great, I said.
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Let's do that.
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The train was very slow.
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We got to Belgrade at six o'clock in the evening, and a lot of people got off.
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There were only me and the girls in the carriage then.
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The guard came and looked at our tickets, and went away again.
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Carol looked at Melanie.
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Hey, Mel, she said, why don't you and Tom go along to the restaurant?
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I'm not hungry, and I want to sleep for an hour.
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Er, food's very expensive on the train, I said.
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I haven't got much money just now.
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I'm going to get a job in Sofia.
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Oh, Tom, Melanie said, why didn't you tell us?
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Look, you're a nice guy, right?
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We're OK for money this week.
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We can buy you a meal?
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Of course we can, Carol said.
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And look, in Sofia, we can take you to the best restaurant in town.
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It's a great place.
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We love it.
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What could I say?
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I was hungry.
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They had money.
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I didn't.
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So Melanie and I went to the restaurant and had a meal.
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When we came back, Carol was still alone in the carriage.
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Melanie put her feet on the seat and went to sleep.
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At Nys, some more people got on the train, and two old men came into our carriage.
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They looked at Melanie's feet on the seat and talked in loud voices.
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Carol laughed, and Melanie opened her eyes and sat up.
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"'Are we nearly there?' she asked Carol, and looked out of the window.
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"'Yeah, about half an hour, I think.' "'Why are you getting off at Bela Palanca?' I asked.
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"'What are you going to do there?' Melanie smiled.
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Find a cheap hotel, meet people, take a look at the town, you know.
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"'Just for a day or two,' Carol said.
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"'But there's nothing there.' "'Oh, well, you never know,' Melanie laughed.
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"'See you in Sofia, right?
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On Saturday night.
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"'The Hotel Marmara, okay?
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Eight o'clock,' Carol said.
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"'Don't forget now.' "'Okay.
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Great,' I said.
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"'See you there.' The train came into Bella Polanka and stopped.
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The two girls got off and stood on the platform.
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They smiled at me through the window.
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"'Saturday, eight o'clock,' Melanie shouted.
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"'Okay,' I called.
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They couldn't hear me because of the noise in the station.
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They smiled again, picked up their bags and walked away.
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Nice girls.
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I'm going to have a great time in Sofia, I thought.
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The train left Yugoslavia and crossed into Bulgaria at two o'clock in the morning.
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Then the train stopped at some village.
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I don't remember the name.
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I ate an apple and looked out of the window.
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Suddenly, there were a lot of policemen on the train.
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Everybody in the carriage sat up and began to talk.
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What's happening?
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I said in Italian to the old man next to me.
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I don't know, he said in bad Italian.
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Perhaps they're looking for somebody.
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Look, the police are taking some people off the train.
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Then two policemen came into our carriage, a tall, thin one and a short, fat one.
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They looked at everybody carefully.
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And then they looked at me again.
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Come with us, please, the fat policeman said in English.
148
What, me?
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I said.
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Why?
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What's the matter?
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And bring your bag with you, the tall policeman said.
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I began to ask a question, but policemen never like questions from young men with long hair.
154
So I stayed quiet, picked up my bag, and went with them.
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In the station building there were a lot more policemen and some people from the train.
156
They were all young people, I saw.
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Some were afraid, some were bored.
158
The police looked in everybody's bags, and then the people went back to the train.
159
My two policemen took me to a table.
160
"'Your passport, please,' the fat policeman said, "'and opened your bag.' "'They looked at my passport,
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and I opened my bag.
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"'There was a young policewoman with red hair at the next table.
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"'She had a nice face, so I smiled at her, and she smiled back.
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"'Aha!' the tall policeman said suddenly.
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All my dirty shirts and clothes were out on the table.
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The policeman picked up my bag and turned it over.
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Onto the table, out of my bag, fell packet after packet of US American dollars.
168
Nice new dollars.
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Fifty dollar notes in big packets.
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A lot of money.
171
My mouth opened and stayed open.
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I couldn't find my voice.
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I was suddenly a very interesting person,
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and a lot of police ran up to our table and stood behind me.
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Fifty thousand, a hundred thousand, a hundred and fifty thousand,
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there's two hundred thousand dollars here, the tall policeman said.
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What an interesting bag, Mr. Tom Walsh.
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I found my voice again quickly.
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But it's not my bag, I shouted.
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There was a big happy smile on that policeman's face.
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Well, he said, it's got your name on it, look.
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So I looked, and of course there was my name, and yes, of course, it was my bag.
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So how did two hundred thousand US dollars get into my bag?
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You cannot bring US dollars into this country, the fat policeman said.
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He had very short grey hair and little black eyes.
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He didn't smile once.
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But I didn't bring them, I said quickly.
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They're not my dollars.
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I never saw them before in my life, and...
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There was a lot of noise in the station.
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I looked out of the window and saw my train.
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Slowly, it began to move.
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Hey!
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I shouted.
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That's my train!
196
The tall policeman laughed.
197
It was a great day for him.
198
Oh, no, he said.
199
You're not getting back on that train.
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You're staying here with us, in our beautiful country.
201
He smiled happily.
202
So, I never got to Sophia on Saturday.
203
I was very unhappy about that.
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I wanted to have a little talk with Melanie and Carol.
205
Ask them one or two questions, you know.
206
You're a nice guy, Tom.
207
See you in Sophia, OK?
208
Take you to the best restaurant in town.
209
Yeah, great.
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And I never got down to Cyprus or North Africa that winter.
211
Oh, well, I live and learn.
212
It's not an easy life in prison, but it's warm in winter, and the food's not bad.
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And I'm meeting some interesting people.
214
There's a man from Georgia, USSR.
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Boris, his name is.
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He comes from a place by the Black Sea.
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He's a great guy.
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When we get out of here, he and I are going down to Australia.
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Brisbane, perhaps. Or Sydney.
220
Get a job on a ship.
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Start a new life.
222
Yeah.
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Next year's going to be OK.
224
Thank you.
225
Thank you.

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Vocabulário e dicas de fala para esta lição

Esta aula de conversação de nível B1 usa o vídeo “2 South for the Winter”. As palavras que mais se repetem: train, looked, bag, Melanie, Carol. Este vídeo tem 225 frases e 1795 palavras para praticar shadowing. A fala dura 17:18. O falante fala devagar, cerca de 104 palavras por minuto, o que dá tempo para imitar cada som. 83% das palavras estão entre as 3.000 mais comuns do inglês; vale a pena estudar o restante antes de começar.

Vocabulário principal deste vídeo

As 10 palavras mais avançadas do vídeo, com pronúncia e significado:

PalavraPronúnciaSignificado
carriage substantivo/ˈkæɹɪd͡ʒ/carruagem
passport substantivo/ˈpæspɔɹt/passaporte
packet substantivo/ˈpæk.ɪt/pacote
shout verbo/ʃaʊt/gritar
corridor substantivo/ˈkɒɹɪdɔː/corredor
bore verbo/boɹ/chatear, aborrecer
policewoman substantivopolícia, policial
cloth substantivo/klɒθ/pano, tecido
unhappy adjetivo/ʌnˈhæpi/infeliz, triste
happily advérbio/ˈhæp.ə.li/alegremente, felizmente

Phrasal verbs que você vai ouvir

PalavraSignificado
pick up verbopegar
come back verbovoltar
get off verbosair
go away verbosair, partir
sit down verbosentar-se

Frases que vale a pena repetir

Frases curtas e completas do vídeo que você pode usar na conversa do dia a dia:

  • How did you know all that?
  • It's in your coat pocket.
  • What do you do about money?
  • What are you doing with your life, hey?
  • We can buy you a meal?

Gramática neste vídeo

As estruturas que o falante mais usa, com as palavras exatas do vídeo:

EstruturaNo vídeo
Superlativos the -est / the most … — o maior ou o menor de um grupothe best
Present continuous am/is/are + -ing — algo que está acontecendo agora ou nestes diasI'm going · are you doing · we're staying
Futuro com “going to” be going to + verbo — um plano ou algo que dá para preverI'm going to get · are you going to do · I'm going to have

Pronúncia para ficar de olho

O falante usa 33 contrações e formas reduzidas, como didn't, I'm, you're. Diga-as na forma curta, do jeito que você ouve.

Sons difíceis para falantes de português:

  • Consoante final — sem acrescentar um “i” depois: passport /ˈpæspɔɹt/, packet /ˈpæk.ɪt/, shout /ʃaʊt/
  • /h/ — um sopro suave, diferente do “r”: unhappy /ʌnˈhæpi/, happily /ˈhæp.ə.li/

Como praticar com este vídeo

  1. Ouça o vídeo inteiro uma vez sem falar e anote as palavras que você não conhece.
  2. Faça shadowing frase por frase na velocidade normal, repetindo cada uma até o seu ritmo ficar igual ao do falante.
  3. Grave a sua voz e compare com o original, prestando atenção a palavras como carriage, passport, packet.

O que é a Técnica de Shadowing?

Shadowing é uma técnica de aprendizado de idiomas com base científica, originalmente desenvolvida para o treinamento de intérpretes profissionais. O método é simples, mas poderoso: você ouve áudio em inglês nativo e repete imediatamente em voz alta — como uma sombra seguindo o falante com 1-2 segundos de atraso. Pesquisas mostram melhora significativa na precisão da pronúncia, entonação, ritmo, sons conectados, compreensão auditiva e fluência na fala.

Técnica de shadowing: leia o guia completo passo a passo →