Shadowing-Übung: 🐷🕷️ CHARLOTTE'S WEB Chapter 3 (Audiobook Full Text Read-along) 🕷️🐷 - Englisch Sprechen Lernen mit Video

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Charlotte's Web Chapter 3 Escape
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The barn was very large.
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It was very old.
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It smelled of hay and it smelled of manure.
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It smelled of the perspiration of tired horses and the wonderful sweet breath of patient cows.
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It often had a sort of peaceful smell, as though nothing bad could happen ever again in the world.
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It smelled of grain and of harness dressing and of axle grease and of rubber boots and of new rope.
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And whenever the cat was given a fish head to eat, the barn would smell of fish.
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But mostly it smelled of hay, for there was always hay in the great loft up overhead,
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and there was always hay being pitched down to the cows and the horses and the sheep.
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The barn was pleasantly warm in winter when the animals spent most of their time indoors,
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and it was pleasantly cool in summer when the big doors stood wide open to the breeze.
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The barn had stalls on the main floor for the workhorses, tie-ups on the main floor for the cows, a sheepfold down below for the sheep,
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a pigpen down below for Wilbur, and it was full of all sorts of things that you find in barns.
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Ladders, grindstones, pitchforks, monkey wrenches, scythes, lawnmowers, snow shovels, sacks,
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handles, milk pails, water buckets, empty grain sacks, and rusty rat traps.
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It was the kind of barn that swallows like to build their nests in.
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It was the kind of barn that children like to play in.
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And the whole thing was owned by Fern's uncle, Mr. Homer L.
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Zuckerman.
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Wilbur's new home was in the lower part of the barn, directly underneath the cows.
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Mr. Zuckerman knew that a manure pile is a good place to keep a young pig.
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Pigs need warmth, and it was warm and comfortable down there in the barn cellar on the south side.
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Fern came almost every day to visit him.
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She found an old milking stool that had been discarded, and she placed the stool in the sheepfold next to Wilbur's pen.
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she sat quietly during the long afternoons, thinking and listening and watching Wilbur.
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The sheep soon got to know her and trust her.
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So did the geese who lived with the sheep.
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All the animals trusted her, she was so quiet and friendly.
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Mr. Zuckerman did not allow her to take Wilbur out, and he did not allow her to get into the pig pen.
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But he told Fern that she could sit the stool and watch Wilbur as long as she wanted to.
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It made her happy just to be near the pig, and it made Wilbur happy to know that she was sitting there, right outside his pen.
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But he never had any fun.
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No walks, no rides, no swims.
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One afternoon in June, when Wilbur was almost two months old, he wandered out into his small yard outside the barn.
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Fern had not arrived for her usual visit.
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Wilbur stood in the sun feeling lonely and bored.
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There's never anything to do around here, he thought.
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He walked slowly to his food trough and sniffed to see if anything had been overlooked at lunch.
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He found a small strip of potato skin and ate it.
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His back itched, so he leaned against the fence and rubbed against the boards.
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When he tired of this, he walked indoors, climbed to the top of the manure pile, and sat down.
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He didn't feel like going to sleep.
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He didn't feel like digging.
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He was tired of standing still, tired of lying down.
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I'm less than two months old, and I'm tired of living, he said.
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He walked out to the yard again.
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When I'm out here, he said, there's no place to go but in.
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When I'm indoors, there's no place to go but out in the yard.
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That's where you're wrong, my friend, my friend, said a voice.
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Wilbur looked through the fence and saw the goose standing there.
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You don't have to stay in that dirty little, dirty little, dirty little yard, said the goose, who talked rather fast.
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One of the boards is loose.
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Push on it.
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Push, push, push on it, and come on out.
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What? said Wilbur.
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Say it slower.
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At the risk of repeating myself, said the goose, I suggest that you come on out.
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It's wonderful out here.
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Did you say a board was loose?
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That I did, that I did, said the goose.
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Wilbur walked up to the fence and saw that the goose was right.
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One board was loose.
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He put his head down, shut his eyes, and pushed.
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The board gave way.
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In a minute, he had squeezed through the fence and was standing in the long grass outside his yard.
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The goose chuckled.
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How does it feel to be free? she asked.
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I like it, said Wilbur.
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That is, I guess I like it.
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Actually, Wilbur felt queer to be outside his fence, with nothing between him and the big world.
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Where do you think I'd better go?
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Anywhere you like, anywhere you like, said the goose.
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Go down through the orchard, root up the sod.
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Go down through the garden, dig up the radishes, root up everything.
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Eat grass, look for corn, look for oats.
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Run all over, skip and dance, jump and prance.
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Go down through the orchard and stroll in the woods.
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The world is a wonderful place when you're young.
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I can see that, replied Wilbur.
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He gave a jump in the air, twirled, ran a few steps,
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stopped, looked all around, sniffed the smells of afternoon, and then set off walking down through the orchard.
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Pausing in the shade of an apple tree, he put his strong snout into the ground and began pushing, digging, and rooting.
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He felt very happy.
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He had plowed up quite a piece of ground before anyone noticed him.
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Mrs. Zuckerman was the first to see him.
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She saw him from the kitchen window, and she immediately shouted for the men.
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Homer!
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She cried.
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Pigs out!
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Lurvie!
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Pigs out!
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Homer!
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Lurvie!
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Pigs out!
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He's down there, under that apple tree!
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Now the trouble starts, thought Wilbur.
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Now I'll catch it.
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The goose heard the racket and she too started hollering.
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Run, run, run, downhill!
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They'll make for the woods, the woods, she shouted to Wilbur.
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They'll never, never, never catch you in the woods.
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The cocker spaniel heard the commotion, and he ran out from the barn to join the chase.
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Mr. Zuckerman heard, and he came out of the machine shed where he was mending a tool.
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Lurvie, the hired man, heard the noise and came up from the asparagus patch where he was pulling weeds.
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Everybody walked toward Wilbur, and Wilbur didn't know what to do.
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The woods seemed a long way off, and anyway, he had never been down there in the woods and wasn't sure he would like it.
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Get around behind him, Lurvie, said Mr. Zuckerman, and drive him toward the barn.
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And take it easy, don't rush him.
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I'll go and get a bucket of slops.
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The news of Wilbur's escape spread rapidly among the animals on the place.
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Whenever any creature broke loose on Zuckerman's farm, the event was of great interest to the others.
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The goose shouted to the nearest cow that Wilbur was free, and soon all the cows knew.
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Then one of the cows told one of the sheep, and soon all the sheep knew.
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The lambs learned about it from their mothers.
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The horses in their stalls in the barn pricked up their ears when they heard the goose hollering, and soon the horses had caught on to what was happening.
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Wilbur's out, they said.
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Every animal stirred and lifted its head and became excited to know
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that one of his friends had got free and was no longer pinned up or tied fast.
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Wilbur didn't know what to do or which way to run.
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It seemed as though everybody was after him.
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If this is what it's like to be free, he thought, I believe I'd rather be pinned up in my own yard.
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The cocker spaniel was sneaking up on him from one side.
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Lurvie the hired man was sneaking up on him from the other side.
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Mrs. Zuckerman stood ready to head him off if he started for the garden, and now Mr. Zuckerman was coming down toward him carrying a pail.
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This is really awful, thought Wilbur.
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Why doesn't Fern come?
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He began to cry.
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The goose took command and began to give orders.
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Don't just stand there, Wilbur.
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Dodge about, dodge about, cried the goose.
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Skip around, run toward me.
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Slip in and out, in and out, in and out.
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Make for the woods, twist and turn.
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The cocker spaniel sprang for Wilbur's hind leg.
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Wilbur jumped and ran.
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Lurvie reached out and grabbed.
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Mrs. Zuckerman screamed at Lurvie.
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The goose cheered for Wilbur.
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Wilbur dodged between Lurvy's legs.
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Lurvy missed Wilbur and grabbed the spaniel instead.
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Nicely done, nicely done, cried the goose.
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Try it again, try it again.
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Run down here, suggested the cows.
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Run toward me, yelled the gander.
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Run up, evil, cried the sheep.
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Turn and twist, honked the goose.
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Jump and dance, said the rooster.
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Look out for Lurvie, called the cows.
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Look out for Zuckerman, yelled the gander.
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Watch out for the dog, cried the sheep.
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Listen to me, listen to me, screamed the goose.
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Poor Wilbur was dazed and frightened by this hullabaloo.
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He didn't like being the center of all this fuss.
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He tried to follow the instructions his friends were giving him, but he couldn't run downhill and uphill at the same time,
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and he couldn't turn and twist when he was jumping and dancing, and he was crying so hard he could barely see anything that was happening.
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After all, Wilbur was a very young pig, not much more than a baby, really.
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He wished Fern were there to take him in her arms and comfort him.
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When he looked up and saw Mr. Zuckerman standing quite close to him, holding a pail of warm slops, he felt relieved.
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He lifted his nose and sniffed.
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The smell was delicious.
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Warm milk, potato skins, wheat middlings, Kellogg's cornflakes, and a popover left from the Zuckerman's breakfast.
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Come, pig, said Mr. Zuckerman, tapping the pail.
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Come, pig.
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Wilbur took a step toward the pail.
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No, no, no, said the goose.
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It's the old pail trick, Wilbur.
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Don't fall for it.
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Don't fall for it.
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He's trying to lure you back into captivity.
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He's appealing to your stomach.
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Wilbur didn't care.
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The food smelled appetizing.
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He took another step toward the pail.
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Pig, pig, said Mr. Zuckerman in a kind voice, and began walking slowly toward the barnyard,
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looking all about him innocently as if he didn't know that a little white pig was following along behind him.
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You'll be sorry, sorry, sorry, called the goose.
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Wilbur didn't care.
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He kept walking toward the pail of slops.
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You'll miss your freedom, honked the goose.
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An hour of freedom is worth a barrel of slops.
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Wilbur didn't care.
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When Mr. Zuckerman reached the pigpen, he climbed over the fence and poured the slops into the trough.
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Then he pulled the loose board away from the fence so that there was a wide hole for Wilbur to walk through.
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Reconsider!
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Reconsider! cried the goose.
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Wilbur paid no attention.
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He stepped through the fence into his yard.
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He walked to the trough and took a long drink of slops, sucking in the milk hungrily and chewing the popover.
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It was good to be home again.
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While Wilbur ate, Lurvie fetched a hammer and some eight-penny nails and nailed the board in place.
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Then he and Mr. Zuckerman leaned lazily on the fence, and Mr. Zuckerman scratched Wilbur's back with a stick.
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He's quite a pig, said Lurvie.
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Yes, he'll make a good pig, said Mr. Zuckerman.
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Wilbur heard the words of praise.
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He felt the warm milk inside his stomach.
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He felt the pleasant rubbing of the stick along his itchy back.
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He felt peaceful and happy and sleepy.
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This had been a tiring afternoon.
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It was still only about four o'clock, but Wilbur was ready for bed.
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I'm really too young to go out into the world alone, he thought as he lay down.
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Hello, my name is Josh Cashel, and thank you so much for watching this video.
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I would like to extend my heartfelt gratitude for tuning in and being a part of this wonderful community.
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Your support means the world to me, and it's what keeps this channel going strong.
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It's what keeps me going strong.
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So first and foremost, if you enjoy the content and want to see more, please consider the simplest acts of support.
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Whether you choose to like, subscribe to the channel, become a YouTube member, become a paid lifetime member on my website,
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or donate, please know that your support is what keeps the creativity flowing.
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And I could not do this without you.
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Thank you for being an essential part of this community and for sharing in my passion and what I love doing.
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I look forward to bringing you more exciting content in the future.
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So please stay tuned, stay awesome, stay classy.
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And as always, thank you for watching.

Wortschatz und Sprechhinweise zu dieser Lektion

Diese Sprechübung auf Niveau A2 basiert auf dem Video „🐷🕷️ CHARLOTTE'S WEB Chapter 3 (Audiobook Full Text Read-along) 🕷️🐷“. Diese Wörter kommen am häufigsten vor: Wilbur, goose, Zuckerman, pig, barn. Dieses Video enthält 213 Sätze und 2243 Wörter zum Nachsprechen. Der gesprochene Teil dauert 17:32. Der Sprecher spricht gleichmäßig mit etwa 128 Wörtern pro Minute – ein angenehmes Tempo fürs Shadowing. 76 % der Wörter gehören zu den 3.000 häufigsten im Englischen; den Rest solltest du dir vor dem Üben ansehen.

Wichtiger Wortschatz in diesem Video

15 lernenswerte Wörter aus dem Video, mit Aussprache und Bedeutung:

WortAusspracheBedeutung
goose Substantiv/ɡus/Gans
barn Substantiv[ˈbɑɹn]Scheune, Scheuer
fence Substantiv/fɛns/Zaun, Hag
sheep Substantiv/ˈʃiːp/Schaf
cow Substantiv/kaʊ/Kuh, Chue
pig Substantiv/ˈpɪɡ/Schwein, Hausschwein
twist Verb/twɪst/verziehen, drehen
shout Verb/ʃaʊt/rufen, schreien
dodge Verb/dɑd͡ʒ/ausweichen, beiseite springen
indoors Adverb/ɪnˈdɔɹz/drinnen, hinein
orchard Substantiv/ˈɔɹ.t͡ʃɚd/Obstgarten, Obstwiese
stool Substantiv/stuːl/Hocker, Taburett
stomach Substantiv/ˈstʌmək/Magen
hire Verb/ˈhaɪɹ/mieten, heuern
grass Substantiv/ɡɹɑːs/Gras, gras

Phrasal Verbs, die du hören wirst

WortAusspracheBedeutung
go down Verbabsteigen, hinabsteigen
come down Verbherunterkommen
dig up Verbausgraben
lie down Verbsich legen, liegen
look forward to Verbsich freuen auf
look up Verb/ˌlʊk ˈʌp/bergauf gehen, aufwärtsgehen
reach out Verbwegstrecken, die Hand ausstrecken
run down Verbüberfahren

Sätze zum Wiederholen

Kurze, vollständige Sätze aus dem Video, die du im Alltag wiederverwenden kannst:

  • Did you say a board was loose?
  • Where do you think I'd better go?
  • The world is a wonderful place when you're young.
  • They'll never, never, never catch you in the woods.
  • I'll go and get a bucket of slops.

Grammatik in diesem Video

Die Strukturen, die der Sprecher am häufigsten verwendet, mit den genauen Worten aus dem Video:

StrukturIm Video
Passiv be + Partizip Perfekt – wichtig ist, was geschieht, nicht wer es tutwas given · being pitched · was owned
Past Continuous was/were + -ing – eine Handlung, die zu einem Zeitpunkt in der Vergangenheit im Gange warwas sitting · was standing · was mending
Superlativ the -est / the most … – das Höchste oder Niedrigste einer Gruppethe nearest · the simplest
Verb + -ing enjoy, keep, stop … + -ing – Verben, auf die die -ing-Form folgtstarted hollering · kept walking

Aussprache, auf die du achten solltest

Der Sprecher verwendet 34 Kurzformen und abgeschwächte Formen, zum Beispiel didn't, don't, I'm. Sprich sie in der kurzen Form, so wie du sie hörst.

  • Die „th“-Laute: underneath /ˌʌndɚˈniθ/, warmth /wɔɹmθ/, trough /tɹɔθ/, scythe /ˈsaɪð/
  • Die Laute „sh“ und „zh“: sheep /ˈʃiːp/, shout /ʃaʊt/, rush /ɹʌʃ/, passion /ˈpæʃən/, delicious /dɪˈlɪ.ʃəs/
  • Lange Wörter – auf die Betonung achten: reconsider /ˈɹiːkənˌsɪdə/, creativity /kri.eɪˈtɪv.ᵻ.ti/, captivity /kæpˈtɪvɪti/, appetizing /ˈæp.ə.taɪz.ɪŋ/, asparagus /əˈspæɹ.ə.ɡəs/

Laute, die Deutschsprachigen schwerfallen:

  • /w/ — mit runden Lippen, nicht wie das deutsche „w“ (/v/): twist /twɪst/, weed /wiːd/, quietly /ˈkwaɪ.ɪt.li/, wheat /ˈwiːt/, squeeze /skwiːz/
  • Stimmhafter Auslaut — /b/, /d/, /g/, /z/, /v/ am Wortende nicht verhärten: pig /ˈpɪɡ/, dodge /dɑd͡ʒ/, indoors /ɪnˈdɔɹz/, orchard /ˈɔɹ.t͡ʃɚd/, dig /dɪɡ/
  • /æ/ — offener als „ä“: sack /sæk/, passion /ˈpæʃən/, rapidly /ˈɹæpɪdli/, trap /tɹæp/, patch /pæt͡ʃ/

So übst du mit diesem Video

  1. Höre dir das ganze Video einmal an, ohne zu sprechen, und notiere die Wörter, die du nicht kennst.
  2. Sprich Satz für Satz in normaler Geschwindigkeit nach und wiederhole jeden, bis dein Rhythmus zum Sprecher passt.
  3. Nimm dich auf und vergleiche mit dem Original; achte dabei auf Wörter wie goose, barn, fence.

Was ist die Shadowing-Technik?

Shadowing ist eine wissenschaftlich fundierte Sprachlerntechnik, die ursprünglich für die professionelle Dolmetscherausbildung entwickelt und durch den Polyglotten Dr. Alexander Arguelles populär gemacht wurde. Die Methode ist einfach aber wirkungsvoll: Du hörst englisches Audio von Muttersprachlern und wiederholst es sofort laut — wie ein Schatten, der dem Sprecher mit nur 1–2 Sekunden Verzögerung folgt. Anders als passives Hören oder Grammatikübungen zwingt Shadowing dein Gehirn und deine Mundmuskulatur, gleichzeitig echte Sprachmuster zu verarbeiten und zu reproduzieren. Studien zeigen, dass es Aussprachegenauigkeit, Intonation, Rhythmus, verbundene Sprache, Hörverständnis und Sprechflüssigkeit signifikant verbessert — was es zu einer der effektivsten Methoden für die IELTS Speaking-Vorbereitung und reale englische Kommunikation macht.

Shadowing-Technik: die vollständige Schritt-für-Schritt-Anleitung lesen →