Практика Shadowing: The basics in Amplitube 5 - Изучайте разговорный английский по видео

Hello, it's the Devil here and in this video we're actually gonna play with amplitude.

We're inside my DAW, you can see this lower bar, it doesn't have all those sweet options.

gonna see how to actually sculpt the sound by adding uh

pedals uh changing the cabinet changing the amp adding effects to the bus

and to the master bus and all that sort of stuff

and then uh when we have a sound uh we're actually also gonna save it as a preset so yeah

and here's what it sounds like now we have a JCM 800 model here so it's the Brit 8000 here

on the amp selection section so it sounds like this

Excuse me, you can hear some picking sounds, I think, through my vocal microphone.

I have to pick lighter.

So, anyway, we have an amp here.

And of course, we can change the amp settings like this and get a different sound.

You know, just the...

Let's take all the middle off. So it sounds like...

Let's bring them back up.

yeah so now you can change your sound a bit by doing that but let's get to the

cabinet is that's the thing that will affect the most so as seen on the last video

about the interface we have this cabinet section here you can just click the cap you get here or

you can and well yeah uh let's change the whole cabinet so it sounds like this now

so what if we take the grit silver instead

so that's totally different all right and the thing what makes it different is the elements

so in here we have brit 75 speakers so we can change the speakers and these are

modeled after the most famous Celestian ones I think and then some other other stuff

and I'm not sure if you can bring you can actually bring your own like impulse responses in here but

let's change the other so it sounds like that let's change it to V3 let's change the other one so

uh let's take back the British 75 Change them to V30.

So the difference in sound is huge.

And you can change just the other one.

Now we can see like, oh yeah.

Okay, and then the other thing we can do is, now we sound like this.

So we can change the microphone placements.

And as you can hear, if we take them like to the edge of the element, so further away from the cone.

Totally different sound.

Bring them closer.

Bring that one.

Let's take that like further away from the cabinet.

And of course we are not hearing so much of that mic now.

All right then, what else can we do?

Just with these basic endings to sculpt our sound, we can take this microphone and change it to another one.

Yep, that's quite different when you compare it to this one.

And that is why the Shure S&M 57, as it is modeled by,

is so popular for those piercing

rock guitars and this one is 87 models and neumann i think then we have this uh room mics here

but yeah so if you if you want to uh get a sound

and you want you have like a artist you like

and you want to recreate some a sound they have the

first thing i would do is i would look into what amp

and what kind of elements they are using in their cabinet is those are the things that will

affect the most on the earlier part of the chain of course then we'll add some effects

and all that but these are the core of your sound so and we're just gonna

leave it like that now but we can check the this section here

so if we would like we could pan uh

that sure to the left side completely take even take the other one other mic out

So that is what we would have.

And then we could just put the 87 on the other side, so on the right, and we would have this.

Bring them a bit closer bone,

but still have like a little bit of width. Did it?

I wanna just...

It's like, ah, to it.

There we go.

Yep, we could bring up the room mics and we would get some

And we can actually change the whole room from here.

So let's hear how that sounds when we have the volume up.

Small studio.

Yeah, much less echo subway.

This should have a lot of, you know...

Yep.

Oh, it's clipping a bit, so... And that's bad.

But yeah, let's take it off.

We don't want that room in there, so...

All right.

And the last thing I will show about the cabinet thing is the ver.

So you can get really precise with it in here.

Take this one and just change the mic placement from here.

are we like dead center now there we go all right and of course you can also change the room mics

overheads all right uh let's get into the basic tricks so we have a one amp setup

and in here we have all these effect pedals

and we can just take one and drag it here

and let's do the basic thing that is we're gonna boost the JCM 800 with an

uh over scream overdrive pro

which is the tube screamer 808 i think uh let's take the tone a bit down

and a bit less overdrive we don't need that much

and now we can hear we have some hiss

so usually a good thing to have is a noise gate

you can actually bring it on this part of the chain because this part is limited to six pedals, I think.

So if you want to have more than six in front of the amp, you want to drag some here.

And the threshold, like, up there.

And now, what do we have?

That's what we have.

So without the screamer. With it.

Oh, that's the annoying pick sound again.

Well, yeah, so that's how we can tighten up the sound.

It's a pretty usual pick.

And now we could just try a different overdrive if we would like, just by when we have that chosen.

You just try a different one by clicking.

I think that's the Boss DS, you know.

Oh, actually overdrive.

We have the distortion here.

Let's hear how that sounds.

100

That's nasty.

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Yeah, a lot of his.

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So let's just keep the or scream.

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Have our sound like.

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Tone down a bit.

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The over travels there.

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What next?

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Let's take some modulation.

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So there's a whole lot of stuff in this AmpliTube Max package.

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A lot of stuff here.

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So let's take a phaser and put it after the over screen.

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Oh, yeah.

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So that's how a phaser sounds.

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But yeah, it's as simple as that.

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You just pick something, drag it there.

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If it sounds good, yeah.

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And you can always just click it off like that.

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Or from here.

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Then we have some like these expression pedals, volume, and then we have war pedals.

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But of course, if you want to use them, you need to have a controller so and

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that will be i will make a another video about

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that how that works but let's take a wall here

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and we have this order setting uh does it work yeah

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so you can always uh play the

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wall with I think most of these do have the auto setting.

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Let's check.

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This one actually don't.

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But most of these do.

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So if you want that wow sound, yeah, you can get it.

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But of course, it's much more fun if you have a controller.

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So that will be an upcoming video.

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Let's keep it there for that video.

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All right.

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Next, let's go to the most amps nowadays you have something called the effects loop.

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So let's put our time based effects like they usually do.

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Let's put them here, there.

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So a delay would be nice I think.

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Let's find one.

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Let's use a so this is a T-Rex replica.

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Let's bring the repeats down.

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There we go.

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Bring the tempo down like 306 a little less echo

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and let's take the volume down to 5 let's hear how it sounds now

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All right, bring the volume up a bit.

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Let's take the phaser off.

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Alright.

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Kinda like that.

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So let's leave it there.

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And of course you could...

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So here, those are like put into this weird rock thingy.

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And what else we could take there?

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We could try like a chorus in there for fun.

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So how would that sound?

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A bit more.

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Sounds good.

155

So let's leave that there. And yeah.

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Of course, we can go and edit this from, you know, there.

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you know click edit and then when we want out of this window we could click here and then edit

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there we go and then we have this uh mixture here

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so uh let's say we want a little bit of reverb and we want some plate

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So we could take it in here, in the bus.

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So that would be just after the cabinet.

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Let's hear that.

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Something like that.

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Probably put a little...

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Yeah, not that much.

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Alright.

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So now we have an effect in our bus also.

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We can go and click this mixer again.

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And let's see how it sounds if we take the volume down.

170

So what happens?

171

Yeah. So.

172

So everything goes down in volume.

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All right.

174

And well, let's try this.

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So I showed this on the interface studio but what happens when we click this?

176

We get a second cabinet. And here's the thing.

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Now when we look at this that reverb is not affecting that cabinet at all.

178

And if we would like it to be affecting the whole sound, we would just drag it here.

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Now, now we want to go, it's in the master insert.

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So let's hear it now.

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Oh, that was an ugly bend.

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But yeah, so let's get it.

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Let's take it back to one.

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Alright, and let's for fun, let's put a compressor on the master insert.

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There we go.

186

And that's like a Fairchild, I think.

187

Let's hear how that sounds.

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doesn't do anything yet so let's bring up threshold

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there we can see the meter is moving

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so what it does is uh

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if you don't know the basics of a compressor i suggest

192

you look it up i might make a video about it in the future but But for now, there's some resources on YouTube.

193

But it evens out the volume of my playing.

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Spring up a bit more.

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The volume.

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Alright, let's go back to the arm, let's take a bit of the middle off.

197

Let's try that with the phaser.

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Yeah, something like that.

199

But anyway, so what did we do here?

200

We added some effects to the front of the amp.

201

we can click them on off we have the amp we

202

can change the amp of course from here we have some stuff in the loop

203

on the amps effect loop and we change the cap we could do it again for fun let's try it

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Let's check what we had in here.

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So V30 and 75.

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Alright, let's do that again.

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So let's take the...

208

Come on, there we go.

209

Let's take the British 8000.

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Yeah, so let's change this one to the V30.

211

So yeah, that's a totally different sound.

212

So these are the things I would mess up with the most,

213

you know, and like I explained the whole mic placement because now when we...

214

You can hear the difference immediately.

215

So get these in order for the sound you like and then I would start adding effects and

216

all this stuff in here.

217

But yeah, that's the basics here how to, you know, juggle around in this.

218

So yeah, here are all your effects pedals.

219

You can change the arms.

220

You can change the cap, all the stuff related to the cap, cabinet.

221

And here you have all your rack stuff.

222

And you can take this rack stuff also.

223

So you can just put it here also.

224

Like, or some...

225

So, let's not limit ourselves in that way.

226

And if you want to get rid of an effect, you can just remove it from there.

227

What else?

228

Can you actually, let's, can you take a...

229

Like a pitch shifter and put it here.

230

Well, goddamn you can.

231

You have it like this and edit it from here.

232

Yeah, it's for fun.

233

Let's see how that sounds like.

234

Might be awful.

235

Yeah.

236

Because I would have to, you know, Would it sound good with the C major?

237

Yeah, it would.

238

Well, good is subjective.

239

So, but let's take that off.

240

There we go.

241

So, we have our sound now, and we want to save it, so we can use it later.

242

Then we would go here and click this.

243

Aha, we get this little window.

244

And you can name it first.

245

Let's give it a name.

246

Amplitude video, I think.

247

Then we can choose the folder.

248

Like this.

249

That's pretty.

250

There we go.

251

Artist.

252

Well, me, the devil.

253

Song.

254

Yeah, you wish.

255

But yeah, you can, you have all this.

256

You can tag it pretty good.

257

Even insert a note.

258

Let's put it.

259

Dude.

260

instrument type, you know, metal solid body.

261

Yeah.

262

Pick up position, pick up type, hamburger.

263

All right.

264

Keywords enter keywords.

265

Yeah.

266

You can, you can do all this stuff.

267

Metal.

268

high gain i would say song part uh whole song i

269

mean the whole yeah you wish on i will never have

270

and then we could oh and then you save it there we go

271

and now it's in there pd so now we could just change the preset like that

272

and here we have a totally different setup

273

and we can go here and click that and there we go we have our sound back so yeah

274

I think that's it.

275

In the next video we're gonna start with building a setup with two amps,

276

maybe even three, and then I'll show how you can actually share them in the ToneNet. and how you can

277

let's get a bit more into that and how to download presets from there and yeah I think that's a

278

good video for the next one you know just

279

go a little bit deeper into these two things and then after that another video would probably be about the

280

midi controller which is uh actually that's gonna be a long one since

281

when we're doing it in the DAW I will show you how it it's much simpler

282

when you use the standalone mode

283

but in here I have to go through some stuff you get the controller working

284

and you know mapping it up so that will be a

285

that will be a video but for now I think we're good so yeah have fun bye

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Лексика и советы по произношению к этому уроку

Этот урок разговорной практики уровня B2 построен на видео «The basics in Amplitube 5». Чаще всего повторяются слова: sound, amp, cabinet, effect, hear. В этом видео 285 предложений и 2526 слов для шедоуинга. Речь длится 34:16. Говорящий говорит медленно, около 74 слов в минуту, поэтому есть время повторить каждый звук. 88% слов входят в 3000 самых частых слов английского языка, поэтому лексика простая.

Ключевая лексика этого видео

Самые сложные слова из видео (15), с произношением и значением:

Слово	Произношение	Значение
pedal существительное	/ˈpɛdəl/	педа́ль
controller существительное	/kənˈtɹoʊlɚ/	контро́ллер
microphone существительное	/ˈmaɪ.kɹəˌfəʊn/	микрофо́н
insert глагол	/ɪnˈsɝt/	вставля́ть, вста́вить
placement существительное	/ˈpleɪ̯smənt/	размеще́ние
amplitude существительное	/ˈæm.plɪ.tud/	полнота́, широта́
compressor существительное	/kəmˈpɹɛ.sə(ɹ)/	компре́ссор
keyword существительное	/ˈkiː.wɜːd/	ключево́е сло́во
screamer существительное	/ˈskɹimɚ/	паламеде́я
sculpt глагол	/skʌlpt/	ваять, лепить
rack существительное	/ɹæk/	этаже́рка, стелла́ж
threshold существительное	/ˈθɹɛʃ(h)oʊld/	поро́г
echo существительное	/ˈɛk.oʊ/	э́хо, отголо́сок
interface существительное	/ˈɪn(t)ɚˌfeɪs/	интерфе́йс
scream глагол	/skɹiːm/	крича́ть

Фразовые глаголы, которые вы услышите

Слово	Значение
bring up глагол	воспи́тывать, воспита́ть
pick up глагол	подбира́ть, подобра́ть
back up глагол	дава́ть за́дний ход
take back глагол	возвращать в, к
think through глагол	проду́мывать, проду́мать

Фразы, которые стоит повторять

Короткие законченные фразы из видео, которые пригодятся в повседневном разговоре:

Let's take all the middle off.
Let's bring them back up.
Let's take that like further away from the cabinet.
All right then, what else can we do?
We don't want that room in there, so...

Произношение, на которое стоит обратить внимание

Говорящий использует 26 сокращённых и редуцированных форм, например we're, gonna, don't. Произносите их коротко, так, как слышите.

Звуки «th»: threshold /ˈθɹɛʃ(h)oʊld/, thingy /ˈθɪŋi/, width /ˈwɪtθ/
Звуки «sh» и «zh»: threshold /ˈθɹɛʃ(h)oʊld/, modulation /ˌmɑd͡ʒəˈleɪʃən/, distortion /dɪsˈtɔːʃən/
Длинные слова — следите за ударением: modulation /ˌmɑd͡ʒəˈleɪʃən/, automobile /ˈɔː.tə.məˌbil/

Как заниматься с этим видео

Прослушайте всё видео один раз молча и выпишите незнакомые слова.
Повторяйте предложение за предложением на обычной скорости, пока ваш ритм не совпадёт с ритмом говорящего.
Запишите себя и сравните с оригиналом, обращая внимание на такие слова, как pedal, controller, microphone.

Что такое техника Shadowing?

Shadowing — это научно обоснованная техника изучения языка, изначально разработанная для подготовки профессиональных переводчиков и популяризированная полиглотом доктором Александром Аргуэльесом. Метод прост, но эффективен: вы слушаете аудио на английском от носителей языка и немедленно повторяете вслух — как тень, следующая за говорящим с задержкой в 1–2 секунды. В отличие от пассивного прослушивания или грамматических упражнений, Shadowing заставляет мозг и мышцы рта одновременно обрабатывать и воспроизводить реальные речевые паттерны. Исследования показывают, что это значительно улучшает точность произношения, интонацию, ритм, связную речь, понимание на слух и беглость речи — что делает его одним из самых эффективных методов для подготовки к IELTS Speaking и реального общения на английском.

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Лексика и советы по произношению к этому уроку

Ключевая лексика этого видео

Фразовые глаголы, которые вы услышите

Фразы, которые стоит повторять

Произношение, на которое стоит обратить внимание

Как заниматься с этим видео

Что такое техника Shadowing?