Pratique du Shadowing: The Beatles - Roundup Interview (1964) [REUPLOAD] - Apprendre l'anglais à l'oral avec YouTube

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Let's meet the Beatles.
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154 phrases
1
Let's meet the Beatles.
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I've got Paul and John.
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John.
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And Paul's talking to George and Ringo.
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Well, I said in my intro, and you were listening to it, that there have been a lot of changes since this time last year.
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Well, we've seen them, you know, we've seen you making films and doing all sorts of marvellous things, but what have the changes meant to you?
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Nothing, really.
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I think the main changes are in people's attitudes to you.
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How?
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I don't know.
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But it's people who change rather than you.
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You know, we feel exactly the same, really.
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Got a new suit, though.
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But you've made a film since then.
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Mm-hmm.
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And you've just finished it.
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Yeah.
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Why did you make a film?
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Well, it's the logical step, isn't it?
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And I believe it's quite lucrative.
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Anyway, someone asked us.
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Yeah, we're asked to do it.
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And we said, yeah.
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And Alan Owen wrote it and we changed it and we're all...
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It's called A Hard Day's Night.
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At your local cinema now.
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Not now.
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Not now.
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Soon.
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Did you prefer this time last year or do you really like the big time?
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I like whatever's happening at the moment.
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Yeah, there's good in both of the stages.
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You know, it was great then.
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It's lovely now.
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Despite whether people are rude or not.
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Oh, I think that.
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What do you think about people who maybe, you know, didn't like you then or said something nice to you or just didn't bother about you then, but are terribly nice to you now?
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We didn't bother about them then.
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We don't bother about them now.
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Do you know something?
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What?
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I believe it.
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Yeah, it's true.
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What difference is there since last June up to now?
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What sort of things have happened to you since then?
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The main difference is that we've got more money and less time to ourselves.
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You know, everything's speeded up and we're just running around like mad.
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And which of the two would you prefer to have?
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More money and less time?
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Well...
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More money and less time.
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I think.
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If you ever manage to get away from the crowds, what sort of things do you like to do?
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Sleep, see films, go to nightclubs, drive my car and that's it.
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Play records, watch TV, just ordinary things.
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What sort of records do you like listening to?
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Listening to all my records are sort of American ones.
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People who you probably haven't heard of.
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Arthur Askey, Bert Whedon.
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Do you find any difficulty in keeping up your public image?
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No.
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What image?
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It's our image is just us.
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You know, as we were.
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We didn't try and make an image.
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It just happened, and so we don't have to keep it up.
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We just remain ourselves.
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Don't we, Ringo?
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Well, we do.
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The other two are worried about it.
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You write very good songs.
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Don't you?
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Thank you.
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do you write songs?
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Well, you know, we just depend, sometimes we write them on old pianos and anything that's lying around, you know, old tramps.
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It doesn't do the piano any good, does it?
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No, it's murder getting them to the recording studio.
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I've got a song, George, on a great big piano.
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But guitars and things, you know, normally we sit down and try and bash one out or anything.
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But then again, there's no formula,
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because he can come up with one one day completely finished we still say we both wrote it though
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when did you start writing songs i was about two i think i wrote past me the bread mother
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no no it's more like when you're about about 13 or 14 when i got a guitar writing them seriously what's the one you wrote down that's me boom
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Well funny songs then.
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Mine was I lost my little girl.
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Did you know each other when you were 13?
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Yeah, that's when we met.
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Really?
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Yeah.
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Tell us about the meeting.
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I was playing at a garden fight in the village where I lived on.
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Playing for what?
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Playing with a group, you know, a skipper group.
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And he came along and we met.
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I knew one of his mates, you know, Ivan, who was a mutual mate.
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Hey!
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mutual mate of ours and he introduced us and things.
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In those days has your...
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Go on.
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In those days has your attitude to fans changed since then?
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No, no, there's just more of them to watch.
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But they all scream when they're listening to you.
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Yeah, but we love that.
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Do you really?
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Yeah, really.
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Because in Edinburgh, you know, I mean, you know, Glasgow tonight.
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Yesterday, last week.
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and I said that, you know, I don't know, I've lost track of time.
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Anyway, the atmosphere in the theatre, it's really, it's marvellous, you know, it must come.
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I will do, I'll try to come.
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Good.
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John, about your book, how did you go about writing this book?
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Well, sort of pen and paper and that.
114
In words, too.
115
I just sort of wrote it, you know, the hobby.
116
Is this a stage that you went through, writing in this sort of gorbled language that you've got out of now, have you?
117
No, because a lot of people can't go.
118
I was rather more polite or more rude, you know, one extreme to the other.
119
To the other, where's he gone?
120
Clapses.
121
What's the most interesting person that you've ever met?
122
I should say, who's the most interesting person you've ever met?
123
John Lennon.
124
George?
125
Um, Harry Seacombe, I think.
126
I like him.
127
Is that the kind of person that you like?
128
Yeah.
129
Have you ever been frightened of your fans?
130
A time when they've really frightened you?
131
Paul's frightened me a few times.
132
Only times when getting in and out of places, when there's thousands of them all together, but when you usually only meet about the most six or seven, you know, if you were sort of running along the road,
133
and then there's not enough of them then is it to sort of make you fly?
134
You don't mind that too much?
135
Do you never feel lonely sitting at the back?
136
No, no, no, that's where I am, you see.
137
The drummer should always be at the back.
138
The drummer should be heard and not seen.
139
Ringo, how do you feel about sitting playing on stage and being showered with things like jelly babies, boots, girls, things like that?
140
Well, I'm lucky being at the back, you know, the other three have it worse than I do.
141
Sometimes it's a bit of a drag.
142
It's not much fun, actually.
143
You know, off your stove.
144
Yeah, because if...
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Actually, we've had things hit us in the eye.
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And if you're listening, don't throw them in your eye.
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It's dangerous, you know.
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Bad!
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Hello, boys.
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How are you doing?
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Hello, chaps.
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How are you doing?
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You can get up now.
154
I pronounce you man and wait.
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Shadowing English

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About This Lesson

In this lesson, you will practice your English speaking skills through a fascinating interview with The Beatles conducted in 1964. This engaging content not only features authentic conversational English but also provides insight into the band's experiences and changing dynamics within their music career. By actively participating in the shadowing technique, you will improve your pronunciation, intonation, and overall fluency. This session is perfect for anyone looking to enhance their English skills through real-world dialogue.

Key Vocabulary & Phrases

  • Changes – Fluctuations or transitions in circumstances or opinions.
  • Attitudes – Personal perspectives or feelings towards someone or something.
  • Lucrative – Profitable; producing a lot of money.
  • Logical step – A reasonable or rational action taken in succession.
  • Bother – To take the trouble to do something; often used to indicate annoyance.
  • Speeded up – To accelerate something or make it happen faster.
  • Running around like mad – To be very busy or active, often in a frantic manner.
  • More money and less time – A common phrase expressing the balance between wealth and personal freedom.

Practice Tips

To effectively utilize the shadowing technique with this video, follow these tips:

  • Mind the Pace: The Beatles' conversation has a natural rhythm and flow. Initially, listen to short segments (1-2 sentences) and try to repeat them. This technique will help you grasp their speaking style, especially the way they emphasize certain words.
  • Shadow Speech: Use a shadowing app or online resource that allows you to play the video on repeat while mimicking the speakers. Focus on mirroring their tone and emotions, which enhances both your speaking confidence and comprehension.
  • Record Yourself: After practicing a few sections, record your voice while shadow speaking. Comparing your pronunciation and cadence to that of the original speakers will help identify areas for improvement.
  • Break It Down: If a phrase is difficult, break it into smaller parts. Master each segment before smoothly transitioning to the next, which is essential for maintaining clarity and fluency.
  • Practice Regularly: Incorporate this video into your daily routine on your favorite shadowing site. Consistent practice will lead to significant improvements in your English speaking skills over time.

By embracing these practice tips, you will effectively enhance your speaking abilities, developing both confidence and fluency in your English communication through the enjoyable medium of music history.

Qu'est-ce que la technique du Shadowing ?

Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.

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