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B2
Part 4.
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Part 4.
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You will hear an interview with a man called Guy Reardon who works as a stuntman performing dangerous scenes in movies.
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When you see a fight or a car chase in a movie,
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it's often a stuntman or woman taking the risks, not a real actor.
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Guy Reardon's a top stuntman.
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Guy, do you usually work individually or in a team?
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It depends.
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In my first job I was part of a team of other stuntmen.
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Several of us had to jump off a fourth floor rooftop together and get caught by the group on the ground.
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That involved relying on everyone else to do things properly,
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which wasn't something I enjoyed.
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Despite that uncertainty, I hoped my strength and sense of timing would get me through.
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Audiences rarely appreciate the lengths we go to to provide their entertainment.
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Obviously it's dangerous, but what's the most challenging thing for you about the work?
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It's a wonderful job, but like any career,
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you have to have tools.
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For a stuntman it's his or her body,
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and if a stunt goes wrong you can end up badly hurt.
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If I thought about that though,
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I'd never do the job.
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But it's the never-ending process to up your game,
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to expand and extend what you're good at, that's the toughest bit.
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Of course there's a lot of competition in the stunt world,
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that makes it exciting.
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What was it like working on the movie Raw Stuff?
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It's based on a true story about soldiers in action,
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so it was extremely important that the stunts didn't look like standard movie action sequences.
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The mountains we were filming in were stunning,
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which made up for having to hike up with 25 kilos of equipment on our backs.
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You just didn't notice the weight.
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The view from the top was sensational.
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The tricky part was tumbling onto rocky mountain ledges so
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that the camera could be as close as possible and the audiences would see and feel what those soldiers went through.
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You've often acted as a stunt double for the actor Marty Walker.
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Yeah, Marty and I get on.
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He varies his size drastically from one movie to the next.
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He can go from athletic action hero to skinny professor in some major body transformations.
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His dedication to doing that's amazing.
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It affects me as well.
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I had to put on weight for his last movie.
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Marty wanted to do the motorbike stunts himself,
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but we persuaded him not to.
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It involved jumping off at high speed.
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Pretty silly for an untrained person to try and do,
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or even a stuntman.
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Which movie do you remember filming most?
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Light at Dawn.
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They wanted me to say some lines, real acting.
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After a few attempts, I gave up and asked for someone else to do it.
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The director, Peter Levine, was very ambitious.
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Some things he asked for hadn't been tried before.
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It was truly a pleasure when we got things right.
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We filmed all over the world.
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Everyone on what was a huge film crew was completely exhausted flying from one place to the next.
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How long have you been in the movie industry?
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Twenty years.
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I've seen some changes.
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There's more technology these days,
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but there's just as great a need for stunt actors.
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Some things can only be performed by a real human.
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I've worked with some great people in some great locations and had a lot of laughs,
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something that's increasingly missing these days because there's so much at stake.
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But that does mean the financial rewards for those who get into the big movies are generally worth it.
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I can't say I've been unlucky in that respect.
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What would you advise someone wanting to do your job?
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Stunt work's become highly specialised over the years.
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There's high falls, fight scenes,
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horse stunts, car chases, the list goes on.
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There's no easy answer to the question of whether it's better to become skilled at one thing or be diverse.
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I don't try and discourage people from getting into stunts,
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but I do try to convince them to have another source of income to fall back on.
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Most stuntmen I know also do things like construction,
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security, web design, and though everyone has an agent to find them work,
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it's so often about your own contact rather than anything else.

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이 비디오는 스턴트맨인 가이 리어돈과의 인터뷰를 담고 있습니다. 영화에서의 스턴트는 매우 위험하지만, 그의 열정과 도전에 대한 이야기는 여러분에게 많은 영감을 줄 것입니다. 영어 회화 연습을 위해 이 비디오를 활용하면, 실제 대화의 맥락 속에서 생동감 있는 표현을 배울 수 있습니다. 또한, 다양한 스턴트 상황을 설명하는 과정에서 더욱 자연스러운 영어 실력을 기를 수 있을 것입니다.

문맥 속의 문법 및 표현

  • “It depends.” - 상황에 따라 다르다는 표현을 통해, 대화의 흐름에 따라 유연하게 대답하는 법을 익힐 수 있습니다.
  • “I had to put on weight.” - 과거 시제를 사용하여 경험을 설명하는 방식은 자신의 이야기를 할 때 유용하게 쓸 수 있는 표현입니다.
  • “It’s a wonderful job, but…” - 긍정적인 면과 부정적인 면을 함께 언급하며 복합적인 생각을 표현하는 방법입니다.
  • “that makes it exciting.” - 원인과 결과를 연결하는 표현으로, 자신의 생각이나 느낌을 전달하는 데 사용할 수 있습니다.

이와 같은 문법 구조는 영어 쉐도잉 연습을 통해 더욱 쉽게 익힐 수 있습니다.

일상 발음의 어려운 함정

  • “stuntman” - ‘스턴트맨’이라는 단어의 발음에서 처음과 끝 소리를 분명하게 발음하는 것이 중요합니다.
  • “equipment” - ‘장비’라는 단어는 종종 모음 발음을 간과하기 쉬우니 주의해야 합니다.
  • “sensation” - ‘감각’이라는 단어는 중간의 ‘세’ 발음이 쉽게 놓칠 수 있으므로, 반복 연습이 필요합니다.

이러한 발음 함정을 피하기 위해 shadow speech 연습을 통해 실제 대화 내용을 따라 해보는 것이 좋습니다. 유튜브 영어 공부에 이 비디오를 적극 활용하여 실제 발음과 문맥을 익히세요.

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쉐도잉(Shadowing)은 원래 전문 통역사 훈련을 위해 개발된 언어 학습 기법으로, 다언어 학자인 Dr. Alexander Arguelles에 의해 대중화된 방법입니다. 핵심 원리는 간단하지만 매우 강력합니다: 원어민의 영어를 들으면서 1~2초의 짧은 지연으로 즉시 소리 내어 따라 말하는 것——마치 '그림자(shadow)'처럼 화자를 따라가는 것입니다. 문법 공부나 수동적인 청취와 달리, 쉐도잉은 뇌와 입 근육이 동시에 실시간으로 영어를 처리하고 재현하도록 훈련합니다. 연구에 따르면 이 방법은 발음 정확도, 억양, 리듬, 연음, 청취력, 말하기 유창성을 크게 향상시킵니다. IELTS 스피킹 준비와 자연스러운 영어 소통을 원하는 분들에게 특히 효과적입니다.

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