Prática de Shadowing: Learn English through Story - Mr Harris - Level 1 - Aprenda a falar inglês com vídeo
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191 frases
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1
Mr. Harris liked trains.
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He was afraid of airplanes and didn't like buses.
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But trains, they were big and noisy and exciting.
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When he was a boy of 10, he liked trains.
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Now he was a man of 50, and he still liked trains.
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So he was a happy man on the night of the 14th of September.
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He was on the night train from Helsinki to Ulu in Finland, and he had 10 hours in front of him.
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I've got a book and my newspaper, he thought.
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And there's a good restaurant on the train.
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And then I've got two weeks holiday with my Finnish friends in Ulu.
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There weren't many people on the train, and nobody came into Mr. Harris's carriage.
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He was happy about that.
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Most people on the train slept through the night, but Mr. Harris liked to look out of the window and to read and think.
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After dinner in the restaurant Mr. Harris came back to his carriage and sat in his seat next to the window.
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For an hour or two he watched the trees and lakes of Finland out of the window.
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Then it began to get dark, so he opened his book and began to read.
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At midnight the train stopped at the small station of Otava.
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Mr. Harris looked out of the window, but he saw nobody.
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The train moved away from the station into the black night again.
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Then the door of Mr. Harris' carriage opened and two people came in.
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A young man and a young woman The young woman was angry She closed the door and shouted at the man,
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Carl You can't do this to me The young man laughed loudly and sat down Mr. Harris was a small,
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quiet man He wore quiet clothes and he had a quiet voice He did not like noisy people and loud voices.
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So he was not pleased.
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Young people are always noisy, he thought.
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Why can't they talk quietly?
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He put his book down and closed his eyes.
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But he could not sleep because the two young people didn't stop talking.
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The young woman sat down and said in a quieter voice, Carl, you're my brother and I love you, but please listen to me.
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You can't take my diamond necklace.
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Give it back to me now.
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Please.
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Carl smiled.
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No, Elena, he said.
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I'm going back to Russia soon and I'm taking your diamonds with me.
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He took off his hat and put it on the seat.
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Elena, listen.
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You have a rich husband, but I have no money.
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I have nothing.
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How can I live without money?
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You can't give me money, so I need your diamonds, little sister.
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Mr. Harris looked at the young woman.
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She was small with black hair and dark eyes.
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Her face was white and afraid.
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Mr. Harris began to feel sorry for Elena.
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She and her brother didn't look at him once.
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Can't they see me?
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He thought.
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Carl, Elena said.
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Her voice was very quiet now, and Mr. Harris listened carefully.
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You came to dinner at our house tonight, and you went to my room and took my diamond necklace.
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How could you do that to me?
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My husband gave the diamonds to me.
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They were his mother's diamonds before that.
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He's going to be very, very angry, and I'm afraid of him.
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Her brother laughed.
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He put his hand in his pocket, then took it out again and opened it slowly.
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The diamond necklace in his hand was very beautiful.
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Mr. Harris stared at it.
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For a minute or two nobody moved and it was quiet in the carriage.
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There was only the noise of the train and it went quickly on through the dark cold night.
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Mr. Harris opened his book again, but he didn't read it.
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He watched Carl's face with its hungry eyes and its cold smile.
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What beautiful, beautiful diamonds.
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Carl said, I can get a lot of money for these.
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Give them back to me, Carl, Elena whispered whispered, my husband's going to kill me.
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You're my brother.
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Please help me.
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Please.
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Carl laughed again and Mr. Harris wanted to hit him.
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Go home, little sister Carl said.
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I'm not going to give the diamonds back to you.
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Go home to your angry husband.
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Suddenly there was a knife in the young woman's hand.
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A long, bright knife.
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Mr. Harris watched with his mouth open.
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He couldn't speak or move.
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Give the diamonds back to me.
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Elena cried.
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Or I'm going to kill you.
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Her hand on the knife was white.
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Carl laughed and laughed.
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What a sister, he said.
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What a kind, sweet sister.
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No, they're my diamonds now.
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Put your knife away, little sister.
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But the knife in the white hand moved quickly, up, then down.
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There was a long, terrible cry, and Carl's body fell slowly onto the seat.
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The color of the seat began to change to red and the diamond necklace fell from Carl's hand onto the floor.
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Elena's face was white.
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Oh no, she whispered.
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Carl!
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Come back, come back!
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I didn't want to kill you.
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But Carl didn't answer and the red blood ran slowly over the floor.
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Elena put her head in her hands and again in the carriage there was a long, terrible cry.
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Mr. Harris's face was white too.
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He opened his mouth but he couldn't speak.
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He stood up and carefully moved to the door.
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The young woman was quiet now.
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She didn't move or look up at Mr. Harris.
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In the corridor, Mr. Harris ran.
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The guard was at the hack of the train and Mr. Harris got there in half a minute.
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Quickly, Mr. Harris said.
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Come quickly.
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An accident, a young woman, oh dear.
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Her brother is, is dead.
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The guard ran with Mr. Harris back to the carriage
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Mr. Harris opened the door
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and they went inside There was no dead body of a young man There was no young woman,
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no blood, no knife, no diamond necklace
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Only Mr. Harris's bags and his hat and coat The guard looked at Mr. Harris and Mr. Harris looked at him But?
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Mr. Harris began But they were here I saw them She,
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the young woman She had a knife and she,
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she killed her brother A knife, you say? the guard asked Yes,
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Mr. Harris said quickly A long knife, and her brother took her diamonds so she.
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Ah.
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Diamonds, the guard said.
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Was the young woman's name Elena?
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He asked.
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Yes, it was.
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Mr. Harris said.
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How do you know that? Do you?
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Do you know her?
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Yes and no, the guard said slowly.
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He thought for a minute, then looked at Mr. Harris.
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Elena D.
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Serinelli, he said.
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She had dark eyes and black hair.
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Very beautiful.
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She was half Italian, half Finnish.
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Her brother was a half-brother.
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They had the same father, but his mother was Russian, I think. Was? Had?
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Mr. Harris stared at the guard. But she.
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Elena.
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She's alive. And where is she?
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Oh no, said the guard.
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Elena D.
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Serenelli died about 80 years ago.
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After she killed her brother with a knife, she jumped off the train and died at once.
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It was near here, I think.
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He looked out of the window into the night.
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Mr. Harris's face was very white again.
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Eighty years ago, he whispered.
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What are you saying?
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Where's she and her brother? But I saw them.
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Yes, that's right, the guard said.
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You saw them, but they're not alive.
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They're ghosts.
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They often come on the night train at this time in September.
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I never see them, but somebody saw them last year.
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A man and his wife.
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They were very unhappy about it.
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But what can I do?
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I can't stop Elena and Carl coming on the train.
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The guard looked at Mr. Harris's white face.
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You need a drink, he said.
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Come and have a vodka with me.
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Mr. Harris didn't usually drink vodka, but he felt afraid.
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When he closed his eyes, he could see again Elena's long knife and could hear her terrible cry.
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So he went with the guard to the back of the train.
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After the vodka, Mr. Harris felt better.
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He didn't want to sleep, and the guard was happy to talk walk.
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So Mr. Harris stayed with the guard and didn't go back to his carriage.
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Yes, the guard said, it's a famous story.
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I don't remember it all.
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It happened a long time ago, of course.
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Elena's father was a famous man here in Finland.
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He was very rich once, but he had three or four wives and about eight children.
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And he liked the good things of life.
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So there wasn't much money for the children.
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Carl, the oldest son, was a bad man, people say.
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He wanted an easy life and money in his hand all the time.
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The train hurried on to Ulu through the black night and the guard drank some more vodka.
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Now, Elena, he said.
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She didn't have an easy life with those three difficult men, her father, her brother, her husband.
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One year she visited her mother's family in Italy, and there she met her husband, Di Serenelli.
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He was rich, but he wasn't a kind man.
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They came back to Finland, and Carl often visited their house.
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He wanted money from his sister's rich husband.
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Elena loved her brother and gave him some money.
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UTD Serenelli didn't like Carl and was angry with Elena.
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He stopped giving her money and after that.
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Well, you know the story now.
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Yes, Mr. Harris said.
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Poor, unhappy Elena.
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Mr. Harris stayed with his friends in Ulu for two weeks.
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They were quiet weeks and Mr. Harris had a good holiday.
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But he took the bus back to Helsinki.
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The bus was slow and there were a lot of people on it but Mr. Harris was very happy.
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He didn't want to take the night train across Finland again.
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Por que praticar fala com esse vídeo?
Aprender inglês com YouTube é uma estratégia eficaz, e esse vídeo de história é perfeito para o shadowing — uma técnica de imitação que melhora fluência e pronúncia. A história de Mr. Harris oferece um contexto real: diálogos cotidianos, emoções e situações que refletem a vida real, o que torna o aprendizado mais significativo. Ao praticar o shadow speech com as falas de Carl e Elena, você treina não só a pronúncia, mas também a intonação e a velocidade natural do inglês. É como ter um conversador virtual que guia seu progresso!
Gramática e expressões no contexto
O diálogo contém estruturas essenciais para o nível básico. Veja:
- "He was afraid of airplanes": A preposição "of" após adjetivos como "afraid" é fundamental. Aprenda a usá-la para falar de medos e preferências.
- "You can't do this to me": A forma negativa de "can" ("can't") é usada para proibições ou impossibilidades. Essa estrutura é muito comum em discussões.
- "How can I live without money?": A pergunta com "how" + verbo auxiliar ("can") é ideal para expressar dúvidas sobre modos de fazer algo. Pratique-a para formular perguntas mais naturais.
Armadilhas de pronúncia comuns
Melhorar a pronúncia em inglês exige atenção a sons difíceis. No vídeo, observe:
- "Diamonds": O som "ai" (como em "day") e o "m" suave podem ser desafiadores. Repita várias vezes, imitando a entonação de Carl.
- "Necklace": A sílaba tônica está no primeiro "neck" (como em "net"). Evite acentuar o "lace" no final.
- "Finland": O "i" curto (como em "fit") e o "land" com "d" suave. Use o shadowing para capturar a pronúncia correta.
Use um shadowing site para treinar essas palavras: reproduza o áudio, pause e imite exatamente o que ouve. Com prática, essas armadilhas se tornarão naturais!
Gramática neste vídeo
As estruturas que o falante mais usa, com as palavras exatas do vídeo:
| Estrutura | No vídeo |
|---|---|
| Verbo + -ing enjoy, keep, stop… + -ing — verbos seguidos da forma em -ing | stop talking · stopped giving |
| Futuro com “going to” be going to + verbo — um plano ou algo que dá para prever | He's going to be · husband's going to kill · I'm not going to give |
| Present continuous am/is/are + -ing — algo que está acontecendo agora ou nestes dias | I'm going · are you saying |
O que é a Técnica de Shadowing?
Shadowing é uma técnica de aprendizado de idiomas com base científica, originalmente desenvolvida para o treinamento de intérpretes profissionais. O método é simples, mas poderoso: você ouve áudio em inglês nativo e repete imediatamente em voz alta — como uma sombra seguindo o falante com 1-2 segundos de atraso. Pesquisas mostram melhora significativa na precisão da pronúncia, entonação, ritmo, sons conectados, compreensão auditiva e fluência na fala.