跟读练习: Munky (Korn) - talks tips, tricks & guitar hacks - 通过视频学习英语口语

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Hey what's up everybody this is Monkey and I am the guitarist, one of the guitarists for the band Korn.

And we're at Copenhagen.

We had a great set.

It started out and I wasn't sure if what the fans were going to be like.

And you know we're playing with some legends today and it's a real honor to share this same stage with them.

I'm very grateful that our band has lasted so long to make it to this point, to get to play with bands like Judas Priest, Kiss.

Amazing.

Okay, question one.

I feel like tone is always personal preference, and everybody likes a different sort of flavor.

If you look at it, kind of like, some people like extra cheese on their pizza.

Or, you know, I tend to like a little bit like some of the mids scooped.

But it depends on what you're doing.

I think everybody's different.

And I don't think you can really, if it feels good to play, it feels like an extension of what you want to hear, then that's a perfect tone for me.

I always feel like people overlook cables.

Cables are so important.

You have to have high quality cables.

And you're going to get the best sound.

And also make sure that you have good pickups.

These two, I think, can make or break your sound that you're trying to achieve.

I've been experimenting more with pickups.

And I've been trying some Seymour Duncans, some Fishmans, and I've been trying them with the Ibanez,

and with the DiMarzios, and kind of ABing them.

And they're all so different.

So I'm trying to figure out what's going to be in my new guitar.

I was just telling somebody about this story on the way over here to the show.

And the first time I heard a Black Sabbath record, I was like, what is that?

And the distortion in the guitar.

And then I heard Eddie Van Halen, Eruption.

First I heard Running With The Devil, and then Eruption follows it on the record.

And I was just like, I was baffled by the sound.

I didn't know what it was.

I was I think I was nine years old I was like how can I how can I do

that what do I I still you can't really

but the sound the energy the the attitude everything about it

I just I wanted to be I had to know it

I had to know like what how is the guitar distorted

how is it overdriven I wanted to know everything about it

so that's that kind of sent me on my on my journey in my path

and then I started following guys like Steve Vai and all these shredders, Joe Satriani.

And then I discovered what Jimmy Page was doing

and a lot of older players and and now I kind of appreciate so many different guitarists in in every genre really.

Recently I've started to kind of go back and relearn our old songs because when we first started

we didn't know what you know this is a minor core

this is a major this goes from a major to a minor

and with a flat five we we didn't know the theory behind what we were doing

so for me i'm learning how all this language of theory works

and how we applied it and didn't know

so i'm i'm trying to take what we did

and kind of like re-engineer moving forward and learning all this stuff now

so i feel like um i'm kind of educating myself on theory

and it's opening new doors for me musically with the guitar it's kind of like a new thing for me

so it's that's a lot it's been a lot lot of fun.

So around 1997, Fieldy, Head,

and myself were in London and Rage Against the Machine was playing at the Reading Festival.

And we had a day off, so we decided to drive out to the show.

We had our manager at the time rented a van and we drove out there and he was a nervous wreck.

But anyways, the best concert experience because they let us come on stage.

And if anybody knows Rage Against Pichette, they don't want anybody on their stage.

But we asked Tom Morello, who's such a nice guy.

And we asked him, can we please come on stage and watch?

He's like, I don't know.

I got to ask the other guys.

He went and asked the other guys.

They said, cool, but just make sure that they're tucked away and not seen.

And they let us watch from up on the stage and we've never seen a crowd like that.

I mean, they've broken to Bulls on Parade.

It's right when Bulls on Parade and the Ava Empire album came out.

And it was unbelievable.

Best concert experience ever.

If I had to be stranded on a desert island with one effect pedal, I think a delay pedal.

Probably a flashback delay pedal.

Because delay, you can play off of it.

It's almost like you can use it in a tempo type of way

and do a call and answer depending on what the setting is.

Or you can give it a slap back and make it almost sound like a reverb or an echo-y type of way.

But I feel like that has the most diverse effect for me.

Thanks a lot.

Thank you to TC for supporting Korn for, I don't know, 20 years.

So thank you so much.

Thank you.

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Joey Belladonna interview - NAMM 2012

Daily ConversationWorking Adults

FOR YOU

本课的词汇与口语要点

这段视频共有 81 个句子、941 个单词可供跟读。讲话部分时长为 5:58。说话人语速自然，每分钟约 158 个词，接近日常对话。 82% 的单词属于英语最常用的 3,000 词，其余的词建议在练习前先学一下。

视频中的重点词汇

视频中 15 个值得学习的单词，附发音和释义：

单词	发音	释义
guitar 名词	/ɡɪˈtɑɹ/	吉他, 六弦琴
delay 名词	/dɪˈleɪ̯/	遲延 /迟延, 延遲 /延迟
pedal 名词	/ˈpɛdəl/	踏板, 腳蹬子 /脚蹬子
guitarist 名词	/ɡɪˈtɑɹɪst/	吉他手
tone 名词	/ˈtəʊn/	全音
depend 动词	/dɪˈpɛnd/	信任, 信賴 /信赖
pickup 名词	/ˈpɪkʌp/	拾音器
legend 名词	/ˈlɛd͡ʒ.ənd/	傳說 /传说
pizza 名词	/ˈpi.tsə/	比薩 /比萨, 披薩 /披萨
desert 名词	/ˈdɛz.ɚt/	гуәбый, гуәбыйтан
discover 动词	/dɪˈskʌvə/	發現 /发现, 發覺 /发觉
experiment 名词	/ɪkˈspɛɹ.ə.mənt/	實驗 /实验
grateful 形容词	/ˈɡɹeɪtf(ə)l/	感激, 感謝 /感谢
diverse 形容词	/daɪˈvɜːs/	多種多樣的 /多种多样的, 多種的 /多种的
genre 名词	/ˈ(d)ʒɑnɹə/	風格 /风格, 類型 /类型

视频中出现的短语动词

单词	发音	释义
come out 动词	/ˌkʌm ˈaʊt/	出, 出來 /出来
figure out 动词		弄清楚
go back 动词		回去, 返回

视频中的语法

说话人最常用的结构，并附上视频中的原话：

结构	视频中的用法
现在完成进行时 have/has been + -ing — 以前开始、现在仍在继续的动作	I've been experimenting · I've been trying
现在完成时 have/has + 过去分词 — 过去发生但与现在仍有关联的事	has lasted · I've started · it's been
被动语态 be + 过去分词 — 强调发生了什么，而不是谁做的	was baffled · be stranded

需要注意的发音

说话人用了 29 次缩略和弱读形式，例如 I'm, didn't, don't。请按听到的简短形式来说。

“sh” 和 “zh” 音: extension /ɪkˈstɛnʃən/, genre /ˈ(d)ʒɑnɹə/, distortion /dɪsˈtɔːʃən/, flashback /ˈflæʃ.bæk/, shredder /ʃɹɛdə(ɹ)/
长单词——注意重音位置: experiment /ɪkˈspɛɹ.ə.mənt/, unbelievable /ˌʌnbɪˈliːvəbl̩/, musically /ˈmjuːzɪkəli/

如何用这段视频练习

先完整听一遍视频，不要开口，记下不认识的单词。
先用 0.75 倍速逐句跟读，熟练之后再回到正常速度。
录下自己的声音并与原声对比，特别注意 guitar, delay, pedal 这类单词。

什么是跟读法？

跟读法 (Shadowing) 是一种有科学依据的语言学习技巧，最初开发用于专业口译员的培训，并由多语言者Alexander Arguelles博士普及。这个方法简单而强大：您在听英语母语原声的同时立即大声重复——就像是一个延迟1-2秒紧跟说话者的影子。与被动听力或语法练习不同，跟读法强迫您的大脑和口腔肌肉同时处理并模仿真实的讲话模式。研究表明它能显着提高发音准确性，语调，节奏，连读，听力理解和口语流利度——使其成为雅思口语备考和真实英语交流最有效的方法之一。

影子跟读法: 阅读完整分步指南 →

跟读练习: Munky (Korn) - talks tips, tricks & guitar hacks - 通过视频学习英语口语

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