تدريب Shadowing: Robbie Amell | Code 8 - تعلم التحدث بالإنجليزية عبر الفيديو
جارٍ إنشاء الدرس...
1
Good afternoon.
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Good afternoon.
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I love the fact that this film approaches the future in kind of a dark way.
4
And in some strange way, some of these films, they feel like a different future.
5
But this feels very much like it could be tomorrow.
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Yeah.
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You know, we didn't want to make it fully dystopian.
8
But at the same time, you know, it had to be a world that is difficult for these people to live in.
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But with that being said, we also wanted it to feel very grounded and very relatable.
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And, you know, you look at these Boston Dynamics videos, robots, and you look at all the drone work out there.
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You're like, this is, you know, not that far off.
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It's not far off at all, really.
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And I love even seeing Connor, like, working.
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Seeing him use his abilities to do work is something I don't think I've seen in a film like this ever.
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Yeah.
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Yeah, you know, when we set out to make the movie, we knew we wanted to make something we were fans of.
17
But at the same time, we wanted to make something grounded and real and relatable.
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So this, you know, this story of how far someone would go to save a loved one, something that we thought everyone could relate to.
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And then we wanted to take the sci-fi element and just give it our own little twist.
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Right.
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And I do love too the idea how much depth you've taken from the short
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and added to this story now that there's so much more to the world than even seemed possible.
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It's remarkable.
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Thanks.
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Yeah.
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The short we always looked at as a world builder and a proof of concept of like, give us your money and it'll look good.
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It won't look cheap.
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But, you know, the world building process, Jeff Chan, who directed it, and really captained the whole ship,
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and Chris Paré, they really built something cool that I want to see more of and hope that we get to make more of.
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And I love that you speak to it as well, The fact that it feels like a film that had a much higher budget.
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The effects, everything feels way beyond what you guys had to work with.
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Yeah, I mean, you know, we had more money than we expected to have just
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because of how well the Indiegogo campaign went and working with telefilm and Elevation.
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But we didn't have nearly as much money as it looked like we did because nobody got paid on the movie.
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We had unbelievably talented people working on it who really cared.
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Play Fight Visual Effects, we did the visual effects, are out of Toronto, and they're friends of ours, and they worked their asses off just hours and hours and hours.
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The amount of sweat equity in this movie is obscene.
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And, you know, the difference is that there's a lot of movies, or not even movies, there's a lot of projects in the entertainment world where you'll see people coasting.
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And you can say that about any job in the world because, you know, not every job or, you know, not every job is the same.
40
Right.
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And sometimes it's a paycheck.
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Sometimes, you know, like the people you're working with, sometimes you're just having a bad day.
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We had awesome people who were excited to be at work every day and really care about what they were putting together.
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That's amazing.
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Well, speaking about Connor, did you walk away with something
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that stuck with you from him? because I've often talked to actors who said, you know, they were in a in a role that left them with something at the end.
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Would you say there was something from him?
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That might be a tough question, but...
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No, I think there's a lot of me in Connor.
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Part of that is because Chris Paré writes so well for the way I speak.
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Part of it is working with my family.
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Right.
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And part of it is the relationship Connor has with his mom.
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Kari Matcha was the first audition tape I watched for my mom.
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And she reminds me so much of my real mom.
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Really?
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That's amazing.
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I texted Jeff.
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I'm like, that's her.
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She's the one.
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And I sent it to my mom.
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My mom thought the same thing.
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But she was just so good.
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She made my job easy.
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you know I it was so easy for me to picture my mom lying there
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and to put myself in that position
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I wouldn't say I walked away with anything from Connor
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but I also don't think I'm done with him yet you
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know I want to make more I want to continue the story so maybe after that That's cool.
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Well, working with your cousin, what's it like?
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Because you haven't really worked together that much.
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Yeah, we had a scene together in Flash where we fought reverse Flash, but didn't say anything to each other.
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It was great.
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You know, it was cool to see his process and just get to work with him and play off each other.
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Especially because Garrett is an intense frenemy or something else.
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He's certainly not a friend of Connor.
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Yeah.
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That must be fun to play with, someone that you actually know to be like button heads basically.
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Yeah, it was really cool.
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And the other part that was great was we were our own bosses.
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So, you know, we were able to massage and shape these scenes in the way that we felt worked best
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and was strongest for the film.
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But other than that, just getting to hang out for five weeks was awesome.
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We hadn't spent that much time together in years.
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Right.
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That's very cool.
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Well, last thing I'd like to know is certainly, do you have a dream that you imagine if you came back to this world where you'd like to see Connor,
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what you'd like to see him doing?
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I'm not nearly a good enough writer to answer that question.
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I think that, you know,
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Jeff and Chris have already started thinking of the next step for Connor and Garrett and Code 8 as a whole.
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So hopefully the movie does well and we can make that a reality.
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So people need to go out and see it opening weekend especially, right?
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You know, opening weekend or video on demand.
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Right.
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You know, I don't go to the theaters much anymore, so I get it.
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You know, like we wanted to make the movie as accessible as possible.
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So video on demand, iTunes everywhere, December 13th.
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If you can see it in theaters, it's big, it's loud, and the visual effects are amazing.
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But at the same time, if you want to watch it at home, it's cold out.
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It's a good time of year for it.
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It's great.
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Awesome.
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Thank you so much.
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Thank you.
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Thank you.
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Vocabulary and speaking notes for this lesson
This B2 speaking lesson is built on the video “Robbie Amell”. The speaker keeps coming back to these words: Connor, movie, mom, cool, film. This video has 106 sentences and 1175 words to shadow. The speech runs for 7:15. The speaker talks at a natural 162 words per minute, close to everyday conversation. 89% of the words are among the 3,000 most common in English, so the vocabulary is easy to follow.
Key vocabulary in this video
The 13 most advanced words in the video, with pronunciation and meaning:
| Word | Pronunciation | Meaning |
|---|---|---|
| relatable adjective | [ɹɪˈleɪ.tə.bɫ̩] | Able to be related to something else; connected with. |
| dystopian adjective | /dɪsˈtoʊ.pi.ən/ | Of or pertaining to a dystopia. |
| frenemy noun | /ˈfɹɛ.nɪ.mi/ | Someone who has traits of an enemy and a friend. |
| obscene adjective | /əbˈsiːn/ | Offensive to standards of decency or morality. |
| paycheck noun | /ˈpeɪ.t͡ʃɛk/ | A periodic payment, usually in the form of a paper check, received by an employee from an employer for work performed. |
| telefilm noun | A film made for television. | |
| unbelievably adverb | In a manner that one does not or cannot believe. | |
| audition noun | /ɑˈdɪʃən/ | A performance, by an aspiring performer, to demonstrate suitability or talent. |
| builder noun | /ˈbɪl.dəɹ/ | One who builds or constructs things. |
| drone noun | /dɹoʊn/ | A male hymenopteran (ant, bee, hornet, or wasp), whose sole primary function is to mate with the queen. |
| massage noun | /məˈsɑ(d)ʒ/ | The action of rubbing, kneading or hitting someone's body, to help the person relax, prepare for muscular action (as in contact sports) or to relieve aches. |
| sweat verb | /swɛt/ | To emit sweat. |
| accessible adjective | /əkˈsɛs.ɪ.bəl/ | Easy of access or approach. |
Phrasal verbs you will hear
| Word | Pronunciation | Meaning |
|---|---|---|
| walk away with verb | To win (a competition or contest) handily or by a large margin. | |
| go out verb | To leave, especially a building. | |
| play off verb | To portray (something) (as unimportant); to dismiss or make light of (a factor in a situation, or one's embarrassment about it); to pretend not to be… | |
| put together verb | To assemble, construct, build, or formulate. | |
| work out verb | /ˌwɝk ˈaʊt/ | To calculate. |
| work together verb | To be coworkers with someone; to share a workspace with someone. |
Sentences worth repeating
Short, complete lines from the video that you can reuse in everyday conversation:
- Would you say there was something from him?
- Well, working with your cousin, what's it like?
- Because you haven't really worked together that much.
- We hadn't spent that much time together in years.
Pronunciation to watch
The speaker uses 25 contractions and reduced forms, such as didn't, don't, I'm. Say them the short way, as you hear them.
- The “sh” and “zh” sounds: audition /ɑˈdɪʃən/, massage /məˈsɑ(d)ʒ/
- Long words — get the stress right: dystopian /dɪsˈtoʊ.pi.ən/, accessible /əkˈsɛs.ɪ.bəl/
How to practise with this video
- Listen to the whole video once without speaking and note the words you do not know.
- Start at 0.75× speed, shadow it sentence by sentence, then go back to normal speed once it feels easy.
- Record yourself and compare with the original, paying attention to words like relatable, dystopian, frenemy.
ما هي تقنية التظليل الصوتي؟
التظليل الصوتي (Shadowing) تقنية تعلم لغة مدعومة علمياً، طُورت أصلاً لتدريب المترجمين الفوريين المحترفين. الطريقة بسيطة لكنها قوية: تستمع لصوت إنجليزي أصلي وتكرره فوراً بصوت عالٍ — كظل يتبع المتحدث بتأخير 1-2 ثانية. تُظهر الأبحاث تحسناً كبيراً في دقة النطق والتنغيم والإيقاع وربط الأصوات والاستماع والطلاقة.