تدريب Shadowing: Joe Jackson's Steppin Out: What You Missed - تعلم التحدث بالإنجليزية عبر الفيديو

اختر وضع التدريب

كل وضع يفتح غرفة تدريب بملء الشاشة.

186 جمل

إذا كانت الجمل قصيرة أو طويلة جدًا، انقر على Edit لتعديلها.

Hey everybody.

Welcome to Amy Nolte music.

My video today is about the great song stepping out by Joe Jackson.

It hit number six on the hot billboard 100 in America and in the UK back in 1982.

It was from Joe Jackson's album night and day.

So this song that I've heard for a long time, just on the radio.

Sometimes I was a little young.

I was five in 1982.

My parents didn't have the album.

I heard it on the radio, always dug it.

It's got this like thing going in the background and it just like makes you feel all cool right from the start.

And then there's a lot going on in it.

Theory wise, like chord wise, harmony wise, that is worth talking about.

Kudos to Joe Jackson for playing every instrument on the track.

The track had an, it had an electronic drum machine.

And the only person that actually played besides

Joe Jackson doing every instrument was a drummer, uh, just like accenting two and four, making it a little bit stronger.

And also some cymbal crashes, I think, but kudos to Joe Jackson, who is a multi -instrumentalist.

Um, he plays keyboards.

Great.

He plays saxophone.

Great.

And also kudos to Joe Jackson for having a hit and not having a full head of hair,

much like the great Phil Collins or like James Taylor,

Elton John, Michael Bolton, who were all allowed to have hits without having a full head of hair.

Like if you try to do that in 2024 today, like you are not getting on the Billboard Hot 100

because your hair doesn't come all the way to the front of your freaking hairline, your forehead.

And I think it's a travesty.

And I just wanted to say that right from the beginning.

The whole world is being deprived of great pop hits

Just because of hairlines.

Okay

We're gonna go over to the piano and we're gonna talk about this song because I love it and

It's gonna blow your friggin mind

The song is in F sharp major and let's just take a second to appreciate these lyrics now

I like this part.

It's so good.

I know it's hooked you right from the beginning because you're just like, oh, like those of you that grew up in the early 80s.

I can't even imagine having this song be part of the soundtrack of your growing up.

I think that this song is just basically about what it feels like at night

when you decide to go out with the person that you love

or that you're seeing and you step out into the night.

Now, I will admit that for years, I thought that the lyric was,

blue bird stepping out beauty alive beauty that's what i thought

not since i got older i mean that doesn't make any sense

so i looked it up it's it's me babe stepping out into the night into the light

You, babe, stepping out into the night, into the light.

And we're young.

We're getting old before our time.

We'll leave the TV and the radio behind.

Don't you wonder what we'll find stepping out tonight?

Like it's so cool.

All right.

Song, right.

F sharp major.

You'd call it G flat major if you want, but you'd have to fight me about it.

F sharp major 7 is the first chord, just like this.

Then...

So we move to E major 7, then down to D sharp minor 7.

Then we go...

We move to A, to B, then to D. And then to E.

So if we're in F sharp, we've got these notes.

F sharp, G sharp, A sharp, B, C sharp, D sharp, E sharp, and F.

And nowhere in there do I see an E.

Which is the second chord.

Like, nowhere do I see it and

and then a little bit later

we move to a d chord right nowhere in there do i see a d

i don't see d i don't see e so

if this happens you want to ask yourself where do these

chords actually come from like how can we be in a key

and then we're not in a key again we are not in a key

but then we're back to a key now

if you grow up a little bit later like me you probably recognize these chords as like the mario cadence sense.

right that's what it is let's let's look at it in c

because i know maybe some of you think better in the key of c

so right these are the notes of c

if we play a b flat chord

or an a flat chord those notes do not occur in c major

so anytime we use a chord like this

that doesn't have these diatonic notes to c major we're borrowing from some other key

and we can talk about that later but that's what this song is doing so poignantly, I think.

We move right to it.

Now, here's something to think about.

If we're going to think about where do the E and the D come from, we could think about a place that is typically borrowed from,

which is the parallel minor.

To make F sharp major, F sharp minor, allows us these two notes.

We play a natural minor scale in this key.

And we get those two notes.

We don't get them in F sharp major, but we get them in F sharp minor.

So we have to wonder if we're borrowing from F sharp minor.

This song is very major.

That major seventh chord just sounds like all things mystical and beautiful and magical to me.

I don't know, for some reason it always reminds me of the Neverending Story or something.

And the 80s.

But as soon as we move to here, we're in a new realm.

And you could think, Like, if we're using these chords,

There are plenty of songs that do that, right?

And I know that you've done that because probably the first song you wrote was in A minor.

100

You, I'm talking to you.

101

Probably the first song you wrote was in A minor.

102

And you probably went to G next and to F next.

103

Right?

104

Van Morrison did it on Moon Dance.

105

Like, everybody does that.

106

It's the same thing.

107

If we were F sharp minor, we could sing moon dance we could do it

108

but we're not every time

109

that we think we're going to come back to f sharp minor it comes right back to where we were

110

which is hopeful i think and and it also paints this picture of the lights

111

and the night and um and how cool it feels and everything the electricity, I think.

112

So we do it again.

113

And you might think that it's going to come back again, but it doesn't.

114

It goes...

115

Check that out.

116

Now, I don't know about the rest of you music theory buffs out there, but to me, the way that this chord feels,

117

this C sharp minor chord at this moment, it feels like the minor three.

118

And then when it goes...

119

These feel like a four and a five.

120

That's how it feels to me.

121

Like it feels like we're in A major.

122

The second that we hit that C sharp minor chord, it feels like we're changing things.

123

I mean, I know that you've heard this song a bunch of times, so you didn't expect it to go to A major,

124

but as soon as it goes...

125

I mean, if we're in F sharp major, this is the fifth degree, and we have just built a minor chord.

126

So we have to call this the minor five.

127

It's not something that shows up very often in a major key, like ever.

128

It is something that would show up if we were in F minor, right if we had these notes

129

we have this one we have this one

130

and we have this one we have those notes

131

if we were in f sharp minor and

132

if we were in a major those notes show up as well

133

they do not show up in f sharp major

134

so we're borrowing we're borrowing from the parallel minor um and that's that's my story and sticking to it.

135

It's a type of modal interchange, I suppose.

136

Now, I mean, the fact that we go back to F sharp major is killer,

137

but the fact that it is another major seven freaking never -ending story chord is so early 80s.

138

It's like new wave and And everything about, you know, just teenage years and freedom.

139

And I don't know if you feel it.

140

I totally feel that.

141

And I just think it's such a nice device, like something we don't think to do.

142

It's the same, right?

143

It's the same as if we're in C major.

144

Even the melody looks like C minor, right? But it's not.

145

It's not.

146

And here we go to the 5 minor.

147

Still very much looks like it could be C minor or even E flat major, but no. Holy moly, isn't that beautiful?

148

That's about all I wanted to say, you guys.

149

I just think, I mean, I could talk about the production of this song.

150

You should watch, there's a video that I'll link about Joe Jackson, like recreating this song with real instruments,

151

also with the drum machine but it's a fun one from not that long ago.

152

Joe Jackson was a presence in those times.

153

He had that other hit, Is She Really Going Out With Him?

154

If you haven't visited

155

Joe Jackson in a while, go visit Joe Jackson.

156

It's time well spent.

157

What a great song.

158

I hope that you enjoyed seeing this video come through on your feed today.

159

I wanted to talk to you about what's been happening to me in my emails and in my texts recently.

160

And that's the fact that it seems like my spam has gotten a lot more actually,

161

but the sponsor of today's video has taken care of that for me.

162

And it's crazy.

163

Did you know that incogni can take care of this problem for you?

164

It can get your personal data taken down every year.

165

The number of data breaches on the internet goes up.

166

And did you know that there are data brokers out there that buy and sell your information like it's nothing?

167

It really gets to you if you start to think about it.

168

They're like harvesting our phone numbers, our email addresses, our shopping habits, maybe even our social security numbers.

169

And then they sell that information to the highest bidder.

170

There are probably hundreds of companies out there right now that have our information.

171

And of course that means more spam calls, more spam texts and everything, but it's also possible identity theft, possible doxing.

172

So Incogni removes your information from these data brokers and then fights for you to keep them removed.

173

And using my code today, Amy Nolte will get you a 60 % discount.

174

And all you have to do is if you sign up, create an account and you give them permission to do it,

175

they'll remove your information from these brokers.

176

And if it shows up again, they will detect it because they do constant checks

177

and they'll make sure that your personal information stays off the market for good.

178

After I did it, I saw a big difference

179

and it's actually pretty scary to see how many data brokers had my data, but also cool to watch as incogni deletes them one by one.

180

If these brokers fight, incogni fights back for you and they send repeated letters, as many as they have to,

181

until your information is removed from the databases.

182

If you'd like to give it a shot,

183

use the code you see right here gets you a 60 % discount and you can stop having to go click, click, click, click, click, click,

184

click, delete like I have done and just check your freaking email like a normal person.

185

Thanks for watching everybody.

186

I'll see you next time on Amy Nolte Music.

تنزيل التطبيق

كل ما تحتاجه للتحدث بطلاقة

تقييم النطق بالذكاء الاصطناعيتقييم كل جملة

تدريب IPAأتقن كل صوت

المفرداتابنِ رصيدك من الكلمات

لعبة المفرداتتعلّم أثناء اللعب

امسح رمز QR

Download on theApp Store Get it onGoogle Play

FOR YOU

فيديو موصى به

141 جمل

Michael Jackson - Soulbeat Interview and Don't Stop Til You Get Enough Performance (~Late July 1979)

Daily ConversationWorking Adults

20 جمل

المفردات وملاحظات التحدث لهذا الدرس

هذا الدرس في المحادثة مبني على الفيديو “Joe Jackson's Steppin Out: What You Missed”. أكثر الكلمات تكرارًا في الفيديو: sharp, minor, chord, song, Joe. يحتوي هذا الفيديو على 186 جملة و2043 كلمة للتدرب على الترديد. مدة الكلام 13:37. يتكلم المتحدث بسرعة طبيعية، نحو 150 كلمة في الدقيقة، قريبة من المحادثة اليومية. 84% من الكلمات ضمن أكثر 3,000 كلمة شيوعًا في الإنجليزية، ويُستحسن مراجعة الباقي قبل البدء.

أهم المفردات في هذا الفيديو

15 كلمة من الفيديو تستحق التعلّم، مع النطق والمعنى:

الكلمة	النطق	المعنى
sharp صفة	/ʃɑɹp/	حَادّ
chord اسم	/kɔɹd/	وَتَر, اِئْتِلَاف نَغَمَات
broker اسم	/ˈbɹoʊkɚ/	سِمْسَار, وَسِيط
nowhere ظرف	/ˈnoʊ.(h)wɛɹ/	فِي لَا مَكَان, إِلَى لَا مَكَان
instrument اسم	/ˈɪnstɹəmənt/	الة موسيقية
spam اسم	/spæm/	بَيَانٌ مُزْعِج, سُخَام
discount اسم	/ˈdɪskaʊnt/	خَصْم, تَخْفِيض
parallel صفة	/ˈpæ.ɹəˌlɛl/	مُوَازٍ
delete فعل	/dɪˈliːt/	حَذَفَ
drum اسم	/ˈdɹʌm/	طَبْل
billboard اسم	/ˈbɪlˌboɹd/	أَفِيش, لَوْحَة
killer اسم	/ˈkɪlɚ/	قَاتِل, قَاتِلَة
occur فعل	/əˈkɜː/	حَدَثَ, وَقَعَ
hook اسم	/hʊk/	خَطَّاف
remind فعل	/ɹəˈmaɪnd/	ذَكَّرَ

الأفعال المركبة التي ستسمعها

الكلمة	المعنى
grow up فعل	كَبُرَ, ْنَشَأ
come back فعل	عَادَ, رَجَعَ
go up فعل	صَعِدَ, يَصْعَدُ

جمل تستحق التكرار

جمل قصيرة وكاملة من الفيديو يمكنك استخدامها في الحديث اليومي:

My parents didn't have the album.
We're getting old before our time.
Don't you wonder what we'll find stepping out tonight?
You, I'm talking to you.
That's how it feels to me.

القواعد في هذا الفيديو

أكثر التراكيب التي يستخدمها المتحدث، مع العبارات نفسها من الفيديو:

التركيب	في الفيديو
المضارع التام have/has + اسم المفعول — حدث ماضٍ ما زال له أثر الآن	I've heard · you've done · you've heard
المبني للمجهول be + اسم المفعول — التركيز على ما يحدث لا على من يفعله	being deprived · is let · is removed

نطق يحتاج إلى انتباه

يستخدم المتحدث 57 من الصيغ المختصرة، مثل we're, don't, doesn't. انطقها بصيغتها القصيرة كما تسمعها.

أصوات “th”: seventh /ˈsɛvənθ/, theft /θɛft/

أصوات يجدها متحدثو العربية صعبة:

/p/ — ليس /b/: انطقه مع نفخة هواء: sharp /ʃɑɹp/, spam /spæm/, parallel /ˈpæ.ɹəˌlɛl/, piano /piˈænɪː/, sponsor /ˈspɒn.səː/
/v/ — ليس /f/: مع اهتزاز الأوتار الصوتية: seventh /ˈsɛvənθ/, harvest /ˈhɑɹ.vəst/, deprive /dɪˈpɹaɪv/, travesty /ˈtɹæv.ɪs.ti/
تتابع الصوامت — لا تضف حركة بينها: sharp /ʃɑɹp/, chord /kɔɹd/, broker /ˈbɹoʊkɚ/, instrument /ˈɪnstɹəmənt/, spam /spæm/

كيف تتدرب بهذا الفيديو

استمع إلى الفيديو كاملًا مرة واحدة دون أن تتكلم، ودوّن الكلمات التي لا تعرفها.
ابدأ بسرعة 0.75×، وردّد جملة جملة، ثم عُد إلى السرعة العادية عندما يصبح الأمر سهلًا.
سجّل صوتك وقارنه بالأصل، مع الانتباه إلى كلمات مثل sharp, chord, broker.

ما هي تقنية التظليل الصوتي؟

التظليل الصوتي (Shadowing) تقنية تعلم لغة مدعومة علمياً، طُورت أصلاً لتدريب المترجمين الفوريين المحترفين. الطريقة بسيطة لكنها قوية: تستمع لصوت إنجليزي أصلي وتكرره فوراً بصوت عالٍ — كظل يتبع المتحدث بتأخير 1-2 ثانية. تُظهر الأبحاث تحسناً كبيراً في دقة النطق والتنغيم والإيقاع وربط الأصوات والاستماع والطلاقة.

تقنية الشادوينغ: اقرأ الدليل الكامل خطوة بخطوة →

تدريب Shadowing: Joe Jackson's Steppin Out: What You Missed - تعلم التحدث بالإنجليزية عبر الفيديو

اختر وضع التدريب

تنزيل التطبيق

Michael Jackson - Soulbeat Interview and Don't Stop Til You Get Enough Performance (~Late July 1979)

Gracie Abrams - That’s So True (Lyrics)

Jason Newsted Reflects on Metallica's '...And Justice For All'

JoJo Steel Ball Run Trailer OST「Johnny Theme」 HQ Remake ジョジョの奇妙な冒険

Speech + Jolene - Miley Cyrus, live at the Hollywood Bowl (Full) [4K]

ANEES INTERVIEW WITH INDIFY - DAYJOB

Djo - 'End of Beginning' (live at Laneway 2025)

Santana's Acid Trip

Mick Jones Thinks Today's Music Is Contrived | HPL

Michael Jackson - Billie Jean - CRISTIANO RONALDO(Skills/Speed)(Lyrics)

Drake - Toosie Slide (Official Music Video)

David Gilmour At Later... with Jools Holland - The Interview (2024)