تدريب Shadowing: Robert De Niro on Acting - Michael Parkinson Interview [1981] - تعلم التحدث بالإنجليزية عبر الفيديو
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72 جمل
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Alec Guinness once said on the show
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that I asked him what he had to do before he got into a character
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and he said he had to get the walk right.
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Right.
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But you actually, you research them, don't you?
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You go and live like them before you do the part.
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Well, what he says is very true for me too because some actors work cerebrally, some work physically.
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I like to work physically a lot of times it helps me feel like, I mean clothes, putting on certain clothes can give you a feeling of another character,
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which it does to actual people who are characters.
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It helps them identify with the role that they want to play in life, be a businessman or whatever they want to, you know.
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And one thing can give it to you.
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A walk can give it to you.
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Just that one walk, you can play that one thing through a whole play or a movie and it can do it.
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So I agree with that, you know.
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The point I was going to make, of course, was that...
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I do the other two.
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Yeah, I mean, the way when you did Taxi Driver, for instance, I mean, you went and actually worked as a cabbie, didn't you?
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Yeah.
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Did anybody ever recognize you then?
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Only once or twice.
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Once I had an actor who wanted me to take him to the airport and he recognized me.
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So the whole thing was blown because I couldn't, you know, all we could do was talk about acting.
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And I didn't want him to pay me.
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But he insisted on paying me.
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I said, okay, pay me.
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No tip, though.
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And the other time I just, some people got out of the cab and I looked at his eyes.
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You know, you have a plaque with your name on it.
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I turned that around so nobody could see the name, which a lot of cabbies do anyway.
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And I looked him in the eye and the guy recognized me right away and just said, you were in Godfather II, he recognized me from that. And that was it.
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Otherwise, people don't even look at you, they don't know.
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You know, it's like a waiter in a restaurant.
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They don't, you know, you don't exist in a way.
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That was kind of...
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And in New York, New York as well, you actually learned how to play the instrument, the sax, didn't you?
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Although, I mean, you needn't have done because you could have mimed it because the music wasn't yours, was it?
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No, it wasn't mine.
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It was done by George Yeo, except that I wanted to learn the fingering, which I did.
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And I learned how to play everything in the movie.
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It wasn't, the whole point was not to learn how to play the sax to be,
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you know, I could never play it as well as he did or the way Jake fights and so on.
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But the movies are an illusion and the whole point is to be able to recreate this without looking like a fool.
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I didn't want to look like I didn't know what I was doing because when I look at a movie, I see, you know, somebody with the fingering, for example, they're all out of, you know, they're all on step, out of sync.
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Playing a jazz musician.
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And I want to throw it away.
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The point is to learn to throw it away the way a person who actually does know it, they don't over-emphasize it.
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It's like an actor who overacts because they don't really know the situation and don't have the confidence to just be, you know, be straight.
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Robert, you're at the top of the tree now.
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You've got a very strongly tip for a second Academy Award.
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Yet I do know for a certain fact that you don't like the thing about the, the traditional trappings of being a film star, do you?
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In some ways, yeah.
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You don't like them?
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Well, only that...
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as far as the.. being recognized in certain situations, you like a certain amount of privacy.
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And, no, but I enjoy it, don't get me wrong.
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I mean, certain things are drag, but that's part of it.
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I have no complaints whatsoever.
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What about your next project?
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What are you going to do?
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That's called The King of Comedy, and I'm doing it with Jerry Lewis, and Marty Scorsese is going to direct it.
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It's about a guy who kidnaps someone like yourself.
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A chat show host.
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Yeah, to get on the show and do his act, which turns out to be very good.
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You've not been doing any research while we've been sitting here, have you?
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No. No, you haven't?
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No. All right.
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But all success with that, all success too with Raging Bull.
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As I say, I do hope it gets a wider audience because it is a magnificent movie.
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It's not what you call family entertainment of its kind.
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I think it's one of the best movies I've ever seen.
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Robert De Niro.
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Thank you.
تنزيل التطبيق
كل ما تحتاجه للتحدث بطلاقة
تقييم النطق بالذكاء الاصطناعيتقييم كل جملة
تدريب IPAأتقن كل صوت
المفرداتابنِ رصيدك من الكلمات
لعبة المفرداتتعلّم أثناء اللعب
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المفردات وملاحظات التحدث لهذا الدرس
هذا الدرس في المحادثة بمستوى B2 مبني على الفيديو “Robert De Niro on Acting - Michael Parkinson Interview”. أكثر الكلمات تكرارًا في الفيديو: movie, certain, recognized, actor, walk. يحتوي هذا الفيديو على 72 جملة و863 كلمة للتدرب على الترديد. مدة الكلام 4:06. يتكلم المتحدث بسرعة، نحو 210 كلمة في الدقيقة، لذا ستسمع كثيرًا من وصل الكلمات واختزال الأصوات. 86% من الكلمات ضمن أكثر 3,000 كلمة شيوعًا في الإنجليزية، ويُستحسن مراجعة الباقي قبل البدء. 11 من أصل 72 جملة هي أسئلة، لذلك يناسب التدرب على نبرة السؤال والإجابات القصيرة.
أهم المفردات في هذا الفيديو
أصعب 8 كلمة في الفيديو، مع النطق والمعنى:
| الكلمة | النطق | المعنى |
|---|---|---|
| cloth اسم | /klɒθ/ | قُمَاش, أقمشة |
| kidnap فعل | /ˈkɪdnæp/ | اِخْتَطَفَ |
| waiter اسم | /ˈweɪ̯təː/ | نَادِل, نَادِلَة |
| emphasize فعل | /ˈɛm.fə.saɪz/ | شَدَّدَ |
| businessman اسم | /ˈbɪznəsmæn/ | رَجُل أَعْمَال, تَاجِر |
| musician اسم | /mjuˈzɪʃən/ | مُوسِيقِيّ, مُوسِيقِيَّة |
| insist فعل | /ɪnˈsɪst/ | أَصَرَّ |
| magnificent صفة | /mæɡˈnɪfəsənt/ | عَظِيم, رَائِع |
جمل تستحق التكرار
جمل قصيرة وكاملة من الفيديو يمكنك استخدامها في الحديث اليومي:
- But you actually, you research them, don't you?
- Did anybody ever recognize you then?
- You don't like them?
- What about your next project?
- What are you going to do?
القواعد في هذا الفيديو
أكثر التراكيب التي يستخدمها المتحدث، مع العبارات نفسها من الفيديو:
| التركيب | في الفيديو |
|---|---|
| المبني للمجهول be + اسم المفعول — التركيز على ما يحدث لا على من يفعله | was blown · was done · being recognized |
| جمل الوصل who / which + جملة — معلومة إضافية عن شخص أو شيء | people who are · person who actually · guy who kidnaps |
| المضارع التام have/has + اسم المفعول — حدث ماضٍ ما زال له أثر الآن | have done · I've ever seen |
نطق يحتاج إلى انتباه
يستخدم المتحدث 30 من الصيغ المختصرة، مثل don't, didn't, wasn't. انطقها بصيغتها القصيرة كما تسمعها.
- أصوات “sh” و“zh”: illusion /ɪˈl(j)uːʒ(ə)n/, musician /mjuˈzɪʃən/
- الكلمات الطويلة — انتبه لموضع النبر: whatsoever /ˌ(h)wʌtsoʊˈɛvɚ/, magnificent /mæɡˈnɪfəsənt/
أصوات يجدها متحدثو العربية صعبة:
- /p/ — ليس /b/: انطقه مع نفخة هواء: kidnap /ˈkɪdnæp/, plaque /plæk/
- /v/ — ليس /f/: مع اهتزاز الأوتار الصوتية: overact /ˌəʊvəɹˈækt/, whatsoever /ˌ(h)wʌtsoʊˈɛvɚ/
- تتابع الصوامت — لا تضف حركة بينها: cloth /klɒθ/, overact /ˌəʊvəɹˈækt/, plaque /plæk/, sync /sɪŋk/, whatsoever /ˌ(h)wʌtsoʊˈɛvɚ/
كيف تتدرب بهذا الفيديو
- استمع إلى الفيديو كاملًا مرة واحدة دون أن تتكلم، ودوّن الكلمات التي لا تعرفها.
- ابدأ بسرعة 0.75×، وردّد جملة جملة، ثم عُد إلى السرعة العادية عندما يصبح الأمر سهلًا.
- سجّل صوتك وقارنه بالأصل، مع الانتباه إلى كلمات مثل cloth, kidnap, waiter.
ما هي تقنية التظليل الصوتي؟
التظليل الصوتي (Shadowing) تقنية تعلم لغة مدعومة علمياً، طُورت أصلاً لتدريب المترجمين الفوريين المحترفين. الطريقة بسيطة لكنها قوية: تستمع لصوت إنجليزي أصلي وتكرره فوراً بصوت عالٍ — كظل يتبع المتحدث بتأخير 1-2 ثانية. تُظهر الأبحاث تحسناً كبيراً في دقة النطق والتنغيم والإيقاع وربط الأصوات والاستماع والطلاقة.