ฝึกพูดภาษาอังกฤษด้วยเทคนิค Shadowing จากวิดีโอ: How To Get Started With Blues Solo on Guitar

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162 ประโยค

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Hey, how you doing?

Justin here.

Today we are checking out a beginner's blue solo complete with a turnaround and an intro.

It's mostly using the minor pentatonic scale, but there's a couple of other little sneaky notes.

As you progress along your guitar journey, you'll find that you kind of base things around scales, but you can add in plenty of other stuff if it sounds good.

I'm going to break it down into little sections for you.

The first bit we're going to look at, strangely, is the intro, which is a great little intro for this particular range, but you could use it for any blues in the key of A.

OK, so we're starting with what essentially is a D7 grip.

But with the first finger, it's going to be in the 8th fret.

So the 8th fret of the 2nd string, 1st finger, 2nd finger's going down the 9th fret on the 3rd string,

and 3rd finger's going on the 9th fret on the thinnest string.

This is actually an A7 chord.

Another way of playing A7.

So we're gonna play that twice, probably 2 downstrokes, and just playing those thinnest 3 strings.

Then we're gonna move it down 1 fret and do another 2 downstrokes.

Move it down another fret, and another 2 down strokes.

Then we're gonna play, the 1st finger's gonna bar the thinnest 2 strings at the 5th fret.

And then we're gonna play 8th fret on the 2nd string, followed by 5th fret on the 2nd string.

You could use your little finger there, or your 3rd finger, it doesn't really matter.

Now, first step would be just getting the chords right, getting the shape okay.

You should be fairly confident with that if you've already checked out your D7.

It's not a particularly hard shape.

Once you've got the actual kind of the notes under your fingers you need to start thinking about the rhythm.

Now this is actually starting on beat 2.

So you're going to count 1,

2 and 3 and 4 and 1, 2 and 3, 4 and then the rest of the blues song will start.

Okay?

So again, we're going to start on beat 2.

3, 4, 1.

2 and 3 and 4 and 1.

2 and 3, 4.

Now, I want you to just stick with that, but if you're a bit more confident, you've done something like this before, you can muck around with these notes.

. Or .

You could use any order of those.

As long as you stick with those notes, you could have a little bit of a play around and see if you can come up with something else.

The next phrase we're going to look at is played over the A chord.

It's two bars long.

It goes like this.

Okay, straight down the minor pentatonic, which I'm hoping you're familiar with a bit by now.

1st finger, 5th fret of the thinnest string.

3rd finger, or a little finger, on the 8th fret of the 2nd string.

1st finger on the 5th fret, still on the 2nd string.

Continuing down the scale, 3rd finger, 7th fret on the 3rd string.

1st finger on the 5th fret of the 3rd string, we're gonna play that twice.

Before finishing on the note A, 3rd finger, 7th fret, 4th string.

This is starting on beat 1, we have 1, 2, 3, 4, 1, 2, and 3,

4, 1, 2, and, there with the first finger, that's on beat 1, 2,

and, 1, 2, 3, 4, 1, 2, and 3, 4, okay?

Try and keep that count.

Keeping in time is really important.

1, 2, 3, 4.

1, 2, and 3, 4.

The next phrase that we look at is kind of an answer to the first one.

Pretty simple.

So starting with the 1st finger, 5th fret, thinner string.

3rd finger or little finger on the 8th fret, same string.

Back to the 1st note.

8th fret on the 2nd string.

And back again to the root note.

1, 2, 3, 4.

2, 3, 4.

1, 2, 3, 4.

Okay?

Let's put those 2 together now.

So, 2, 3, 4.

1, 2, 3, 4.

1, 2, and 3, 4.

1, 2, 3, 4.

At this point, the chord changes to a D, so make sure that you're at that spot.

If you happen to be jamming with somebody else, you want to hear that chord change, and then you know you're in the right spot.

Next phrase goes like this.

Okay, 7th fret, on the 3rd string, with the 3rd finger.

Play it again, 1st finger, 5th fret, and then back.

1, 2, and 3, 4.

The 2nd half of the phrase starts exactly the same, But then we go 1st finger,

5th fret, 2nd string, 1st finger, 5th fret, 3rd string.

So you've got to skip over there, and then we're finishing on our root note again, the 7th fret of the 4th string.

That whole phrase together, 1, 2, and 3, 4, 1,

2, and 3, and 4, four, one, two, three, four, and.

And then we're just adding this little bit here, first finger on the fifth fret of the thinner string, either third finger or little finger,

it doesn't matter, on the eighth fret of the second string.

It's just like a little...

little answer in the gap there.

So, that four bars, which is where it moves to the D, and then back to the A chord, is gonna be this.

3, 4, 1, 2, and 3, 4, 1, 2, and 3,

and 4, 1, 2, 3, 4, and 1, 2, 3, 4.

We're at the last 4 bars now, so the chords are going to be going E, D, A, and E for 1 bar each, and the lead guitar is going to play this.

OK, so we're starting 1st finger, 5th fret, 2nd string.

Then 3rd finger or little finger on the 8th fret of the 2nd string again.

1, 2 and 3, 4.

Now same as we have before.

1, 2, and 3, 4, okay, 7, or 3rd string this is, 7, 7, 5, 7, 5,

1, 2, and 3, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3.

Okay, so we've got here, we're going from the 7th fret with the 3rd finger, 1st finger playing the 5th fret, this is all on the 4th string,

down 1 fret, down 1 fret, and we've got 4 picks there when the 1st finger reaches the 2nd fret.

1, 2, 3, 4, 1 and 2 and 3, 4.

100

I would recommend that you practice each of the chunks individually before you start trying to piece it together.

101

Once you're confident with all of the bits, have a go at playing it through and trying to keep the tempo as even as you can.

102

Remember, ideally you want to play it with a backing track, or another human being.

103

So, the first step to that is trying to keep the tempo as consistent as you can.

104

Before you try playing it with a backing track, you want to be able to do it on your own, and try and recognize if there's any bits where you may be slowing down a little bit, because a backing track won't stop.

105

And, you know, you want to try and practice it with a consistent tempo, your own consistent tempo, registering where you might be a little bit wobbly.

106

practice those bits and then practice again playing the whole thing.

107

So don't always feel like you have to practice from the beginning to the end.

108

You want to just try that and if there's a bit that's really difficult, go back and work on that one little bit and then go back to playing it all of the way through.

109

So once you've had, you're confident with the bits, just have a go real slow maybe.

110

two three four one two and three and four

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and one two and three four one two three four one two

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and three four one two three four one two three 4,

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1, 2 and 3, 4, 1, 2 and 3 and 4,

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1, 2, 3, 4 and 1,

115

2, 3, 4, 1, 2 and 3,

116

4, 1, 2 and 3, 4, 1, 2 and 3,

117

4, 3, 4, 1, and 2, and 3, 4.

118

At this stage, you shouldn't worry too much about the picking.

119

You can use all down picks if you want to incorporate some upstrokes as well.

120

That's totally fine.

121

Doesn't really matter.

122

Important things are trying to get the notes right to pick the right strings

123

and not let the open strings be ringing out all of the time

124

and hitting the wrong ones and making sure you stay in time.

125

Now, that said, this is supposed to be an example of a blues solo.

126

It's not really a set thing that you have to learn.

127

If you want to play around with it a little bit, experiment by changing up the rhythm, adding in some extra notes, all of that sort of stuff is cool.

128

In fact, it's to be encouraged, but I would recommend having a go at playing it as written, first of all.

129

Okay, let's have a go at playing it through at 60 beats per minute.

130

The original is 94, so let's have a go at doing that now.

131

Thank you.

132

So really important is that first stage of actually being able to play along at whatever tempo.

133

Now 60 is kind of a good amount that you should be able to handle fairly confidently, fairly soon.

134

But then you gradually want to work your way up to playing it at full speed.

135

Now one thing that I want to mention that I noticed myself doing

136

that even though I'm trying not to is adding things like vibrato and little curls on the notes, little inflections.

137

I don't recommend that you start off exploring that sort of stuff.

138

It could get a bit confusing, it's not something we've really covered yet, we will be covering it very soon.

139

but I think a lot of people get hung up on that a little early and it can cause a few problems.

140

So I'd recommend just not worrying about it.

141

Don't try and shake the guitar around and perhaps practice a technique the wrong way.

142

Just try and get the notes right.

143

Think about your touch, think about your tone.

144

Try and make it sound and feel as good as you can.

145

Don't be afraid to experiment once you've got the original one down

146

and we're going to be talking about actually making up your own version, like properly improvising, very, very soon.

147

The second guitar part is a 12 -bar blues shuffle riff, which is something that we're covering in this lesson as well.

148

So if you happen to have a jam buddy, a fantastic thing to do is to practice playing this.

149

So one person's gonna be doing the rhythm guitar, the 12 -bar blues shuffle riff.

150

The other person would maybe play this set solo, then improvise for a couple of rounds, and then you would swap over.

151

For most beginners, that will involve stopping.

152

As you get better, you might be able to find that you can, whoever's playing the lead guitar can kind of join in on the rhythm so it becomes seamless, but that's not something I would expect most beginners to be very comfortable doing.

153

So it's okay to play for a little bit and then stop and take turns.

154

Whatever you do, if you get into doing this playing with somebody else, make sure that you share out the soloing, okay?

155

Nothing worse than when you have a jam with someone

156

and they take a solo for ages and they don't want to play the rhythm part.

157

That's not cool.

158

So make sure you play even Stevens there.

159

So if you take four times around doing a solo, then you make sure you play rhythm four times around for whoever it is that you're playing with as well.

160

I'm sure you're going to enjoy this loads of fun, and I'll see you for plenty more very soon.

161

You all take care of yourselves.

162

Bye -bye.

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✨ วิดีโอแนะนำ

284 ประโยค

คำศัพท์และข้อสังเกตด้านการพูดสำหรับบทเรียนนี้

บทเรียนฝึกพูดนี้ใช้วิดีโอ “How To Get Started With Blues Solo on Guitar” เป็นสื่อ คำที่ถูกพูดซ้ำบ่อยที่สุด: fret, finger, string, note, guitar วิดีโอนี้มี 43 ประโยค และ 1846 คำ สำหรับฝึกพูดตาม ช่วงที่มีเสียงพูดยาว 14:51 ผู้พูดพูดด้วยความเร็วสม่ำเสมอ ประมาณ 124 คำต่อนาที เหมาะกับการฝึกพูดตาม มีเพียง 81% ของคำที่อยู่ใน 3,000 คำที่ใช้บ่อยที่สุดในภาษาอังกฤษ คำศัพท์จึงค่อนข้างยาก จากทั้งหมด 43 ประโยค มี 7 ประโยคเป็นคำถาม จึงเหมาะสำหรับฝึกน้ำเสียงประโยคคำถามและการตอบสั้น ๆ

คำศัพท์สำคัญในวิดีโอนี้

คำที่ควรเรียนรู้ 15 คำจากวิดีโอ พร้อมคำอ่านและความหมาย:

คำศัพท์	คำอ่าน	ความหมาย
finger คำนาม	/ˈfɪŋɡɚ/	นิ้ว
string คำนาม	/stɹɪŋ/	ด้าย, เชือก
guitar คำนาม	/ɡɪˈtɑɹ/	กีตาร์
chord คำนาม	/kɔɹd/	คอร์ด
thin คำคุณศัพท์	/ˈθɪn/	บาง
phrase คำนาม	/ˈfɹeɪ̯z/	วลี, ประโยค
experiment คำนาม	/ɪkˈspɛɹ.ə.mənt/	การทดลอง
beginner คำนาม	/bəˈɡɪnɚ/	มือใหม่
lesson คำนาม	/ˈlɛs.ən/	บทเรียน
technique คำนาม	/tɛkˈniːk/	เทคนิค, กลเม็ด
encourage คำกริยา	/ɪnˈkʌɹ.ɪd͡ʒ/	ให้กำลังใจ, ส่งเสริม
shake คำกริยา	/ˈʃeɪk/	เขย่า
explore คำกริยา	/ɪkˈsploɹ/	สำรวจ
jam คำนาม	/ˈd͡ʒæm/	แยม
ninth คำคุณศัพท์	/naɪnθ/	ที่เก้า

กริยาวลีที่คุณจะได้ยิน

คำศัพท์	ความหมาย
go back คำกริยา	กลับไป

ไวยากรณ์ในวิดีโอนี้

โครงสร้างที่ผู้พูดใช้บ่อยที่สุด พร้อมคำพูดจริงจากวิดีโอ:

โครงสร้าง	ในวิดีโอ
Present perfect have/has + กริยาช่อง 3 — เหตุการณ์ในอดีตที่ยังเกี่ยวข้องกับปัจจุบัน	you've already checked · you've done · you've had
Relative clauses who / which + อนุประโยค — ข้อมูลเพิ่มเติมเกี่ยวกับคนหรือสิ่งของ	intro, which is · bars, which is · riff, which is
Passive voice be + กริยาช่อง 3 — เน้นสิ่งที่เกิดขึ้น ไม่ใช่ผู้กระทำ	is played · be encouraged
คำแนะนำด้วย “should” should + กริยา — บอกสิ่งที่ควรทำ	should be · shouldn't worry

การออกเสียงที่ควรระวัง

ผู้พูดใช้รูปย่อและรูปลดเสียง 76 ครั้ง เช่น gonna, we're, wanna ให้พูดแบบสั้นตามที่ได้ยิน

เสียง “th”: thin /ˈθɪn/, ninth /naɪnθ/
เสียง “sh” และ “zh”: essentially /ɪˈsɛnʃəli/, shake /ˈʃeɪk/, shuffle /ˈʃʌfəl/, inflection /ɪnˈflɛkʃən/
คำยาว — ลงเสียงหนักให้ถูกพยางค์: experiment /ɪkˈspɛɹ.ə.mənt/, essentially /ɪˈsɛnʃəli/, individually /ˌɪndɪˈvɪd͡ʒ(u)əli/, incorporate /ɪŋˈkɔɹ.pɚ.eɪt/, ideally /aɪˈdi.ə.li/

เสียงที่คนไทยมักออกเสียงยาก:

เสียงท้ายคำ — ออกเสียงให้ครบ ไม่เปลี่ยนเป็นตัวสะกดแบบไทย: phrase /ˈfɹeɪ̯z/, encourage /ɪnˈkʌɹ.ɪd͡ʒ/, involve /ɪnˈvɑlv/, ninth /naɪnθ/, yourselves /jəˈsɛlvz/
/v/ — ไม่ใช่ /w/ ให้ฟันบนแตะริมฝีปากล่าง: whoever /huˈɛvɚ/, involve /ɪnˈvɑlv/, individually /ˌɪndɪˈvɪd͡ʒ(u)əli/, yourselves /jəˈsɛlvz/, improvise /ˈɪm.pɹə.vaɪz/
/z/ — เสียงก้อง ไม่ใช่ /s/: phrase /ˈfɹeɪ̯z/, yourselves /jəˈsɛlvz/, confuse /kənˈfjuːz/, improvise /ˈɪm.pɹə.vaɪz/

วิธีฝึกกับวิดีโอนี้

ฟังวิดีโอให้จบหนึ่งรอบโดยยังไม่ต้องพูด แล้วจดคำที่ยังไม่รู้จัก
พูดตามทีละประโยคด้วยความเร็วปกติ ทำซ้ำแต่ละประโยคจนจังหวะของคุณตรงกับผู้พูด
อัดเสียงตัวเองแล้วเทียบกับต้นฉบับ โดยสังเกตคำอย่าง finger, string, guitar เป็นพิเศษ

เทคนิค Shadowing คืออะไร?

Shadowing เป็นเทคนิคการเรียนรู้ภาษาที่ได้รับการรับรองทางวิทยาศาสตร์ พัฒนาขึ้นสำหรับการฝึกนักแปลมืออาชีพ วิธีการนี้เรียบง่ายแต่ทรงพลัง: คุณฟังเสียงภาษาอังกฤษจากเจ้าของภาษาและพูดตามทันที — เหมือนเงาที่ตามผู้พูดด้วยช่วงเวลาห่าง 1-2 วินาที การวิจัยแสดงว่าเทคนิคนี้ปรับปรุงความแม่นยำในการออกเสียง ทำนองเสียง จังหวะ การเชื่อมเสียง การฟังเข้าใจ และความคล่องแคล่วในการพูดได้อย่างมีนัยสำคัญ

เทคนิค shadowing: อ่านคู่มือฉบับเต็มทีละขั้นตอน →

ฝึกพูดภาษาอังกฤษด้วยเทคนิค Shadowing จากวิดีโอ: How To Get Started With Blues Solo on Guitar

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คำศัพท์และข้อสังเกตด้านการพูดสำหรับบทเรียนนี้

คำศัพท์สำคัญในวิดีโอนี้

กริยาวลีที่คุณจะได้ยิน

ไวยากรณ์ในวิดีโอนี้

การออกเสียงที่ควรระวัง

วิธีฝึกกับวิดีโอนี้

เทคนิค Shadowing คืออะไร?