ฝึกพูดภาษาอังกฤษด้วยเทคนิค Shadowing จากวิดีโอ: Inside Lenny Kravitz’s Regal Paris Home | Open Door | Architectural Digest
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186 ประโยค
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1
A.D.
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Welcome to Hotel De Roxy.
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Come on in.
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Well first of all this place is called Hotel de Roxy.
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It's named after my mother because it was her dream to come live in Paris.
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She wanted to retire after doing 11 seasons of The Jeffersons, and she never got to do it.
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So, I'm doing it for both of us.
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And this place is a real gift.
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I've been in this house for 22 years now, but I've been in Paris my whole career.
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When my first album, Let Love Rule,
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came out in 89, they weren't quite sure how to market me in America because I didn't fit in a box.
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So they sent me to Paris.
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It's my favorite city in the world.
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It's just an inspiring place culturally.
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Music, art, fashion, cuisine.
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It's got it all.
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I love Paris, but I love this house.
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And I walked through the front door into this entry, and I knew I was at home.
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This place was made to make music in.
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It's got the most beautiful reverb.
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As you can hear, I got the opportunity to work with Steinway
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and I designed this grand piano a few years ago and it's a piece that I'm really proud of.
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I wanted to use an African form for the piano and blend the two styles of European design and African design.
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And I designed it for this space.
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The legs, as you can see, are hand-carved.
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And all of the design started with the design of the legs.
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And all of the bronze work is all hand-done.
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And the petals are the same.
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this house continually pays tribute to my ancestors.
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And as you'll see, as we walk through the house, there's photographs of them everywhere.
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All of this photography tells a story throughout the house, through black history, American and African.
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It's all African, but that's Gordon Parks, who's one of my favorite photographers and artists.
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And I had the pleasure of getting to know him before he passed.
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And this photograph is taken by Weegee.
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It reminded me of my family, of my grandparents, when they used to take me out in New York City.
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And you would get dressed, you'd put on, as we would say, your Sunday best, and go out on the town.
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This is the Petit Salon.
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It's called the Roxy Room.
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And it's dedicated to my mother.
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She was the love of my life.
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I was a mama's boy.
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I found a bunch of photographs
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that my father had taken of my mother in the late 60s
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and got them framed by the same framer that does a lot of framing for the Louvre.
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I just wanted to have a room where I was surrounded by her image.
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This is my favorite photograph of my mother.
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It's just a moment.
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And I love the composition, the hat, the look on her face.
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And that photograph, one of the major ways that I remember her is in the late 60s, she would read poetry in Central Park.
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And this guy, he used to play the guitar.
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And she would sit like that and read Langston Hughes and other poets.
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It's one of the deepest impressions I have of her.
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For me, soul is the most essential element.
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Putting yourself into it, whatever your soul is.
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You know, people ask, well, how do you define your design?
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I call it soulful elegance.
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You know, it's being elegant, sophisticated, but with soul.
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You know, with your heart, with your spirit.
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because design and elegance without that feeling is just designer names
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and you know stuff but when you're collecting
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and it really reflects who you are what you are where
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you've been it's beautiful you know whatever your style is just
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being authentic to uh who you are we all have to tell our story
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This is the Grand Salon and this is where I receive folks.
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This is where we hang out.
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We all sit around and sit on the floor and play music.
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It's got a lot of art in here that I love.
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The whole room is built around Muhammad Ali, his legacy and his message captured by Andy Warhol.
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Andy Warhol, but I love Muhammad Ali.
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And yes, he was the greatest boxer.
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But what I love about Muhammad Ali is the humanitarian work, the civil rights work.
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He was a freedom fighter.
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And that is so important.
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If you think about the things he was saying at that time in the 60s, he said some very challenging things,
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but he was so intelligent and he had a great wit
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and strength and he knew how how to balance that all together.
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This room is about that.
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Another thing that I love about this room is this is the first chandelier that I designed, that Kravitz Design did.
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This chandelier was made for Swarovski, and it was in one of the art fairs years ago.
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It's called the Hotel de Roxy.
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Some of the articles in here that are giving me
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so much vibe are these African sculptures that I got from Church Boutique, which is one of my favorite boutiques in the world.
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It's run by my good friend Rodney Burns, and he has curated quite a few things in the house.
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Yeah, these chairs were done by Kravitz Design many, many years ago.
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I love when you do something years ago and you have no idea where they're going to end up, but when they end up where they are,
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it looks like they were designed for that space.
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At the end of the day, it's all about comfort, creating an ambiance where you can feel relaxed, a space that opens communication.
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The lines, the silhouettes, the fabrics, the lighting, the art, you know, all of it, it all matters.
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But at the end of the day, if the room is not comfortable, then it's not working.
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This is the dining room.
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I like to have dinner parties and invite interesting people from all different backgrounds to sit and enjoy a meal and conversation.
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This room is centered around this photograph of my grandfather, who was the head of the family and such an inspirational figure to me.
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This photograph was taken by Reuven Afanador years ago in Nassau, Bahamas.
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I love that he's here looking over the table, still blessing everyone who comes in here.
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I feel his presence and I love seeing him every day.
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This room's all about the nighttime.
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I never have lights on very bright.
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People come in here and they think it's quite dark.
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So the lights are always on very dimly and it just feels rich and warm and vibey.
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And that's the way I like it.
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This is by one of my favorite artists in the furniture world.
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I have several pieces of his.
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And I've been collecting him for a long time.
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This is Paul Evans.
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He was an absolutely incredible artist.
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And I'm just drawn to his work.
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How brutal, how elegant.
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This table is designed by Carl Springer.
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And I've had this for many years.
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I love it.
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The lacquer is just worn.
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It's got a lot of character.
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These are Africa chairs.
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Scarpa had these for a very long time.
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They just made their way to Paris.
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And the two chairs at the end, I found at the Paris flea market at Les Pouces, where I go every week.
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One of my favorite things to do in Paris, looking for furniture and art from all these wonderful vendors that really curate well.
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We're in the library and this library probably means the most to me because my mother,
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she kept speaking about learning French and reading books and that she wanted to have a library.
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And it was something that stuck with me.
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And it's actually filled with a lot of books that she had.
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A lot of the African art books were hers.
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And a lot of the literature was hers.
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Those are James Brown's boots.
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James Brown is it.
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James Brown is the funk.
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James Brown is the rhythm.
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James Brown taught me so much and gave the world so much joy and full of powerful messages.
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Say it loud, I'm black and I'm proud.
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Downstairs is the work floor, that's where the studio is.
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I collect pieces that have great meaning and inspiration to me.
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People that changed my life, that inspired me, that educated me, and all of the things I have down there came to me different ways, some personally.
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Jimi Hendrix, James Brown, Prince,
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Bob Marley, Miles Davis, John Lennon.
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On my birthday many years ago, I was at Yoko Ono's place in the Dakota.
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And she said, today's your birthday.
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I said, yeah.
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And she said, come here.
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She took me into the room where there was a set of drawers that still had John's clothes in it.
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And she pulled out this beautiful shirt.
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She said this was one of his favorites.
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Happy birthday.
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We're in the bedroom.
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It's a gift to be able to sleep peacefully every night.
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The word recreation is re-creation.
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When you're an artist, to be able to continually be inspired, you have to continually recreate
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so that you can be vibrating at the frequency you need to be able to pick up the things
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that you're being transmitted.
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I'm just an antenna, you know, I don't do this.
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It comes to me.
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This room provides that space for me to be able to close the doors and recreate myself on a daily basis.
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It's such a luxury to have a room with this kind of volume and the oval shape is just extraordinary.
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And very few pieces, really it's just the bed and two chairs, two tables and two lamps and a console.
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But they're all very substantial and old weight.
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And so you're able to put very few things in the room, but they're all very bold and give a lot of energy.
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And of course, the rock and rugs, which I've always loved.
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You know, I sleep on the floor sometimes.
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This portrait that you see on the wall is the first thing I ever got at the flea market here in Paris.
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Back in the early 90s, Vanessa Paradis turned me on to the flea market.
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We used to go together all the time to buy furniture.
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And I saw this beautiful charcoal drawing of Leontine Price, who I love, one of the best opera singers ever.
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I bought it just like that, came in that frame.
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That portrait has been with me since then.
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I just love the elegance and the strength of her image.
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and she was just an incredibly gifted singer.
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Music is essential.
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I have Bang & Olsen all throughout the house.
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I love their products.
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I love their design.
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I did not want to have a television in the bedroom.
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I have this room next door where I can watch films and there's a guest room where my special guests stay.
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And then you have the landing, the area out there where I sit sometime.
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That's it on this floor.
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So now I'm going to take you down to the basement so you can experience the heart and soul of this house.
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Let it
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fly The design of this house.
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It's been an evolution because I moved in here when it was empty, did work on the place, put it together in the way I felt at the time.
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But I've evolved over the last 22 years.
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And so the house has just been completed to where it's at the place that I am now.
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And I know that this will last.
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I won't need to touch it again in my lifetime.
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It represents so many parts of my history, my story, my evolution, and you know, Zoey will take it from here.
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AD, thanks for coming by.
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I hope you enjoyed yourself, and next time you're in Paris, ring the bell.
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Doors always open.
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Peace.
ดาวน์โหลดแอป
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AI ให้คะแนนการออกเสียงให้คะแนนทุกประโยค
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คำศัพท์สร้างคลังคำของคุณ
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คำศัพท์และข้อสังเกตด้านการพูดสำหรับบทเรียนนี้
บทเรียนฝึกพูดระดับ B2 นี้ใช้วิดีโอ “Inside Lenny Kravitz’s Regal Paris Home” เป็นสื่อ วิดีโอนี้มี 186 ประโยค และ 2018 คำ สำหรับฝึกพูดตาม ช่วงที่มีเสียงพูดยาว 15:23 ผู้พูดพูดด้วยความเร็วสม่ำเสมอ ประมาณ 131 คำต่อนาที เหมาะกับการฝึกพูดตาม 84% ของคำอยู่ใน 3,000 คำที่ใช้บ่อยที่สุดในภาษาอังกฤษ ส่วนที่เหลือควรดูไว้ก่อนเริ่มฝึก
คำศัพท์สำคัญในวิดีโอนี้
คำที่ยากที่สุด 15 คำในวิดีโอ พร้อมคำอ่านและความหมาย:
| คำศัพท์ | คำอ่าน | ความหมาย |
|---|---|---|
| chandelier คำนาม | /ˌʃæn.dəˈlɪɚ/ | โคมระย้า |
| ancestor คำนาม | /ˈæn.sɛs.tɚ/ | บรรพบุรุษ, บรรพชน |
| lacquer คำนาม | /ˈlæk.ɚ/ | แล็กเกอร์ |
| boutique คำนาม | /buˈtik/ | บูติก |
| charcoal คำนาม | /ˈt͡ʃɑɹ.koʊl/ | ถ่านไม้, ถ่าน |
| rug คำนาม | /ˈɹʌɡ/ | พรม |
| boxer คำนาม | /ˈbɑksɚ/ | นักมวย |
| antenna คำนาม | /ænˈtɛn.ə/ | หนวด |
| drawer คำนาม | /dɹɔɹ/ | เก๊ะ, ลิ้นชัก |
| vendor คำนาม | /ˈvɛn.dɚ/ | ผู้ขาย |
| surround คำกริยา | /səˈɹaʊnd/ | ล้อม |
| cuisine คำนาม | /kwɪˈziːn/ | อาหาร |
| sculpture คำนาม | /ˈskʌlpt͡ʃɚ/ | รูปปั้น |
| authentic คำคุณศัพท์ | /ɔˈθɛn.tɪk/ | แท้, จริง |
| rhythm คำนาม | /ˈɹɪð.əm/ | จังหวะ |
กริยาวลีที่คุณจะได้ยิน
| คำศัพท์ | ความหมาย |
|---|---|
| pick up คำกริยา | ยก, หยิบ |
ประโยคที่ควรฝึกพูดซ้ำ
ประโยคสั้น ๆ ที่สมบูรณ์จากวิดีโอ ซึ่งนำไปใช้ในบทสนทนาประจำวันได้:
- It's my favorite city in the world.
- I was a mama's boy.
- You know, people ask, well, how do you define your design?
- You know, it's being elegant, sophisticated, but with soul.
- Say it loud, I'm black and I'm proud.
ไวยากรณ์ในวิดีโอนี้
โครงสร้างที่ผู้พูดใช้บ่อยที่สุด พร้อมคำพูดจริงจากวิดีโอ:
| โครงสร้าง | ในวิดีโอ |
|---|---|
| “used to” used to + กริยา — นิสัยหรือสภาพในอดีตที่ตอนนี้ไม่เป็นแล้ว | used to take · used to play · used to go |
| Passive voice be + กริยาช่อง 3 — เน้นสิ่งที่เกิดขึ้น ไม่ใช่ผู้กระทำ | is called · was made · is taken |
| Present perfect have/has + กริยาช่อง 3 — เหตุการณ์ในอดีตที่ยังเกี่ยวข้องกับปัจจุบัน | I've been · you've been · has curated |
| Relative clauses who / which + อนุประโยค — ข้อมูลเพิ่มเติมเกี่ยวกับคนหรือสิ่งของ | Boutique, which is · everyone who comes |
การออกเสียงที่ควรระวัง
ผู้พูดใช้รูปย่อและรูปลดเสียง 30 ครั้ง เช่น I'm, I've, you're ให้พูดแบบสั้นตามที่ได้ยิน
- เสียง “th”: authentic /ɔˈθɛn.tɪk/, rhythm /ˈɹɪð.əm/
- เสียง “sh” และ “zh”: chandelier /ˌʃæn.dəˈlɪɚ/, inspirational /ˌɪnspəˈɹeɪʃənəl/, recreation /ɹiːkɹiˈeɪʃən/
- คำยาว — ลงเสียงหนักให้ถูกพยางค์: continually /kənˈtɪnjuəli/, inspirational /ˌɪnspəˈɹeɪʃənəl/, humanitarian /hjuˌmæ.nəˈtɛ.ɹi.ən/, recreation /ɹiːkɹiˈeɪʃən/
เสียงที่คนไทยมักออกเสียงยาก:
- เสียงท้ายคำ — ออกเสียงให้ครบ ไม่เปลี่ยนเป็นตัวสะกดแบบไทย: elegance /ˈɛl.ɪ.ɡəns/, ambiance /ˈɑm.bi.ɑns/, soulful /ˈsoʊlfəl/, charcoal /ˈt͡ʃɑɹ.koʊl/, downstairs /daʊnˈstɛɹz/
- /v/ — ไม่ใช่ /w/ ให้ฟันบนแตะริมฝีปากล่าง: reverb /ˈɹiˌvɝb/, vibrate /ˈvaɪ.bɹeɪt/, vendor /ˈvɛn.dɚ/, evolve /ɪˈvɑlv/, vibe /vaɪb/
- /z/ — เสียงก้อง ไม่ใช่ /s/: downstairs /daʊnˈstɛɹz/, cuisine /kwɪˈziːn/
วิธีฝึกกับวิดีโอนี้
- ฟังวิดีโอให้จบหนึ่งรอบโดยยังไม่ต้องพูด แล้วจดคำที่ยังไม่รู้จัก
- พูดตามทีละประโยคด้วยความเร็วปกติ ทำซ้ำแต่ละประโยคจนจังหวะของคุณตรงกับผู้พูด
- อัดเสียงตัวเองแล้วเทียบกับต้นฉบับ โดยสังเกตคำอย่าง chandelier, ancestor, lacquer เป็นพิเศษ
เทคนิค Shadowing คืออะไร?
Shadowing เป็นเทคนิคการเรียนรู้ภาษาที่ได้รับการรับรองทางวิทยาศาสตร์ พัฒนาขึ้นสำหรับการฝึกนักแปลมืออาชีพ วิธีการนี้เรียบง่ายแต่ทรงพลัง: คุณฟังเสียงภาษาอังกฤษจากเจ้าของภาษาและพูดตามทันที — เหมือนเงาที่ตามผู้พูดด้วยช่วงเวลาห่าง 1-2 วินาที การวิจัยแสดงว่าเทคนิคนี้ปรับปรุงความแม่นยำในการออกเสียง ทำนองเสียง จังหวะ การเชื่อมเสียง การฟังเข้าใจ และความคล่องแคล่วในการพูดได้อย่างมีนัยสำคัญ