ฝึกพูดภาษาอังกฤษด้วยเทคนิค Shadowing จากวิดีโอ: 3 Things I Practice Everyday - Drum Lesson

Now this isn't one of the three things I'm going to show you today

⏸ หยุดชั่วคราว

ความเร็ว:

162 ประโยค

หากประโยคสั้นหรือยาวเกินไป กดที่ Edit เพื่อปรับแก้

Now this isn't one of the three things I'm going to show you today

but it is something I'm practicing a lot right now which is basically just sitting down on the kit and improvising

because I've got the Meinl drum festival coming up in about three weeks

and a big part of festivals and drum clinics in general is improvising.

And it's not always that you set out to do a solo,

it's just that maybe there's a Q&A that says hey that thing that you always do with your left foot,

what is that?

And it's like, oh, it's,

you know, I just kind of add in a chick and then all of a sudden you're just going...

So you have to have your improv chops ready for those moments.

Now let's get into this lesson,

three things that I practice every day.

The first thing I do when I sit down on any kit,

especially because I've got a kit at home with some practice pads on it.

Then I've got my private lesson room that has a kit that I play on a lot.

They're all the same size,

but they're slightly different angles.

And then I've got this kit.

The first thing I do is I try to get acquainted with the drum set and especially the pedal tension.

And the reason I say pedal tension is because I've never adjusted any of my pedals.

However DW sends them, I take them out of the box.

I put, I mean, unless they were extremely loose or extremely tight,

I've never adjusted any of them.

I put them on the kit and I just allow my foot to get used to them.

So this exercise is really simple.

Sixteenth notes around the drum set.

Let's assume we're dealing with a four piece kit here.

We've got one E and a,

two E and a, three E and a, four E and a.

The orchestration isn't that important but I'm trying to get used to the position of the drums,

try to eliminate rim hits and things like that.

But on 3E and a 4E

and a I put a bass drum between every note so it essentially becomes thirty second notes.

So we have 1E and a 2E and a 3E

and a 3E and a 4E and a 4E and a 1E

and a 2E and a Let's give it a shot with a click.

Link in the description.

Whoa!

Singles between hand and foot,

it's honestly something that's been frustrating me since I was a kid.

I can never get it clean enough.

I can never get it quite to

that Vinnie Cagliotta level on the Buddy Rich Memorial Scholarship concert where he does it

while he's pushing up his glasses looking at Dave.

It's the best.

It's just the best moment ever and I always think like,

oh, I'll do that and then I go,

yeah, I'm not going to do that.

So you might be asking though,

why not just do just singles?

And I definitely do that quite a bit for endurance,

but the thing with that is you're getting used to this rhythm.

You're just staying there the whole time and your foot kind of adapts to that.

What I like about this exercise is that your foot is stagnant and it has to jump in and be on time.

So that not being used,

then being used, not being used,

I think that's much more practical.

Because if you think about a groove like this.

Those three hits, that's what we're doing here.

So having that, if you're good at playing singles in between your hands,

you're going to be good at doing it like this.

In a groove.

Not that you would ever have to do this for very long.

At least I hope you don't.

But that's what this exercise is all about

and like I said it gets me acquainted with the position of the drums as well as the tension of the pedal.

Moving on to number two.

So every day I pick a new groove environment to improvise inside of and to explore.

Obviously in this instance it's the Gadsden Groove,

single handed 16th note groove.

And I just sit in that pocket,

I sit in that tempo,

in that feel and start exploring things.

Doing some 30 second notes.

Is that too busy?

Probably.

Ooh, could I interject some triplet stuff going on here?

And can I mess around with little hints of different subdivisions other than the straight 16th notes on the hi-hat?

Also, I'm trying to find how far can I explore this thing without losing the actual groove itself.

Naturally, sometimes I go too far,

then I have to rein it back in,

and sometimes I think I'm being a little too safe,

and I need to explore a little bit more.

But the goal here is to pick a groove,

any groove, and just start to explore it a little bit more,

and learn how to feel a little bit more free,

so you're not so trapped inside that groove that groove.

And finally number three this might be a bit torturous for some of you

but trust me you will grow so much from it and it is soloing with a restriction.

So that restriction could be a foot ostinato you could have a oh maybe like a little splash close close.

So you're soloing over this.

Oh I wish I could actually play that instead of just say that.

No way I can play that.

I'm trying.

Woo!

Come on biscuits and buttercups.

Anyways, like I was saying, soloing over a restriction.

So the restriction in this instance,

quarter note challenge, but a little bit different than how I showed it in the Meinl videos a few years ago.

100

In this case, I'm just working on a specific part of the skills that I feel like I'm lacking in.

101

By the way, I got this idea from a solo that Terry Angoli did with Christian McBride.

102

So I did not make this up.

103

I saw him do a solo,

104

and I just thought, that'd be easy.

105

And then I went, yeah, I think we're good.

106

So I had to practice it.

107

Now where I feel like I'm lacking is right hand and bass drum together on the hi-hat against this.

108

So you can think of like what could you do?

109

You can do in between.

110

Maybe some odd groupings.

111

What would fives sound like against this?

112

Cool.

113

Some polyrhythmic stuff.

114

115

Things like that.

116

So I'm just working on that.

117

It sounds like this.

118

Ah, come on!

119

120

So as you can tell,

121

I'm still working on it.

122

And that's what I'm trying to tell you is I'm practicing these every day because I don't have them down.

123

If I had it down I would just nail a solo out for you and go like,

124

Yep, still working on it.

125

It's like, are you?

126

Or are you just making yourself feel better by playing things you can already play?

127

I don't have this down yet.

128

I'm trying things.

129

I'm going for them.

130

And I'm physically not able to do that.

131

Those threes?

132

Ah, I want those threes!

133

And they're within reach, right?

134

Like, you know what it's like to have something within reach where you're like,

135

I can think of it and I'm so close to do it,

136

but I just can't.

137

So what's it going to take?

138

Oh yeah, practice.

139

So, YouTubers, I hope you got something out of seeing a little bit of the process,

140

seeing what I'm working on right now,

141

every single day, chipping away at it one note at a time,

142

not getting disgusted with myself,

143

not thinking, oh, I'm the worst drummer ever.

144

It's like, it's just going to take time.

145

I'm going to have to chip away at this stuff,

146

and so will you for whatever it is you're working on.

147

Hope you enjoyed this.

148

Please like, subscribe, all that good stuff.

149

And if you're going to the Meinl Drum Festival,

150

I will see you there.

151

If you're going to the UK Drum Show,

152

I will see you there.

153

I've got my own room this year called the Mike Johnson Education Room.

154

It'll be me, Richard Spaven,

155

Carter McLean, and Matt Griner from August Burns Red.

156

So I'm very excited about that.

157

So hopefully I'll see you there.

158

If not, I will just talk to you in the comments below.

159

Oh yeah, and check the description.

160

Everyone asks about notation and like this metronome, all this stuff.

161

All the information you could ever need is in the description below.

162

But until next time, go practice.

TRENDING

ยอดนิยม

เทคนิค Shadowing คืออะไร?

Shadowing เป็นเทคนิคการเรียนรู้ภาษาที่ได้รับการรับรองทางวิทยาศาสตร์ พัฒนาขึ้นสำหรับการฝึกนักแปลมืออาชีพ วิธีการนี้เรียบง่ายแต่ทรงพลัง: คุณฟังเสียงภาษาอังกฤษจากเจ้าของภาษาและพูดตามทันที — เหมือนเงาที่ตามผู้พูดด้วยช่วงเวลาห่าง 1-2 วินาที การวิจัยแสดงว่าเทคนิคนี้ปรับปรุงความแม่นยำในการออกเสียง ทำนองเสียง จังหวะ การเชื่อมเสียง การฟังเข้าใจ และความคล่องแคล่วในการพูดได้อย่างมีนัยสำคัญ

☕ เลี้ยงกาแฟเราสักแก้ว

ShadowingEnglish ยังคงเปิดให้ใช้งาน ฟรี 100% ได้ด้วยการสนับสนุนจากคุณ ค่าใช้จ่ายสำหรับเซิร์ฟเวอร์และ AI นั้นสูงมาก — กาแฟของคุณช่วยให้เราเดินหน้าต่อไปได้! 🙏

บริจาคผ่าน PayPal

ShadowingEnglish.com – ฝึกพูดภาษาอังกฤษแบบ Shadowing

ฝึกพูดภาษาอังกฤษด้วยเทคนิค Shadowing จากวิดีโอ: 3 Things I Practice Everyday - Drum Lesson

ยอดนิยม

เกี่ยวกับบทเรียนนี้

คำศัพท์และวลีสำคัญ

เคล็ดลับการฝึกฝน

เทคนิค Shadowing คืออะไร?

ฝึกพูดภาษาอังกฤษด้วยเทคนิค Shadowing จากวิดีโอ: 3 Things I Practice Everyday - Drum Lesson

ดาวน์โหลดแอป

เกี่ยวกับบทเรียนนี้

คำศัพท์และวลีสำคัญ

เคล็ดลับการฝึกฝน

เทคนิค Shadowing คืออะไร?