Pratique du Shadowing: The Beatles - Roundup Interview (1964) [REUPLOAD] - Apprendre l'anglais à l'oral avec la vidéo
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154 phrases
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1
Let's meet the Beatles.
2
I've got Paul and John.
3
John.
4
And Paul's talking to George and Ringo.
5
Well, I said in my intro, and you were listening to it, that there have been a lot of changes since this time last year.
6
Well, we've seen them, you know, we've seen you making films and doing all sorts of marvellous things, but what have the changes meant to you?
7
Nothing, really.
8
I think the main changes are in people's attitudes to you.
9
How?
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I don't know.
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But it's people who change rather than you.
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You know, we feel exactly the same, really.
13
Got a new suit, though.
14
But you've made a film since then.
15
Mm-hmm.
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And you've just finished it.
17
Yeah.
18
Why did you make a film?
19
Well, it's the logical step, isn't it?
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And I believe it's quite lucrative.
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Anyway, someone asked us.
22
Yeah, we're asked to do it.
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And we said, yeah.
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And Alan Owen wrote it and we changed it and we're all...
25
It's called A Hard Day's Night.
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At your local cinema now.
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Not now.
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Not now.
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Soon.
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Did you prefer this time last year or do you really like the big time?
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I like whatever's happening at the moment.
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Yeah, there's good in both of the stages.
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You know, it was great then.
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It's lovely now.
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Despite whether people are rude or not.
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Oh, I think that.
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What do you think about people who maybe, you know, didn't like you then or said something nice to you or just didn't bother about you then, but are terribly nice to you now?
38
We didn't bother about them then.
39
We don't bother about them now.
40
Do you know something?
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What?
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I believe it.
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Yeah, it's true.
44
What difference is there since last June up to now?
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What sort of things have happened to you since then?
46
The main difference is that we've got more money and less time to ourselves.
47
You know, everything's speeded up and we're just running around like mad.
48
And which of the two would you prefer to have?
49
More money and less time?
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Well...
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More money and less time.
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I think.
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If you ever manage to get away from the crowds, what sort of things do you like to do?
54
Sleep, see films, go to nightclubs, drive my car and that's it.
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Play records, watch TV, just ordinary things.
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What sort of records do you like listening to?
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Listening to all my records are sort of American ones.
58
People who you probably haven't heard of.
59
Arthur Askey, Bert Whedon.
60
Do you find any difficulty in keeping up your public image?
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No.
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What image?
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It's our image is just us.
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You know, as we were.
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We didn't try and make an image.
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It just happened, and so we don't have to keep it up.
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We just remain ourselves.
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Don't we, Ringo?
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Well, we do.
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The other two are worried about it.
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You write very good songs.
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Don't you?
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Thank you.
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do you write songs?
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Well, you know, we just depend, sometimes we write them on old pianos and anything that's lying around, you know, old tramps.
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It doesn't do the piano any good, does it?
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No, it's murder getting them to the recording studio.
78
I've got a song, George, on a great big piano.
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But guitars and things, you know, normally we sit down and try and bash one out or anything.
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But then again, there's no formula,
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because he can come up with one one day completely finished we still say we both wrote it though
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when did you start writing songs i was about two i think i wrote past me the bread mother
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no no it's more like when you're about about 13 or 14 when i got a guitar writing them seriously what's the one you wrote down that's me boom
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Well funny songs then.
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Mine was I lost my little girl.
86
Did you know each other when you were 13?
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Yeah, that's when we met.
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Really?
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Yeah.
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Tell us about the meeting.
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I was playing at a garden fight in the village where I lived on.
92
Playing for what?
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Playing with a group, you know, a skipper group.
94
And he came along and we met.
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I knew one of his mates, you know, Ivan, who was a mutual mate.
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Hey!
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mutual mate of ours and he introduced us and things.
98
In those days has your...
99
Go on.
100
In those days has your attitude to fans changed since then?
101
No, no, there's just more of them to watch.
102
But they all scream when they're listening to you.
103
Yeah, but we love that.
104
Do you really?
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Yeah, really.
106
Because in Edinburgh, you know, I mean, you know, Glasgow tonight.
107
Yesterday, last week.
108
and I said that, you know, I don't know, I've lost track of time.
109
Anyway, the atmosphere in the theatre, it's really, it's marvellous, you know, it must come.
110
I will do, I'll try to come.
111
Good.
112
John, about your book, how did you go about writing this book?
113
Well, sort of pen and paper and that.
114
In words, too.
115
I just sort of wrote it, you know, the hobby.
116
Is this a stage that you went through, writing in this sort of gorbled language that you've got out of now, have you?
117
No, because a lot of people can't go.
118
I was rather more polite or more rude, you know, one extreme to the other.
119
To the other, where's he gone?
120
Clapses.
121
What's the most interesting person that you've ever met?
122
I should say, who's the most interesting person you've ever met?
123
John Lennon.
124
George?
125
Um, Harry Seacombe, I think.
126
I like him.
127
Is that the kind of person that you like?
128
Yeah.
129
Have you ever been frightened of your fans?
130
A time when they've really frightened you?
131
Paul's frightened me a few times.
132
Only times when getting in and out of places, when there's thousands of them all together, but when you usually only meet about the most six or seven, you know, if you were sort of running along the road,
133
and then there's not enough of them then is it to sort of make you fly?
134
You don't mind that too much?
135
Do you never feel lonely sitting at the back?
136
No, no, no, that's where I am, you see.
137
The drummer should always be at the back.
138
The drummer should be heard and not seen.
139
Ringo, how do you feel about sitting playing on stage and being showered with things like jelly babies, boots, girls, things like that?
140
Well, I'm lucky being at the back, you know, the other three have it worse than I do.
141
Sometimes it's a bit of a drag.
142
It's not much fun, actually.
143
You know, off your stove.
144
Yeah, because if...
145
Actually, we've had things hit us in the eye.
146
And if you're listening, don't throw them in your eye.
147
It's dangerous, you know.
148
Bad!
149
Hello, boys.
150
How are you doing?
151
Hello, chaps.
152
How are you doing?
153
You can get up now.
154
I pronounce you man and wait.
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Vocabulaire et conseils d’expression pour cette leçon
Cette vidéo contient 154 phrases et 1176 mots à répéter en shadowing. La partie parlée dure 6:54. Le locuteur parle à un rythme naturel d’environ 170 mots par minute, proche d’une conversation courante. 89 % des mots font partie des 3 000 mots les plus courants en anglais, le vocabulaire est donc facile à suivre.
Vocabulaire clé de cette vidéo
15 mots de la vidéo à retenir, avec leur prononciation et leur sens :
| Mot | Prononciation | Sens |
|---|---|---|
| bother verbe | /ˈbɑðɚ/ | bâdrer, déranger |
| piano nom | /piˈænɪː/ | piano |
| guitar nom | /ɡɪˈtɑɹ/ | guitare |
| mutual adjectif | /ˈmjuːt͡ʃuəl/ | mutuel |
| rude adjectif | /ɹuːd/ | impoli, malpoli |
| drummer nom | /ˈdɹʌmɚ/ | batteur, batteuse |
| atmosphere nom | /ˈætməsˌfɪɹ/ | atmosphère |
| formula nom | /ˈfɔː.mjʊ.lə/ | formule |
| ordinary adjectif | /ˈɔɹdɪnɛɹi/ | ordinaire |
| dragon nom | /ˈdɹæɡən/ | dragon |
| introduce verbe | /ˌɪntɹəˈdus/ | présenter |
| difficulty nom | /ˈdɪfɪkəlti/ | difficulté |
| lonely adjectif | /ˈloʊnli/ | seul |
| depend verbe | /dɪˈpɛnd/ | dépendre |
| boot nom | /but/ | botte, bottine |
Les verbes à particule que vous entendrez
| Mot | Sens |
|---|---|
| come along verbe | accompagner, venir |
| come up with verbe | inventer, imaginer |
| get up verbe | se lever |
| go through verbe | traverser |
| keep up verbe | maintenir, conserver |
| run along verbe | partir |
| run around verbe | courir partout |
| sit down verbe | s'asseoir |
La grammaire de cette vidéo
Les structures que le locuteur utilise le plus, avec les mots exacts de la vidéo :
| Structure | Dans la vidéo |
|---|---|
| Present perfect have/has + participe passé — une action passée qui compte encore maintenant | have been · we've seen · you've made |
| Propositions relatives who / which + proposition — une précision sur une personne ou une chose | people who change · people who maybe · People who you |
| Voix passive be + participe passé — l’accent est mis sur ce qui arrive, pas sur qui le fait | should be heard · being showered |
Prononciation à surveiller
Le locuteur utilise 37 contractions et formes réduites, comme don't, you've, didn't. Prononcez-les sous leur forme courte, telles que vous les entendez.
- Mots longs — placez bien l’accent: ordinary /ˈɔɹdɪnɛɹi/, difficulty /ˈdɪfɪkəlti/
Comment s’entraîner avec cette vidéo
- Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
- Commencez à la vitesse 0,75×, répétez phrase par phrase, puis revenez à la vitesse normale quand cela devient facile.
- Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme bother, piano, guitar.
Qu'est-ce que la technique du Shadowing ?
Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.