Shadowing Practice: Munky (Korn) - talks tips, tricks & guitar hacks - Learn English Speaking with Video
Ders oluşturuluyor...
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Hey what's up everybody this is Monkey and I am the guitarist, one of the guitarists for the band Korn.
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And we're at Copenhagen.
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We had a great set.
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It started out and I wasn't sure if what the fans were going to be like.
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And you know we're playing with some legends today and it's a real honor to share this same stage with them.
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I'm very grateful that our band has lasted so long to make it to this point, to get to play with bands like Judas Priest, Kiss.
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Amazing.
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Okay, question one.
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I feel like tone is always personal preference, and everybody likes a different sort of flavor.
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If you look at it, kind of like, some people like extra cheese on their pizza.
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Or, you know, I tend to like a little bit like some of the mids scooped.
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But it depends on what you're doing.
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I think everybody's different.
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And I don't think you can really, if it feels good to play, it feels like an extension of what you want to hear, then that's a perfect tone for me.
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I always feel like people overlook cables.
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Cables are so important.
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You have to have high quality cables.
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And you're going to get the best sound.
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And also make sure that you have good pickups.
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These two, I think, can make or break your sound that you're trying to achieve.
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I've been experimenting more with pickups.
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And I've been trying some Seymour Duncans, some Fishmans, and I've been trying them with the Ibanez,
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and with the DiMarzios, and kind of ABing them.
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And they're all so different.
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So I'm trying to figure out what's going to be in my new guitar.
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I was just telling somebody about this story on the way over here to the show.
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And the first time I heard a Black Sabbath record, I was like, what is that?
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And the distortion in the guitar.
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And then I heard Eddie Van Halen, Eruption.
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First I heard Running With The Devil, and then Eruption follows it on the record.
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And I was just like, I was baffled by the sound.
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I didn't know what it was.
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I was I think I was nine years old I was like how can I how can I do
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that what do I I still you can't really
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but the sound the energy the the attitude everything about it
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I just I wanted to be I had to know it
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I had to know like what how is the guitar distorted
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how is it overdriven I wanted to know everything about it
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so that's that kind of sent me on my on my journey in my path
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and then I started following guys like Steve Vai and all these shredders, Joe Satriani.
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And then I discovered what Jimmy Page was doing
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and a lot of older players and and now I kind of appreciate so many different guitarists in in every genre really.
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Recently I've started to kind of go back and relearn our old songs because when we first started
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we didn't know what you know this is a minor core
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this is a major this goes from a major to a minor
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and with a flat five we we didn't know the theory behind what we were doing
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so for me i'm learning how all this language of theory works
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and how we applied it and didn't know
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so i'm i'm trying to take what we did
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and kind of like re-engineer moving forward and learning all this stuff now
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so i feel like um i'm kind of educating myself on theory
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and it's opening new doors for me musically with the guitar it's kind of like a new thing for me
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so it's that's a lot it's been a lot lot of fun.
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So around 1997, Fieldy, Head,
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and myself were in London and Rage Against the Machine was playing at the Reading Festival.
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And we had a day off, so we decided to drive out to the show.
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We had our manager at the time rented a van and we drove out there and he was a nervous wreck.
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But anyways, the best concert experience because they let us come on stage.
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And if anybody knows Rage Against Pichette, they don't want anybody on their stage.
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But we asked Tom Morello, who's such a nice guy.
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And we asked him, can we please come on stage and watch?
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He's like, I don't know.
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I got to ask the other guys.
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He went and asked the other guys.
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They said, cool, but just make sure that they're tucked away and not seen.
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And they let us watch from up on the stage and we've never seen a crowd like that.
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I mean, they've broken to Bulls on Parade.
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It's right when Bulls on Parade and the Ava Empire album came out.
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And it was unbelievable.
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Best concert experience ever.
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If I had to be stranded on a desert island with one effect pedal, I think a delay pedal.
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Probably a flashback delay pedal.
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Because delay, you can play off of it.
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It's almost like you can use it in a tempo type of way
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and do a call and answer depending on what the setting is.
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Or you can give it a slap back and make it almost sound like a reverb or an echo-y type of way.
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But I feel like that has the most diverse effect for me.
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Thanks a lot.
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Thank you to TC for supporting Korn for, I don't know, 20 years.
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So thank you so much.
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Thank you.
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Bu dersin kelimeleri ve konuşma notları
Bu videoda gölgeleme çalışması için 81 cümle ve 941 kelime var. Konuşma bölümü 5:58 sürüyor. Konuşmacı dakikada yaklaşık 158 kelimeyle, günlük konuşmaya yakın doğal bir hızda konuşuyor. Kelimelerin %82’i İngilizcede en sık kullanılan 3.000 kelime arasında; geri kalanına başlamadan önce bakmakta fayda var.
Bu videodaki önemli kelimeler
Videodan öğrenmeye değer 15 kelime, telaffuzu ve anlamıyla:
| Kelime | Telaffuz | Anlam |
|---|---|---|
| guitar isim | /ɡɪˈtɑɹ/ | gitar |
| delay isim | /dɪˈleɪ̯/ | gecikme, rötar |
| pedal isim | /ˈpɛdəl/ | pedal, ayaklık |
| tone isim | /ˈtəʊn/ | ton |
| extension isim | /ɪkˈstɛnʃən/ | uzatma, teşmil |
| legend isim | /ˈlɛd͡ʒ.ənd/ | efsane |
| pizza isim | /ˈpi.tsə/ | pizza |
| desert isim | /ˈdɛz.ɚt/ | çöl |
| discover fiil | /dɪˈskʌvə/ | keşfetmek |
| experiment isim | /ɪkˈspɛɹ.ə.mənt/ | deney (n), tecrübe |
| grateful sıfat | /ˈɡɹeɪtf(ə)l/ | minnettar, müteşekkir |
| preference isim | /ˈpɹɛf(ə)ɹ(ə)ns/ | tercih |
| unbelievable sıfat | /ˌʌnbɪˈliːvəbl̩/ | inanılmaz |
| echo isim | /ˈɛk.oʊ/ | yankı |
| flavor isim | /ˈfleɪvə/ | çeşni |
Duyacağınız deyimsel fiiller
| Kelime | Telaffuz | Anlam |
|---|---|---|
| come out fiil | /ˌkʌm ˈaʊt/ | çıkmak |
| figure out fiil | açığa çıkarmak |
Bu videodaki dil bilgisi
Konuşmacının en çok kullandığı yapılar, videodaki sözcüklerin aynısıyla:
| Yapı | Videoda |
|---|---|
| Present perfect continuous have/has been + -ing — önceden başlayıp hâlâ süren bir eylem | I've been experimenting · I've been trying |
| Present perfect have/has + fiilin üçüncü hâli — geçmişte olan ama şimdi de önemli olan bir eylem | has lasted · I've started · we've never seen |
| Edilgen yapı be + fiilin üçüncü hâli — kimin yaptığı değil, ne olduğu önemli | was baffled · be stranded |
Dikkat edilecek telaffuzlar
Konuşmacı I'm, didn't, don't gibi kısaltılmış biçimleri 29 kez kullanıyor. Bunları duyduğunuz gibi kısa söyleyin.
- “sh” ve “zh” sesleri: extension /ɪkˈstɛnʃən/, genre /ˈ(d)ʒɑnɹə/, distortion /dɪsˈtɔːʃən/, flashback /ˈflæʃ.bæk/, shredder /ʃɹɛdə(ɹ)/
- Uzun kelimeler — vurguyu doğru yere koyun: experiment /ɪkˈspɛɹ.ə.mənt/, unbelievable /ˌʌnbɪˈliːvəbl̩/, musically /ˈmjuːzɪkəli/
Bu videoyla nasıl çalışılır
- Videonun tamamını konuşmadan bir kez dinleyin ve bilmediğiniz kelimeleri not edin.
- 0,75× hızla başlayın, cümle cümle tekrar edin ve kolaylaşınca normal hıza dönün.
- Kendinizi kaydedin ve orijinaliyle karşılaştırın; guitar, delay, pedal gibi kelimelere özellikle dikkat edin.
Gölgeleme Tekniği Nedir?
Gölgeleme, başlangıçta profesyonel tercüman eğitimi için geliştirilen ve çok dilli Dr. Alexander Arguelles tarafından popüler hale getirilen, bilim destekli bir dil öğrenme tekniğidir. Yöntem basit ama güçlüdür: ana dili İngilizce olan bir sesi dinler ve hemen yüksek sesle tekrar edersiniz — konuşmacıyı 1-2 saniye gecikmeyle takip eden bir gölge gibi. Pasif dinleme veya dilbilgisi alıştırmalarının aksine, gölgeleme beyninizi ve ağız kaslarınızı gerçek konuşma kalıplarını eşzamanlı olarak işlemeye ve yeniden üretmeye zorlar. Araştırmalar, telaffuz doğruluğu, tonlama, ritim, bağlı konuşma, dinleme anlama ve konuşma akıcılığını önemli ölçüde geliştirdiğini göstermektedir — bu da onu IELTS Konuşma hazırlığı ve gerçek dünya İngilizce iletişimi için en etkili yöntemlerden biri yapar.