ฝึกพูดภาษาอังกฤษด้วยเทคนิค Shadowing จากวิดีโอ: Gracie Abrams | Audacy Check In

The first songs that we made for this album,

⏸ หยุดชั่วคราว

ความเร็ว:

245 ประโยค

หากประโยคสั้นหรือยาวเกินไป กดที่ Edit เพื่อปรับแก้

The first songs that we made for this album,

we wrote two years ago.

One of them is the last track on the album,

which I wrote and recorded the day that we recorded

That's How True and the day that I wrote and recorded I Told You Things.

And so there were these little clues along the way,

but this was like the most I've ever been involved in production.

this is your odyssey check-in we are at the hard rock

hotel in the rock star suite with gracie abrams it is

so good to see you good to see you thanks for

having me of course bone to pick with you before we

get started last time we hung out like all you did was lie to me oh um i don't know

if you remember i was like oh gracie who's gonna be

any features on the album who's gonna be on the album you're like no nobody

and taylor was on the album

and then i was like oh Are you going to go down the acting path at any point?

You were like, no, I hate acting.

I'm only doing music, and now you're about to be in this movie.

So I just don't know how I could trust you.

Well, it's not a great start for us, is it?

It's not great for me.

Right, right.

Hopefully you will be more forthcoming.

You can be because, I mean,

you've announced a lot of the things.

Certainly.

Well, that was not in the cards until it was.

So that can't have been a lie.

And if I was protecting a Taylor secret, sue me.

Right, right.

You have to sign paperwork for that.

I mean, I understand.

Briefly, tell me about the A24 thing,

how it came about, and the audition process, all that.

Yeah.

Helena Raine is a brilliant artist.

She wrote the script.

She's directing the film.

I knew her in the tiniest amount.

We had met three years ago.

And didn't even stay in touch, really but she reached out to me asking if I would read the script,

which felt like the greatest gift in the world.

And I did not interpret it as read the script to potentially audition if you connect with it.

But I read the script and it made me feel like I was being electrocuted.

Like it was just so aliveness.

And she's such a force.

And yeah, and then again with the audition process,

every round was just a gift.

and I would go home at the end of the day being like,

I'm the luckiest girl in the world.

I got to just read her work to her.

And in my mind, that was the end of the road.

But for whatever reason, she's letting me attempt.

And hopefully I make her proud and do her justice.

But it's very humbling already.

And I have a lot to learn.

So I'm excited to get into it.

I love it.

Did you walk away from those auditions like,

I crushed this or were you like totally in your head?

No, I wasn't like, I wasn't,

no, I just felt like it's so much fun to play like that.

I don't know.

That's like such a corny way to put it.

But it was like, I don't know,

with music, I am so personally connected to the stories.

And I think as a reader,

I'm so excited when I find a book that feels like the inside of my head,

but also as somebody else's entire life,

you get to escape into that.

And that was my experience with Helena's script.

So then to be in a room and get the opportunity to like

actually pretend that you are the person you loved escaping into.

It just was a lot of fun.

But again, it's funny to talk about it before having stepped on set for it.

So I can only say what it felt like to be introduced to this universe she's created.

But it was exciting.

Would you, could you contribute musically to the project at all?

Like, would you do something new for it?

Or is there something from the album that, yeah.

Definitely not from the, I don't imagine this album belongs in the please world.

But maybe, I don't know.

It's up to Alina.

It's like, I am not the guardian of any of this information.

So it's funny to chat about.

But yeah.

Hit the Wall is wonderful.

Thank you um you you linked back up with aaron for

this i am for the album um what is it about you

and him

that just works like what how does he bring out what

he does from you i think his his skill set uh it blows my mind his his the fingerprint

that he leaves on everything that he makes it's

so distinct to me and also so specific to the artist who he's working with.

I think because of his history as an artist in the National,

he has got this really holistic understanding of what it feels

like to be on all sides of this industry as a touring musician and a writer and a player and a producer.

He's got the biggest heart and I think

that allows him to connect with the people that he's working with to bring out I think the best in them.

100

And he and I have known each other for six years now

101

and he's like family to me so there's there is a real sometimes harsh in the best way like honesty.

102

So we challenge each other

103

and some of my favorite experiences you know in the studio with him is

104

when we disagree because it always teaches me something

105

and I love him for a million reasons but i really appreciate

106

that he's kind of helped instill in me

107

that you don't need to make a radical change in order

108

to put out a new album like it doesn't have to

109

sound a hundred percent different than your last thing it can be a continuation and like a discovery of what

110

made you fall in love with writing in the first place

111

so this album to me um feels like a an elevated version of our process working together

112

and i'm very proud of it it's so interesting

113

because you you're saying like you know it doesn't have to be completely different to show growth

114

and it's it's interesting because recently jack antonoff i forget what like interview it was

115

or something but he was talking about you know

116

because it was all this big hoopla about him not being involved in taylor's later latest project

117

and he was like it's not normal for people to solely work with one person

118

or one team throughout their career and i i think it's interesting because

119

I imagine there's pros and cons to it because maybe if you are only working with one person,

120

you could feel stagnant at some point.

121

But then there's people like Billie Eilish who pretty much work with Phineas,

122

but have still found ways to push themselves and go outside of the box.

123

I think it's so personal.

124

It's like it's like a collaborative relationship is like any other relationship,

125

like friendship, romantic relationship, familial.

126

It's like these are such intimate spaces.

127

And I also think, you know,

128

one's art reflects where they're at.

129

And I think if, you know,

130

any one of us feels like something's not working,

131

for this particular time we're in um i think it should

132

be celebrated you know the the exploration of new partners

133

and in my experience like not from a success point of view

134

but just from like a personal fulfillment point of view i've

135

been able to like as a mentee of aaron's basically learn

136

so much um under him and um with him and uh

137

so speaking from my personal experience which is the only one I can reference.

138

It's been a privilege to spend the past six years in the studio with Aaron.

139

And yeah, he's just the greatest.

140

When you are writing, do you ever have to Google the definition of a word?

141

That's funny.

142

That's so funny.

143

Like, oh, I really want to use Slipknot here,

144

but let me just double check on this.

145

Well, I knew Slipknot.

146

Okay.

147

But there have definitely been instances,

148

like I think for sure there have been times where you

149

yeah like I'm trying to think of it as an example

150

why can't I think of anything specific I've like absolutely opened

151

the dictionary before I've been like I'm this word fits so

152

so perfectly and wanting to make sure I'm like

153

but can I will it make perfect sense in the way

154

that it sounds correct I'm like want to make sure

155

but um I tend to think my songs the the the vocabulary it's like conversational enough

156

that i've never i've you know you're it's not too frequent

157

at the dictionary yeah yeah yeah like you've used it before in the wild like it's something

158

that you know it's also fun i i i was i read an interview a long time ago

159

that rem did and they they were talking about um writing their songs

160

that sometimes they would take a book

161

and flip it open to a random page just put their finger on a word

162

and use that as the jumping point

163

that is a fun way to to i mean that's completely

164

and that's just an entire pivot

165

but anyway yeah thinking about opening books in the studio it's very fun

166

and very inspiring sometimes dictionary or otherwise

167

so how was how was this uh creative process this recording

168

process on this album different from the last one would you

169

say it was easier i don't know i was actually not

170

i think it was we it was more intricate um as

171

a whole it was more intricate i feel like we everything

172

we we ran all of it through with a fine tooth comb

173

and and um this was like the most i've ever been involved in production before

174

and aaron and i have such a shorthand like our the way that we describe sounds or what we want,

175

it's like the very exciting part of being in the studio together.

176

And so to see it come to life in the way that it has with this album means a lot to me.

177

But the process of getting there was not always easy.

178

And I think the first songs that we made for this album we wrote two years ago.

179

One of them is the last track on the album,

180

which I wrote and recorded the day that we recorded That's

181

So True and the day that I wrote and recorded I Told You Things.

182

And so there were these little clues along the way,

183

but I think what differed in this,

184

this, with this process was like being off tour

185

and having like five months of not being on the road to sit with all the songs

186

and to let my nervous system sort of reset.

187

I feel like there's a lot of,

188

um, there's more patience, kind of less like manic energy in this music more,

189

um, uh, yeah, more, I guess more,

190

it feels more patient to me.

191

It feels more thoughtful, but I think that also just comes with like age

192

and time and having a bit more giving yourself and the subjects of your songs a more grace.

193

And so hopefully that's felt.

194

I love that.

195

Awesome.

196

Before we wrap up, let's do just a few random questions that I couldn't weave in seamlessly into this interview.

197

So for the Met Gala,

198

was there anybody you met for the first time there that you kind of had a cool,

199

you know, first time experience with?

200

Amanda Seyfried.

201

Oh, yeah.

202

My queen.

203

I love her so much.

204

I've loved her so much.

205

I think her career arc is incredible.

206

I think she's so cool.

207

And we were chatting for a bit,

208

and I said it to her,

209

which is just how I've always felt about her

210

that i think there are like some people that do public facing jobs

211

and they've navigated it so well where like she seems to be

212

so herself yeah yeah in the fishbowl which like is hard to do

213

and um i just think she is sick

214

and i got to tell her that to her face so

215

that felt really nice that's awesome

216

and um um who else did i meet for the it's such a blur

217

and do you just like roll up

218

and tap somebody on the shoulder like hey i want to meet you

219

or how does that do you bump into each other

220

stepping on people's trains

221

and things stanley tucci accidentally stepped on my train for a split second we didn't even meet

222

but he was like oh i'm so sorry i was like anything for you

223

like rip it yeah yeah um no every everyone was very lovely

224

and um it's a very cool thing to be in

225

that museum like after hours

226

when you get to walk up very close to the all the art

227

and you know that was me like trying not to fall over

228

but yeah yeah um have you listened to noah khan's new

229

album do you have a favorite song on there i love porch light i love porch light

230

and i i love all the music you know

231

that i think what aaron has added to the you know noah con verse um is exciting

232

and it feels so alive and so like noah's directly in your head

233

and i think he's such a remarkable storyteller and so is Aaron.

234

And so for them to team up just made the most sense in the world to me.

235

Cool.

236

And I was lucky to hear some of it before it came out.

237

So I've been living with it for a while and it never disappoints.

238

That's awesome.

239

Yeah.

240

Well, you are wonderful.

241

Your music is wonderful.

242

You're wonderful.

243

Thank you so much.

244

I appreciate it.

245

Good to see you.

TRENDING

ยอดนิยม

เทคนิค Shadowing คืออะไร?

Shadowing เป็นเทคนิคการเรียนรู้ภาษาที่ได้รับการรับรองทางวิทยาศาสตร์ พัฒนาขึ้นสำหรับการฝึกนักแปลมืออาชีพ วิธีการนี้เรียบง่ายแต่ทรงพลัง: คุณฟังเสียงภาษาอังกฤษจากเจ้าของภาษาและพูดตามทันที — เหมือนเงาที่ตามผู้พูดด้วยช่วงเวลาห่าง 1-2 วินาที การวิจัยแสดงว่าเทคนิคนี้ปรับปรุงความแม่นยำในการออกเสียง ทำนองเสียง จังหวะ การเชื่อมเสียง การฟังเข้าใจ และความคล่องแคล่วในการพูดได้อย่างมีนัยสำคัญ

☕ เลี้ยงกาแฟเราสักแก้ว

ShadowingEnglish ยังคงเปิดให้ใช้งาน ฟรี 100% ได้ด้วยการสนับสนุนจากคุณ ค่าใช้จ่ายสำหรับเซิร์ฟเวอร์และ AI นั้นสูงมาก — กาแฟของคุณช่วยให้เราเดินหน้าต่อไปได้! 🙏

บริจาคผ่าน PayPal

ShadowingEnglish.com – ฝึกพูดภาษาอังกฤษแบบ Shadowing

ฝึกพูดภาษาอังกฤษด้วยเทคนิค Shadowing จากวิดีโอ: Gracie Abrams | Audacy Check In

ยอดนิยม

ทำไมถึงควรฝึกพูดกับวิดีโอนี้?

แกรมมาร์ & ออกเสียงในบริบท

กับดักการออกเสียงทั่วไป

เทคนิค Shadowing คืออะไร?

ฝึกพูดภาษาอังกฤษด้วยเทคนิค Shadowing จากวิดีโอ: Gracie Abrams | Audacy Check In

ดาวน์โหลดแอป

ทำไมถึงควรฝึกพูดกับวิดีโอนี้?

แกรมมาร์ & ออกเสียงในบริบท

กับดักการออกเสียงทั่วไป

เทคนิค Shadowing คืออะไร?