Pratique du Shadowing: Capablanca's Brilliant Move Was A Blunder⁉️ - Apprendre l'anglais à l'oral avec la vidéo
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171 phrases
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Capablanca played a beautiful combination, which was also a blunder.
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And in this game, you'll get to know his three main rules for the middle game.
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Capablanca's playing white here, and initially we have standard opening development.
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Black protects the pawn, and here Capablanca played knight to c3.
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Sure, he could have captured here on a5 or pushed the pawn forward.
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These were also good alternatives, but I don't know,
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maybe I got a little bit too much into his head with this to take as a mistake thing, right?
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So he played knight to c3.
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I'm just just kidding, Kabablanca of course,
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lived many years ago, but the rule to take is a mistake still is legit and it does make sense,
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so let me show you what I mean.
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Because you see that both players refuse to take here, even though they both could.
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What is the reason?
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The reason is, when you take without a significant reason,
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oftentimes you only help your opponent to advance his piece forward and you get nothing for yourself.
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Such as in this case, when black finally captured on d4, notice what happens.
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Black got nothing, it's just a trade, while why it advances his knight.
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So that's what the rule states.
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You take when it gives you a certain advantage, but otherwise if it gives you nothing and only helps your opponent,
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then he has to take as a mistake.
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Now black captures here on d4, and now you see that Capablanca throughout all these moves refuses basically to take himself, such as here.
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He could have captured right here, but he knows that he has to take as a mistake that would only help black to develop his queen,
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and therefore Capablanca maintains the pressure right here, just trades on d4.
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Now black takes on b5, Nairi captures and black castles.
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The position is more or less equal, of course, and now we have the first interesting idea and advice from Cavablanca.
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He says that
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White's first move advantage is the initiative, right?
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So the idea that
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White starts the game also means that you can start your attack sooner than your opponent and seize the initiative,
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and he says that you should absolutely do that, and he goes
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Queen to c3.
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It's a small threat, of course, this pawn can easily be protected,
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but nevertheless now white becomes the one who's putting pressure and black is the one who has to respond and defend.
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Now knight to d4 from here Kamalanka aims to bring his knight to another active square
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and just playing pawn to g6 would weaken the king.
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Black also does not want to do that so black played knight to d7 instead.
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Also a pretty nice maneuver by black trying to bring the bishop forward
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and the knight could probably jump forward onto e5 in the future but nevertheless last, knight to f5, Caballon keeps creating those small threats,
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but simultaneously also advancing his knight forward to a good square,
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threatening checkmate, like goes bishop f6 to protect his pawn and to counter the white queen, queen to g3, swinging the queen to the king's side,
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where potentially it can help in the long -term attack.
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But right now, the biggest problem by black is this handing pawn on d6.
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Again, Caballon maintains this initiative by creating small threats all along the way.
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Knight to e5 by black, bringing the knight to a good square, and protecting the pawn with a queen, therefore I cannot take it.
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Now, this is another very interesting moment and another advice that Capablanca gives us.
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He says that in the middle game, the main thing is the coordination of pieces.
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In other words, you need to bring all of your pieces towards this central area or as close as you can, right?
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And for many players, it would be really tempting to play the move of bishop h6, which Capablanca did not play,
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trying to checkmate black right away.
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So I go here, then I take, you know, and force the checkmate.
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But of course your opponent will also do something.
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And the problem with that is, if you don't have all your pieces into play,
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usually your opponent will be able to refute your attack and you will just waste time.
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So here after knight to g6, black would shut down this file, the bishop would have to retreat somewhere back, and the attack fails.
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So instead of that, Capablanca chooses this other approach.
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He says that you need to make your pieces work as a connected unit, where they stand close to each other and support each other.
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And he goes bishop of four, you know, bringing his pieces closer towards this central area and also kind of putting pressure onto his opponent,
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even though right now there are no threats in the moment.
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Queen to c someone by black.
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And how would he play here as white?
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Which brings us to the second rule, which think is also one of the most important rules of all.
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It is do not leave Ronaldo on the bench.
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He may get upset and even walk away, right?
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Cristiano Ronaldo did not deserve that.
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He is leaving national team camp in Portugal.
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The idea is while playing chess we get focused on our opponent's king and we try to put together a checkmate.
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We're focused on that area and because of
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that on beginner to intermediate level
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so many players totally forget about this one dude on a1
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and it's a really powerful piece it's your tower it's a rook right you should never forget about it
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and you should always bring it into play and
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because of this recent incident with ronaldo i don't know
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if we should call it the ronaldo rule for real
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but i love it because it's memorable
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and again one of the most common mistake of years all right not bringing this rook into play
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so always do that and Kavalanka goes rook to d1.
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Now the rook is also active, and together with the knight, it puts pressure into this pawn on d6,
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and it also kind of forces black to follow the Ronaldo rule as well, and to activate the rook.
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Now, what do you do then?
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So the first phase of the plan was to bring all your pieces into play, and to also bring them closer towards the central area,
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so that they either stand there, or somewhere close, or at least put pressure in that direction.
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Because also Cabablanca says that you really do need to control the center before you can hope
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that your king side attack will work out.
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And that's one of the really classical rules of chess strategy.
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All right, still what do you do then?
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Now here's a really nice description of Capablanca played by one of his common opponents, Torta Kovar.
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He said, Capablanca often aimed for a simple solid position and then struck with a small tactical combination.
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And I think it's a really nice description because phase one you just activate all your pieces, you bring them towards the center.
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And step two, this is where you start looking for those force and moves, checks, captures, and threats.
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You might have heard the rule, but in itself it's not very insightful because you can't just be forcing yourself to check all the forces,
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those checks, captures, threats at every turn of the game.
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That'll be just time consuming and usually useless, right?
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But once your position is active, then it makes sense.
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So after that, you focus your attention and pulse half the board, and you start asking yourself, can I go here, can I go here,
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can I take here, can I take here, and you start checking all these opportunities, and you try to hope for something that works,
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and Kavalanca played rook takes d6, which deserves, you know, an exclamation mark and a question mark at the same time,
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because yes, he found a really nice combination, but it's also a blunder, so his idea was that if black captures,
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which he did, then white falls with bishop takes e5, and that, yes, puts a lot of pressure onto black, attacks the rook, attacks the bishop,
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and also it pins the rook down to the queen, and if Blake takes, which did not happen in the game,
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but it's just the main line of the combo, queen recaptures, and now that's another double attack.
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You're a threatening checkmate, queen takes g7, you're also threatening rook, and black is defenseless.
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What's also annoying for black is that the queen is also pinned down to the queen.
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Like, black cannot just play something like this to protect his king, because that would hand the queen on c7, meaning that in this position,
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black would probably have to give up the rook and of course lose the game.
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So this is what Capablanca was hoping for.
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Unfortunately for him, there was a decisive fatal flaw into his combination.
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I mean, try to find it yourself, by the way.
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Probably Sun Tzu said something like, never trust your opponent, and this is a good moment for that, right?
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Black probably got a little too much respect for Capablanca
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and thought that his combo was winning and did not look really strong for counter opportunities, but that opportunity existed.
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The move that Capablanca blundered is queen to a5, which is a cool double attack to white's double attack, right?
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As, yeah, easy to miss that, but the idea is it attacks this rook on e1, not just the rook that would come with a checkmate,
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and if the rook moves, you know, somewhere, then you just lose this bishop on e5, and, you know, you just lose material,
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and it's time to resign.
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Now, luckily for Capablanca, He didn't have to resign because in this case, there was a lucky save bishop to c3,
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so that at least you save that bishop and you don't lose it, while simultaneously blocking this diagonal and not losing your rook.
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So it kind of avoids losing these pieces or at least one of them.
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Now after the trade, the position becomes balanced.
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You recapture and yeah, even though you threaten checkmate, but it's black to play.
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And so black has to counter that one, but he's got rook to g6 now looks like black is winning
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because he won the exchange and white's pawn structure is weak
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but there is knight to e7 check all right so
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that would be the thing and after king to h8 white trades black captures
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and once the dust settles we can see
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that the position is approximately equal white is up a pawn
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but all these ones are hanging and weak and it's about equal
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so kamalanka had a lucky way to save the day
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but with all the honesty i think that he just missed the move queen to a5,
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which very easily could have been an absolutely winning move by black,
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and it was just a lucky thing for white that he could have escaped after that.
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In the actual game though, black found another move which is also very interesting, it's the move rook to d1,
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and the idea here is that white cannot take the queen because of rook takes e1 checkmate.
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That is clearly bad for white.
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Now certainly white can, and he did, capture the rook on d1, but now black recaptures on e5
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and now black is only down one pawn therefore he kind of got away from
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that really dangerous position where it seemed like he's just losing the game
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and now he's attacking the queen so therefore he thought
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that the game would go on but good for Cabablanca
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that he also escaped that blunder that counter attack
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that his opponent missed but as Cabablanca himself said the good player is always lucky
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Here we go.
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And the idea is, yeah, he had a very strong position, right?
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Very nice harmony of his pieces.
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And so it makes sense, yeah, that in many of these lines, the combinations would work in his favor.
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Now, how would you play here?
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Now, a lot of players probably notice, OK, the queen is hanging, let me just move it.
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But we know that once your position is already strong, meaning your pieces are already active.
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This is the time when you start looking for checks, captures and threats onto his opponent's side of the board.
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And he played nine to h6 instead.
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Nice counter.
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Now the knight can not be taken because the king starts to blush and it's an illegal move.
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Instead the king moves to the corner and now what do you do?
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This queen is Henny.
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The knight is Henny.
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What do you do?
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You sacrifice your queen.
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Queen takes e5.
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Another forces move by the way, a capture in this case.
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So you see that you know it is possible to find attacking moves in your own games
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if you follow this way of thinking.
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But it's still not easy.
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What if black captures?
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Do you see the continuation?
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Yeah, it's absolutely stunning knight takes f7.
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White sacrifices almost his final piece to deliver this fork and black cannot just move the king away or else,
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you know, that will lose the queen and black would be down material losing the game.
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But if the knight is accepted,
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rook takes, then we've got this come move rook to d8 and black loses the game due to this back rank checkmate.
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Just a quick reminder, my birthday offers are still available for a few more days with very special pricing on my courses and bundles.
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I'll leave the link below if you'd like to take a look and get your chest to the next level.
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And if you'd like to know Carlson's rules to win, you may like to watch this video next.
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Vocabulaire et conseils d’expression pour cette leçon
Cette leçon d’expression orale s’appuie sur la vidéo « Capablanca's Brilliant Move Was A Blunder⁉️ ». Les mots qui reviennent le plus souvent : queen, rook, knight, Capablanca, piece. Cette vidéo contient 171 phrases et 2342 mots à répéter en shadowing. La partie parlée dure 11:38. Le locuteur parle vite, environ 201 mots par minute : attendez-vous à des liaisons et à des sons réduits. 85 % des mots font partie des 3 000 mots les plus courants en anglais ; le reste mérite d’être vu avant de commencer.
Vocabulaire clé de cette vidéo
15 mots de la vidéo à retenir, avec leur prononciation et leur sens :
| Mot | Prononciation | Sens |
|---|---|---|
| knight nom | /ˈnaɪ̯t/ | chevalier |
| capture verbe | /ˈkæp.(t)ʃɚ/ | saisir, capturer |
| pawn nom | /ˈpɔːn/ | pion |
| bishop nom | /ˈbɪʃəp/ | évêque |
| opponent nom | /əˈpəʊ.nənt/ | opposant |
| threaten verbe | /ˈθɹɛt.n̩/ | menacer |
| initiative nom | /ɪˈnɪʃ.ə.tɪv/ | initiative |
| refuse verbe | /ɹɪˈfjuːz/ | refuser |
| sacrifice nom | /ˈsæk.ɹɪ.faɪs/ | sacrifice, offrande |
| pin nom | /pɪn/ | épingle |
| nevertheless adverbe | /ˌnɛvɚðəˈlɛs/ | cependant, pourtant |
| simultaneously adverbe | /ˌsaɪmlˈteɪnɪəsli/ | simultanément, en même temps |
| resign verbe | /ɹɪˈzaɪn/ | abandonner, céder |
| chess nom | /t͡ʃɛs/ | échecs |
| activate verbe | /ˈæktɪˌveɪt/ | actionner, activer |
Les verbes à particule que vous entendrez
| Mot | Prononciation | Sens |
|---|---|---|
| give up verbe | se rendre | |
| put together verbe | assembler | |
| shut down verbe | éteindre | |
| work out verbe | /ˌwɝk ˈaʊt/ | calculer |
Des phrases à répéter
Des phrases courtes et complètes de la vidéo, à réutiliser dans la conversation de tous les jours :
- All right, still what do you do then?
- What do you do?
- Do you see the continuation?
La grammaire de cette vidéo
Les structures que le locuteur utilise le plus, avec les mots exacts de la vidéo :
| Structure | Dans la vidéo |
|---|---|
| Voix passive be + participe passé — l’accent est mis sur ce qui arrive, pas sur qui le fait | be protected · is also pinned · can not be taken |
| Propositions relatives who / which + proposition — une précision sur une personne ou une chose | combination, which was · one who has · move which is |
Prononciation à surveiller
Le locuteur utilise 16 contractions et formes réduites, comme don't, you'd, you're. Prononcez-les sous leur forme courte, telles que vous les entendez.
- Les sons « th »: threaten /ˈθɹɛt.n̩/, nevertheless /ˌnɛvɚðəˈlɛs/
- Les sons « sh » et « zh »: capture /ˈkæp.(t)ʃɚ/, bishop /ˈbɪʃəp/, initiative /ɪˈnɪʃ.ə.tɪv/, potentially /pəˈtɛnʃ(ə)li/, coordination /kəʊˌɔːdɪˈneɪʃən/
- Mots longs — placez bien l’accent: initiative /ɪˈnɪʃ.ə.tɪv/, nevertheless /ˌnɛvɚðəˈlɛs/, simultaneously /ˌsaɪmlˈteɪnɪəsli/, potentially /pəˈtɛnʃ(ə)li/, intermediate /ɪn.tə(ɹ)ˈmi.di.ət/
Les sons difficiles pour les francophones :
- /tʃ/ et /dʒ/ — à ne pas adoucir en « ch » et « j »: chess /t͡ʃɛs/, bench /ˈbɛnt͡ʃ/, legit /lɪˈd͡ʒɪt/, checkmate /ˈt͡ʃɛkmeɪt/
- /r/ anglais — langue recourbée, sans frotter la gorge: threaten /ˈθɹɛt.n̩/, refuse /ɹɪˈfjuːz/, sacrifice /ˈsæk.ɹɪ.faɪs/, resign /ɹɪˈzaɪn/, rank /ˈɹæŋk/
Comment s’entraîner avec cette vidéo
- Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
- Commencez à la vitesse 0,75×, répétez phrase par phrase, puis revenez à la vitesse normale quand cela devient facile.
- Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme knight, capture, pawn.
Qu'est-ce que la technique du Shadowing ?
Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.