跟讀練習: Robbie Amell | Code 8 - 通過影片學習英語口語

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Good afternoon.

I love the fact that this film approaches the future in kind of a dark way.

And in some strange way, some of these films, they feel like a different future.

But this feels very much like it could be tomorrow.

Yeah.

You know, we didn't want to make it fully dystopian.

But at the same time, you know, it had to be a world that is difficult for these people to live in.

But with that being said, we also wanted it to feel very grounded and very relatable.

And, you know, you look at these Boston Dynamics videos, robots, and you look at all the drone work out there.

You're like, this is, you know, not that far off.

It's not far off at all, really.

And I love even seeing Connor, like, working.

Seeing him use his abilities to do work is something I don't think I've seen in a film like this ever.

Yeah.

Yeah, you know, when we set out to make the movie, we knew we wanted to make something we were fans of.

But at the same time, we wanted to make something grounded and real and relatable.

So this, you know, this story of how far someone would go to save a loved one, something that we thought everyone could relate to.

And then we wanted to take the sci-fi element and just give it our own little twist.

Right.

And I do love too the idea how much depth you've taken from the short

and added to this story now that there's so much more to the world than even seemed possible.

It's remarkable.

Thanks.

Yeah.

The short we always looked at as a world builder and a proof of concept of like, give us your money and it'll look good.

It won't look cheap.

But, you know, the world building process, Jeff Chan, who directed it, and really captained the whole ship,

and Chris Paré, they really built something cool that I want to see more of and hope that we get to make more of.

And I love that you speak to it as well, The fact that it feels like a film that had a much higher budget.

The effects, everything feels way beyond what you guys had to work with.

Yeah, I mean, you know, we had more money than we expected to have just

because of how well the Indiegogo campaign went and working with telefilm and Elevation.

But we didn't have nearly as much money as it looked like we did because nobody got paid on the movie.

We had unbelievably talented people working on it who really cared.

Play Fight Visual Effects, we did the visual effects, are out of Toronto, and they're friends of ours, and they worked their asses off just hours and hours and hours.

The amount of sweat equity in this movie is obscene.

And, you know, the difference is that there's a lot of movies, or not even movies, there's a lot of projects in the entertainment world where you'll see people coasting.

And you can say that about any job in the world because, you know, not every job or, you know, not every job is the same.

Right.

And sometimes it's a paycheck.

Sometimes, you know, like the people you're working with, sometimes you're just having a bad day.

We had awesome people who were excited to be at work every day and really care about what they were putting together.

That's amazing.

Well, speaking about Connor, did you walk away with something

that stuck with you from him? because I've often talked to actors who said, you know, they were in a in a role that left them with something at the end.

Would you say there was something from him?

That might be a tough question, but...

No, I think there's a lot of me in Connor.

Part of that is because Chris Paré writes so well for the way I speak.

Part of it is working with my family.

Right.

And part of it is the relationship Connor has with his mom.

Kari Matcha was the first audition tape I watched for my mom.

And she reminds me so much of my real mom.

Really?

That's amazing.

I texted Jeff.

I'm like, that's her.

She's the one.

And I sent it to my mom.

My mom thought the same thing.

But she was just so good.

She made my job easy.

you know I it was so easy for me to picture my mom lying there

and to put myself in that position

I wouldn't say I walked away with anything from Connor

but I also don't think I'm done with him yet you

know I want to make more I want to continue the story so maybe after that That's cool.

Well, working with your cousin, what's it like?

Because you haven't really worked together that much.

Yeah, we had a scene together in Flash where we fought reverse Flash, but didn't say anything to each other.

It was great.

You know, it was cool to see his process and just get to work with him and play off each other.

Especially because Garrett is an intense frenemy or something else.

He's certainly not a friend of Connor.

Yeah.

That must be fun to play with, someone that you actually know to be like button heads basically.

Yeah, it was really cool.

And the other part that was great was we were our own bosses.

So, you know, we were able to massage and shape these scenes in the way that we felt worked best

and was strongest for the film.

But other than that, just getting to hang out for five weeks was awesome.

We hadn't spent that much time together in years.

Right.

That's very cool.

Well, last thing I'd like to know is certainly, do you have a dream that you imagine if you came back to this world where you'd like to see Connor,

what you'd like to see him doing?

I'm not nearly a good enough writer to answer that question.

I think that, you know,

Jeff and Chris have already started thinking of the next step for Connor and Garrett and Code 8 as a whole.

So hopefully the movie does well and we can make that a reality.

So people need to go out and see it opening weekend especially, right?

You know, opening weekend or video on demand.

Right.

You know, I don't go to the theaters much anymore, so I get it.

You know, like we wanted to make the movie as accessible as possible.

So video on demand, iTunes everywhere, December 13th.

If you can see it in theaters, it's big, it's loud, and the visual effects are amazing.

100

But at the same time, if you want to watch it at home, it's cold out.

101

It's a good time of year for it.

102

It's great.

103

Awesome.

104

Thank you so much.

105

Thank you.

106

Thank you.

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本課的詞彙與口語要點

這節 B2 級別的口語課以影片“Robbie Amell”為素材。影片中反覆出現的詞有：Connor, movie, mom, cool, film。這段影片共有 106 個句子、1175 個單詞可供跟讀。講話部分時長為 7:15。說話人語速自然，每分鐘約 162 個詞，接近日常對話。 89% 的單詞屬於英語最常用的 3,000 詞，詞彙容易理解。

影片中的重點詞彙

影片中最難的 8 個單詞，附發音和釋義：

單詞	發音	釋義
frenemy 名詞	/ˈfɹɛ.nɪ.mi/	塑膠姐妹花
obscene 形容詞	/əbˈsiːn/	低俗, 下流
unbelievably 副詞		不可信地
audition 名詞	/ɑˈdɪʃən/	試演 /試演
builder 名詞	/ˈbɪl.dəɹ/	建築工人 /建築工人, 建築工 /建築工
drone 名詞	/dɹoʊn/	雄蜂
massage 名詞	/məˈsɑ(d)ʒ/	按摩, 馬殺雞 /馬殺雞
sweat 動詞	/swɛt/	流汗, 發汗 /發汗

影片中出現的短語動詞

單詞	發音	釋義
go out 動詞		出, 出口
put together 動詞		拼合, 組合 /組合
work out 動詞	/ˌwɝk ˈaʊt/	計算 /計算, 算出

值得反覆跟讀的句子

影片中簡短而完整的句子，可以直接用在日常對話裡：

Would you say there was something from him?
Well, working with your cousin, what's it like?
Because you haven't really worked together that much.
We hadn't spent that much time together in years.

需要注意的發音

說話人用了 25 次縮略和弱讀形式，例如 didn't, don't, I'm。請按聽到的簡短形式來說。

“sh” 和 “zh” 音: audition /ɑˈdɪʃən/, massage /məˈsɑ(d)ʒ/
長單詞——注意重音位置: dystopian /dɪsˈtoʊ.pi.ən/, accessible /əkˈsɛs.ɪ.bəl/

如何用這段影片練習

先完整聽一遍影片，不要開口，記下不認識的單詞。
先用 0.75 倍速逐句跟讀，熟練之後再回到正常速度。
錄下自己的聲音並與原聲對比，特別注意 frenemy, obscene, unbelievably 這類單詞。

什麼是跟讀法？

跟讀法 (Shadowing) 是一種有科學依據的語言學習技巧，最初開發用於專業口譯員的培訓，並由多語言者Alexander Arguelles博士普及。這個方法簡單而強大：您在聽英語母語原聲的同時立即大聲重複——就像是一個延遲1-2秒緊跟說話者的影子。與被動聽力或語法練習不同，跟讀法強迫您的大腦和口腔肌肉同時處理並模模擬實的講話模式。研究表明它能顯著提高發音準確性，語調，節奏，連讀，聽力理解和口語流利度——使其成為雅思口語備考和真實英語交流最有效的方法之一。

影子跟讀法: 閱讀完整分步指南 →

跟讀練習: Robbie Amell | Code 8 - 通過影片學習英語口語

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本課的詞彙與口語要點

影片中的重點詞彙

影片中出現的短語動詞

值得反覆跟讀的句子

需要注意的發音

如何用這段影片練習

什麼是跟讀法？