Shadowing-Übung: B2 FIRST | LISTENING | F4T1P4 - Englisch Sprechen Lernen mit YouTube

B2
Part 4.
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Part 4.
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You will hear an interview with a man called Guy Reardon who works as a stuntman performing dangerous scenes in movies.
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When you see a fight or a car chase in a movie,
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it's often a stuntman or woman taking the risks, not a real actor.
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Guy Reardon's a top stuntman.
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Guy, do you usually work individually or in a team?
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It depends.
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In my first job I was part of a team of other stuntmen.
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Several of us had to jump off a fourth floor rooftop together and get caught by the group on the ground.
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That involved relying on everyone else to do things properly,
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which wasn't something I enjoyed.
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Despite that uncertainty, I hoped my strength and sense of timing would get me through.
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Audiences rarely appreciate the lengths we go to to provide their entertainment.
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Obviously it's dangerous, but what's the most challenging thing for you about the work?
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It's a wonderful job, but like any career,
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you have to have tools.
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For a stuntman it's his or her body,
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and if a stunt goes wrong you can end up badly hurt.
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If I thought about that though,
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I'd never do the job.
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But it's the never-ending process to up your game,
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to expand and extend what you're good at, that's the toughest bit.
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Of course there's a lot of competition in the stunt world,
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that makes it exciting.
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What was it like working on the movie Raw Stuff?
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It's based on a true story about soldiers in action,
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so it was extremely important that the stunts didn't look like standard movie action sequences.
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The mountains we were filming in were stunning,
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which made up for having to hike up with 25 kilos of equipment on our backs.
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You just didn't notice the weight.
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The view from the top was sensational.
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The tricky part was tumbling onto rocky mountain ledges so
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that the camera could be as close as possible and the audiences would see and feel what those soldiers went through.
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You've often acted as a stunt double for the actor Marty Walker.
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Yeah, Marty and I get on.
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He varies his size drastically from one movie to the next.
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He can go from athletic action hero to skinny professor in some major body transformations.
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His dedication to doing that's amazing.
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It affects me as well.
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I had to put on weight for his last movie.
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Marty wanted to do the motorbike stunts himself,
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but we persuaded him not to.
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It involved jumping off at high speed.
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Pretty silly for an untrained person to try and do,
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or even a stuntman.
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Which movie do you remember filming most?
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Light at Dawn.
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They wanted me to say some lines, real acting.
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After a few attempts, I gave up and asked for someone else to do it.
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The director, Peter Levine, was very ambitious.
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Some things he asked for hadn't been tried before.
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It was truly a pleasure when we got things right.
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We filmed all over the world.
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Everyone on what was a huge film crew was completely exhausted flying from one place to the next.
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How long have you been in the movie industry?
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Twenty years.
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I've seen some changes.
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There's more technology these days,
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but there's just as great a need for stunt actors.
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Some things can only be performed by a real human.
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I've worked with some great people in some great locations and had a lot of laughs,
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something that's increasingly missing these days because there's so much at stake.
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But that does mean the financial rewards for those who get into the big movies are generally worth it.
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I can't say I've been unlucky in that respect.
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What would you advise someone wanting to do your job?
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Stunt work's become highly specialised over the years.
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There's high falls, fight scenes,
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horse stunts, car chases, the list goes on.
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There's no easy answer to the question of whether it's better to become skilled at one thing or be diverse.
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I don't try and discourage people from getting into stunts,
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but I do try to convince them to have another source of income to fall back on.
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Most stuntmen I know also do things like construction,
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security, web design, and though everyone has an agent to find them work,
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it's so often about your own contact rather than anything else.

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Über diese Lektion

In dieser Lektion wirst du ein interessantes Interview mit Guy Reardon hören, einem Stuntman, der gefährliche Szenen in Filmen ausführt. Hier wirst du die Herausforderungen und den aufregenden Alltag eines Stuntmans kennenlernen. Durch das Anhören des Interviews wirst du nicht nur dein Hörverständnis verbessern, sondern auch deine Fähigkeit zur Englischen Aussprache schärfen. Nutze diese Gelegenheit, um die Feinheiten der englischen Sprache in einem authentischen Kontext zu erleben und zu üben. Diese Lektion eignet sich hervorragend für alle, die ihr Englisch lernen mit YouTube und ihre Sprachfertigkeiten optimieren möchten.

Wichtige Vokabeln & Phrasen

  • Stuntman - Stuntman
  • to jump off - abspringen
  • safety - Sicherheit
  • to rely on - sich verlassen auf
  • challenges - Herausforderungen
  • equipment - Ausrüstung
  • to act as a stunt double - als Stuntdouble agieren
  • motorbike stunts - Motorradstunts

Übungstipps

Um das Beste aus dieser Lektion herauszuholen, empfehle ich dir, shadow speech zu verwenden. Höre dir die Interviewpassagen sorgfältig an und wiederhole sie laut nach. Achte besonders auf die Geschwindigkeit und den Tonfall des Sprechers. Guy spricht in einem relativ ruhigen, aber klaren Tempo – ideal für Englisch Shadowing. Versuche, seine Intonation und Pausen zu imitieren, um die natürliche Sprachmelodie zu erfassen. Durch die Wiederholung wirst du nicht nur deine Aussprache verbessern, sondern auch dein Vertrauen in die Sprache stärken.

Setze dir das Ziel, jede Passage mehrmals zu wiederholen, bis du dich sicher fühlst, sie fließend auszusprechen. Verpasse nicht die Gelegenheit, dein Wissen über die oben genannten Schlüsselvokabeln in deinen Übungen zu integrieren. Dies wird dir helfen, deinen aktiven Wortschatz zu erweitern und die Ausdrucksweise im Kontext zu verfeinern. Englisch lernen mit YouTube bietet dir die Möglichkeit, das Gehörte direkt in deine Sprachpraxis zu transformieren und die Verbindung zwischen Hören und Sprechen zu stärken. Nutze diese Lektion, um deine Fähigkeiten weiter auszubauen!

Was ist die Shadowing-Technik?

Shadowing ist eine wissenschaftlich fundierte Sprachlerntechnik, die ursprünglich für die professionelle Dolmetscherausbildung entwickelt und durch den Polyglotten Dr. Alexander Arguelles populär gemacht wurde. Die Methode ist einfach aber wirkungsvoll: Du hörst englisches Audio von Muttersprachlern und wiederholst es sofort laut — wie ein Schatten, der dem Sprecher mit nur 1–2 Sekunden Verzögerung folgt. Anders als passives Hören oder Grammatikübungen zwingt Shadowing dein Gehirn und deine Mundmuskulatur, gleichzeitig echte Sprachmuster zu verarbeiten und zu reproduzieren. Studien zeigen, dass es Aussprachegenauigkeit, Intonation, Rhythmus, verbundene Sprache, Hörverständnis und Sprechflüssigkeit signifikant verbessert — was es zu einer der effektivsten Methoden für die IELTS Speaking-Vorbereitung und reale englische Kommunikation macht.

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