Shadowing Practice: Elemental - Is It Good or Nah? (Pixar Review) - Learn English Speaking with Video

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Elemental has had what is possibly the weirdest build-up to release for any Pixar movie.

I guess aside from turning red.

Like, yeah, I thought it looked generic from the trailers too, but I'm nonetheless shocked at how bizarrely vitriolic the backlash has been to this one.

Pixar has made generic movies before, this one isn't special in that regard.

However, everyone just kinda judged this movie based on the premise alone, and talked as if they had already seen it and not liked it.

Well, the joke's on you guys.

I actually saw it and didn't like it.

I don't know, it was fine when I first walked out of the theater, but the more my girlfriend and I talked about it on the drive home, the less any of it made sense and the less I liked it.

I mean, it has good stuff.

The score was pretty fire.

Yeah, that's an elemental pun.

Deal with it.

The animation was very good.

Like, you know, complimenting a modern Pixar movie for its animation isn't really saying much on its own.

But like, specifically, I was really impressed with how the Fire People looked.

They had some cool character designs.

I liked that.

It was a pretty movie, I guess.

The main characters were fine.

In general, it was fine.

It was watchable.

I didn't hate it.

Compared to something like Lightyear, which is just a corporate dumpster fire that I should not have rated as highly as I did, this one clearly came from a place of passion.

It was made in earnest, and I can respect that.

But, yeah, for the most part, I wasn't really feeling this one.

Essentially, there are two threads here, that being the fire-water love story, oooow, how groundbreaking, that's craaaazy!

And then there's the story about an immigrant family of fire people trying to make a new home in Element City.

Uhhh, let's talk about the romance first.

It's okay, the two leads are fine, but I never really felt much chemistry between them.

Yeah, that's another elemental pun.

Deal with it again.

But yeah, I don't think they ever have a conversation where they really connect over anything.

The pacing is good for their relationship.

They really take their time before they start to fall in love.

I just don't think the actual falling in love part was that convincing.

They seemed more like very good friends.

Yes, I'm dead serious.

And that's not even taking into account the whole fire and water mixing angle, Which in itself is really corny and also a bit illogical.

Like, what?

They're the first mixed element couple in existence?

No other fire and water people have ever touched before, even by accident?

They really didn't know what was gonna happen?

Then there's the immigrant story, which, like, the core of it is clearly genuine, and rooted in the director's own experiences,

and it's nice that he gets to tell a version of that story.

But, on the other hand, when are we gonna stop using non-human characters for human race allegories?

The movie absolutely did not need that element.

Haha, get it?

Element pun again.

I assure you, this is less element puns than the movie has.

Anyway, yeah, it didn't need that element because it makes for so many confusing and uncomfortable moments.

Like, there are some terms like fireball and cloud puff being hurled as insults in this movie.

And it's like, are those racial slurs in this universe?

What's going on?

What was the pruning joke about?

What's the real world equivalent to that?

These are questions the movie makes me think about

because it constantly tries to connect the fire people's experience to real world racism.

The fire dad is also constantly racist against water people and talking about how much he doesn't trust them.

And it's like water people seem to be the privileged ones in this society, so I guess that's fine.

Except where does that leave the wind and earth people?

They don't seem discriminated against at all.

The movie only goes out of its way to show that fire people are treated poorly.

So what do the wind and earth people represent?

And why are they even in the movie?

They don't matter to the story like at all.

If it was just fire and water people, the metaphor would still be flawed, but it would at least be a lot clearer.

As is, this has got to be one of the most confused metaphors I've ever seen in a movie.

And not only does this not work as a race allegory, it doesn't work in terms of its world building either.

Everything just sort of functions like it does in human society.

Like, they have regular trains and pipes for water to flow through.

Wouldn't a city based around element people be a little more unique and less human-like?

Firegirl says the city wasn't built with fire people in mind, but like, shouldn't more of the city feel tailored around water people since they founded it?

Like, shouldn't there be transport pipes for them instead of just trains?

I don't know, maybe there was some in the background that I didn't notice, who knows.

Also, the entire third act kinda fell apart for me.

Spoilers, I guess, if you're interested in seeing this for some reason, I don't know.

So, the main conflict hinges around Fire Girl and Water Boy fixing the dam, so water doesn't leak out and flood Fire Girl Dad's store.

So she fixes it with tempered glass, and the Cloud Lady who's in charge is like, yep, that looks good to me, we're good to go.

So you assume that conflict is over, since it served its purpose of giving the two leads something to do as they got to know each other.

But then, oh no, looks like the glass is gonna break, and I just kind of rolled my eyes because it was such a lazy way to force a third act climax.

Cloud Lady said it was fine.

They had workman test it out with a hammer and stuff, but I don't know, it's gotta break, because we gotta have a stupid climax.

The third act can't just be about the characters working out their differences and solving the dad's racism.

Speaking of which, he never gets over that.

We never have a scene where he's like, okay, water boy, I misjudged you.

You can date my daughter.

He's just inexplicably cool with it at the end, even though not being cool with it was such a huge facet of his character throughout the entire movie.

What happened?

Again, I'm not upset that he doesn't like the privileged water people.

It's just, he just forgets that he doesn't like them at the end.

Did I miss that scene?

Am I going insane?

What is this movie?

Then there's all the usual cliches, like, Oh, you're not my daughter.

You lied about breaking the pipes.

You're not getting the shop.

Oh, water boy, I don't love you because society, and I gotta do what my dad says, and we're breaking up for real, and we're not getting back together later.

Definitely not.

100

Do not keep watching the movie.

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It does not happen.

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And then during the stupid action climax, Waterboy dies because it's hot and he's evaporating.

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Even though this was never set up beforehand as a thing that could happen, so it kind of comes out of nowhere, and also the scene is extremely quick, and the whole time you're just waiting for him to inevitably be revived.

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There's no tension.

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It didn't make me feel anything.

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It was nice when Fire Dad told Fire Daughter that she was his real dream the whole time, but other than that, the climax was entirely dramatically inert,

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which is shocking because this is a Pixar movie?

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It's like the one thing they know how to do, but man, it just did not land here.

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Ultimately, I don't hate this movie or anything.

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It had heart, it had good intentions, it was paced pretty well, and it had plenty of fleeting moments I enjoyed,

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but I'd be lying if I said I'm gonna remember anything about it in a week.

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Anyway, if people try

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and guilt you into watching this movie just for the sake of supporting original Pixar films

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so we don't get Toy Story 12 or whatever, don't feel pressured to see it.

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It isn't great.

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Though, if you do want to see it to pump up its box office numbers

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and encourage more original work that is good, that's totally valid.

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Or if you just think it looks good in general.

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Don't let the mob mentality against this film, or me not liking it, discourage you from watching and enjoying it.

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I almost feel bad for not really liking it that much, because again, it didn't really feel corporate or anything.

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There is a genuine humanity behind this movie.

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I just wish it got to tell its potentially compelling immigrant story with human characters,

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instead of, ironically, watering it down by making it about fire people.

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Uh, yeah, I don't know.

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I came out of the theater thinking it was a solid 6 out of 10, but the more I thought about it, the worse it got in my mind.

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5 out of 10.

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Again, see it if you want to, don't see it if you don't want to.

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That's all there is to it.

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The up short was cute.

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The end.

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I'm just surprised there were no animals in this movie.

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Vocabulario y notas de pronunciación para esta lección

Este vídeo tiene 151 frases y 1901 palabras para practicar shadowing. La parte hablada dura 9:47. El hablante habla rápido, unas 194 palabras por minuto, así que espera sonidos enlazados y reducidos. El 84 % de las palabras está entre las 3.000 más comunes del inglés; conviene repasar el resto antes de empezar.

Vocabulario clave de este vídeo

15 palabras menos comunes del vídeo, con su pronunciación y significado:

element /ˈɛləmənt/ (sustantivo) — elemento. One of the simplest or essential parts or principles of which anything consists, or upon which the constitution or fundamental powers of anything are based.
climax /ˈklaɪ.mæks/ (sustantivo) — clímax, colofón. A rhetorical device in which a series is arranged in ascending order.
cloud /ˈklaʊ̯d/ (sustantivo) — nube, nimbo. A visible mass of water droplets suspended in the air.
pipe /ˈpaɪp/ (sustantivo) — caramillo, flauta f). A wind instrument consisting of a tube, often lined with holes to allow for adjustment in pitch, sounded by blowing into the tube.
immigrant /ˈɪmɪɡɹənt/ (sustantivo) — inmigrante. A non-native person who comes to a country from another country to permanently settle there.
shock /ʃɔk/ (sustantivo) — choque. A sudden, heavy impact.
connect /kəˈnɛkt/ (verbo) — conectar, empalmar. To join (to another object): to attach, or to be intended to attach or capable of attaching, to another object.
pace /peɪs/ (sustantivo) — paso. A step taken with the foot.
genuine /ˈd͡ʒɛn.juˌɪn/ (adjetivo) — genuino, auténtico. Belonging to, or proceeding from the original stock; native.
theater /ˈθi(ə)tɚ/ (sustantivo) — teatro. A place or building, consisting of a stage and seating, in which an audience gathers to watch plays, musical performances, public ceremonies, and so on.
racism /ˈɹeɪsɪzm̩/ (sustantivo) — racismo. The belief that there are distinct human races with inherent differences which determine their abilities, and generally that some are superior and others…
privilege /ˈpɹɪv.(ɪ.)lɪd͡ʒ/ (sustantivo) — privilegio. A particular benefit, advantage, or favor; a right or immunity enjoyed by some but not others; a prerogative, preferential treatment.
animation /ˌæn.ɪˈmeɪ.ʃən/ (sustantivo) — vivificación, animación. The act of animating, or giving life or spirit.
generic /dʒɪˈnɛɹ.ɪk/ (adjetivo) — genérico. Very broad; pertaining or appropriate to large classes or groups as opposed to specific instances.
leak /liːk/ (sustantivo) — gotera, agujero. A crack, crevice, fissure, or hole which admits water or other fluid, or lets it escape.

Phrasal verbs que vas a escuchar

deal with (verbo) — tratarse de, ocuparse. To handle verbally or in some form of artistic expression; to address or discuss as a subject.
talk about (verbo) — hablar de, hablar sobre. Used to draw attention to the speaker's characterization of someone or something.
think about /ˈθɪŋk əˌbaʊt/ (verbo) — pensar en, ocurrírsele. To ponder.
come from (verbo) — ser de. To have as one's origin, birthplace or nationality.
get back (verbo) — regresar. Return to where one came from.
get in (verbo) — acceder. To get into or inside something, literally or figuratively.
get off (verbo) — bajarse. To move from being on top of (something) to not being on top of it.
get over (verbo) — superar, sobreponerse a. To overcome.

Pronunciación a tener en cuenta

El hablante usa 66 contracciones y formas reducidas, como don't, didn't, you're. Dilas en su forma corta, tal como las oyes.

Los sonidos de “th”: theater /ˈθi(ə)tɚ/, thread /ˈθɹɛd/, nonetheless /ˌnʌnðəˈlɛs/
Los sonidos de “sh” y “zh”: shock /ʃɔk/, animation /ˌæn.ɪˈmeɪ.ʃən/, passion /ˈpæʃən/, essentially /ɪˈsɛnʃəli/, potentially /pəˈtɛnʃ(ə)li/
Palabras largas — cuida el acento: animation /ˌæn.ɪˈmeɪ.ʃən/, essentially /ɪˈsɛnʃəli/, potentially /pəˈtɛnʃ(ə)li/, humanity /hjuˈmænɪti/, uncomfortable /ʌnˈkʌm.fɚ.tə.bl̩/

Cómo practicar con este vídeo

Escucha el vídeo entero una vez sin hablar y anota las palabras que no conoces.
Empieza a velocidad 0,75×, haz shadowing frase por frase y vuelve a la velocidad normal cuando te resulte fácil.
Grábate y compara con el original, prestando atención a palabras como element, climax, cloud.

Gramática en este vídeo

Las estructuras que más usa el hablante, con las palabras exactas del vídeo:

Estructura	En el vídeo
Voz pasiva be + participio pasado — importa lo que ocurre, no quién lo hace	is provided · was really impressed · was made
Present perfect have/has + participio pasado — una acción pasada que sigue importando ahora	has had · has been · has made
Oraciones de relativo who / which + oración — información extra sobre una persona o cosa	Lightyear, which is · action, which is

¿Qué es la Técnica de Shadowing?

Shadowing es una técnica de aprendizaje de idiomas respaldada por la ciencia, desarrollada originalmente para la formación de intérpretes profesionales y popularizada por el políglota Dr. Alexander Arguelles. El método es simple pero poderoso: escuchas audio en inglés nativo y lo repites en voz alta de inmediato, como una sombra que sigue al hablante con solo 1-2 segundos de retraso. A diferencia de la escucha pasiva o los ejercicios de gramática, el shadowing obliga a tu cerebro y músculos de la boca a procesar y reproducir simultáneamente patrones de habla reales. Las investigaciones muestran que mejora significativamente la precisión de la pronunciación, la entonación, el ritmo, el habla conectada, la comprensión auditiva y la fluidez al hablar, convirtiéndola en una de las metodologías más efectivas para la preparación del IELTS Speaking y la comunicación en inglés en el mundo real.

Técnica de shadowing: lee la guía completa paso a paso →

Shadowing Practice: Elemental - Is It Good or Nah? (Pixar Review) - Learn English Speaking with Video

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