Shadowing Practice: Robbie Amell | Code 8 - Learn English Speaking with Video
Ders oluşturuluyor...
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Good afternoon.
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Good afternoon.
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I love the fact that this film approaches the future in kind of a dark way.
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And in some strange way, some of these films, they feel like a different future.
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But this feels very much like it could be tomorrow.
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Yeah.
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You know, we didn't want to make it fully dystopian.
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But at the same time, you know, it had to be a world that is difficult for these people to live in.
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But with that being said, we also wanted it to feel very grounded and very relatable.
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And, you know, you look at these Boston Dynamics videos, robots, and you look at all the drone work out there.
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You're like, this is, you know, not that far off.
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It's not far off at all, really.
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And I love even seeing Connor, like, working.
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Seeing him use his abilities to do work is something I don't think I've seen in a film like this ever.
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Yeah.
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Yeah, you know, when we set out to make the movie, we knew we wanted to make something we were fans of.
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But at the same time, we wanted to make something grounded and real and relatable.
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So this, you know, this story of how far someone would go to save a loved one, something that we thought everyone could relate to.
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And then we wanted to take the sci-fi element and just give it our own little twist.
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Right.
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And I do love too the idea how much depth you've taken from the short
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and added to this story now that there's so much more to the world than even seemed possible.
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It's remarkable.
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Thanks.
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Yeah.
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The short we always looked at as a world builder and a proof of concept of like, give us your money and it'll look good.
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It won't look cheap.
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But, you know, the world building process, Jeff Chan, who directed it, and really captained the whole ship,
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and Chris Paré, they really built something cool that I want to see more of and hope that we get to make more of.
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And I love that you speak to it as well, The fact that it feels like a film that had a much higher budget.
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The effects, everything feels way beyond what you guys had to work with.
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Yeah, I mean, you know, we had more money than we expected to have just
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because of how well the Indiegogo campaign went and working with telefilm and Elevation.
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But we didn't have nearly as much money as it looked like we did because nobody got paid on the movie.
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We had unbelievably talented people working on it who really cared.
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Play Fight Visual Effects, we did the visual effects, are out of Toronto, and they're friends of ours, and they worked their asses off just hours and hours and hours.
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The amount of sweat equity in this movie is obscene.
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And, you know, the difference is that there's a lot of movies, or not even movies, there's a lot of projects in the entertainment world where you'll see people coasting.
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And you can say that about any job in the world because, you know, not every job or, you know, not every job is the same.
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Right.
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And sometimes it's a paycheck.
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Sometimes, you know, like the people you're working with, sometimes you're just having a bad day.
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We had awesome people who were excited to be at work every day and really care about what they were putting together.
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That's amazing.
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Well, speaking about Connor, did you walk away with something
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that stuck with you from him? because I've often talked to actors who said, you know, they were in a in a role that left them with something at the end.
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Would you say there was something from him?
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That might be a tough question, but...
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No, I think there's a lot of me in Connor.
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Part of that is because Chris Paré writes so well for the way I speak.
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Part of it is working with my family.
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Right.
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And part of it is the relationship Connor has with his mom.
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Kari Matcha was the first audition tape I watched for my mom.
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And she reminds me so much of my real mom.
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Really?
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That's amazing.
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I texted Jeff.
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I'm like, that's her.
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She's the one.
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And I sent it to my mom.
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My mom thought the same thing.
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But she was just so good.
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She made my job easy.
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you know I it was so easy for me to picture my mom lying there
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and to put myself in that position
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I wouldn't say I walked away with anything from Connor
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but I also don't think I'm done with him yet you
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know I want to make more I want to continue the story so maybe after that That's cool.
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Well, working with your cousin, what's it like?
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Because you haven't really worked together that much.
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Yeah, we had a scene together in Flash where we fought reverse Flash, but didn't say anything to each other.
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It was great.
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You know, it was cool to see his process and just get to work with him and play off each other.
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Especially because Garrett is an intense frenemy or something else.
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He's certainly not a friend of Connor.
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Yeah.
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That must be fun to play with, someone that you actually know to be like button heads basically.
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Yeah, it was really cool.
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And the other part that was great was we were our own bosses.
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So, you know, we were able to massage and shape these scenes in the way that we felt worked best
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and was strongest for the film.
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But other than that, just getting to hang out for five weeks was awesome.
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We hadn't spent that much time together in years.
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Right.
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That's very cool.
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Well, last thing I'd like to know is certainly, do you have a dream that you imagine if you came back to this world where you'd like to see Connor,
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what you'd like to see him doing?
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I'm not nearly a good enough writer to answer that question.
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I think that, you know,
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Jeff and Chris have already started thinking of the next step for Connor and Garrett and Code 8 as a whole.
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So hopefully the movie does well and we can make that a reality.
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So people need to go out and see it opening weekend especially, right?
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You know, opening weekend or video on demand.
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Right.
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You know, I don't go to the theaters much anymore, so I get it.
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You know, like we wanted to make the movie as accessible as possible.
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So video on demand, iTunes everywhere, December 13th.
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If you can see it in theaters, it's big, it's loud, and the visual effects are amazing.
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But at the same time, if you want to watch it at home, it's cold out.
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It's a good time of year for it.
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It's great.
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Awesome.
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Thank you so much.
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Thank you.
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Thank you.
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