ฝึกพูดภาษาอังกฤษด้วยเทคนิค Shadowing จากวิดีโอ: The basics in Amplitube 5

Hello, it's the Devil here and in this video we're actually gonna play with amplitude.

We're inside my DAW, you can see this lower bar, it doesn't have all those sweet options.

gonna see how to actually sculpt the sound by adding uh

pedals uh changing the cabinet changing the amp adding effects to the bus

and to the master bus and all that sort of stuff

and then uh when we have a sound uh we're actually also gonna save it as a preset so yeah

and here's what it sounds like now we have a JCM 800 model here so it's the Brit 8000 here

on the amp selection section so it sounds like this

Excuse me, you can hear some picking sounds, I think, through my vocal microphone.

I have to pick lighter.

So, anyway, we have an amp here.

And of course, we can change the amp settings like this and get a different sound.

You know, just the...

Let's take all the middle off. So it sounds like...

Let's bring them back up.

yeah so now you can change your sound a bit by doing that but let's get to the

cabinet is that's the thing that will affect the most so as seen on the last video

about the interface we have this cabinet section here you can just click the cap you get here or

you can and well yeah uh let's change the whole cabinet so it sounds like this now

so what if we take the grit silver instead

so that's totally different all right and the thing what makes it different is the elements

so in here we have brit 75 speakers so we can change the speakers and these are

modeled after the most famous Celestian ones I think and then some other other stuff

and I'm not sure if you can bring you can actually bring your own like impulse responses in here but

let's change the other so it sounds like that let's change it to V3 let's change the other one so

uh let's take back the British 75 Change them to V30.

So the difference in sound is huge.

And you can change just the other one.

Now we can see like, oh yeah.

Okay, and then the other thing we can do is, now we sound like this.

So we can change the microphone placements.

And as you can hear, if we take them like to the edge of the element, so further away from the cone.

Totally different sound.

Bring them closer.

Bring that one.

Let's take that like further away from the cabinet.

And of course we are not hearing so much of that mic now.

All right then, what else can we do?

Just with these basic endings to sculpt our sound, we can take this microphone and change it to another one.

Yep, that's quite different when you compare it to this one.

And that is why the Shure S&M 57, as it is modeled by,

is so popular for those piercing

rock guitars and this one is 87 models and neumann i think then we have this uh room mics here

but yeah so if you if you want to uh get a sound

and you want you have like a artist you like

and you want to recreate some a sound they have the

first thing i would do is i would look into what amp

and what kind of elements they are using in their cabinet is those are the things that will

affect the most on the earlier part of the chain of course then we'll add some effects

and all that but these are the core of your sound so and we're just gonna

leave it like that now but we can check the this section here

so if we would like we could pan uh

that sure to the left side completely take even take the other one other mic out

So that is what we would have.

And then we could just put the 87 on the other side, so on the right, and we would have this.

Bring them a bit closer bone,

but still have like a little bit of width. Did it?

I wanna just...

It's like, ah, to it.

There we go.

Yep, we could bring up the room mics and we would get some

And we can actually change the whole room from here.

So let's hear how that sounds when we have the volume up.

Small studio.

Yeah, much less echo subway.

This should have a lot of, you know...

Yep.

Oh, it's clipping a bit, so... And that's bad.

But yeah, let's take it off.

We don't want that room in there, so...

All right.

And the last thing I will show about the cabinet thing is the ver.

So you can get really precise with it in here.

Take this one and just change the mic placement from here.

are we like dead center now there we go all right and of course you can also change the room mics

overheads all right uh let's get into the basic tricks so we have a one amp setup

and in here we have all these effect pedals

and we can just take one and drag it here

and let's do the basic thing that is we're gonna boost the JCM 800 with an

uh over scream overdrive pro

which is the tube screamer 808 i think uh let's take the tone a bit down

and a bit less overdrive we don't need that much

and now we can hear we have some hiss

so usually a good thing to have is a noise gate

you can actually bring it on this part of the chain because this part is limited to six pedals, I think.

So if you want to have more than six in front of the amp, you want to drag some here.

And the threshold, like, up there.

And now, what do we have?

That's what we have.

So without the screamer. With it.

Oh, that's the annoying pick sound again.

Well, yeah, so that's how we can tighten up the sound.

It's a pretty usual pick.

And now we could just try a different overdrive if we would like, just by when we have that chosen.

You just try a different one by clicking.

I think that's the Boss DS, you know.

Oh, actually overdrive.

We have the distortion here.

Let's hear how that sounds.

100

That's nasty.

101

Yeah, a lot of his.

102

So let's just keep the or scream.

103

Have our sound like.

104

Tone down a bit.

105

The over travels there.

106

What next?

107

Let's take some modulation.

108

So there's a whole lot of stuff in this AmpliTube Max package.

109

A lot of stuff here.

110

So let's take a phaser and put it after the over screen.

111

Oh, yeah.

112

So that's how a phaser sounds.

113

But yeah, it's as simple as that.

114

You just pick something, drag it there.

115

If it sounds good, yeah.

116

And you can always just click it off like that.

117

Or from here.

118

Then we have some like these expression pedals, volume, and then we have war pedals.

119

But of course, if you want to use them, you need to have a controller so and

120

that will be i will make a another video about

121

that how that works but let's take a wall here

122

and we have this order setting uh does it work yeah

123

so you can always uh play the

124

wall with I think most of these do have the auto setting.

125

Let's check.

126

This one actually don't.

127

But most of these do.

128

So if you want that wow sound, yeah, you can get it.

129

But of course, it's much more fun if you have a controller.

130

So that will be an upcoming video.

131

Let's keep it there for that video.

132

All right.

133

Next, let's go to the most amps nowadays you have something called the effects loop.

134

So let's put our time based effects like they usually do.

135

Let's put them here, there.

136

So a delay would be nice I think.

137

Let's find one.

138

Let's use a so this is a T-Rex replica.

139

Let's bring the repeats down.

140

There we go.

141

Bring the tempo down like 306 a little less echo

142

and let's take the volume down to 5 let's hear how it sounds now

143

All right, bring the volume up a bit.

144

Let's take the phaser off.

145

Alright.

146

Kinda like that.

147

So let's leave it there.

148

And of course you could...

149

So here, those are like put into this weird rock thingy.

150

And what else we could take there?

151

We could try like a chorus in there for fun.

152

So how would that sound?

153

A bit more.

154

Sounds good.

155

So let's leave that there. And yeah.

156

Of course, we can go and edit this from, you know, there.

157

you know click edit and then when we want out of this window we could click here and then edit

158

there we go and then we have this uh mixture here

159

so uh let's say we want a little bit of reverb and we want some plate

160

So we could take it in here, in the bus.

161

So that would be just after the cabinet.

162

Let's hear that.

163

Something like that.

164

Probably put a little...

165

Yeah, not that much.

166

Alright.

167

So now we have an effect in our bus also.

168

We can go and click this mixer again.

169

And let's see how it sounds if we take the volume down.

170

So what happens?

171

Yeah. So.

172

So everything goes down in volume.

173

All right.

174

And well, let's try this.

175

So I showed this on the interface studio but what happens when we click this?

176

We get a second cabinet. And here's the thing.

177

Now when we look at this that reverb is not affecting that cabinet at all.

178

And if we would like it to be affecting the whole sound, we would just drag it here.

179

Now, now we want to go, it's in the master insert.

180

So let's hear it now.

181

Oh, that was an ugly bend.

182

But yeah, so let's get it.

183

Let's take it back to one.

184

Alright, and let's for fun, let's put a compressor on the master insert.

185

There we go.

186

And that's like a Fairchild, I think.

187

Let's hear how that sounds.

188

doesn't do anything yet so let's bring up threshold

189

there we can see the meter is moving

190

so what it does is uh

191

if you don't know the basics of a compressor i suggest

192

you look it up i might make a video about it in the future but But for now, there's some resources on YouTube.

193

But it evens out the volume of my playing.

194

Spring up a bit more.

195

The volume.

196

Alright, let's go back to the arm, let's take a bit of the middle off.

197

Let's try that with the phaser.

198

Yeah, something like that.

199

But anyway, so what did we do here?

200

We added some effects to the front of the amp.

201

we can click them on off we have the amp we

202

can change the amp of course from here we have some stuff in the loop

203

on the amps effect loop and we change the cap we could do it again for fun let's try it

204

Let's check what we had in here.

205

So V30 and 75.

206

Alright, let's do that again.

207

So let's take the...

208

Come on, there we go.

209

Let's take the British 8000.

210

Yeah, so let's change this one to the V30.

211

So yeah, that's a totally different sound.

212

So these are the things I would mess up with the most,

213

you know, and like I explained the whole mic placement because now when we...

214

You can hear the difference immediately.

215

So get these in order for the sound you like and then I would start adding effects and

216

all this stuff in here.

217

But yeah, that's the basics here how to, you know, juggle around in this.

218

So yeah, here are all your effects pedals.

219

You can change the arms.

220

You can change the cap, all the stuff related to the cap, cabinet.

221

And here you have all your rack stuff.

222

And you can take this rack stuff also.

223

So you can just put it here also.

224

Like, or some...

225

So, let's not limit ourselves in that way.

226

And if you want to get rid of an effect, you can just remove it from there.

227

What else?

228

Can you actually, let's, can you take a...

229

Like a pitch shifter and put it here.

230

Well, goddamn you can.

231

You have it like this and edit it from here.

232

Yeah, it's for fun.

233

Let's see how that sounds like.

234

Might be awful.

235

Yeah.

236

Because I would have to, you know, Would it sound good with the C major?

237

Yeah, it would.

238

Well, good is subjective.

239

So, but let's take that off.

240

There we go.

241

So, we have our sound now, and we want to save it, so we can use it later.

242

Then we would go here and click this.

243

Aha, we get this little window.

244

And you can name it first.

245

Let's give it a name.

246

Amplitude video, I think.

247

Then we can choose the folder.

248

Like this.

249

That's pretty.

250

There we go.

251

Artist.

252

Well, me, the devil.

253

Song.

254

Yeah, you wish.

255

But yeah, you can, you have all this.

256

You can tag it pretty good.

257

Even insert a note.

258

Let's put it.

259

Dude.

260

instrument type, you know, metal solid body.

261

Yeah.

262

Pick up position, pick up type, hamburger.

263

All right.

264

Keywords enter keywords.

265

Yeah.

266

You can, you can do all this stuff.

267

Metal.

268

high gain i would say song part uh whole song i

269

mean the whole yeah you wish on i will never have

270

and then we could oh and then you save it there we go

271

and now it's in there pd so now we could just change the preset like that

272

and here we have a totally different setup

273

and we can go here and click that and there we go we have our sound back so yeah

274

I think that's it.

275

In the next video we're gonna start with building a setup with two amps,

276

maybe even three, and then I'll show how you can actually share them in the ToneNet. and how you can

277

let's get a bit more into that and how to download presets from there and yeah I think that's a

278

good video for the next one you know just

279

go a little bit deeper into these two things and then after that another video would probably be about the

280

midi controller which is uh actually that's gonna be a long one since

281

when we're doing it in the DAW I will show you how it it's much simpler

282

when you use the standalone mode

283

but in here I have to go through some stuff you get the controller working

284

and you know mapping it up so that will be a

285

that will be a video but for now I think we're good so yeah have fun bye

✨ วิดีโอแนะนำ

109 ประโยค

Buying Your First Acoustic Guitar (5 Things You MUST Consider) | A Beginner's Guide

Business EnglishUniversity StudentsWorking Adults

Master English Speaking Using Shadowing Technique #english

9,761

13 ประโยค

Master English Speaking Using Shadowing Technique #english

Business EnglishDaily ConversationUniversity Students

198 ประโยค

Opus 5.5 Is The Best Video Editor I've Ever Used

Business EnglishUniversity StudentsWorking Adults

47 ประโยค

Arturia MiniLab 37 mk3 & Memory V: First Look

Business EnglishUniversity StudentsWorking Adults

คำศัพท์และข้อสังเกตด้านการพูดสำหรับบทเรียนนี้

บทเรียนฝึกพูดระดับ B2 นี้ใช้วิดีโอ “The basics in Amplitube 5” เป็นสื่อ คำที่ถูกพูดซ้ำบ่อยที่สุด: sound, amp, cabinet, effect, hear วิดีโอนี้มี 285 ประโยค และ 2526 คำ สำหรับฝึกพูดตาม ช่วงที่มีเสียงพูดยาว 34:16 ผู้พูดพูดช้า ประมาณ 74 คำต่อนาที จึงมีเวลาเลียนแบบทุกเสียง 88% ของคำอยู่ใน 3,000 คำที่ใช้บ่อยที่สุดในภาษาอังกฤษ คำศัพท์จึงตามได้ง่าย

คำศัพท์สำคัญในวิดีโอนี้

คำที่ยากที่สุด 15 คำในวิดีโอ พร้อมคำอ่านและความหมาย:

คำศัพท์	คำอ่าน	ความหมาย
pedal คำนาม	/ˈpɛdəl/	คันเหยียบ
microphone คำนาม	/ˈmaɪ.kɹəˌfəʊn/	ไมโครโฟน
insert คำกริยา	/ɪnˈsɝt/	แทรก
threshold คำนาม	/ˈθɹɛʃ(h)oʊld/	ธรณีประตู
echo คำนาม	/ˈɛk.oʊ/	เสียงสะท้อน
hamburger คำนาม	/ˈhæmˌbɜɹ.ɡɚ/	แฮมเบอร์เกอร์
impulse คำนาม	/ˈɪmpʌls/	แรงกระตุ้น
folder คำนาม	/ˈfoʊldɚ/	โฟลเดอร์
metre คำนาม	/ˈmiːtəɹ/	เมตร
cone คำนาม	/ˈkoʊn/	กรวย
automobile คำนาม	/ˈɔː.tə.məˌbil/	รถยนต์, รถ
width คำนาม	/ˈwɪtθ/	ความกว้าง
subway คำนาม	/ˈsʌbˌweɪ/	รถไฟใต้ดิน, เมโทร
precise คำคุณศัพท์	/pɹɪˈsaɪs/	แม่นยำ
bend คำกริยา	/bɛnd/	งอ

กริยาวลีที่คุณจะได้ยิน

คำศัพท์	ความหมาย
bring up คำกริยา	เลี้ยงดู, ฟูมฟัก
pick up คำกริยา	ยก, หยิบ

ประโยคที่ควรฝึกพูดซ้ำ

ประโยคสั้น ๆ ที่สมบูรณ์จากวิดีโอ ซึ่งนำไปใช้ในบทสนทนาประจำวันได้:

Let's take all the middle off.
Let's bring them back up.
Let's take that like further away from the cabinet.
All right then, what else can we do?
We don't want that room in there, so...

การออกเสียงที่ควรระวัง

ผู้พูดใช้รูปย่อและรูปลดเสียง 26 ครั้ง เช่น we're, gonna, don't ให้พูดแบบสั้นตามที่ได้ยิน

เสียง “th”: threshold /ˈθɹɛʃ(h)oʊld/, thingy /ˈθɪŋi/, width /ˈwɪtθ/
เสียง “sh” และ “zh”: threshold /ˈθɹɛʃ(h)oʊld/, modulation /ˌmɑd͡ʒəˈleɪʃən/, distortion /dɪsˈtɔːʃən/
คำยาว — ลงเสียงหนักให้ถูกพยางค์: modulation /ˌmɑd͡ʒəˈleɪʃən/, automobile /ˈɔː.tə.məˌbil/

วิธีฝึกกับวิดีโอนี้

ฟังวิดีโอให้จบหนึ่งรอบโดยยังไม่ต้องพูด แล้วจดคำที่ยังไม่รู้จัก
พูดตามทีละประโยคด้วยความเร็วปกติ ทำซ้ำแต่ละประโยคจนจังหวะของคุณตรงกับผู้พูด
อัดเสียงตัวเองแล้วเทียบกับต้นฉบับ โดยสังเกตคำอย่าง pedal, microphone, insert เป็นพิเศษ

เทคนิค Shadowing คืออะไร?

Shadowing เป็นเทคนิคการเรียนรู้ภาษาที่ได้รับการรับรองทางวิทยาศาสตร์ พัฒนาขึ้นสำหรับการฝึกนักแปลมืออาชีพ วิธีการนี้เรียบง่ายแต่ทรงพลัง: คุณฟังเสียงภาษาอังกฤษจากเจ้าของภาษาและพูดตามทันที — เหมือนเงาที่ตามผู้พูดด้วยช่วงเวลาห่าง 1-2 วินาที การวิจัยแสดงว่าเทคนิคนี้ปรับปรุงความแม่นยำในการออกเสียง ทำนองเสียง จังหวะ การเชื่อมเสียง การฟังเข้าใจ และความคล่องแคล่วในการพูดได้อย่างมีนัยสำคัญ

เทคนิค shadowing: อ่านคู่มือฉบับเต็มทีละขั้นตอน →

ฝึกพูดภาษาอังกฤษด้วยเทคนิค Shadowing จากวิดีโอ: The basics in Amplitube 5

Tonex Plug Headphone Amp | First Impressions and Review

Advanced American English Pronunciation Exercise: R-Colored Vowel Sounds

Basic Opt Flw regimes

3 Things I Practice Everyday - Drum Lesson

Guthrie Govan Showcases his Signature MJ San Dimas® SD24 CM

Building my DREAM home network FROM SCRATCH | UniFi Network & Rack Setup

Billy Sheehan talks Harte amps

why you hate your recorded voice (and how to fix it)

Buying Your First Acoustic Guitar (5 Things You MUST Consider) | A Beginner's Guide

Master English Speaking Using Shadowing Technique #english

Opus 5.5 Is The Best Video Editor I've Ever Used

Arturia MiniLab 37 mk3 & Memory V: First Look

คำศัพท์และข้อสังเกตด้านการพูดสำหรับบทเรียนนี้

คำศัพท์สำคัญในวิดีโอนี้

กริยาวลีที่คุณจะได้ยิน

ประโยคที่ควรฝึกพูดซ้ำ

การออกเสียงที่ควรระวัง

วิธีฝึกกับวิดีโอนี้

เทคนิค Shadowing คืออะไร?