Pratique du Shadowing: Learn English Through Stories | The Dream I Can't Explain - Apprendre l'anglais à l'oral avec la vidéo

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123 phrases
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Hello everyone, I'm Shylet, and welcome back.
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Last night, I dreamed I was late for a flight, but the airport was inside a shopping mall,
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and nobody seemed concerned about this except me.
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There were people eating ice cream.
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A woman was trying on shoes.
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And I was running through the whole thing with a suitcase that kept changing size, which, if you've ever had that kind of dream,
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you know is exactly as exhausting as it sounds.
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I woke up tired. From sleeping.
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That shouldn't be possible.
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But the strange part, and this happens to me more than I'd like to admit, was that I couldn't stop thinking about it.
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Not because it meant something deep or mysterious, just because it felt so real while it was happening.
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That particular flavor of dream stress, where everything is slightly wrong, but your dream self is fully committed to figuring it out anyway.
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I mentioned it to someone during the day, almost without thinking.
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Just said, I had the weirdest dream last night.
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And they immediately leaned in.
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Because that's what dreams do in conversation.
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They pull people in.
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Everyone has them.
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Everyone finds them strange.
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And almost nobody fully understands them.
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Which makes them oddly wonderful to talk about.
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And here's what I find interesting from an English perspective.
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Talking about dreams is actually a really rich space for language practice.
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Not because dreams are complicated to describe — they're not,
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usually — but because they push you to use a very specific kind of language: uncertain language.
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imaginative language.
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The language of things that felt real, but weren't.
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Phrases like, "I was somewhere that looked like…" or
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i'm not sure why but in the dream i thought that
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or it didn't make any sense but somehow i knew that These are real,
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natural English constructions, and they come up constantly when people talk about dreams.
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There's a lovely vagueness to them that actually makes them easier to say because you're not expected to be precise.
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Dreams don't have to make sense, so your description doesn't either.
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Which is, honestly, a very relaxing change of pace.
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So, here's something I noticed.
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When people talk about dreams in English, they almost always use the past tense, Which makes sense, the dream already happened.
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But they also do this interesting thing where they switch into the present tense mid -story without realizing it.
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Like, someone will say, "I was in this huge house, and I didn't recognize it." And then suddenly,
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and there's this door at the end of the hallway, and I don't want to open it, but I do anyway.
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Present tense, right in the middle of a past story.
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Because the dream still feels alive, somehow.
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Still immediate.
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Still happening in some corner of your memory.
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And that's completely natural in spoken English.
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It's called the historic present, if you want the grammar name for it.
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But honestly, you don't need to remember that.
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You just need to know that switching tenses while telling a dream story doesn't make you sound confused confused,
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it makes you sound like a real person telling a real story the way humans actually tell stories.
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What I love about dream conversations is that they're genuinely low pressure.
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Nobody can fact check your dream.
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Nobody's going to say, "Are you sure that's what happened?" You are the only witness.
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You are the only source.
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That means you can speak with total confidence about something that was entirely made up by your own sleeping brain.
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There's something freeing about that, especially if speaking English sometimes makes you feel like you might say the wrong thing or get corrected.
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In a dream story, there is no wrong thing.
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Some phrases that work beautifully here.
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The strange thing was that I felt completely calm, even though… or I knew it was a dream, but I couldn't wake up.
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or Everything looked normal, but something felt completely off.
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That last one, by the way, "something felt off," is such a useful everyday English phrase, not just for dreams, for situations,
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for people, for places that give you a slightly uncomfortable feeling you can't quite name.
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Worth keeping Worth using.
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Dreams teach you things.
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Even the weird airport shopping mall ones.
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There are two kinds of dreams people talk about: the strange ones: flying, falling, missing an exam for a class you never attended.
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and the ones that feel so real and so close to actual life that when you wake up,
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you spend a few seconds genuinely unsure which side of sleep you're on.
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Those second ones are the ones that stay with you.
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I had one once where I had a long, warm conversation with someone I hadn't spoken to in years.
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We were just sitting somewhere, talking the way we used to, and everything felt completely normal and easy and right.
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And then I woke up, and remembered that things between us weren't like that anymore.
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And the dream felt like a gift and a bruise at the same time.
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I'm not sure there's a clean English phrase for that feeling.
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Maybe that's why people reach for things like, "It felt so real," or, "I woke up and I couldn't shake it," or,
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I didn't want to wake up, actually.
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That last one carries a lot, doesn't it?
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I didn't want to wake up.
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Three words that can mean something very simple or something much heavier depending on the dream and the person saying it.
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Language does that, especially emotional language.
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The same sentence can be light or heavy depending on what's behind it, and this is something worth paying attention to as you build your English.
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It's not just about finding the right word.
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It's about noticing how much a simple phrase can hold.
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How "I'm fine" can mean a hundred different things.
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How It was okay.
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is sometimes the saddest possible review of something, How… I keep thinking about it.
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Tells you everything without explaining anything.
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Dreams are actually a wonderful way into this kind of emotional vocabulary.
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Because when you try to describe a dream, you're almost always reaching for feeling words, not fact words.
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Not, "The building was 14 floors tall,
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but the whole place felt wrong somehow." Feeling words are the ones that connect people,
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in any language, but especially in English, when you're brave enough to use them.
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I once read somewhere that the most common dream in the world is showing up somewhere important and realizing you're completely unprepared.
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Exam you didn't study for,
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presentation you forgot about, stage with an audience waiting and absolutely no idea why you're there.
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And I thought, "Of course." Of course that's the most common one.
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Because that feeling, that specific stomach drop panic of not being ready,
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is so universally human that even our sleeping brains can't leave it alone.
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There's something oddly comforting about that, actually.
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Your anxiety dream is everyone's anxiety dream.
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You're not alone in it.
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And here's where I want to bring this back to English.
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Not in a forced way, just honestly.
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A lot of people who are learning a new language have dreams about it.
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Dreams where they're speaking English perfectly and effortlessly, and everyone understands them, and it feels incredible.
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And then they wake up, and it feels slightly unfair that their dream self is more fluent than their awake self.
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But I want to offer you a different way to look at that.
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Your brain is practicing while you sleep, genuinely.
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Language learning happens in rest as much as it happens in study.
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The fact that English is showing up in your dreams means it's settling somewhere deeper than memorization.
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It's becoming part of how you think.
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That matters more than any grammar exercise.
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So, if someone asks you, in English, in conversation, casually,
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"Do you ever dream in English?" You now have something real to say.
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You can answer honestly.
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You can describe a dream, use the past tense, reach for feeling words, let the story be a little vague and imperfect and human.
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And that conversation, that small, ordinary exchange about something as strange and personal as a dream,
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that is real English.
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That is connection.
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That is exactly what language is supposed to do.
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You don't have to be perfect.
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You just have to show up, awake or otherwise.
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Charlotte's been here with you today, and she'll be here tomorrow, too.
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Sleep well.
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Dream something interesting.

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Vocabulaire et conseils d’expression pour cette leçon

Cette vidéo contient 123 phrases et 1412 mots à répéter en shadowing. La partie parlée dure 10:34. Le locuteur parle à un rythme régulier d’environ 134 mots par minute, confortable pour le shadowing. 87 % des mots font partie des 3 000 mots les plus courants en anglais, le vocabulaire est donc facile à suivre.

Vocabulaire clé de cette vidéo

15 mots de la vidéo à retenir, avec leur prononciation et leur sens :

MotPrononciationSens
phrase nom/ˈfɹeɪ̯z/expression
tense nom/tɛns/temps, temps verbal
genuinely adverbe/ˈd͡ʒɛn.ju.ɪn.li/authentiquement, réellement
confused adjectif/kənˈfjuːzd/désorienté, perdu
anxiety nom/æŋˈzaɪ.əti/anxiété, inquiétude
mall nom/mɔːl/centre commercial, mail
examination nom/ɪɡˌzæm.ɪˈneɪ.ʃən/examen
depend verbe/dɪˈpɛnd/dépendre
grammar nom/ˈɡɹæm.ə(ɹ)/grammaire
awake verbe/əˈweɪk/se réveiller
oddly adverbe/ˈɑdli/étrangement
complicated adjectif/ˈkɑm.plɪˌkeɪ.tɪd/compliqué, alambiqué
everyday adjectif/ˈɛvɹiˌdeɪ/usuel
ordinary adjectif/ˈɔɹdɪnɛɹi/ordinaire
stomach nom/ˈstʌmək/estomac

Les verbes à particule que vous entendrez

MotPrononciationSens
wake up verbe/ˌweɪk ˈʌp/se réveiller
show up verbeapparaître, se montrer se pointer
come up verbese montrer, sortir du bois
make up verbe/ˌmeɪk ˈʌp/constituer, composer

Prononciation à surveiller

Le locuteur utilise 38 contractions et formes réduites, comme you're, didn't, don't. Prononcez-les sous leur forme courte, telles que vous les entendez.

  • Les sons « sh » et « zh »: examination /ɪɡˌzæm.ɪˈneɪ.ʃən/, shake /ˈʃeɪk/, presentation /ˌpɹɛzn̩ˈteɪʃn̩/, shoe /ˈʃu/, casually /ˈkæʒuəli/
  • Mots longs — placez bien l’accent: genuinely /ˈd͡ʒɛn.ju.ɪn.li/, anxiety /æŋˈzaɪ.əti/, examination /ɪɡˌzæm.ɪˈneɪ.ʃən/, complicated /ˈkɑm.plɪˌkeɪ.tɪd/, ordinary /ˈɔɹdɪnɛɹi/

Comment s’entraîner avec cette vidéo

  1. Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
  2. Répétez phrase par phrase à vitesse normale, en reprenant chacune jusqu’à ce que votre rythme corresponde à celui du locuteur.
  3. Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme phrase, tense, genuinely.

La grammaire de cette vidéo

Les structures que le locuteur utilise le plus, avec les mots exacts de la vidéo :

StructureDans la vidéo
Present perfect have/has + participe passé — une action passée qui compte encore maintenantyou've ever had · Charlotte's been
Propositions relatives who / which + proposition — une précision sur une personne ou une chosetense, Which makes · people who are

Qu'est-ce que la technique du Shadowing ?

Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.

Technique du shadowing : lire le guide complet étape par étape →