跟讀練習: Munky (Korn) - talks tips, tricks & guitar hacks - 通過影片學習英語口語

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Hey what's up everybody this is Monkey and I am the guitarist, one of the guitarists for the band Korn.

And we're at Copenhagen.

We had a great set.

It started out and I wasn't sure if what the fans were going to be like.

And you know we're playing with some legends today and it's a real honor to share this same stage with them.

I'm very grateful that our band has lasted so long to make it to this point, to get to play with bands like Judas Priest, Kiss.

Amazing.

Okay, question one.

I feel like tone is always personal preference, and everybody likes a different sort of flavor.

If you look at it, kind of like, some people like extra cheese on their pizza.

Or, you know, I tend to like a little bit like some of the mids scooped.

But it depends on what you're doing.

I think everybody's different.

And I don't think you can really, if it feels good to play, it feels like an extension of what you want to hear, then that's a perfect tone for me.

I always feel like people overlook cables.

Cables are so important.

You have to have high quality cables.

And you're going to get the best sound.

And also make sure that you have good pickups.

These two, I think, can make or break your sound that you're trying to achieve.

I've been experimenting more with pickups.

And I've been trying some Seymour Duncans, some Fishmans, and I've been trying them with the Ibanez,

and with the DiMarzios, and kind of ABing them.

And they're all so different.

So I'm trying to figure out what's going to be in my new guitar.

I was just telling somebody about this story on the way over here to the show.

And the first time I heard a Black Sabbath record, I was like, what is that?

And the distortion in the guitar.

And then I heard Eddie Van Halen, Eruption.

First I heard Running With The Devil, and then Eruption follows it on the record.

And I was just like, I was baffled by the sound.

I didn't know what it was.

I was I think I was nine years old I was like how can I how can I do

that what do I I still you can't really

but the sound the energy the the attitude everything about it

I just I wanted to be I had to know it

I had to know like what how is the guitar distorted

how is it overdriven I wanted to know everything about it

so that's that kind of sent me on my on my journey in my path

and then I started following guys like Steve Vai and all these shredders, Joe Satriani.

And then I discovered what Jimmy Page was doing

and a lot of older players and and now I kind of appreciate so many different guitarists in in every genre really.

Recently I've started to kind of go back and relearn our old songs because when we first started

we didn't know what you know this is a minor core

this is a major this goes from a major to a minor

and with a flat five we we didn't know the theory behind what we were doing

so for me i'm learning how all this language of theory works

and how we applied it and didn't know

so i'm i'm trying to take what we did

and kind of like re-engineer moving forward and learning all this stuff now

so i feel like um i'm kind of educating myself on theory

and it's opening new doors for me musically with the guitar it's kind of like a new thing for me

so it's that's a lot it's been a lot lot of fun.

So around 1997, Fieldy, Head,

and myself were in London and Rage Against the Machine was playing at the Reading Festival.

And we had a day off, so we decided to drive out to the show.

We had our manager at the time rented a van and we drove out there and he was a nervous wreck.

But anyways, the best concert experience because they let us come on stage.

And if anybody knows Rage Against Pichette, they don't want anybody on their stage.

But we asked Tom Morello, who's such a nice guy.

And we asked him, can we please come on stage and watch?

He's like, I don't know.

I got to ask the other guys.

He went and asked the other guys.

They said, cool, but just make sure that they're tucked away and not seen.

And they let us watch from up on the stage and we've never seen a crowd like that.

I mean, they've broken to Bulls on Parade.

It's right when Bulls on Parade and the Ava Empire album came out.

And it was unbelievable.

Best concert experience ever.

If I had to be stranded on a desert island with one effect pedal, I think a delay pedal.

Probably a flashback delay pedal.

Because delay, you can play off of it.

It's almost like you can use it in a tempo type of way

and do a call and answer depending on what the setting is.

Or you can give it a slap back and make it almost sound like a reverb or an echo-y type of way.

But I feel like that has the most diverse effect for me.

Thanks a lot.

Thank you to TC for supporting Korn for, I don't know, 20 years.

So thank you so much.

Thank you.

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本課的詞彙與口語要點

這段影片共有 81 個句子、941 個單詞可供跟讀。講話部分時長為 5:58。說話人語速自然，每分鐘約 158 個詞，接近日常對話。 82% 的單詞屬於英語最常用的 3,000 詞，其餘的詞建議在練習前先學一下。

影片中的重點詞彙

影片中 15 個值得學習的單詞，附發音和釋義：

單詞	發音	釋義
guitar 名詞	/ɡɪˈtɑɹ/	吉他, 六絃琴
delay 名詞	/dɪˈleɪ̯/	遲延 /遲延, 延遲 /延遲
pedal 名詞	/ˈpɛdəl/	踏板, 腳蹬子 /腳蹬子
guitarist 名詞	/ɡɪˈtɑɹɪst/	吉他手
tone 名詞	/ˈtəʊn/	全音
depend 動詞	/dɪˈpɛnd/	信任, 信賴 /信賴
pickup 名詞	/ˈpɪkʌp/	拾音器
legend 名詞	/ˈlɛd͡ʒ.ənd/	傳說 /傳說
pizza 名詞	/ˈpi.tsə/	比薩 /比薩, 披薩 /披薩
desert 名詞	/ˈdɛz.ɚt/	гуәбый, гуәбыйтан
discover 動詞	/dɪˈskʌvə/	發現 /發現, 發覺 /發覺
experiment 名詞	/ɪkˈspɛɹ.ə.mənt/	實驗 /實驗
grateful 形容詞	/ˈɡɹeɪtf(ə)l/	感激, 感謝 /感謝
diverse 形容詞	/daɪˈvɜːs/	多種多樣的 /多種多樣的, 多種的 /多種的
genre 名詞	/ˈ(d)ʒɑnɹə/	風格 /風格, 型別 /型別

影片中出現的短語動詞

單詞	發音	釋義
come out 動詞	/ˌkʌm ˈaʊt/	出, 出來 /出來
figure out 動詞		弄清楚
go back 動詞		回去, 返回

影片中的語法

說話人最常用的結構，並附上影片中的原話：

結構	影片中的用法
現在完成進行時 have/has been + -ing — 以前開始、現在仍在繼續的動作	I've been experimenting · I've been trying
現在完成時 have/has + 過去分詞 — 過去發生但與現在仍有關聯的事	has lasted · I've started · it's been
被動語態 be + 過去分詞 — 強調發生了什麼，而不是誰做的	was baffled · be stranded

需要注意的發音

說話人用了 29 次縮略和弱讀形式，例如 I'm, didn't, don't。請按聽到的簡短形式來說。

“sh” 和 “zh” 音: extension /ɪkˈstɛnʃən/, genre /ˈ(d)ʒɑnɹə/, distortion /dɪsˈtɔːʃən/, flashback /ˈflæʃ.bæk/, shredder /ʃɹɛdə(ɹ)/
長單詞——注意重音位置: experiment /ɪkˈspɛɹ.ə.mənt/, unbelievable /ˌʌnbɪˈliːvəbl̩/, musically /ˈmjuːzɪkəli/

如何用這段影片練習

先完整聽一遍影片，不要開口，記下不認識的單詞。
先用 0.75 倍速逐句跟讀，熟練之後再回到正常速度。
錄下自己的聲音並與原聲對比，特別注意 guitar, delay, pedal 這類單詞。

什麼是跟讀法？

跟讀法 (Shadowing) 是一種有科學依據的語言學習技巧，最初開發用於專業口譯員的培訓，並由多語言者Alexander Arguelles博士普及。這個方法簡單而強大：您在聽英語母語原聲的同時立即大聲重複——就像是一個延遲1-2秒緊跟說話者的影子。與被動聽力或語法練習不同，跟讀法強迫您的大腦和口腔肌肉同時處理並模模擬實的講話模式。研究表明它能顯著提高發音準確性，語調，節奏，連讀，聽力理解和口語流利度——使其成為雅思口語備考和真實英語交流最有效的方法之一。

影子跟讀法: 閱讀完整分步指南 →

跟讀練習: Munky (Korn) - talks tips, tricks & guitar hacks - 通過影片學習英語口語

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